Yamaha P-07 Le manuel du propriétaire

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P-65
Electronic Piano
Owners Manual
Mode demploi
Manual de instrucciones
P-65
Owner’s Manual
2
SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO
NOT connect this product to any power supply or adapter other than one
described in the manual, on the name plate, or specifically recom-
mended by Yamaha.
WARNING:
Do not place this product in a position where anyone could
walk on, trip over, or roll anything over power or connecting cords of any
kind. The use of an extension cord is not recommended! If you must use
an extension cord, the minimum wire size for a 25’ cord (or less) is 18
AWG. NOTE: The smaller the AWG number, the larger the current han-
dling capacity. For longer extension cords, consult a local electrician.
This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that accom-
pany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the
time of printing. However, Yamaha reserves the right to change or modify
any of the specifications without notice or obligation to update existing
units.
This product, either alone or in combination with an amplifier and head-
phones or speaker/s, may be capable of producing sound levels that
could cause permanent hearing loss. DO NOT operate for long periods
of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult an
audiologist.
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
Some Yamaha products may have benches and / or accessory mounting
fixtures that are either supplied with the product or as optional accesso-
ries. Some of these items are designed to be dealer assembled or
installed. Please make sure that benches are stable and any optional fix-
tures (where applicable) are well secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No other
uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer
before requesting service.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environ-
mentally friendly. We sincerely believe that our products and the produc-
tion methods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware of the
following:
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of bat-
tery is approximately five years. When replacement becomes necessary,
contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these
may be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery being
charged.
When installing batteries, do not mix batteries with new, or with batteries
of a different type. Batteries MUST be installed correctly. Mismatches or
incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batter-
ies away from children. Dispose of used batteries promptly and as regu-
lated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason
its useful life is considered to be at an end, please observe all local,
state, and federal regulations that relate to the disposal of products that
contain lead, batteries, plastics, etc. If your dealer is unable to assist
you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the product. The model num-
ber, serial number, power requirements, etc., are located on this plate.
You should record the model number, serial number, and the date of pur-
chase in the spaces provided below and retain this manual as a perma-
nent record of your purchase.
Model
Serial No.
Purchase Date
PLEASE KEEP THIS MANUAL
92-BP
(bottom)
P-65
Owner’s Manual
3
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING
- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
1. Read all Safety Instructions, Installation Instructions, Spe-
cial Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, includ-
ing connection to the main supply.
2. Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instruc-
tions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
3. This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
4. Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
5.
WARNING:
Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connect-
ing cords of any kind. The use of an extension cord is not recom-
mended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
6. Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7. Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
8. This product was NOT designed for use in wet/damp loca-
tions and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
9. This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10. The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12. Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servic-
ing should be referred to qualified service personnel.
14. This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of pro-
ducing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15. Some Yamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
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Owner’s Manual
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PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha)
only. Using the wrong adaptor can result in damage to the instrument or
overheating.
Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
Do not place the AC adaptor cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy objects
on it, or place it in a position where anyone could walk on, trip over, or roll
anything over it.
Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
Never insert or remove an electric plug with wet hands.
Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power switch,
disconnect the adaptor plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord.
Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.
Do not expose the instrument to excessive dust or vibrations, or extreme cold or
heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.
Do not place the instrument in an unstable position where it might accidentally
fall over.
Before moving the instrument, remove all connected adaptor and other cables.
When setting up the instrument, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet.
Use only the stand specified for the instrument. When attaching the stand or
rack, use the provided screws only. Failure to do so could cause damage to the
internal components or result in the instrument falling over.
Power supply/AC power adaptor
Do not open
Water warning
Fire warning
If you notice any abnormality
Power supply/AC power adaptor
Location
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Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually raise the volume
controls while playing the instrument to set the desired listening level.
When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Do not insert a finger or hand in any gaps on the instrument.
Never insert or drop paper, metallic, or other objects into the gaps on the panel
or keyboard. If this happens, turn off the power immediately and unplug the
power cord from the AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
Do not operate the instrument for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss. If you
experience any hearing loss or ringing in the ears, consult a physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the instrument turns the power off, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make
sure you unplug the AC power adaptor from the wall AC outlet.
