Yamaha P-07 Le manuel du propriétaire

Marque: Yamaha

Modèle: P-07

Catégorie: Synthétiseur

Taper: Le manuel du propriétaire

Ce manuel convient également à

P-65

ENGLISH

FRANÇAIS

ESPAÑOL

P-65

Electronic Piano

Owner’s Manual

Mode d’emploi

Manual de instrucciones

P-65

Owner’s Manual

SPECIAL MESSAGE SECTION

This product utilizes batteries or an external power supply (adapter). DO

NOT connect this product to any power supply or adapter other than one

described in the manual, on the name plate, or speciﬁcally recom-

mended by Yamaha.

WARNING:

Do not place this product in a position where anyone could

walk on, trip over, or roll anything over power or connecting cords of any

kind. The use of an extension cord is not recommended! If you must use

an extension cord, the minimum wire size for a 25’ cord (or less) is 18

AWG. NOTE: The smaller the AWG number, the larger the current han-

dling capacity. For longer extension cords, consult a local electrician.

This product should be used only with the components supplied or; a

cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is

used, please observe all safety markings and instructions that accom-

pany the accessory product.

SPECIFICATIONS SUBJECT TO CHANGE:

The information contained in this manual is believed to be correct at the

time of printing. However, Yamaha reserves the right to change or modify

any of the speciﬁcations without notice or obligation to update existing

units.

This product, either alone or in combination with an ampliﬁer and head-

phones or speaker/s, may be capable of producing sound levels that

could cause permanent hearing loss. DO NOT operate for long periods

of time at a high volume level or at a level that is uncomfortable. If you

experience any hearing loss or ringing in the ears, you should consult an

audiologist.

IMPORTANT: The louder the sound, the shorter the time period before

damage occurs.

Some Yamaha products may have benches and / or accessory mounting

ﬁxtures that are either supplied with the product or as optional accesso-

ries. Some of these items are designed to be dealer assembled or

installed. Please make sure that benches are stable and any optional ﬁx-

tures (where applicable) are well secured BEFORE using.

Benches supplied by Yamaha are designed for seating only. No other

uses are recommended.

NOTICE:

Service charges incurred due to a lack of knowledge relating to how a

function or effect works (when the unit is operating as designed) are not

covered by the manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and consult your dealer

before requesting service.

ENVIRONMENTAL ISSUES:

Yamaha strives to produce products that are both user safe and environ-

mentally friendly. We sincerely believe that our products and the produc-

tion methods used to produce them, meet these goals. In keeping with

both the letter and the spirit of the law, we want you to be aware of the

following:

Battery Notice:

This product MAY contain a small non-rechargeable battery which (if

applicable) is soldered in place. The average life span of this type of bat-

tery is approximately ﬁve years. When replacement becomes necessary,

contact a qualiﬁed service representative to perform the replacement.

This product may also use “household” type batteries. Some of these

may be rechargeable. Make sure that the battery being charged is a

rechargeable type and that the charger is intended for the battery being

charged.

When installing batteries, do not mix batteries with new, or with batteries

of a different type. Batteries MUST be installed correctly. Mismatches or

incorrect installation may result in overheating and battery case rupture.

Warning:

Do not attempt to disassemble, or incinerate any battery. Keep all batter-

ies away from children. Dispose of used batteries promptly and as regu-

lated by the laws in your area. Note: Check with any retailer of

household type batteries in your area for battery disposal information.

Disposal Notice:

Should this product become damaged beyond repair, or for some reason

its useful life is considered to be at an end, please observe all local,

state, and federal regulations that relate to the disposal of products that

contain lead, batteries, plastics, etc. If your dealer is unable to assist

you, please contact Yamaha directly.

NAME PLATE LOCATION:

The name plate is located on the bottom of the product. The model num-

ber, serial number, power requirements, etc., are located on this plate.

You should record the model number, serial number, and the date of pur-

chase in the spaces provided below and retain this manual as a perma-

nent record of your purchase.

