Yamaha 501 Le manuel du propriétaire

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Le manuel du propriétaire
CVP-509 / 505 / 503 / 501
Reference Manual
This Reference Manual explains advanced features of the CVP-509/505/503/501 that are not
explained in the Owner's Manual. Please read the Owner's Manual first, before reading this
Reference Manual.
EN
2 CVP-509/505/503/501 Reference Manual
Contents
1 Perform the piano songs by Clavinova 3
2 Voices
– Playing the Keyboard – 3
Voice Characteristics ......................................................... 3
Selecting GM/XG or Other Voices from the Panel............. 4
Selecting the Harmony/Echo type...................................... 5
Pitch-Related Settings ....................................................... 7
Editing Voices (Voice Set) ................................................. 9
Editing Organ Flutes Parameters..................................... 15
3 Styles
– Playing Rhythm and Accompaniment – 16
Selecting the Chord Fingering Type ................................ 16
Style Playback Related Settings ...................................... 18
Split Point Settings........................................................... 20
Memorizing the Original One Touch Setting .................... 21
Creating/Editing Styles (Style Creator) ............................ 22
4 Songs
– Recording Your Performances and Creating Songs –
36
Editing Music Notation Settings ....................................... 36
Editing Lyrics/Text Display Settings .......... 39
Using the Auto Accompaniment Features with the Song
Playback .......................................................................... 40
Song Playback Related Parameters (Repeat settings,
Channel settings, Guide Function)................................... 41
Creating/Editing Songs (Song Creator) ........................... 45
5 Music Finder
– Calling Up Ideal Setups (Voice, Style, etc.) for Each Song –
61
Creating a Set of Favorite Records.................................. 61
Editing Records................................................................ 62
Saving the Record as a Single File.................................. 63
Viewing Record Information on the Internet
(MUSIC FINDER Plus)..................................................... 64
6 Registration Memory
– Saving and Recalling Custom Panel Setups –
65
Disabling Recall of Specific Items (Freeze) ..................... 65
Calling Up Registration Memory Numbers in Order
(Registration Sequence) .................................................. 66
7 USB Audio (CVP-509/505/503)
– Playback and Recording Audio Files – 69
8 Mixing Console
– Editing the Volume and Tonal Balance – 69
Editing VOL/VOICE Parameters ...................................... 69
Editing FILTER Parameters ............................................. 70
Editing TUNE Parameters................................................ 71
Editing EFFECT Parameters ........................................... 72
Editing EQ Parameters .................................................... 74
9 Internet Direct Connection
– Connecting the CVP-509/505/503/501 Directly to the Internet –
76
Editing the Browser Settings............................................ 76
Registering Bookmarks of Your Favorite Pages .............. 77
10 Connections
– Using Your Instrument with Other Devices – 79
Microphone Settings .................................. 79
Footswitch/Foot Controller Settings ................................. 86
MIDI Settings ................................................................... 89
11 Utility
– Making Global Settings – 95
CONFIG1 ......................................................................... 95
CONFIG2 ......................................................................... 97
SCREEN OUT .................................................. 98
MEDIA.............................................................................. 98
OWNER ........................................................................... 99
SYSTEM RESET ........................................................... 100
Index 102
CVP-503CVP-505CVP-509
CVP-503CVP-505CVP-509
CVP-505CVP-509
* Each chapter in this Reference Manual corresponds to the relevant chapters in the Owner’s Manual.
The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat dif-
ferent from those on your instrument.
The displays are taken from the CVP-509, and in English.
The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
Using the PDF manual
•To quickly jump to items and topics of interest, click on the desired items in the “Bookmarks” index to the left
of the main display window. (Click the “Bookmarks” tab to open the index if it is not displayed.)
Click the page numbers that appear in this manual to go directly to the corresponding page.
Select “Find” or “Search” from the Adobe Reader “Edit” menu and enter a keyword to locate related informa-
tion anywhere in the document.
NOTE The names and positions of menu items may vary according to the version of Adobe Reader being used.
2
CVP-509/505/503/501 Reference Manual 3
1
Perform the piano songs by
Clavinova
This function is fully explained in the Owner’s Manual. Refer to the corresponding chapter in the Owner’s Man-
ual.
Voices
– Playing the Keyboard –
Contents
Voice Characteristics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Selecting GM/XG or Other Voices from the Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Selecting the Harmony/Echo type. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Pitch-Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
• Fine-tuning the Pitch of the Entire Instrument . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
• Scale Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
• Changing the Part Assignment of the TRANSPOSE Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Editing Voices (Voice Set) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
• Editable Parameters in the VOICE SET Displays. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
• Disabling Automatic Selection of Voice Sets (Effects, etc.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Editing Organ Flutes Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
The Voice type and its defining characteristics are indicated above the Voice name in the Voice Selection
display.