Connections
Maintenance
Handling caution
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PRECAUTIONS
P-65
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Introduction
Thank you for purchasing the Yamaha Electronic Piano P-65!
We recommend that you read this manual carefully
so that you can fully take advantage of the advanced and
convenient functions of the P-65.
We also recommend that you keep this manual in a safe and
handy place for future reference.
Main Features
Graded Hammer Standard Keyboard
Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a keyboard with
action that’s virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower
notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboard’s sensitivity can
even be adjusted to match your playing style. This Graded Hammer technology also enables the P-65 to provide
authentic touch in a lightweight instrument.
AWM Stereo Sampling
The Yamaha P-65 electronic piano offers unmatched sonic realism and natural grand-piano type playability as well as
Yamahas original AWM Stereo Sampling” tone-generation technology for rich, musical voices.
In particular, the Grand Piano 1 and 2 voices feature samples painstakingly recorded from a full concert grand piano,
while the Electric Piano 1 and 2 voice features multiple samples for different velocities (Dynamic Sampling); in other
words, it uses different samples depending on the strength of your playing.
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About this Owner’s Manual
This manual consists of three main sections: Introduction, Reference and Appendix.
Introduction (page 6):
Please read this section first.
Reference (page 13):
This section explains how to make detailed settings for the P-65’s various functions.
Appendix (page 26):
This section features a variety of essential, detailed information on the instrument.
* The illustrations as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from
those on your instrument.
* Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited
except for your personal use.
The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective
companies.
Accessories
Owner’s Manual
This manual contains complete instructions for operating your P-65.
Quick Operation Guide
Yamaha PA-5D Power Adaptor
Pedal (FC5)
Music Rest
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to
which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, style
files, MIDI files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of
personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE
OR USE ILLEGAL COPIES.
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Table of Contents
Introduction
Main Features...............................................................................................6
About this Owner’s Manual .........................................................................7
Accessories ...................................................................................................7
Application Index .........................................................................................9
Panel Controls and Terminals....................................................................10
Before Using the P-65 ................................................................................11
Turning the Power On ................................................................................................ 11
Setting the Volume...................................................................................................... 11
Using the Pedal ............................................................................................................ 12
Using Headphones ...................................................................................................... 12
Music Rest.................................................................................................................... 12
Reference
Listening to the Demo Songs ....................................................................13
Selecting & Playing Voices.........................................................................14
Selecting Voices ........................................................................................................... 14
Combining Voices (Dual)........................................................................................... 15
Adding Variations to the Sound – Reverb ................................................................. 16
Transposition.............................................................................................................. 17
Fine tuning of the Pitch............................................................................................... 17
Touch Sensitivity ......................................................................................................... 18
Connecting MIDI Instruments ...................................................................19
Connecting MIDI [IN][OUT] terminals ................................................................... 19
MIDI’s Capability ........................................................................................................ 19
Connecting a Personal Computer .............................................................................. 20
MIDI Functions ...........................................................................................21
MIDI Transmit/Receive Channel Selection ............................................................... 21
Local Control ON/OFF ............................................................................................... 21
Program Change ON/OFF.......................................................................................... 22
Control Change ON/OFF ........................................................................................... 22
Troubleshooting.........................................................................................23
Optional Equipment...................................................................................23
Index...........................................................................................................24
Appendix
MIDI Data Format ......................................................................................26
MIDI Implementation Chart ......................................................................30
Specifications .............................................................................................31
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Application Index
Use this index to find reference pages that may be helpful for your particular application and situation.
Listening
Listening to demo songs with different voices.....................................................................Listening to the Demo Songs on page 13
Playing
Using the sustain pedal ............................................................................................................................... Using the Pedal on page 12
Changing the key of the P-65 to facilitate playing in difficult/unfamiliar key signatures.......................... Transposition on page 17
Fine tuning the pitch of the entire instrument when you play the P-65 along with other instruments or CD music
.........................................................................................................................................................Fine tuning of the Pitch on page 17
Selecting a touch sensitivity type............................................................................................................. Touch Sensitivity on page 18
Changing voices
Viewing the list of voices ............................................................................................................................Selecting Voices on page 14
Simulating a concert hall ..................................................................................Adding Variations to the Sound – Reverb on page 16
Combining two voices ............................................................................................................... Combining Voices (Dual) on page 15
Connecting the P-65 to other devices
What is MIDI?.................................................................................................................................................. About MIDI on page 19
Connecting a computer ................................................................................................ Connecting a Personal Computer on page 20
Panel Controls and Terminals
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Panel Controls and Terminals
1 2 3 4 576
9
8
1
[STANDBY/ON] switch ................ page 11
For turning the power on or off.