Model

Serial No.

Purchase Date

PLEASE KEEP THIS MANUAL

92-BP

(bottom)

P-65

Owner’s Manual

IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING

- When using any electrical or electronic product,

basic precautions should always be followed. These precautions

include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions, Spe-

cial Message Section items, and any Assembly Instructions

found in this manual BEFORE making any connections, includ-

ing connection to the main supply.

2. Main Power Supply Veriﬁcation: Yamaha products are

manufactured speciﬁcally for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact your

dealer for supply voltage veriﬁcation and (if applicable) instruc-

tions. The required supply voltage is printed on the name plate.

For name plate location, please refer to the graphic found in the

Special Message Section of this manual.

3. This product may be equipped with a polarized plug (one

blade wider than the other). If you are unable to insert the plug

into the outlet, turn the plug over and try again. If the problem

persists, contact an electrician to have the obsolete outlet

replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize external power supplies

or adapters. Do NOT connect this type of product to any power

supply or adapter other than one described in the owners manual,

on the name plate, or speciﬁcally recommended by Yamaha.

WARNING:

Do not place this product or any other

objects on the power cord or place it in a position where anyone

could walk on, trip over, or roll anything over power or connect-

ing cords of any kind. The use of an extension cord is not recom-

mended! If you must use an extension cord, the minimum wire

size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the

AWG number, the larger the current handling capacity. For

longer extension cords, consult a local electrician.

6. Ventilation: Electronic products, unless speciﬁcally

designed for enclosed installations, should be placed in locations

that do not interfere with proper ventilation. If instructions for

enclosed installations are not provided, it must be assumed that

unobstructed ventilation is required.

7. Temperature considerations: Electronic products should

be installed in locations that do not signiﬁcantly contribute to

their operating temperature. Placement of this product close to

heat sources such as; radiators, heat registers and other devices

that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain.

Examples of wet/damp locations are; near a swimming pool,

spa, tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

10. The power supply cord (plug) should be disconnected

from the outlet when electronic products are to be left unused for

extended periods of time. Cords should also be disconnected

when there is a high probability of lightning and/or electrical

storm activity.

11. Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualiﬁed service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain: or

d. The product dose not operate, exhibits a marked change

in performance; or

e. The product has been dropped, or the enclosure of the

product has been damaged.

13. Do not attempt to service this product beyond that

described in the user-maintenance instructions. All other servic-

ing should be referred to qualiﬁed service personnel.

14. This product, either alone or in combination with an

ampliﬁer and headphones or speaker/s, may be capable of pro-

ducing sound levels that could cause permanent hearing loss.

DO NOT operate for a long period of time at a high volume level

or at a level that is uncomfortable. If you experience any hearing

loss or ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

15. Some Yamaha products may have benches and/or accessory

mounting ﬁxtures that are either supplied as a part of the product

or as optional accessories. Some of these items are designed to be

dealer assembled or installed. Please make sure that benches are

stable and any optional ﬁxtures (where applicable) are well

secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

PLEASE KEEP THIS MANUAL

92-469-2

P-65

Owner’s Manual

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PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical

shock, short-circuiting, damages, ﬁre or other hazards. These precautions include, but are not limited to, the following:

• Only use the voltage speciﬁed as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Use the speciﬁed adaptor (PA-5D or an equivalent recommended by Yamaha)

only. Using the wrong adaptor can result in damage to the instrument or

overheating.

• Check the electric plug periodically and remove any dirt or dust which may have

accumulated on it.

• Do not place the AC adaptor cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy objects

on it, or place it in a position where anyone could walk on, trip over, or roll

anything over it.

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts. If it

should appear to be malfunctioning, discontinue use immediately and have it

inspected by qualiﬁed Yamaha service personnel.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill into

any openings.

• Never insert or remove an electric plug with wet hands.

• Do not put burning items, such as candles, on the unit.

A burning item may fall over and cause a ﬁre.

• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a

sudden loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power switch,

disconnect the adaptor plug from the outlet, and have the instrument inspected

by qualiﬁed Yamaha service personnel.

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage

to the instrument or other property. These precautions include, but are not limited to, the following:

• When removing the electric plug from the instrument or an outlet, always hold

the plug itself and not the cord.

• Unplug the AC power adaptor when not using the instrument, or during

electrical storms.

• Do not connect the instrument to an electrical outlet using a multiple-connector.

Doing so can result in lower sound quality, or possibly cause overheating in the

outlet.

• Do not expose the instrument to excessive dust or vibrations, or extreme cold or

heat (such as in direct sunlight, near a heater, or in a car during the day) to

prevent the possibility of panel disﬁguration or damage to the internal

components.

• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,

mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio

may generate noise.

• Do not place the instrument in an unstable position where it might accidentally

fall over.

• Before moving the instrument, remove all connected adaptor and other cables.

• When setting up the instrument, make sure that the AC outlet you are using is

easily accessible. If some trouble or malfunction occurs, immediately turn off

the power switch and disconnect the plug from the outlet.

• Use only the stand speciﬁed for the instrument. When attaching the stand or

rack, use the provided screws only. Failure to do so could cause damage to the

internal components or result in the instrument falling over.

Power supply/AC power adaptor

Do not open

Water warning

Fire warning

If you notice any abnormality

Power supply/AC power adaptor

Location

P-65

Owner’s Manual

ENGLISH

• Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all

components, set all volume levels to minimum. Also, be sure to set the volumes

of all components at their minimum levels and gradually raise the volume

controls while playing the instrument to set the desired listening level.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning ﬂuids, or chemical-impregnated wiping cloths.

• Do not insert a ﬁnger or hand in any gaps on the instrument.

• Never insert or drop paper, metallic, or other objects into the gaps on the panel

or keyboard. If this happens, turn off the power immediately and unplug the

power cord from the AC outlet. Then have the instrument inspected by qualiﬁed

Yamaha service personnel.

• Do not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• Do not rest your weight on, or place heavy objects on the instrument, and do not

use excessive force on the buttons, switches or connectors.

• Do not operate the instrument for a long period of time at a high or

uncomfortable volume level, since this can cause permanent hearing loss. If you

experience any hearing loss or ringing in the ears, consult a physician.

Yamaha cannot be held responsible for damage caused by improper use or modiﬁcations to the instrument, or data that is lost or destroyed.

Always turn the power off when the instrument is not in use.

Even when the instrument turns the power off, electricity is still ﬂowing to the instrument at the minimum level. When you are not using the instrument for a long time, make

sure you unplug the AC power adaptor from the wall AC outlet.

Connections

Maintenance

Handling caution

(3)-9

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PRECAUTIONS

P-65

Owner’s Manual

ENGLISH

Introduction

Thank you for purchasing the Yamaha Electronic Piano P-65!

We recommend that you read this manual carefully

so that you can fully take advantage of the advanced and

convenient functions of the P-65.

We also recommend that you keep this manual in a safe and

handy place for future reference.

Main Features

Graded Hammer Standard Keyboard

Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a keyboard with

action that’s virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower

notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboard’s sensitivity can

even be adjusted to match your playing style. This Graded Hammer technology also enables the P-65 to provide

authentic touch in a lightweight instrument.

AWM Stereo Sampling

The Yamaha P-65 electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as

Yamaha’s original “AWM Stereo Sampling” tone-generation technology for rich, musical voices.

In particular, the Grand Piano 1 and 2 voices feature samples painstakingly recorded from a full concert grand piano,

while the Electric Piano 1 and 2 voice features multiple samples for different velocities (Dynamic Sampling); in other

words, it uses different samples depending on the strength of your playing.

P-65

Owner’s Manual

ENGLISH

About this Owner’s Manual

This manual consists of three main sections: Introduction, Reference and Appendix.

Introduction (page 6):

Please read this section ﬁrst.