Voice Characteristics
S. Articulation2! (CVP-509)
S.Articulation! (CVP-509/505)
MegaVoice (CVP-509/505/503)
See the Owner’s Manual, chapter 2.
Natural! These rich and luscious Voices are comprised mostly of keyboard
instrument sounds and are especially intended for playing piano and
other keyboard parts. They also take full advantage of Yamaha’s
advanced sampling technology such as Stereo Sampling, Dynamic
Sampling, Sustain Sampling, and Key-off Sampling.
Live! These acoustic instrument sounds were sampled in stereo, to produce a
truly authentic, rich sound—full of atmosphere and ambience.
Cool! These Voices capture the dynamic textures and subtle nuances of elec-
tric instruments—thanks to a huge amount of memory and some very
sophisticated programming.
Voices – Playing the Keyboard –
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Voices – Playing the Keyboard –
2
The GM/XG Voices cannot be directly called up from the VOICE category selection buttons. However, they
can be called up via panel operation by following the procedure below.
1 In the Main display, select a keyboard part to which you want to call up the desired
Voice.
2 Press one of the VOICE category selection buttons to call up the Voice Selection
display.
3 Press the [8 ] (UP) button to call up the Voice categories.
4 Press the [2 ] (P2) button to display Page 2.
5 Press the desired [A]–[J] button to call up the Voice Selection display of GM/XG
Voices, GM2 Voices, etc.
NOTE (CVP-509/505) You can find the “Legacy” folder in this display. This folder contains previous Yamaha Clavinova Voices (such as CVP-409, 407 etc.) for
data compatibility with other models.
6 Select the desired Voice.
Sweet! These acoustic instrument sounds also benefit from Yamaha’s sophisti-
cated technology—and feature a sound so finely detailed and natural,
you’ll swear you’re playing the real thing!
Live!Drums (CVP-509) These are high-quality drum sounds taking full advantage of Stereo
Sampling and Dynamic Sampling.
Live!SFX (CVP-509) These are high-quality Latin percussion sounds taking full advantage
of Stereo Sampling and Dynamic sampling. They give you a broader
and more versatile range of Latin percussion than the normal drum
Voices.
Drums Various drum and percussion sounds are assigned to individual keys,
letting you play the sounds from the keyboard.
SFX Various special effect sounds are assigned to individual keys, letting
you play the sounds from the keyboard.
Organ Flutes! This authentic organ Voice lets you use the Voice Set to adjust the var-
ious footages and craft your own original organ sounds. See page 15
for details.
Selecting GM/XG or Other Voices from the Panel
43
CVP-509/505/503/501 Reference Manual 5
Voices – Playing the Keyboard –
2
You can select the desired Harmony/Echo effect from a variety of types.
1 Press the [VOICE EFFECT] button.
2 Turn the Harmony/Echo on by pressing the [I] (HARMONY/ECHO) button.
3 Call up the operation display by pressing the [J] (TYPE SELECT) button.
4 Use the [1 ▲▼]–[3 ▲▼] buttons to select the Harmony/Echo type.
The Harmony/Echo types are divided into the following groups, depending on the particular effect
applied.
Harmony Types
When one of the Harmony Types is selected, the Harmony effect is applied to the note played in the right-
hand section of the keyboard according to the type selected above and the chord specified in the chord
section of the keyboard shown below.
Selecting the Harmony/Echo type
Harmony Types
These types apply the harmony effect to notes played in the right-hand sec-
tion of the keyboard according to the chord specified in the left-hand section
of the keyboard. (Note that the “1+5” and “Octave” settings are not affected
by the chord.)
Multi Assign Type
This type applies a special effect to chords played in the right-hand section
of the keyboard.
Echo Types
These types apply echo effects to notes played in the right-hand section of
the keyboard in time with the currently set tempo.
Split Point
(for the Voice)
LEFT Voice and chord section
for Harmony effect
RIGHT 1 and 2 Voices
Chord section for Style playback
and Harmony effect
Chord section for
Style playback and
Harmony effect
Split Point
Split Point
(for Style playback)
Split Point
LEFT Voice
RIGHT 1 and 2
Voices
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Voices – Playing the Keyboard –
2
Multi Assign Type
The Multi Assign effect automatically assigns notes played simultaneously on the right-hand section of the
keyboard to separate parts (Voices). Both of the keyboard part [RIGHT 1] and [RIGHT 2] should be turn
on when using the Multi Assign effect. The Right 1 and Right 2 Voices are alternately assigned to the notes
in the order you play.
