Yamaha DSP-A2070 Le manuel du propriétaire

Marque: Yamaha

Modèle: DSP-A2070

Catégorie: Récepteurs AV

Taper: Le manuel du propriétaire

DSP

A2070

DIGITAL SOUND FIELD

PROCESSING AMPLIFIER

OPERATION MANUAL

CONTENTS

SAFETY INSTRUCTIONS..................................................Inside Front cover

SETUP & ADJUSTMENT..............................................................................3

1-1.GETTING STARTED...............................................................................3

1-2.SETUP....................................................................................................10

1-3.CONTROLS & ADJUSTMENTS...........................................................19

1-4.ADJUSTMENT.......................................................................................23

GENERAL OPERATION .............................................................................29

2-1.PLAYING A SOURCE ...........................................................................29

2-2.RECORDING A SOURCE TO AUDIO/VIDEO TAPE..........................30

(OR DUBBING FROM A TAPE TO ANOTHER)

2-3.DIGITAL SOUND FIELD PROGRAMS.................................................31

2-4.SELECTING SOUND FIELD PROGRAMS..........................................31

2-5.MUTING THE EFFECT SOUND...........................................................32

2-6.SUPERIMPOSED VIDEO PROGRAM/PARAMETER

DISPLAY................................................................................................32

2-7.DESCRIPTIONS OF THE SOUND FIELD PROGRAMS.....................33

2-8.REMOTE CONTROL “LEARNING” FUNCTION..................................39

CREATING YOUR OWN SOUND FIELDS.................................................41

3-1.SELECTING AND EDITING PROGRAM PARAMETERS...................41

3-2.DESCRIPTIONS OF THE DIGITAL SOUND FIELD

PARAMETERS......................................................................................43

TABLES & SPECIFICATIONS....................................................................48

4-1.PROGRAM PARAMETER TABLE........................................................48

4-2.TROUBLESHOOTING ..........................................................................51

4-3.SPECIFICATIONS.................................................................................52

1 Read Instructions – All the safety

and operating instructions should be

read before the unit is operated.

2 Retain Instructions – The safety and

operating instructions should be retained

for future reference.

3 Heed Warnings – All warnings on the

unit and in the operating instructions

should be adhered to.

4 Follow Instructions – All operating

and other instructions should be

followed.

5 Water and Moisture – The unit

should not be used near water – for

example, near a bathtub, washbowl,

kitchen sink, laundry tub, in a wet

basement, or near a swimming pool, etc.

6 Carts and Stands – The unit should

be used only with a cart or stand that is

recommended by the manufacturer.

6A A unit and cart

combination should be

moved with care. Quick

stops, excessive force,

and uneven surfaces may

cause the unit and cart

combination to overturn.

7 Wall or Ceiling Mounting – The unit

should be mounted to a wall or ceiling

only as recommended by the

manufacturer.

8 Ventilation – The unit should be

situated so that its location or position

does not interfere with its proper

ventilation. For example, the unit should

not be situated on a bed, sofa, rug, or

similar surface, that may block the

ventilation openings; or placed in a built-

in installation, such as a bookcase or

cabinet that may impede the flow of air

through the ventilation openings.

9 Heat – The unit should be situated

away from heat sources such as

radiators, stoves, or other appliances

that produce heat.

10 Power Sources – The unit should be

connected to a power supply only of the

type described in the operating

instructions or as marked on the unit.

11 Power-Cord Protection – Power-

supply cords should be routed so that

they are not likely to be walked on or

pinched by items placed upon or against

them, paying particular attention to cords

at plugs, convenience receptacles, and

the point where they exit from the unit.

12 Cleaning – The unit should be

cleaned only as recommended by the

manufacturer.

13 Nonuse Periods – The power cord of

the unit should be unplugged from the

outlet when left unused for a long period

of time.

14 Object and Liquid Entry – Care

should be taken so that objects do not

fall into and liquids are not spilled into

the inside of the unit.