2
[MASTER VOLUME] slider ........... page 11
For adjusting the volume level of the entire sound.
3
[DEMO] button............................ page 13
For playing the demo songs.
4
[GRAND PIANO/VOICE] button
..........................................page 14-16, 18
For selecting voices from 8 internal sounds including
Grand Piano 1 and 2 (page 14). You can also combine
two voices (page 15) or add reverb effects to the
selected voice for your keyboard performance
(page 16).
5
[SELECT] button .................... page 13, 14
For selecting a demo song for each voice.
6
[DC IN 12V] jack...........................page 11
For connecting the included power adaptor (PA-5D).
7
MIDI [IN] [OUT] terminals ...........page 19
For connecting external MIDI devices, allowing the
use of various MIDI functions.
8
[PEDAL] jack.................................page 12
For connecting an included pedal (FC5) or an
optional FC4 foot switch.
9
[PHONES] jack..............................page 12
For connecting a set of standard stereo headphones,
allowing private practice.
Before Using the P-65
P-65 Owner’s Manual
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11
Before Using the P-65
Turning the Power On
1. Connect the PA-5D power adaptor’s DC
cable to the [DC IN 12V] jack.
2. Plug the AC adaptor into an AC outlet.
WARNING
Use ONLY a Yamaha PA-5D AC Power Adaptor (or other adaptor spe-
cifically recommended by Yamaha) to power your instrument from
the AC mains. The use of other adaptors may result in irreparable
damage to both the adaptor and the P-65.
CAUTION
Unplug the AC Power Adaptor when not using the P-65, or during
electrical storms.
3. Press the [STANDBY/ON] switch to turn
the power on.
The power indicator located to the left of the [STANDBY/ON]
switch lights up.
CAUTION
Even when the instrument is turned off, electricity is still flowing to the instrument at the minimum level.
When you are not using the P-65 for a long time, make sure you unplug the AC power adaptor from the
wall AC outlet.
Setting the Volume
Initially set the [MASTER VOLUME] slider about halfway between the “MIN” and “MAX settings. Then, when you start
playing, re-adjust the [MASTER VOLUME] slider to the most comfortable listening level.
When turning off the power, press and hold down the [STANDBY/ON] switch for a short time until the
power turns off. The P-65 uses this power-off procedure as a “safety” device to prevent the power from
being inadvertently turned off during performance.
TERMINOLOGY
MASTER VOLUME:
The volume level of the entire keyboard sound
(The shape of plug
differs depending on
locale.)
NOTE
The level increases.The level decreases.
Before Using the P-65
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12
Using the Pedal
[PEDAL] jack (Sustain Pedal)
This jack is for connecting the included pedal (FC5).
The pedal functions in the same way as a damper pedal on an acoustic piano. Connect the included pedal (FC5) to this
jack and press the pedal to sustain the sound.
An optional FC4 foot switch can also be connected to this jack.
Using Headphones
Connect a set of headphones to one of the [PHONES] jacks.
Two [PHONES] jacks are provided.
You can connect two sets of standard stereo headphones. (If you are
using only one set of headphones, you can plug them into either
jack.)
It can also connect to an amplifier/speaker system.
CAUTION
To protect your hearing, avoid listening to the P-65 at a high volume level for long periods of time.
Music Rest
The P-65 includes a music rest that can be attached to the instrument by inserting it into the slot at the top of the control
panel.
Make sure that power is OFF when connecting or disconnecting the pedal.
FC5
NOTE
On front panel
Standard
stereo mini
plug
Listening to the Demo Songs
P-65 Owner’s Manual
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13
Listening to the Demo Songs
Demo songs are provided that effectively demonstrate each of the P-65’s voices.
1. Press the [STANDBY/ON] switch to turn the power
on.