Echo Types
When one of the Echo Types is selected, the corresponding effect (echo, tremolo, trill) is applied to the
note played in the right-hand section of the keyboard in time with the currently set tempo, regardless of the
[ACMP ON/OFF] and the LEFT part on/off status. Keep in mind that Trill works when you hold down two
notes on the keyboard simultaneously (last two notes if more than two notes are held), and it plays those
notes alternately.
5 Use the [4 ▲▼]–[8 ▲▼] buttons to select various Harmony/Echo settings.
The available settings differ depending on the Harmony/Echo type.
[4 ▲▼]VOLUME This parameter is available for all types with the exception of “Multi
Assign.” It determines the level of the harmony/echo notes generated by
the Harmony/Echo effect.
[5 ▲▼] SPEED This parameter is only available when Echo, Tremolo, or Trill is selected
in Type above. It determines the speed of the Echo, Tremolo, and Trill
effects.
[6 ▲▼] ASSIGN This parameter is available for all types with the exception of “Multi
Assign.” This lets you determine the keyboard part via which the har-
mony/echo notes will be sounded.
[7 ▲▼] CHORD NOTE
ONLY
This parameter is available when one of the Harmony Types is selected.
When this is set to “ON,” the Harmony effect is applied only to the note
(played in the right-hand section of the keyboard) that belongs to a chord
played in the chord section of the keyboard.
[8 ▲▼]TOUCH LIMIT This parameter is available for all types with the exception of “Multi
Assign.” It determines the lowest velocity value at which the harmony
note will sound. This allows you to selectively apply the harmony by your
playing strength, letting you create harmony accents in the melody. The
harmony effect is applied when you play the key strongly (above the set
value).
CVP-509/505/503/501 Reference Manual 7
Voices – Playing the Keyboard –
2
Fine-tuning the Pitch of the Entire Instrument
You can fine-tune the pitch of the entire instrument—useful when you play the Clavinova along with other
instruments or CD music. Please note that the Tune function does not affect the Drum Kit or SFX Kit Voices
and audio files.
1 Call up the operation display.
[FUNCTION] [A] MASTER TUNE/SCALE TUNE TAB [E][F] MASTER TUNE
2 Use the [4 ▲▼]/[5 ▲▼] buttons to set the tuning in 0.2 Hz steps, from 414.8–466.8 Hz.
Press the both 4 or 5’s [
] and [
] buttons simultaneously to reset the value to the factory setting of 440.0 Hz.
Scale Tuning
You can select various scales for playing in custom tunings for specific historical periods or music genres.
1 Call up the operation display.
[FUNCTION] [A] MASTER TUNE/SCALE TUNE TAB [E][F] SCALE TUNE
2 Use the [A]/[B] buttons to select the desired scale.
Preset Scale types
Pitch-Related Settings
EQUAL The pitch range of each octave is divided equally into twelve parts, with each
half-step evenly spaced in pitch. This is the most commonly used tuning in
music today.
PURE MAJOR, PURE
MINOR
These tunings preserve the pure mathematical intervals of each scale, espe-
cially for triad chords (root, third, fifth). You can hear this best in actual vocal
harmonies—such as choirs and a cappella singing.
PYTHAGOREAN This scale was devised by the famous Greek philosopher and is created from a
series of perfect fifths, which are collapsed into a single octave. The 3rd in this
tuning are slightly unstable, but the 4th and 5th are beautiful and suitable for
some leads.
MEAN-TONE This scale was created as an improvement on the Pythagorean scale, by making
the major third interval more “in tune.” It was especially popular from the 16th
century to the 18th century. Handel, among others, used this scale.
WERCKMEISTER,
KIRNBERGER
This composite scale combines the Werckmeister and Kirnberger systems,
which were themselves improvements on the mean-tone and Pythagorean
scales. The main feature of this scale is that each key has its own unique char-
acter. The scale was used extensively during the time of Bach and Beethoven,
and even now it is often used when performing period music on the harpsi-
chord.
ARABIC1, ARABIC2 Use these tunings when playing Arabic music.
The tuning of each note for the cur-
rently selected scale is shown.
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Voices – Playing the Keyboard –
2
3 Change the following settings as necessary.
NOTE To register the Scale Tune settings to the Registration Memory, be sure to checkmark the SCALE item in the REGISTRATION MEMORY CONTENTS dis-
play.
Changing the Part Assignment of the TRANSPOSE Buttons
You can determine to which parts the TRANSPOSE [-]/[+] buttons are applied.