15 Damage Requiring Service – The

unit should be serviced by qualified

service personnel when:

A. The power-supply cord or the plug

has been damaged;

B. Objects have fallen, or liquid has

been spilled into the unit; or

C. The unit has been exposed to rain;

D. The unit does not appear to operate

normally or exhibits a marked change in

performance;

E. The unit has been dropped, or the

cabinet damaged.

16 Servicing – The user should not

attempt to service the unit beyond those

means described in the operating

instructions. All other servicing should

be referred to qualified service

personnel.

17 Power Lines – An outdoor antenna

should be located away from power

lines.

18 Grounding or Polarization –

Precautions should be taken so that the

grounding or polarization is not defeated.

SAFETY INSTRUCTIONS

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF

ELECTRIC SHOCK, DO NOT REMOVE

COVER (OR BACK), NO USER-SERVICEABLE

PARTS INSIDE, REFER SERVICING TO

QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead

symbol, within an equilateral triangle,

is intended to alert you to the

presence of uninsulated “dangerous

voltage” within the product’s

enclosure that may be of sufficient

magnitude to constitute a risk of

electric shock to persons.

The exclamation point within an

equilateral triangle is intended to alert

you to the presence of important

operating and maintenance

(servicing) instructions in the

literature accompanying the

appliance.

•

Explanation of Graphical Symbols

CAUTION

IMPORTANT!

Please record the serial number of this

unit in the space below.

Model:

Serial No.:

The serial number is located on the rear

of the unit.

Retain this Owner’s Manual in a safe

place for future reference.

WARNING

TO REDUCE THE RISK OF FIRE OR

ELECTRIC SHOCK, DO NOT EXPOSE

THIS UNIT TO RAIN OR MOISTURE.

PRECAUTIONS & SAFETY INSTRUCTIONS

1 To ensure the finest performance,

please read this manual carefully. Keep it

in a safe place for future reference.

2 Install your unit in a cool, dry, clean

place – away from windows, heat sources,

and too much vibration, dust, moisture or

cold. Avoid sources of hum (transformers,

motors). To prevent fire or electrical shock,

do not expose to rain and water.

3 Do not operate the unit upside-down. It

may overheat, possibly causing damage.

4 Never open the cabinet. If a foreign

object drops into the set, contact your

dealer.

5 Do not use force on switches, knobs or

cords. When moving the set, first turn the

unit off. Then gently disconnect the power

plug and the cords connecting to other

equipment. Never pull the cord itself.

6 Do not attempt to clean the unit with

chemical solvents; this might damage the

finish. Use a clean, dry cloth.

7 Always set the volume control to “–

∞

”

while lowering the tonearm to play a

record; turn the volume up with the stylus in

the groove.

8 Be sure to read the “Troubleshooting”

section on common operating errors before

concluding that your unit is faulty.

9 Do not connect audio equipment to

the AC outlets on the rear panel if that

equipment requires more power than the

outlets are rated to provide.

We Want You Listening

For A Lifetime

YAMAHA and the Electronic Industries

Association’s Consumer Electronics

Group want you to get the most out of

your equipment by playing it at a safe

level. One that lets the sound come

through loud and clear without annoying

blaring or distortion – and, most

importantly, without affecting your

sensitive hearing. Since hearing

damage from loud sounds is often

undetectable until it is too late, YAMAHA

and the Electronic

Industries Association’s

Consumer Electronics

Group recommend you to

avoid prolonged exposure

from excessive volume

levels.

PRECAUTIONS

FCC INFORMATION

1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this

manual, meets FCC requirements. Modifications not expressly approved by

Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT : When connecting this product to accessories and/or another

product use only high quality shielded cables. Cable/s supplied with this

product MUST be used. Follow all installation instructions. Failure to follow

instructions could void your FCC authorization to use this product in the USA.

3. NOTE : This product has been tested and found to comply with the

requirements listed in FCC Regulations, Part 15 for Class “B” digital devices.

Compliance with these requirements provides a reasonable level of assurance

that your use of this product in a residential environment will not result in

harmful interference with other electronic devices.