When the power is turned ON, the power indicator
located to the left of the [STANDBY/ON] switch lights
up.
2. Adjust the volume.
Initially set the [MASTER VOLUME] slider about half
way between the “MIN” and “MAX” settings. Then,
when you start playing, re-adjust the [MASTER VOL-
UME]
slider to the most comfortable listening level.
3. Press the [DEMO] button to listen
to the demo songs.
The GRAND PIANO 1 demo song will start. Demo
songs provided for each voice will play back in
sequence until you press the [DEMO] button.
Changing a Demo Song
You can change to another demo song during playback by pressing the [SELECT]
button. For selecting a demo song using the keyboard, press one of the C1–G1
keys while holding down the [DEMO] button.
Demo Song List
The demonstration pieces listed above are short rearranged excerpts of the original
compositions.
All other songs are original (© 2005 Yamaha Corporation).
4. Press the [DEMO] button to stop the
voice demo.
Refer to the voice list on page 14
for more information on the char-
acteristics of each preset voice.
The demo songs will not be trans-
mitted via MIDI.
NOTE
NOTE
Key Voice Name Title Composer
F#1 HARPSICHORD Gavotte J.S. Bach
C0 C1 G1
Reference
Selecting & Playing Voices
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14
Selecting & Playing Voices
Selecting Voices
1. While holding down the [GRAND PIANO/VOICE]
button, press one of the C1–G1 keys to select a
voice.
Pressing the [SELECT] button switches among the following eight voices.
2. Adjust the volume.
Re-adjust the [MASTER VOLUME] slider for the most comfortable listening
level during your performance.
C0 C1 G1
To familiarize yourself with the
characteristics of the voices, lis-
ten to the demo songs for each
voice (page 13).
TERMINOLOGY
Voice:
On the P-65, the term “voice”
means “instrument sound.”
When you select a voice, an
appropriate reverb type will be
selected automatically (page 16).
NOTE
NOTE
Key Voice Name Description
C1 Grand Piano 1
Recorded samples from a full concert grand piano. Perfect for clas-
sical compositions as well as any other style that requires acoustic
piano.
C#1 Grand Piano 2 Clear piano with bright reverb. Good for popular music.
D1 E.Piano 1 An electronic piano sound created by FM synthesis. Good for
popular music.
D#1 E.Piano 2
The sound of an electric piano using hammer-struck metallic tines.
Soft tone when played lightly, and an aggressive tone when played
hard.
E1 Church Organ
This is a typical pipe organ sound (8' + 4' + 2'). Good for sacred
music from the Baroque period.
F1
Strings Spacious and large-scale string ensemble. Try combining this voice
with piano in DUAL.
F#1 Harpsichord
The denitive instrument for baroque music. Since the strings of a
harpsichord are plucked, there is no touch response.
G1 Vibraphone
The sound of a vibraphone played with relatively soft mallets.
Selecting & Playing Voices
P-65 Owner’s Manual
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15
Combining Voices (Dual)
You can play voices simultaneously across the entire range of the keyboard. In this way, you can
combine similar voices to create a thicker sound.
1. While holding down the [GRAND PIANO/VOICE]
button, press two keys in the range of C1 through
G1 simultaneously (or press one key while holding
another) to engage Dual.
Refer to “Selecting Voices on page 14 for more information on the voices that
are assigned to the keys.
The voice assigned to the lower key will be designated as Voice 1, and the voice
assigned to the higher key will be designated as Voice 2.
You can make the following settings for Voices 1 and 2 in Dual:
Setting the Octave
You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 inde-
pendently. Depending on which voices you combine in Dual, the combination
may sound better if one of the voices is shifted up or down an octave.
While holding down the
[GRAND PIANO/VOICE]
button, press one of the C5–F5 keys.
Setting the Balance
You can adjust the volume balance between two voices. For example, you can set
one voice as the main voice with a louder setting, and make the other voice softer.
While holding down the [
GRAND
PIANO/VOICE] button, press one of the F#5–
F#6 keys.
A setting of “0” produces an equal balance between the two Dual voices. Settings
below “0” increase the volume of Voice 2 in relation to Voice 1, and settings above
“0” increase the volume of Voice 1 in relation to Voice 2.