1 Call up the operation display.
[FUNCTION] [D] CONTROLLER TAB [E][F] KEYBOARD/PANEL
2 Use the [A]/[B] buttons to select “2. TRANSPOSE ASSIGN.
3 Press the [4 ▲▼]/[5 ▲▼] buttons to select the desired transpose type.
You can confirm the setting here by viewing the pop-up window called up via the TRANSPOSE [-]/[+]
buttons.
[2 ▲▼]BASE NOTE Determines the base note for each scale. When the base note is changed,
the pitch of the keyboard is transposed, yet maintains the original pitch
relationship between the notes.
[3 ▲▼]–
[5 ▲▼]
TUNE Select the desired note to be tuned by using the [3 ▲▼] buttons and tune
it in cents by using the [4 ▲▼]/[5 ▲▼] buttons.
NOTE In musical terms a “cent” is 1/100th of a semitone. (100 cents equal one semitone.)
[6 ▲▼]/
[7 ▲▼]
PART SELECT Select the part to which the Scale Tune setting is applied by using the [6
▲▼]/[7 ▲▼] buttons. Then press the [8 ] button to add a checkmark or
press the [8 ] button to remove the checkmark.
[8 ▲▼] MARK ON/OFF
KEYBOARD When this is selected, the TRANSPOSE [-]/[+] buttons affect the pitch of key-
board played Voices and Style playback (controlled by the performance in the
chord section of the keyboard)—but they do not affect Song playback.
SONG When this is selected, the TRANSPOSE [-]/[+] buttons affect only the pitch of
Song playback.
MASTER When this is selected, the TRANSPOSE [-]/[+] buttons affect the overall pitch
of the instrument, except audio playback.
CVP-509/505/503/501 Reference Manual 9
Voices – Playing the Keyboard –
2
The instrument has a Voice Set feature that allows you to create your own Voices by editing some parameters
of the existing Voices. Once you’ve created a Voice, you can save it as a User Voice to the USER drive or
external devices for future recall.
1 Select the desired Voice (other than an Organ Flutes Voice).
The editing method is different for the ORGAN FLUTES Voices compared to other Voices. For
instructions on editing the ORGAN FLUTES Voices, see page 15.
2 Press the [6 ] (VOICE SET) button to call up the VOICE SET display.
3 Use the TAB [E][F] buttons to call up the relevant setting display.
For information on the available parameters in each display, see the “Editable Parameters in the VOICE
SET Displays” on page 10.
4 As necessary, use the [A]/[B] buttons to select the item (parameter) to be edited and
edit the Voice by using the [1 ▲▼]–[8 ▲▼] buttons.
By pressing the [D] (COMPARE) button, you can compare the sound of the edited Voice with the original
(unedited) Voice.
5 Press the [I] (SAVE) button to save your edited Voice as a User Voice.
CAUTION
The settings will be lost if you select another Voice or turn the power to the instrument off without executing the Save operation.
Editing Voices (Voice Set)
5
3
4
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Voices – Playing the Keyboard –
2
Editable Parameters in the VOICE SET Displays
The Voice Set parameters are organized into six different displays. The parameters in each display are
described separately, below.
NOTE The available parameters differ depending on the Voice.
PIANO Page
This display is available only when the Natural! piano Voice (page
3) is selected.
COMMON Page
[1
▲▼
]/
[2
▲▼
]
TUNING
CURVE
Determines the tuning curve. Select “FLAT” if you feel the tuning curve
of the piano Voice does not quite match that of other instruments Voices.
STRETCH: Tuning curve particularly for pianos.
FLAT: Tuning curve in which the frequency is octave doubled over the
entire keyboard range.
[3
▲▼
]/
[4
▲▼
]
KEY OFF
SAMPLE
(CVP-509/505/503)
Adjusts the volume of the key-off sound (the subtle sound that occurs
when you release a key).
[5
▲▼
]/
[6
▲▼
]
SUSTAIN
SAMPLE
(CVP-509/505/503)
Adjusts the depth of sustain sampling for the damper pedal.
[7
▲▼
]/
[8
▲▼
]
STRING
RESONANCE
(CVP-509)
Adjusts the depth of string resonance.
[1
▲▼
]VOLUME Adjusts the volume of the current edited Voice.
[2
▲▼
]/
[3
▲▼
]
TOUCH SENSE Adjusts the touch sensitivity (velocity sensitivity), or how greatly the vol-
ume responds to your playing strength.
DEPTH
Determines the velocity sensitivity, or how much the level of the Voice
changes in response to your playing strength (velocity).
OFFSET
Determines the amount by which received velocities are adjusted for the
actual velocity effect.