Reference (page 13):

This section explains how to make detailed settings for the P-65’s various functions.

Appendix (page 26):

This section features a variety of essential, detailed information on the instrument.

* The illustrations as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from

those on your instrument.

* Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited

except for your personal use.

• The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective

companies.

Accessories

• Owner’s Manual

This manual contains complete instructions for operating your P-65.

• Quick Operation Guide

• Yamaha PA-5D Power Adaptor

• Pedal (FC5)

• Music Rest

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to

which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style

ﬁles, MIDI ﬁles, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of

personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE

OR USE ILLEGAL COPIES.

P-65 Owner’s Manual

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Table of Contents

Introduction

Main Features...............................................................................................6

About this Owner’s Manual .........................................................................7

Accessories ...................................................................................................7

Application Index .........................................................................................9

Panel Controls and Terminals....................................................................10

Before Using the P-65 ................................................................................11

Turning the Power On ................................................................................................ 11

Setting the Volume...................................................................................................... 11

Using the Pedal ............................................................................................................ 12

Using Headphones ...................................................................................................... 12

Music Rest.................................................................................................................... 12

Reference

Listening to the Demo Songs ....................................................................13

Selecting & Playing Voices.........................................................................14

Selecting Voices ........................................................................................................... 14

Combining Voices (Dual)........................................................................................... 15

Adding Variations to the Sound – Reverb ................................................................. 16

Transposition.............................................................................................................. 17

Fine tuning of the Pitch............................................................................................... 17

Touch Sensitivity ......................................................................................................... 18

Connecting MIDI Instruments ...................................................................19

Connecting MIDI [IN][OUT] terminals ................................................................... 19

MIDI’s Capability ........................................................................................................ 19

Connecting a Personal Computer .............................................................................. 20

MIDI Functions ...........................................................................................21

MIDI Transmit/Receive Channel Selection ............................................................... 21

Local Control ON/OFF ............................................................................................... 21

Program Change ON/OFF.......................................................................................... 22

Control Change ON/OFF ........................................................................................... 22

Troubleshooting.........................................................................................23

Optional Equipment...................................................................................23

Index...........................................................................................................24

Appendix

MIDI Data Format ......................................................................................26

MIDI Implementation Chart ......................................................................30

Specifications .............................................................................................31

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Application Index

Use this index to ﬁnd reference pages that may be helpful for your particular application and situation.

Listening

Listening to demo songs with different voices.....................................................................Listening to the Demo Songs on page 13

Playing

Using the sustain pedal ............................................................................................................................... Using the Pedal on page 12

Changing the key of the P-65 to facilitate playing in difﬁcult/unfamiliar key signatures.......................... Transposition on page 17

Fine tuning the pitch of the entire instrument when you play the P-65 along with other instruments or CD music

.........................................................................................................................................................Fine tuning of the Pitch on page 17

Selecting a touch sensitivity type............................................................................................................. Touch Sensitivity on page 18

Changing voices

Viewing the list of voices ............................................................................................................................Selecting Voices on page 14

Simulating a concert hall ..................................................................................Adding Variations to the Sound – Reverb on page 16

Combining two voices ............................................................................................................... Combining Voices (Dual) on page 15

Connecting the P-65 to other devices

What is MIDI?.................................................................................................................................................. About MIDI on page 19

Connecting a computer ................................................................................................ Connecting a Personal Computer on page 20

Panel Controls and Terminals

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Panel Controls and Terminals

1 2 3 4 576

[STANDBY/ON] switch ................ page 11

For turning the power on or off.

[MASTER VOLUME] slider ........... page 11

For adjusting the volume level of the entire sound.

[DEMO] button............................ page 13

For playing the demo songs.

[GRAND PIANO/VOICE] button

..........................................page 14-16, 18

For selecting voices from 8 internal sounds including

Grand Piano 1 and 2 (page 14). You can also combine

two voices (page 15) or add reverb effects to the

selected voice for your keyboard performance

(page 16).