This equipment generates/uses radio frequencies and, if not installed and used

according to the instructions found in the users manual, may cause interference

harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee that interference will not

occur in all installations. If this product is found to be the source of

interference, which can be determined by turning the unit “OFF” and “ON”,

please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the

interference.

Utilize power outlets that are on different branch (circuit breaker or fuse)

circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the

antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type

cable.

If these corrective measures do not produce satisfactory results, please contact

the local retailer authorized to distribute this type of product. If you can not

locate the appropriate retailer, please contact Yamaha Electronics Corp.,

U.S.A. 6660 Orangethorpe Ave, Buena Park, CA 90620.

The above statements apply ONLY to those products distributed by Yamaha

Corporation of America or its subsidiaries.

Congratulations!

You are the proud owner of a Yamaha Digital Sound Field Processing (DSP) System—an

extremely sophisticated audio component. The DSP system takes full advantage of Yamaha’s

undisputed leadership in the field of digital audio processing to bring you a whole new world

of listening experiences. Follow the instructions in this manual carefully when setting up your

system, and the DSP system will sonically transform your room into a wide range of listening

environments—anything from a famous concert hall to a cozy jazz club. In addition, you get

incredible realism from Dolby-encoded video tapes using the built-in Dolby Pro Logic

Surround Decoder.

Seven built-in channels of amplification on the DSP-A2070 mean that no additional

amplifiers are required to enjoy advanced digital sound field processing.

Rather than tell you about the wonders of digital sound field processing, however, let’s get

right down to the business of setting up the system and trying out its many capabilities.

Please read this operation manual carefully and store it in a safe place for later reference.

1-1. GETTING STARTED

Unpacking

If you haven’t already done so, carefully remove this unit and its

accessories from the box and wrapping material. You should find the

unit itself and the following accessories.

Installing the Remote Control Unit Batteries

Since the remote control unit will be used for many of this unit’s

control operations, you should begin by installing the supplied

batteries.

1. Turn the remote control unit over and slide the battery

compartment cover downward in the direction of the arrow.

2. Insert the batteries (LR6, AA, UM-3 type), being careful to align

them with the polarity markings on the inside of the battery

compartment.

3. Close the battery compartment cover.

SETUP & ADJUSTMENT

Remote control

Batteries User program sheets

●

When you notice that remote control operation has become

erratic, or the distance from which the remote control will function

has decreased, it’s time to replace the batteries. Always replace

all batteries at the same time.

●

Make sure that the YPC/USER/LEARN switch on the remote

control unit is set to the YPC or USER position for normal

operation.

●

This remote control uses an advanced, highly directional infrared

beam. Be sure to aim the remote control directly at the remote

control sensor on the main unit when operating.

Remote control transmitter operation range

Notes

●

There should be no large obstacles between the remote

control transmitter and the main unit.

●

If the remote control sensor is directly illuminated by strong

lighting (especially an inverter type of fluorescent lamp etc.),

it might cause the remote control transmitter to work

incorrectly. In this case, reposition the main unit to avoid

direct lighting.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced

sound reproduction technology lets you get extremely close to the

sound of a live performance, but chances are you’ll still notice

something missing, the acoustic environment of the live concert hall.

Extensive research into the exact nature of the sonic reflections that

create the ambience of a large hall has made it possible for Yamaha

engineers to bring you this same sound in your own listening room,

so you’ll feel all the sound of a live concert. What’s more, our

technicians, armed with sophisticated measuring equipment, have

even made it possible to capture the acoustics of a variety of actual

concert halls, jazz clubs, theaters, etc. from around the world, to

allow you to accurately recreate any one of these live performance

environments, all in your own home.