0
64 127
64
127
0
64 127
64
127
Actual Velocity for
tone generator
Depth=127 (twice)
Depth=64 (normal)
Depth=32 (half)
Depth=0
TOUCH SENSE DEPTH
Changes to velocity curve according to
VelDepth (with Offset set to 64)
Received Velocity
(Actual KeyOn speed)
TOUCH SENSE OFFSET
Changes to velocity curve according to
VelOffset (with Depth set to 64)
Actual Velocity for
tone generator
Received Velocity
(Actual KeyOn
speed)
Offset=96 (+64)
Offset=127 (+127)
Offset=64 (normal)
Offset=32 (-64)
Offset=0 (-127)
Depends
on offset
Depends
on offset
CVP-509/505/503/501 Reference Manual
11
Voices – Playing the Keyboard –
2
CONTROLLER Page
1 CENTER PEDAL
2 LEFT PEDAL
These allow you to select the function to be assigned to the center or left pedal.
3 MODULATION
When a pedal function is assigned to MODULATION, the pedal can be used to modulate the parameters
below as well as the pitch (vibrato). Here, you can set the degree to which the pedal modulates each of the
following parameters.
[4
▲▼
]/
[5
▲▼
]
PART OCTAVE Shifts the octave range of the edited Voice up or down in octaves. When
the edited Voice is used as any of the RIGHT 1–2 parts, the R1/R2 param-
eter is available; when the edited Voice is used as the LEFT part, the
LEFT parameter is available.
[6
▲▼
] MONO/POLY Determines whether the edited Voice is played monophonically or poly-
phonically.
[7
▲▼
] PORTAMENTO
TIME
Sets the portamento time (pitch transition time) when the edited Voice is
set to “MONO” above.
NOTE
The Portamento Time determines the pitch transition time. Portamento is a function that creates a
smooth transition in pitch from the first note played on the keyboard to the next.
[1
▲▼
] FUNCTION Selects the function to be assigned to the center or left pedal. For details
on the pedal functions, see page 86.
[2
▲▼
]–
[8
▲▼
]
RIGHT 1,
RIGHT 2, LEFT,
etc.
Determines whether the assigned function is effective or not for the
respective keyboard part. This also determines the depth for the function.
For details, see page 86.
[2
▲▼
] FILTER Determines the degree to which the pedal modulates the Filter Cutoff Fre-
quency. For details about the filter, see below.
[3
▲▼
] AMPLITUDE Determines the degree to which the pedal modulates the amplitude (vol-
ume).
[5
▲▼
] LFO PMOD Determines the degree to which the pedal modulates the pitch, or the
vibrato effect.
[6
▲▼
] LFO FMOD Determines the degree to which the pedal modulates the Filter modula-
tion, or the wah effect.
[7
▲▼
] LFO AMOD Determines the degree to which the pedal modulates the amplitude, or the
tremolo effect.
12
CVP-509/505/503/501 Reference Manual
Voices – Playing the Keyboard –
2
SOUND Page
FILTER
Filter is a processor that changes the timbre or tone of a sound by either blocking or passing a specific
frequency range. The parameters below determine the overall timbre of the sound by boosting or cutting a
certain frequency range. In addition to making the sound either brighter or mellower, Filter can be used to
produce electronic, synthesizer-like effects.
EG
The EG (Envelope Generator) settings determine how the level of the
sound changes in time. This lets you reproduce many sound
characteristics of natural acoustic instruments—such as the quick
attack and decay of percussion sounds, or the long release of a
sustained piano tone.
VIBRATO
Vibrato is a quavering, vibrating sound effect that is produced by
regularly modulating the pitch of the Voice.
[1 ▲▼] BRIGHT.
(Brightness)
Determines the cutoff frequency or
effective frequency range of the fil-
ter (see diagram). Higher values
result in a brighter sound.
[2 ▲▼] HARMO.
(Harmonic con-
tent)
Determines the emphasis given to
the cutoff frequency (resonance),
set in BRIGHT. above (see dia-
gram). Higher values result in a
more pronounced effect.
[3 ▲▼]ATTACK Determines how quickly the sound reaches its maximum level after the
key is played. The lower the value, the quicker the attack.
[4 ▲▼] DECAY Determines how quickly the sound reaches its sustain level (a slightly
lower level than maximum). The lower the value, the quicker the decay.
[5 ▲▼] RELES.
(Release)
Determines how quickly the sound decays to silence after the key is
released. The lower the value, the quicker the decay.
[6 ▲▼] DEPTH Determines the intensity of the Vibrato effect. Higher settings result in a
more pronounced Vibrato.
[7 ▲▼] SPEED Determines the speed of the Vibrato effect.