[SELECT] button .................... page 13, 14

For selecting a demo song for each voice.

[DC IN 12V] jack...........................page 11

For connecting the included power adaptor (PA-5D).

MIDI [IN] [OUT] terminals ...........page 19

For connecting external MIDI devices, allowing the

use of various MIDI functions.

[PEDAL] jack.................................page 12

For connecting an included pedal (FC5) or an

optional FC4 foot switch.

[PHONES] jack..............................page 12

For connecting a set of standard stereo headphones,

allowing private practice.

Before Using the P-65

P-65 Owner’s Manual

ENGLISH

Before Using the P-65

Turning the Power On

1. Connect the PA-5D power adaptor’s DC

cable to the [DC IN 12V] jack.

2. Plug the AC adaptor into an AC outlet.

WARNING

Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor spe-

ciﬁcally recommended by Yamaha) to power your instrument from

the AC mains. The use of other adaptors may result in irreparable

damage to both the adaptor and the P-65.

CAUTION

Unplug the AC Power Adaptor when not using the P-65, or during

electrical storms.

3. Press the [STANDBY/ON] switch to turn

the power on.

The power indicator located to the left of the [STANDBY/ON]

switch lights up.

CAUTION

Even when the instrument is turned off, electricity is still ﬂowing to the instrument at the minimum level.

When you are not using the P-65 for a long time, make sure you unplug the AC power adaptor from the

wall AC outlet.

Setting the Volume

Initially set the [MASTER VOLUME] slider about halfway between the “MIN” and “MAX” settings. Then, when you start

playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.

When turning off the power, press and hold down the [STANDBY/ON] switch for a short time until the

power turns off. The P-65 uses this power-off procedure as a “safety” device to prevent the power from

being inadvertently turned off during performance.

TERMINOLOGY

MASTER VOLUME:

The volume level of the entire keyboard sound

(The shape of plug

differs depending on

locale.)

NOTE

The level increases.The level decreases.

Before Using the P-65

P-65 Owner’s Manual

ENGLISH

Using the Pedal

[PEDAL] jack (Sustain Pedal)

This jack is for connecting the included pedal (FC5).

The pedal functions in the same way as a damper pedal on an acoustic piano. Connect the included pedal (FC5) to this

jack and press the pedal to sustain the sound.

An optional FC4 foot switch can also be connected to this jack.

Using Headphones

Connect a set of headphones to one of the [PHONES] jacks.

Two [PHONES] jacks are provided.

You can connect two sets of standard stereo headphones. (If you are

using only one set of headphones, you can plug them into either

jack.)

It can also connect to an ampliﬁer/speaker system.

CAUTION

To protect your hearing, avoid listening to the P-65 at a high volume level for long periods of time.

Music Rest

The P-65 includes a music rest that can be attached to the instrument by inserting it into the slot at the top of the control

panel.

Make sure that power is OFF when connecting or disconnecting the pedal.

FC5

NOTE

On front panel

Standard

stereo mini

plug

Listening to the Demo Songs

P-65 Owner’s Manual

ENGLISH

Listening to the Demo Songs

Demo songs are provided that effectively demonstrate each of the P-65’s voices.

1. Press the [STANDBY/ON] switch to turn the power

on.

When the power is turned ON, the power indicator

located to the left of the [STANDBY/ON] switch lights

up.

2. Adjust the volume.

Initially set the [MASTER VOLUME] slider about half

way between the “MIN” and “MAX” settings. Then,

when you start playing, re-adjust the [MASTER VOL-

UME]

slider to the most comfortable listening level.

3. Press the [DEMO] button to listen

to the demo songs.

The GRAND PIANO 1 demo song will start. Demo

songs provided for each voice will play back in

sequence until you press the [DEMO] button.

Changing a Demo Song

You can change to another demo song during playback by pressing the [SELECT]

button. For selecting a demo song using the keyboard, press one of the C1–G1

keys while holding down the [DEMO] button.