30°

Infrared receiver

Within approximately

7 m (23 feet)

Dolby Pro Logic Surround

The Dolby Pro Logic Surround Decoder program lets you

experience the dramatic realism and impact of Dolby Surround movie

theater sound in your own home. Dolby Pro Logic gets its name from

its professional-grade steering logic circuitry, which provides greater

effective channel separation for a much higher degree of realism than

the “passive” Dolby Surround circuits found in today’s typical home

audio/video equipment. Dolby Pro Logic Surround provides a true

center channel, so that there are four independent channels, unlike

passive Dolby Surround, which has in effect only three channels: left,

right, and rear. This center channel allows listeners seated in even

less-than-ideal positions to hear the dialog originating from the action

on the screen while experiencing good stereo imaging.

This Dolby Pro Logic Surround Decoder employs a digital signal

processing system. This system improves the stability of sound at

each channel and crosstalk between channels, so that positioning of

sounds around the room is more accurate compared with

conventional analog signal processing systems.

In addition, this unit features a built-in automatic input balance

control. This always assures you the best performance without

manual adjustment.

Manufactured under license from Dolby Laboratories Licensing

Corporation. Additionally licensed under one or more of the

following patents: U.S. number 3,950,590; Canadian numbers

1,004,603 and 1,037,877. “Dolby”, “Pro Logic”, and the double-D

symbol are trademarks of Dolby Laboratories Licensing

Corporation.

Dolby Pro Logic Surround + DSP

You can also enjoy Dolby Pro Logic with two modes of Digital

Sound field processing. These combinations expand the surround

effect. One is the “ENHANCED” Dolby Pro Logic Surround, which

recreates the surround effect of the 35 mm film movie theater. The

other is the sound field program “MOVIE THEATER”, which recreates

the listening experience of a 70 mm film theater.

Directional Enhancement Circuit + DSP

The YAMAHA directional enhancement (DIR. ENHANCEMENT)

circuit expands and focuses the digital sound field.

This effect puts you in the midst of the action, while centering and

focusing your attention to the screen. This circuit is available on

Sound Field programs “CONCERT VIDEO” and “TV THEATER”.

Setting Up Your Speaker System

This unit has been designed to provide the best sound field

quality with a full seven-speaker system setup, using two extra pairs

of effect speakers to generate the sound field plus one center

speaker for dialog, when using Dolby Pro Logic Surround decoding.

We therefore recommend that you use a seven-speaker setup. A

four-speaker system using only one pair of effect speakers for the

sound field will still provide impressive ambience and effects,

however, and may be a good way to begin with this unit. You can

always upgrade to the full seven speaker system later. In the 4 or 5

speaker system, the Digital Sound Field Processing is still

performed, but the main speakers are used for both the main

channels and the front effect channels.

Use of the Center Dialog Speaker Is Recommended

With digital sound field programs No. 7 through No. 12, by using

either the Directional Enhancement circuit or the Dolby Pro Logic

decoder, decoded signals will be output from the center channel.

Therefore, if you want to upgrade the Audio/Video home theater

system, it is recommended to use the center speaker unit.

If for some reason it is not practical to use a center speaker, it is

possible to enjoy movie viewing without it. Best results, however, are

obtained with the full system.

It is also possible to further expand your system with the addition

of a subwoofer and amplifier. You may wish to choose the

convenience of a Yamaha Active Servo Processing Sub Woofer

System, which has its own built-in power amp.

Four Possible Types of Speaker System Configurations Recommended

4 Speaker System

Simplest system.

You can enjoy widely diffused sound by

only adding two additional speaker units

at the rear.

FRONT MIX switch—Set to ON.

(See page 13.)

Center Mode—Set to PHNTM.

(See page 26.)

5 Speaker System

Good for Audio/Video sources and

Dolby Pro Logic Surround.

With sound field programs No. 7

through No. 12, which utilize the center

speaker effect, more precise center

localization can be obtained.

FRONT MIX switch—Set to ON.

(See page 13.)

Center Mode—Set to NRML or WD.

(See page 26.)

6 Speaker System

Good for sound fields from 2-channel

stereo sources.

With sound field programs No. 1

through No. 6, a sound effect matching

that of a 7-speaker system can be

obtained. The addition of front left and

right effect speakers produces a more

effective sound field.

FRONT MIX switch—Set to OFF.