[8 ▲▼] DELAY Determines the amount of time that elapses between the playing of a key
and the start of the Vibrato effect. Higher settings increase the delay of
the Vibrato onset.
Volume
These frequencies are
“passed” by the filter.
Cutoff
range
Frequency
(pitch)
Cutoff Frequency
Volume
Frequency (pitch)
Resonance
Time
Level
Key on Key off
Sustain
Level
AT TACK DECAY RELEASE
Pitch
DELAY
SPEED
DEPTH
Time
CVP-509/505/503/501 Reference Manual 13
Voices – Playing the Keyboard –
2
EFFECT/EQ Page
1 REVERB DEPTH/CHORUS DEPTH/DSP DEPTH/VIB ROTOR
2 DSP
3 EQ
Determines the Frequency and Gain of the Low and High EQ bands. For information about EQ, refer to
page 74.
HARMONY Page
Harmony sets the Right 1 and 2 parts together. Select the Right 1 part in the Main display, before you set
it. This has the same settings as the display of “Selecting the Harmony/Echo type” page 5 in step 3.
[1 ▲▼]/
[2 ▲▼]
REVERB
DEPTH
Adjusts the reverb depth.
[3 ▲▼]/
[4 ▲▼]
CHORUS
DEPTH
Adjusts the chorus depth.
[5 ▲▼] DSP ON/OFF Determines whether the DSP is on or off.
[6 ▲▼] DSP DEPTH Adjusts the DSP depth.
If you want to re-select the DSP type, you can do so in the “2 DSP”
menu explained below.
[7 ▲▼] VIBE ROTOR This will be displayed only if VIBE VIBRATE is selected for the DSP
Type parameter explained below. Determines whether VIBE
VIBRATE should be set to on or off when selecting the Voice.
[1 ▲▼]–
[4 ▲▼]
DSP TYPE Selects the DSP effect category and type. Select a type after selecting a
category.
[5 ▲▼]–
[8 ▲▼]
VARIATION Two variations are provided for each DSP type. Here, you can edit the
VARIATION on/off status and variation’s parameter value setting.
[5 ▲▼] ON/OFF The factory-programmed assignments are set to variation-off for all
Voices (standard variation of DSP is assigned). If you select VARIA-
TION ON here, a variation of the DSP effect is assigned to the Voice.
The variation parameter value can be adjusted in the VALUE menu
explained below.
PARAMETER Displays the variation parameter. (This differs depending on the effect
type and cannot be changed.)
[6 ▲▼]
–[8 ▲▼]
VALUE Adjusts the value of the DSP variation parameter.
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Voices – Playing the Keyboard –
2
Disabling Automatic Selection of Voice Sets (Effects, etc.)
Each Voice is linked to its default VOICE SET parameter settings. Usually these settings are automatically
called up when a Voice is selected. However, you can also disable this feature by the operation in the relevant
display as explained below.
For example, if you want to change the Voice yet keep the same Harmony effect, set the HARMONY/ECHO
parameter to OFF (in the display explained below).
1 Call up the operation display.
[FUNCTION] [E] REGIST SEQUENCE/FREEZE/VOICE SET TAB [E][F] VOICE SET
2 Use the [A]/[B] buttons to select a keyboard part.
3 Use the [4 ▲▼]–[8 ▲▼] buttons to enable/disable automatic calling up of the settings
(ON or OFF) independently for each parameter group.
2
3
CVP-509/505/503/501 Reference Manual 15
Voices – Playing the Keyboard –
2
The Organ Flute Voices selected from the [ORGAN FLUTES] button can be edited by adjusting the footage
levers, adding the attack sound, applying effect and equalizer, etc.
CAUTION
After editing, go to the Voice Selection display by pressing the [I] (PRESETS) button and save the setting. The settings will be lost if you
select another Voice or turn the power to the instrument off without executing the Save operation.
FOOTAGE Page
Refer to the Owner’s Manual, chapter 2.
VOLUME/ATTACK Page
EFFECT/EQ Page
Same parameters as in the VOICE SET “EFFECT/EQ” Page explained on page 13.
Editing Organ Flutes Parameters
[1 ▲▼]VOL (Volume) Adjusts the overall volume of the Organ Flutes. The longer the graphic
bar, the greater the volume.
[2 ▲▼] RESP
(Response)
Affects both the attack and release (page 12) portion of the sound,
increasing or decreasing the response time of the initial swell and release,
based on the FOOTAGE controls. The higher the value, the slower the
swell and release.
[3 ▲▼] VIBRATO
SPEED
Determines the speed of the vibrato effect controlled by the Vibrato On/
Off ([F]/[G] buttons) and Vibrato Depth ([H] button).