Demo Song List

• The demonstration pieces listed above are short rearranged excerpts of the original

compositions.

4. Press the [DEMO] button to stop the

voice demo.

Refer to the voice list on page 14

for more information on the char-

acteristics of each preset voice.

The demo songs will not be trans-

mitted via MIDI.

NOTE

Key Voice Name Title Composer

F#1 HARPSICHORD Gavotte J.S. Bach

C0 C1 G1

Reference

Selecting & Playing Voices

P-65 Owner’s Manual

ENGLISH

Selecting & Playing Voices

Selecting Voices

1. While holding down the [GRAND PIANO/VOICE]

button, press one of the C1–G1 keys to select a

voice.

Pressing the [SELECT] button switches among the following eight voices.

2. Adjust the volume.

Re-adjust the [MASTER VOLUME] slider for the most comfortable listening

level during your performance.

C0 C1 G1

To familiarize yourself with the

characteristics of the voices, lis-

ten to the demo songs for each

voice (page 13).

TERMINOLOGY

Voice:

On the P-65, the term “voice”

means “instrument sound.”

When you select a voice, an

appropriate reverb type will be

selected automatically (page 16).

NOTE

Key Voice Name Description

C1 Grand Piano 1

Recorded samples from a full concert grand piano. Perfect for clas-

sical compositions as well as any other style that requires acoustic

piano.

C#1 Grand Piano 2 Clear piano with bright reverb. Good for popular music.

D1 E.Piano 1 An electronic piano sound created by FM synthesis. Good for

popular music.

D#1 E.Piano 2

The sound of an electric piano using hammer-struck metallic “tines.”

Soft tone when played lightly, and an aggressive tone when played

hard.

E1 Church Organ

This is a typical pipe organ sound (8' + 4' + 2'). Good for sacred

music from the Baroque period.

Strings Spacious and large-scale string ensemble. Try combining this voice

with piano in DUAL.

F#1 Harpsichord

The deﬁnitive instrument for baroque music. Since the strings of a

harpsichord are plucked, there is no touch response.

G1 Vibraphone

The sound of a vibraphone played with relatively soft mallets.

Selecting & Playing Voices

P-65 Owner’s Manual

ENGLISH

Combining Voices (Dual)

You can play voices simultaneously across the entire range of the keyboard. In this way, you can

combine similar voices to create a thicker sound.

1. While holding down the [GRAND PIANO/VOICE]

button, press two keys in the range of C1 through

G1 simultaneously (or press one key while holding

another) to engage Dual.

Refer to “Selecting Voices” on page 14 for more information on the voices that

are assigned to the keys.

The voice assigned to the lower key will be designated as Voice 1, and the voice

assigned to the higher key will be designated as Voice 2.

You can make the following settings for Voices 1 and 2 in Dual:

Setting the Octave

You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 inde-

pendently. Depending on which voices you combine in Dual, the combination

may sound better if one of the voices is shifted up or down an octave.

While holding down the

[GRAND PIANO/VOICE]

button, press one of the C5–F5 keys.

Setting the Balance

You can adjust the volume balance between two voices. For example, you can set

one voice as the main voice with a louder setting, and make the other voice softer.

While holding down the [

GRAND

PIANO/VOICE] button, press one of the F#5–

F#6 keys.

A setting of “0” produces an equal balance between the two Dual voices. Settings

below “0” increase the volume of Voice 2 in relation to Voice 1, and settings above

“0” increase the volume of Voice 1 in relation to Voice 2.

2. While holding down the [GRAND PIANO/VOICE]

button, press one of the C1–G1 keys (or press the

[GRAND PIANO] button) to exit Dual and return to

the normal single-voice play.

Reverb in Dual

The reverb type assigned to

Voice 1 will take priority. If the

reverb assigned to Voice 1 is set

to OFF, the reverb assigned to

Voice 2 will be in effect.