(See page 13.)

Center Mode—Set to PHNTM.

(See page 26.)

7 Speaker System

This is the recommended speaker

system, providing the best sound

effects.

With sound field programs No. 1

through No. 6, using both sets of effect

speakers (front and rear), reproduces

the most effective sound field. With the

sound field programs No. 7 through No.

12, the center speaker provides precise

center localization.

FRONT MIX switch—Set to OFF.

(See page 13.)

Center Mode—Set to NRML or WD.

(See page 26.)

Speakers and Speaker Placement

Your full seven-speaker system will require three speaker pairs:

the MAIN SPEAKERS (your normal stereo speakers), the FRONT

EFFECT SPEAKERS, and the REAR EFFECT SPEAKERS, plus the

CENTER SPEAKER. You may also be using a subwoofer.

You will probably use your present stereo speakers as the MAIN

SPEAKER pair. The front effect, rear effect do not need to be equal

with the MAIN SPEAKERS, although the center speaker should be

as close as possible. They should have enough power handling

capacity to accept the maximum output of the DSP system or the

external amps that will drive them.

Place the MAIN SPEAKERS in the normal position.

Place the FRONT EFFECT SPEAKERS further apart than the

MAIN SPEAKERS, on either side of and a few feet behind and above

the MAIN SPEAKER pair.

Place the REAR EFFECT SPEAKERS behind your listening

position. They should be nearly six feet up from the floor.

Place the CENTER SPEAKER precisely between the two MAIN

SPEAKERS. (To avoid interference, keep the speaker above or

below the television monitor, or use a magnetically shielded speaker.)

If using a SUBWOOFER, such as a Yamaha Active Servo Sub-

woofer System, the position of the speaker is not so critical because

low bass tones are not highly directional.

NOTE: The Yamaha NS-C90 speaker, available in some countries, is

an ideal choice for the center speaker.

Main speaker Effect speaker Center speaker

VIDEO SUPERIMPOSE

If you connect your video cassette recorder, video disc player,

video monitor, etc. to this unit, you can take advantage of this unit’s

capability to display program titles, parameter data and information

about other various settings and adjustments on your video monitor’s

screen. This information will be superimposed over the video image.

If there is no video source connected or it is turned off, the

information will be displayed over a blue colored background (but no

video signal is input to this unit).

NOTE: The program titles, parameter data and other information are

also displayed on the display panel of this unit.

OPEN/CLOSE THE CONTROL DOOR

When it is not necessary to operate controls inside the control

door, close the door.

To close the door

To open the door

CONCERT HALL 1

Hall A in Europe

1-2. SETUP

Before you start making connections make sure all related electronic components are turned OFF.

REAR PANEL

CAUTION: TO PREVENT ELECTRIC SHOCK, DO NOT USE THIS

(POLARIZED) PLUG WITH AN EXTENSION CORD, RECEPTACLE OR

OTHER OUTLET UNLESS THE BLADES CAN BE FULLY INSERTED

TO PREVENT BLADE EXPOSURE.

240V

9 0 A B

2 3 4 5 6 7 8

C D E

G H I J LK

(General Model)

1 GND Terminal

Connects the ground wire of the turntable to produce minimum

hum. In some cases, however, better results may be obtained

with the ground wire disconnected.

2 Audio Signal Connection Jacks (for Audio Source Equipment)

Connect the inputs and/or outputs of your audio equipment.

3 Audio/Video Signal Connection Jacks (for Video Source

Equipment)

Connect the audio and video inputs and/or outputs of your video

equipment. In place of the VIDEO jacks, the S VIDEO jacks can

be used for higher resolution and improved picture quality if your

VCR, monitor, etc. are equipped with S-VIDEO connectors.

4 Main Speaker Terminals

When using this unit’s built-in main-channel amplifier, connect the

main speakers here. The jumper bars must be plugged in to

connect the MAIN IN jacks to the MAIN OUT jacks.

5 Front Effect Speaker Terminals

When using the built-in front-channel amplifier, connect the front

effect speakers here.