[4 ▲▼] MODE The MODE control selects between two modes: FIRST and EACH. In the
FIRST mode, attack (percussive sound) is applied only to the first notes
played and held simultaneously; while the first notes are held, any subse-
quently played notes have no attack applied. In the EACH mode, attack is
applied equally to all notes.
[5 ▲▼]–
[7 ▲▼]
4’, 2 2/3’, 2’ These determine the attack sound volume of the ORGAN FLUTE Voice.
The 4’, 2-2/3’ and 2’ controls increase or reduce the volume of attack
sound at the corresponding footages. The longer the graphic bar, the
greater the attack sound volume.
[8 ▲▼] LENG (Length) Affects the attack portion of the sound producing a longer or shorter
decay immediately after the initial attack. The longer the graphic bar, the
longer the decay.
Same as the
FOOTAGE
Page.
3
16 CVP-509/505/503/501 Reference Manual
Styles – Playing Rhythm and Accompaniment –
Styles
– Playing Rhythm and Accompaniment –
Contents
Selecting the Chord Fingering Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Style Playback Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Split Point Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Memorizing the Original One Touch Setting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Creating/Editing Styles (Style Creator) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
• Realtime Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
• Step Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
• Style Assembly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
• Editing the Rhythmic Feel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
• Editing Data for Each Channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
• Making Style File Format Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Style playback can be controlled by the chords you play in the chord section of the keyboard. There are seven
types of fingering.
1 Call up the operation display.
[FUNCTION] [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING TAB [E][F] CHORD
FINGERING
2 Press the [1 ▲▼]–[3 ▲▼] buttons to select a fingering.
For information on each fingering type, see page 17.
Selecting the Chord Fingering Type
Chord Tutor
If you know the name of a chord but don’t know how to play, you can have the instrument show you the
notes to play. This is the Chord Tutor function.
On the CHORD FINGERING display, specify the Chord Root and Chord Type by using the [6 ▲▼]–[8
▲▼] button. The notes you need to play are shown in the display.
NOTE Depending on the chord, some notes may be omitted.
CVP-509/505/503/501 Reference Manual 17
Styles – Playing Rhythm and Accompaniment –
3
Chord Fingering Types
NOTE “AI” stands for “Artificial Intelligence.”
SINGLE FINGER Makes it simple to produce orchestrated accompaniment using major, seventh,
minor and minor-seventh chords by pressing a minimum number of keys on the
Chord section of the keyboard. This type is available only for Style playback.
The abbreviated chord fingerings described below are used:
MULTI FINGER Automatically detects Single Finger or Fingered chord fingerings, so you can
use either type of fingering without having to switch fingering types.
FINGERED Lets you finger your own chords on the chord section of the keyboard, while
the instrument supplies appropriately orchestrated rhythm, bass, and chord
accompaniment in the selected Style. The Fingered type recognizes the various
chord types which are listed on the separate Data List booklet and can be
looked up using the Chord Tutor function on page 16.
FINGERED ON BASS Accepts the same fingerings as Fingered, but the lowest note played in the
Chord section of the keyboard is used as the bass note, allowing you to play
“on bass” chords. (In the Fingered mode, the root of the chord is always used
as the bass note.)
FULL KEYBOARD Detects chords in the entire key range. Chords are detected in a way similar to
Fingered, even if you split the notes between your left and right hands—for
example, playing a bass note with your left hand and a chord with your right,
or by playing a chord with your left hand and a melody note with your right.
AI FINGERED Basically the same as Fingered, with the exception that less than three notes
can be played to indicate the chords (based on the previously played chord,
etc.).
AI FULL KEYBOARD When this advanced fingering type is engaged, the instrument will automati-
cally create appropriate accompaniment while you play just about anything,
anywhere on the keyboard using both hands. You don’t have to worry about
specifying the Style chords. Although the AI Full Keyboard type is designed to
work with many songs, some arrangements may not be suitable for use with
this feature. This type is similar to Full Keyboard, with the exception that less
than three notes can be played to indicate the chords (based on the previously
played chord, etc.). 9th, 11th and 13th chords cannot be played. This type is
available only for Style playback.
Cm
C
Cm
7
C
7
For a major chord, press
the root key only.
For a minor chord, simul-
taneously press the root
key and a black key to its
left.
For a seventh chord,
simultaneously press the
root key and a white key to
its left.
For a minor-seventh
chord, simultaneously
press the root key and both
a white and black key to its
left.
18 CVP-509/505/503/501 Reference Manual
Styles – Playing Rhythm and Accompaniment –
3
The instrument has a variety of Style playback functions which can be accessed in the display below.