NOTE

Voice 1

C5 -1

Voice 2

D#5-1

C#5 0 E5 0

D5 +1 F5 +1

C0 C1 G1

C5 F5 C6 C7

Voice2Voice1

F#6 (+6)F#5 (-6)

C6 (0) C7C5

Selecting & Playing Voices

P-65 Owner’s Manual

ENGLISH

Adding Variations to the Sound – Reverb

This control enables you to select four different types of reverb effect that add extra depth and

expression to the sound to create a realistic acoustic ambience.

Selecting a Reverb Type

While holding down the [GRAND PIANO/VOICE] button, press one of the C2–

E2 keys to select a reverb type.

Adjusting Reverb Depth

While holding down the [GRAND PIANO/VOICE] button, press one of the C3–

G#4 keys to adjust the reverb depth for the selected voice.

While holding down the [GRAND PIANO/VOICE] button, press the A4 key to

set the reverb to the depth most suitable for the selected voice.

Key Reverb Type Description

C2 Room This setting adds a continuous reverb effect to the sound, similar to the

acoustic reverberation you would hear in a room.

C#2 Hall1 For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates

the natural reverberation of a small-size concert hall.

D2 Hall2 For a truly spacious reverb sound, use the HALL 2 setting. This effect sim-

ulates the natural reverberation of a large concert hall.

D#2 Stage Simulates the reverb of a stage environment.

E2 Off No effect is applied.

C0 C1 C2 E2

Reverb depth range:

0 (no effect)–

20 (maximum depth)

NOTE

C0 C1 C2 C3: Depth 0 C4 A4

G#4: Depth 20

The depth value increases as you press higher keys.

The default reverb type (including

OFF) and depth settings are dif-

ferent for each voice.

NOTE

Selecting & Playing Voices

P-65 Owner’s Manual

ENGLISH

Transposition

The P-65’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down

in semitone intervals to facilitate playing in difﬁcult key signatures, and to let you easily match the

pitch of the keyboard to the range of a singer or other instruments. For example, if you set the

transposition amount to “+5,” playing key C produces pitch F. In this way, you can play a song as

though it were in C major, and the P-65 will transpose it to the key of F.

Setting the amount of transposition

While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press

one of the F#2–F#3 keys to set the desired amount of transposition.

To transpose the pitch down (in semitone steps)

While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press

any key between F#2 and B2.

To transpose the pitch up (in semitone steps)

While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press

any key between C#3 and F#3.

To restore the normal pitch

While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press

the C3 key.

Fine tuning of the Pitch

You can ﬁne tune the pitch of the entire instrument. This function is useful when you play the P-65

along with other instruments or CD music.

Setting the Pitch

To raise the pitch

(in steps of roughly 0.2 Hz):

Hold down the A-1 and B-1 keys

simultaneously and press any key

between C3 and B3.

To lower the pitch

(in steps of roughly 0.2 Hz):

Hold down the A-1 and A#-1 keys

simultaneously and press any key

between C3 and B3.

To restore standard pitch:

Hold down the A-1, A#-1 and B-1

simultaneously and press any key

between C3 and B3.

TERMINOLOGY

Transpose:

Changing the key signature. On

the P-65, transposing shifts the

pitch of the entire keyboard.

Transposition range:

F#2 (-6 semitones)–

C3 (normal pitch)–

F#3 (+6 semitones)

NOTE

0-1

-2 +1 +3-4

-3-5 +2 +4 +5

-6 +6

F#3F#2

C0 C1 C2

TERMINOLOGY

Hz (Hertz):

This unit of measurement refers to

the frequency of a sound and rep-

resents the number of times a

sound wave vibrates in a second.

Default setting:

The “Default setting” refers to the

factory setting obtained when you

ﬁrst turn on the power to the P-65.

Setting range: 427.0–453.0 Hz

Standard pitch: 440.0 Hz

NOTE

C3 B3A-1 B-1A-1 B-1

C0 C1 C2

C3 B3

C0 C1 C2

A-1

A#-1

C3 B3

C0 C1 C2

A-1 B-1

A#-1

Selecting & Playing Voices

P-65 Owner’s Manual

ENGLISH

Touch Sensitivity

You can adjust the volume level that changes depending on how fast or strong you hit the keys.