2. While holding down the [GRAND PIANO/VOICE]
button, press one of the C1–G1 keys (or press the
[GRAND PIANO] button) to exit Dual and return to
the normal single-voice play.
Reverb in Dual
The reverb type assigned to
Voice 1 will take priority. If the
reverb assigned to Voice 1 is set
to OFF, the reverb assigned to
Voice 2 will be in effect.
NOTE
Voice 1
C5 -1
Voice 2
D#5-1
C#5 0 E5 0
D5 +1 F5 +1
C0 C1 G1
C5 F5 C6 C7
Voice2Voice1
F#6 (+6)F#5 (-6)
C6 (0) C7C5
Selecting & Playing Voices
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Adding Variations to the Sound – Reverb
This control enables you to select four different types of reverb effect that add extra depth and
expression to the sound to create a realistic acoustic ambience.
Selecting a Reverb Type
While holding down the [GRAND PIANO/VOICE] button, press one of the C2–
E2 keys to select a reverb type.
Adjusting Reverb Depth
While holding down the [GRAND PIANO/VOICE] button, press one of the C3–
G#4 keys to adjust the reverb depth for the selected voice.
While holding down the [GRAND PIANO/VOICE] button, press the A4 key to
set the reverb to the depth most suitable for the selected voice.
Key Reverb Type Description
C2 Room This setting adds a continuous reverb effect to the sound, similar to the
acoustic reverberation you would hear in a room.
C#2 Hall1 For a bigger reverb sound, use the HALL 1 setting. This effect simulates
the natural reverberation of a small-size concert hall.
D2 Hall2 For a truly spacious reverb sound, use the HALL 2 setting. This effect sim-
ulates the natural reverberation of a large concert hall.
D#2 Stage Simulates the reverb of a stage environment.
E2 Off No effect is applied.
C0 C1 C2 E2
Reverb depth range:
0 (no effect)–
20 (maximum depth)
NOTE
C0 C1 C2 C3: Depth 0 C4 A4
G#4: Depth 20
The depth value increases as you press higher keys.
The default reverb type (including
OFF) and depth settings are dif-
ferent for each voice.
NOTE
Selecting & Playing Voices
P-65 Owner’s Manual
ENGLISH
17
Transposition
The P-65’s Transpose function makes it possible to shift the pitch of the entire keyboard up or down
in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the
pitch of the keyboard to the range of a singer or other instruments. For example, if you set the
transposition amount to “+5,” playing key C produces pitch F. In this way, you can play a song as
though it were in C major, and the P-65 will transpose it to the key of F.
Setting the amount of transposition
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
one of the F#2–F#3 keys to set the desired amount of transposition.
To transpose the pitch down (in semitone steps)
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
any key between F#2 and B2.
To transpose the pitch up (in semitone steps)
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
any key between C#3 and F#3.
To restore the normal pitch
While holding down the [DEMO] and [GRAND PIANO/VOICE] buttons, press
the C3 key.
Fine tuning of the Pitch
You can fine tune the pitch of the entire instrument. This function is useful when you play the P-65
along with other instruments or CD music.
Setting the Pitch
To raise the pitch
(in steps of roughly 0.2 Hz):
Hold down the A-1 and B-1 keys
simultaneously and press any key
between C3 and B3.
To lower the pitch
(in steps of roughly 0.2 Hz):
Hold down the A-1 and A#-1 keys
simultaneously and press any key
between C3 and B3.
To restore standard pitch:
Hold down the A-1, A#-1 and B-1
simultaneously and press any key
between C3 and B3.
TERMINOLOGY
Transpose:
Changing the key signature. On
the P-65, transposing shifts the
pitch of the entire keyboard.
Transposition range:
F#2 (-6 semitones)–
C3 (normal pitch)–
F#3 (+6 semitones)
NOTE
0-1
-2 +1 +3-4
-3-5 +2 +4 +5
-6 +6
F#3F#2
C0 C1 C2
TERMINOLOGY
Hz (Hertz):
This unit of measurement refers to
the frequency of a sound and rep-
resents the number of times a
sound wave vibrates in a second.
Default setting:
The “Default setting” refers to the
factory setting obtained when you
first turn on the power to the P-65.