6 Center Speaker Terminals

When using the built-in center-channel amplifier, connect one or

two center speakers here.

7 Center Speaker Impedance Switch

Set to “A + B” when using two center speakers, or to “A or B”

when using only one center speaker.

8 Rear Effect Speaker Terminals

When using the built-in rear-channel amplifier, connect the rear

effect speakers here.

9 Video NTSC/PAL Switch (General Model only)

Set this switch to the position corresponding to the standard

that your video equipment employs.

0 Front Mix Switch

Set to “OFF” when setting up a full 7 or 6 speaker system, or to

“ON” when setting up a 5 or 4 speaker system.

A Main Level Control

Adjusts the main-channel line output level at the MAIN OUT

jacks. Used to achieve balance between the main and effect

speakers.

B Main Out Jacks

Main-channel line output. Connected with jumper bars to MAIN

IN jacks when the built-in amplifier is used. Connected to input

jacks of external stereo power amplifier (MAIN IN or TAPE PLAY

jacks of integrated amplifier or receiver) when using external

amplification.

C Main In Jacks

Line input to built-in main-channel amplifier. Connected with

jumper bars to MAIN OUT jacks when the built-in amplifier is

used. Not connected when using an external power amplifier.

D Center Out Jacks

Center-channel line outputs. Not connected when the built-in

amplifier is used. Can be connected to input jack(s) of one or two

external power amplifier(s) to drive the center speaker(s).

E Center In Jack

Line input to built-in center-channel amplifier. Connected with

jumper bars to CENTER OUT jack when the built-in amplifier is

used. Not connected when using an external power amplifier.

F Mono Low Pass Jack

When using a subwoofer, connect its amplifier input to this jack.

Frequencies below 200 Hz from the left main, right main and

center channels are output to this jack.

G Split Low Pass Jacks

When using two subwoofers, connect their amplifiers to these

jacks. Frequencies below 200 Hz from the left main and center

channels are output (in 10:7) to the SPLIT L jack, and also

frequencies below 200 Hz from the right main and center

channels are output (in 10:7) to the SPLIT R jack.

H Front Effect Out Jacks

Front-channel line output. Not connected when the built-in

amplifier is used. Can be connected to input jacks of an external

stereo power amplifier driving the front effect speakers.

I Rear Effect Out Jacks

Rear-channel line output. Not connected when the built-in

amplifier is used. Can be connected to input jacks of an external

stereo power amplifier driving the rear effect speakers.

J Voltage Selector (General Model only)

Be sure to set to the line voltage in your area before applying

power. Consult your dealer if unsure of the correct setting.

K Switched AC Outlets

You may plug other audio components into these sockets as long

as their combined power consumption does not exceed the

specified value shown. “Switched” means that these components

are turned on and off by this unit’s power switch.

L Unswitched AC Outlet (U.S.A., Canada, and General Model)

The total power consumption of audio components plugged into

this socket should not exceed the specified value shown.

“Unswitched” means that power is available even when this unit is

off.

NOTE: If an external power amplifier is connected to the front effect

or rear effect output jacks, the corresponding internal amplifier will be

turned off and no output will be available at the speaker terminals.

Rear Panel Switch and Control Settings

There are several switches and controls on the rear panel that

you’ll have to check before operating your system, and it’s a good

idea to do it before you connect cables. Locate the MAIN LEVEL

control (A) and FRONT MIX slide switch (:) at the bottom of the

MAIN terminal group. Make sure the MAIN LEVEL control is set to its

max (10) position and that the FRONT MIX switch is set to “OFF” for

7 or 6 speaker driving.

In a 5 or 4 speaker system, set the FRONT MIX switch to “ON”.

Next, set the NTSC/PAL switch (9) to the position corresponding

to the standard which your video equipments employ. (General

Model only)

General Instructions for Connections

Make sure that you have the left (L) and right (R) channels

correctly connected. That means that jacks marked “L” on this unit

must be connected to jacks marked “L” on other units. Likewise with

the “R” jacks. This is easy if you remember to always use the red

plug for the “R” jacks and the other plugs for the “L” jacks.