The following four settings are available.

Setting the Touch Sensitivity Type

While holding down the [GRAND PIANO/VOICE] button, press one of the A6–

C7 keys to select the desired touch sensitivity.

Key Touch Sensitivity Description

A6 FIXED The volume level does not change at all regardless of whether you play

the keyboard soft or hard.

A#6 SOFT The volume level does not change much when you play the keyboard soft

or hard.

B6 MEDIUM This is the standard piano touch response (default setting).

C7 HARD The volume level changes very widely from pianissimo to fortissimo to

facilitate dynamic and dramatic expression. You have to hit the keys hard

to produce a loud sound.

The touch sensitivity settings may

have little or no effect with Church

Organ 1, 2 and Harpsichord 1, 2

voices that are not normally

responsive to keyboard dynam-

ics.

Default setting: MEDIUM (B6)

NOTE

C7A6

Connecting MIDI Instruments

P-65 Owner’s Manual

ENGLISH

Connecting MIDI Instruments

The P-65 features MIDI IN/OUT terminals, allowing you to connect the

P-65 to other instruments and devices—including computers—and

take advantage of the various performance and recording capabilities

in MIDI applications.

Connecting MIDI [IN][OUT]

terminals

MIDI [IN] [OUT] terminals

Use MIDI cables to connect external MIDI devices to these

connectors.

About MIDI

MIDI (Musical Instrument Digital Interface) is a standard format for data transmis-

sion/reception. It enables the transfer of performance data and commands between

MIDI devices and personal computers. Using MIDI, you can control a connected MIDI

device from the P-65, or control the P-65 from a connected MIDI device or computer.

MIDI’s Capability

MIDI functions enable you to transfer performance data between MIDI

devices.

CAUTION

Before connecting the instrument to other electronic components, turn off the power of all the

components.

● Transferring performance data to and from another

MIDI device

● Transferring MIDI data to and from a computer

Since MIDI data that can be

transmitted or received varies

depending on the type of MIDI

device, check the “MIDI Imple-

mentation Chart” to ﬁnd out what

MIDI data and commands your

devices can transmit or receive.

The P-65’s MIDI Implementation

Chart appears on

page 26

NOTE

You cannot transmit the voice

demo songs from the P-65 to

another MIDI device.

For MIDI connections, use a stan-

dard (optional) MIDI cable, avail-

able at most musical instrument

stores.

NOTE

Instrument

MIDI [OUT] terminal

MIDI cables

(optional)

MIDI [IN] terminal MIDI [OUT] terminal MIDI [IN] terminal

Instrument

Computer

USB terminal

USB

interface

MIDI [OUT]

terminal

MIDI [IN]

terminal

Connecting MIDI Instruments

P-65 Owner’s Manual

ENGLISH

Connecting a Personal Computer

By connecting a computer to the MIDI terminals, you can transfer data between the P-65 and the

computer via MIDI.

CAUTION

When connecting the P-65 to a computer, ﬁrst turn off the power to both the P-65 and the com-

puter before connecting any cables. After making connections, turn on the power to the com-

puter ﬁrst, then to the P-65.

Connecting the USB port on the computer to the

P-65 via a USB interface (such as the UX16, UX96, or

UX256)

Use a USB interface device to connect the USB port on your computer to the P-65’s

MIDI terminals. You must install the USB interface (such as the UX16, UX96, or

UX256) driver. For more information, refer to the user’s manual that came with the

USB interface device.

When the P-65 is used as a tone

module, performance data with

voices that are not found on the

P-65 will not be played correctly.

NOTE

You must install a software appli-

cation on the computer to be able

to transfer MIDI data between the

P-65 and a computer.

NOTE

Instrument

Computer

USB terminal

USB

interface

MIDI [OUT]

terminal

MIDI [IN]

terminal

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