Setting range: 427.0–453.0 Hz
Standard pitch: 440.0 Hz
NOTE
C3 B3A-1 B-1A-1 B-1
C0 C1 C2
C3 B3
C0 C1 C2
A-1
A#-1
C3 B3
C0 C1 C2
A-1 B-1
A#-1
Selecting & Playing Voices
P-65 Owner’s Manual
ENGLISH
18
Touch Sensitivity
You can adjust the volume level that changes depending on how fast or strong you hit the keys.
The following four settings are available.
Setting the Touch Sensitivity Type
While holding down the [GRAND PIANO/VOICE] button, press one of the A6–
C7 keys to select the desired touch sensitivity.
Key Touch Sensitivity Description
A6 FIXED The volume level does not change at all regardless of whether you play
the keyboard soft or hard.
A#6 SOFT The volume level does not change much when you play the keyboard soft
or hard.
B6 MEDIUM This is the standard piano touch response (default setting).
C7 HARD The volume level changes very widely from pianissimo to fortissimo to
facilitate dynamic and dramatic expression. You have to hit the keys hard
to produce a loud sound.
The touch sensitivity settings may
have little or no effect with Church
Organ 1, 2 and Harpsichord 1, 2
voices that are not normally
responsive to keyboard dynam-
ics.
Default setting: MEDIUM (B6)
NOTE
C7A6
Connecting MIDI Instruments
P-65 Owner’s Manual
ENGLISH
19
Connecting MIDI Instruments
The P-65 features MIDI IN/OUT terminals, allowing you to connect the
P-65 to other instruments and devices—including computers—and
take advantage of the various performance and recording capabilities
in MIDI applications.
Connecting MIDI [IN][OUT]
terminals
MIDI [IN] [OUT] terminals
Use MIDI cables to connect external MIDI devices to these
connectors.
About MIDI
MIDI (Musical Instrument Digital Interface) is a standard format for data transmis-
sion/reception. It enables the transfer of performance data and commands between
MIDI devices and personal computers. Using MIDI, you can control a connected MIDI
device from the P-65, or control the P-65 from a connected MIDI device or computer.
MIDI’s Capability
MIDI functions enable you to transfer performance data between MIDI
devices.
CAUTION
Before connecting the instrument to other electronic components, turn off the power of all the
components.
Transferring performance data to and from another
MIDI device
Transferring MIDI data to and from a computer
Since MIDI data that can be
transmitted or received varies
depending on the type of MIDI
device, check the “MIDI Imple-
mentation Chart” to find out what
MIDI data and commands your
devices can transmit or receive.
The P-65’s MIDI Implementation
Chart appears on
page 26
.
NOTE
You cannot transmit the voice
demo songs from the P-65 to
another MIDI device.
For MIDI connections, use a stan-
dard (optional) MIDI cable, avail-
able at most musical instrument
stores.
NOTE
Instrument
MIDI [OUT] terminal
MIDI cables
(optional)
MIDI [IN] terminal MIDI [OUT] terminal MIDI [IN] terminal
Instrument
Computer
USB terminal
USB
interface
MIDI [OUT]
terminal
MIDI [IN]
terminal
Connecting MIDI Instruments
P-65 Owner’s Manual
ENGLISH
20
Connecting a Personal Computer
By connecting a computer to the MIDI terminals, you can transfer data between the P-65 and the
computer via MIDI.
CAUTION
When connecting the P-65 to a computer, first turn off the power to both the P-65 and the com-
puter before connecting any cables. After making connections, turn on the power to the com-
puter first, then to the P-65.
Connecting the USB port on the computer to the
P-65 via a USB interface (such as the UX16, UX96, or
UX256)
Use a USB interface device to connect the USB port on your computer to the P-65’s
MIDI terminals. You must install the USB interface (such as the UX16, UX96, or
UX256) driver. For more information, refer to the user’s manual that came with the
USB interface device.
When the P-65 is used as a tone
module, performance data with
voices that are not found on the
P-65 will not be played correctly.
NOTE
You must install a software appli-
cation on the computer to be able
to transfer MIDI data between the
P-65 and a computer.
NOTE
Instrument
Computer
USB terminal
USB
interface
MIDI [OUT]
terminal
MIDI [IN]
terminal
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