With speaker connections you must also be sure that the polarity

is correct. For each amplifier and each channel, connect the plus (+)

terminal of the amplifier to the plus terminal of the speaker, and

connect the minus (–) terminal of the amplifier to the minus terminal

of the speaker. To keep track of polarity, use a speaker cable that has

one of the two wires marked by a stripe or a different color.

CONNECTING AUDIO/VIDEO SOURCE EQUIPMENTS TO THIS UNIT

If you wish to connect a second monitor TV (or a projector) to this

unit, you can switch the VCR 3 VIDEO OUT jack (and S VIDEO jack

also) to a second monitor out jack. (See page 27.)

OUTPUT

LINE OUT

LINE IN

AUDIO OUT

VIDEO OUT

AUDIO OUT

VIDEO OUT

VIDEO IN

AUDIO IN

VIDEO IN

AUDIO IN

VIDEO OUT

AUDIO OUT

VIDEO OUT

AUDIO OUT

VIDEO OUT

AUDIO OUT

VIDEO OUT

LINE OUT

LINE IN

GND

Turntable

CD player

Tuner

Tape deck 1

Tape deck 2

Monitor TV

Video disc player

TV/Satellite tuner

Video cassette recorder 1

Video cassette recorder 2

Video cassette recorder 3

CONNECTING TO S VIDEO JACKS

If your video cassette recorder, video disc player, etc. and your

monitor are equipped with “S” (high-resolution) video terminals,

connect them to this unit’s S VIDEO jacks, and connect this unit’s

S VIDEO MONITOR OUT jack to the “S” video input of your monitor.

Otherwise, connect the composite video jacks from your video

cassette recorder, video disc player, etc. to the VIDEO jacks of this

unit, and connect this unit’s VIDEO MONITOR OUT jack to the

composite video input of your monitor.

NOTE: If video signals are sent to both S VIDEO input and VIDEO

input jacks, the signals will be sent to their respective output jacks

independently.

NOTE: If your unit is the General Model, be sure the VIDEO

NTSC/PAL switch has been correctly set to the standard that your

video equipments employ. U.S. and Canadian models have no switch

and use the NTSC standard, while other models without a switch use

the PAL standard.

Notes about the Video superimpose

●

If you watch a video source that is connected to both S VIDEO and

VIDEO input jacks of this unit, signals of screen display information

are output from only the S VIDEO MONITOR OUT jack.

●

When no video signal is input to either S VIDEO or VIDEO input

jacks of this unit, signals of screen display information are output

from both S VIDEO MONITOR OUT and VIDEO MONITOR OUT

jacks with a color background.

* For the General Model, if the NTSC/PAL switch on the rear panel

is set to “PAL”, nothing will be output from either S VIDEO

MONITOR OUT or VIDEO MONITOR OUT jack in this case.

VIDEO

OUT

VIDEO OUT

S-VIDEO OUT

VIDEO IN

S-VIDEO IN

VIDEO IN

S-VIDEO

S-VIDEO OUT

VIDEO OUT

VIDEO IN

S-VIDEO IN

S-VIDEO OUT

VIDEO OUT

S-VIDEO

OUT

VIDEO

OUT

S-VIDEO

OUT

Video disc player

Video cassette recorder 2

TV/Satellite tuner

Video cassette recorder 1

Video cassette recorder 3

Monitor TV

CONNECTING THE MAIN SPEAKERS TO THIS UNIT

Connect the MAIN speakers to the MAIN speaker output

terminals of this unit. Make sure that the jumper bars between the

MAIN OUT and MAIN IN jacks on the rear panel are in place. It is

also possible to use an external power amplifier if more power is

desired. In this case, remove the jumper bars and connect the MAIN

OUT jacks to the INPUT jacks of a stereo power amplifier with a

stereo pin cable—making sure to connect the left and right channels

correctly. Connect the MAIN speakers to the speaker output

terminals of the power amplifier.