1 Call up the operation display.
[FUNCTION] [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING TAB [E][F] STYLE
SETTING
2 Use the [1 ▲▼]–[8 ▲▼] buttons for each setting.
Style Playback Related Settings
[1 ▲▼]STOP ACMP When [ACMP ON/OFF] is turned on and [SYNC START] is off, you can
play chords in the chord section of the keyboard with the Style stopped,
and still hear the accompaniment chord. In this condition—called “Stop
Accompaniment”—any valid chord fingerings are recognized and the
chord root/type are shown in the display. Here, you can determine
whether the chord played in the chord section will sound or not in the
Stop Accompaniment status.
OFF
The chord played in the chord section will not sound.
STYLE
The chord played in the chord section will sound via the Voices for the
Pad part and the Bass channel of the selected Style.
FIXED
The chord played in the chord section will sound via the specified Voice,
regardless of the selected Style.
NOTE When the selected Style contains MegaVoices, unexpected sounds may result when this is set to
“STYLE.”
NOTE When you record a song, the chord detected by playing the Stop Accompaniment can be recorded
regardless of the setting here. Please note that both the Voice that is sounded and the chord data
will be recorded when set to “STYLE,” and only the chord data will be recorded when set to “OFF”
or “FIXED.”
CVP-509/505/503/501 Reference Manual 19
Styles – Playing Rhythm and Accompaniment –
3
[2 ▲▼]OTS LINK TIM-
ING
This applies to the OTS Link function. This parameter determines the
timing in which the One Touch Settings change with the MAIN VARIA-
TION [A]–[D] change. (The [OTS LINK] button must be on.)
REAL TIME
One Touch Setting is immediately called up when you press a MAIN
VARIATION button.
NEXT BAR
One Touch Setting is called up at the next measure, after you press a
MAIN VARIATION button.
[3 ▲▼] SYNCHRO
STOP WIN-
DOW
This determines how long you can hold a chord before the Synchro Stop
function is automatically cancelled. When the [SYNC STOP] button is
turned on and this is set to a value other than “OFF,” this is automatically
cancels the Synchro Stop function if you hold a chord for longer than the
time set here. This conveniently resets Style playback control to normal,
letting you release the keys and still have the Style play. In other words, if
you release the keys sooner than the time set here, the Synchro Stop func-
tion works.
[4 ▲▼] STYLE TOUCH Turns touch response for the Style playback on/off. When this is set to
“ON,” the Style volume changes in response to your playing strength in
the chord section of the keyboard.
[5 ▲▼]/
[6 ▲▼]
SECTION SET Determines the default section that is automatically called up when
selecting different Styles (when Style playback is stopped). When set to
“OFF” and Style playback is stopped, the active section is maintained
even if the different Style is selected. When any of the MAIN A–D sec-
tions is not included in the Style data, the nearest section is automatically
selected. For example, when MAIN D is not contained in the selected
Style, MAIN C will be called up.
[7 ▲▼] TEMPO This determines whether the tempo changes or not when you change
Styles during Style playback.
HOLD
The tempo setting of the previous Style is maintained.
RESET
The tempo changes to that of the initial default tempo for the selected
Style.
[8 ▲▼]PART ON/OFF This determines whether the Style Channel On/Off status changes or not
when you change Styles.
HOLD
The Style Channel On/Off status of the previous Style is maintained.
RESET
All Style Channels are set to On.
20 CVP-509/505/503/501 Reference Manual
Styles – Playing Rhythm and Accompaniment –
3
These are the settings (there are two Split Points) that separate the different sections of the keyboard: the
Chord section, the LEFT part section and the RIGHT 1 and 2 section. The two Split Point settings (below)
are specified as note names.
1 Call up the operation display.
[FUNCTION] [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING TAB [E][F] SPLIT
POINT
2 Set the Split Point.
Split Point Settings
[F] Split Point (S+L) Sets the Split Point (S) and Split Point (L) to the same note. Press the [F]
button and rotate the [DATA ENTRY] dial.
[G] Split Point (S) Sets each Split Point. Press one of the desired buttons and rotate the
[DATA ENTRY] dial.
NOTE Split Point (L) cannot be set lower than Split Point (S).
[H] Split Point (L)
[1 ▲▼]/
[2 ▲▼]
STYLE You can specify each Split Point by note name. “STYLE” indicates Split
Point (S) and “LEFT” indicates Split Point (L).
[3 ▲▼]/
[4 ▲▼]
LEFT
Split Point (S)
Chord section
Voice RIGHT
1–2
Split Point (L)
Voice LEFT
Split Point (S+L)
Chord section
+ Voice LEFT
Voice RIGHT 1 and 2
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