NOTE: If an external amplifier is used for the main speakers, it is

recommended to use the MAIN speaker terminals of this unit for the

rear effect speakers.

Connect the REAR EFFECT OUT jacks to the MAIN IN jacks with

the pin cord. This combination is highly upgraded and ideal for the

division of sound quality, because the rear channel output of the

Audio/Video system is equally important as the center channel.

INPUT

MAIN UNIT

Main speaker

Power amplifier

This unit

Main speaker

CONNECTING THE EFFECT SPEAKERS TO THIS

UNIT

Connect the FRONT effect speakers to the FRONT effect

speaker output terminals of this unit.

If the FRONT effect speakers are not used, the FRONT MIX

switch should be set to “ON”.

Connect the REAR effect speakers to the REAR effect speaker

output terminals of this unit.

Connect the CENTER speaker to the CENTER speaker output

terminals. If you will be using one CENTER speaker, connect it to

either the A or B terminals and set the CENTER speaker impedance

switch to “A or B” (bottom position). If using two CENTER speakers,

connect them to the A and B terminals, and set the switch to “A + B”

(top position). If, however, you will not be using a CENTER speaker,

be sure to set the Center Mode to “PHNTM” (phantom). (See page

25.)

NOTE: The speaker connections above are fine for most

applications. If for some reason, however, you wish to use an

external power amp for any or all of the effect channels, connect the

line level output jack(s) for each channel to the INPUT jacks of the

external amp and connect the corresponding speaker pair to the

speaker terminals of the external amp.

NOTE: If the pin plug is inserted in the FRONT/REAR EFFECT out

jacks, the speaker output from the built-in amplifier will be cut off.

Front effect

speaker

Rear effect

speaker

Front effect

speaker

Rear effect

speaker

This unit

Center speaker Center speaker

Center speaker

ADDING A SUBWOOFER

You may wish to add a subwoofer to reinforce the bass

frequencies.

This unit provides line-level subwoofer outputs, which contain only

the frequencies under 200 Hz from the main and center channels. If

you use one subwoofer, connect the MONO LOW PASS jack to the

INPUT jack of the subwoofer amplifier, and connect the speaker

terminals of the subwoofer amplifier to the subwoofer.

If you wish to obtain more presence in your listening room, the

use of two subwoofers is recommended. To connect two subwoofers

to this unit, connect the “left” SPLIT LOW PASS jack to the INPUT

jack of the amplifier driving the left subwoofer, and the “right” SPLIT

LOW PASS jack to the INPUT jack of the amplifier driving the right

subwoofer, and then connect each subwoofer to the corresponding

amplifier.

With some subwoofers, including the Yamaha Active Servo

Processing Subwoofer System, the amplifier and subwoofer are in

the same unit.

CONNECTING SPEAKER SYSTEMS

Connect the SPEAKERS terminals to your speakers with wire of

the proper gauge, cut as short as possible. If the connections are

faulty, no sound will be heard from the speakers. Make sure that the

polarity of the speaker wires is correct, that is, + and – markings are

observed. If these wires are reversed, the sound will be unnatural

and will lack bass. Do not let the bare speaker wires touch each

other or any other metal part as this could damage this unit and/or

speakers.

Red: positive (+)

Black: negative (–)

1 Unscrew the knob.

2 Insert the bare wire.

3 Tighten the knob and

secure the wire.

NOTE: Use speakers with the specified impedance shown on the

rear of this unit.

NOTE: Banana Plug connections are also possible (except for

Scandinavian models). Simply insert the Banana Plug connector into

the corresponding terminal.

La page charge ...

Yamaha DSP-A2070 Le manuel du propriétaire

Marque: Yamaha

Modèle: DSP-A2070

Catégorie: Récepteurs AV

Taper: Le manuel du propriétaire

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italiano: Yamaha DSP-A2070 Manuale del proprietario
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Yamaha DSP-A2070 Le manuel du propriétaire

Yamaha DSP-A2070 Le manuel du propriétaire

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