Steinberg Cubase 4 Guide de démarrage rapide

Getting Started

Einführung

Prise en Main

Tutorials by Steve Kostrey

Revision and Quality Control:

Cristina Bachmann, Heiko Bischoff, Marion Bröer, Sabine Pfeifer

Thanks to: Georg Bruns

The information in this document is subject to change without notice and does not represent a commitment on the part

of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement

and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publica-

tion may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission

by Steinberg Media Technologies GmbH.

All product and company names are ™ or ® trademarks of their respective owners. Windows XP is a trademark of

Microsoft Corporation. Windows Vista is either a registered trademark or trademark of Microsoft Corporation in the

United States and/or other countries. The Mac logo is a trademark used under license. Macintosh and Power Macintosh

are registered trademarks.

Release Date: April 02, 2008

Table of Contents

4

Table of Contents

5Introduction

6Welcome

6About the manuals and the help

7About the program versions

7Key command conventions

7How you can reach us

8System requirements and installation

9About this chapter

9Minimum requirements

10 Hardware installation

12 Installing Cubasew

12 Defragmenting the hard disk (Windows only)

12 Register your software

13 Setting up your system

14 Setting up audio

18 Setting up MIDI

20 Connecting a synchronizer

20 Setting up video

21 Optimizing audio performance

23 Tutorial 1: Recording audio

24 Creating a new project

25 Setting up the VST Connections

26 Level settings and recording

29 Playback

30 Recording modes with cycle off

30 Cycle recording

31 Stacked recording

33 Tutorial 2: Editing audio

34 Event operations

39 Event envelopes

40 Processing audio

42 Tutorial 3: Recording and editing MIDI

43 Introduction

43 Creating an Instrument Track

44 Browsing sounds

45 MIDI recording

46 MIDI playback

46 Recording modes with cycle off

47 Cycle recording

48 The Key Editor

50 The Controller lane

51 Tutorial 4: Working with loops

52 Loop Browser

52 Adding loops

53 Making copies

53 Insert into Project

54 Tutorial 5: External MIDI instruments

55 Introduction

55 Setting up MIDI devices

55 Setting up VST connections for external

instruments (Cubase only)

56 Monitoring external MIDI instruments (Cubase only)

57 Recording MIDI and external instruments

(Cubase only)

58 Tutorial 6: Mixing and effects

59 Introduction

59 Setting levels

60 Setting pan

60 Mute and solo

61 Adding EQ

63 Audio effects

64 About automation

65 Exporting

68 Tutorial 7: Surround production

(Cubase only)

69 Surround busses

71 Setting up a surround mix

72 Recording in surround

73 Exporting a surround file

75 Tutorial 8: Editing audio II - tempo and

groove

76 Background

76 Example 1: Drum loop, tempo known

77 Example 2: Drum loop, Auto Adjust

78 Example 3: Drum loop, Manual Adjust

80 Example 4: Working with selections

81 Tutorial 9: Media management

82 Background

82 MediaBay, Loop Browser and Sound Browser

84 Scanning with the browser

86 Searching for media

87 Auditioning media with the Scope

88 Tagging

89 Index

1

Introduction

6

Introduction

Welcome

Congratulations and thank you for your purchase of Stein-

berg Cubase. You have now become a member of the

world's largest community of music production software us-

ers. Looking back at more than 20 years of innovation in

computer-based music production, Steinberg has always

been the driving force behind software technology and Cu-

base is the benchmark for this development. With Version

4, Cubase is taking the next evolutionary step towards a to-

tally integrated software and hardware system.

As a composer, musician or producer, you want to be work-

ing with sounds instead of isolated instruments or effects.

In Cubase and Cubase Studio, this is accommodated with

the introduction of VST Sound, a unique combination of a

database, track presets and an integrated synth engine.

From now on, you will be able to manage all your sounds

from all your instruments (software or hardware) within a

single environment. You can create, manage and access

your sounds faster and more intuitively than ever. If your mu-

sic is heavily based on loops or prefabricated audio clips,

you can use the new MediaBay database in a similar fash-

ion to browse and preview your loops. A brand-new effects

plug-in set and a powerful synth engine provide you with

thousands of new instruments, sounds and effects. Cubase

and Cubase Studio also introduce Steinberg's latest-gen-

eration plug-in technology, VST3. It makes plug-ins more

flexible, more efficient and easier to use.

As a professional producer, you will enjoy the flexibility of

Cubase's new control room section. If your are a composer

or songwriter, you will be impressed with Cubase Studio's

powerful yet easy-to-use new score layout and printing fea-

tures. Combine this with unique Cubase features such as

the Arranger Track for pattern-based arranging or the pow-

erful and now enhanced AudioWarp technology, which

frees your static audio files from being locked to time or

pitch. All this has been designed to make your life easier, no

matter if you make music for a living or as a hobby.

Take some time to find your way around in this new ver-

sion of Cubase. If you are a first-time user, you will find a

lot of help in the tutorial section, which is included in this

manual. It comes with matching Cubase project files and

even short training videos, which you will find on your pro-

gram DVD. Even if you are already familiar with Cubase, it

makes sense to study these tutorials in order to learn

about some of the new features in Cubase and Cubase

Studio, and how they are integrated.

Last but not least, we strongly recommend to register your

software! It gives you access to special offers from Stein-

berg and ensures that you are always up-to-date on the lat-

est news about tips and tricks, updates or special events.

Finally, you are also invited to join our Cubase user forum at

www.steinberg.net, which is the best way to communicate

directly with us and other Cubase users around the world.

See you around!

The Steinberg Cubase Team

About the manuals and the help

The Cubase documentation is divided into several sec-

tions, as listed below. Some of the documents are in

Adobe Acrobat format (extension “.pdf”) – these can be

accessed in the following ways:

• You can open the pdf documents from the Documentation

submenu on the Help menu in the program.

• Under Windows you can also open these documents from the

Cubase Documentation subfolder on the Windows Start menu.

• Under Mac OS X the pdf documents are located in the folder

“/Library/Documentation/Steinberg/Cubase 4”.

ÖTo read the pdf documents, you need to have a suit-

able pdf reader application installed on your computer.

An installer for Adobe Reader is provided on the program DVD.

The Getting Started book

This is the book you are reading now. The Getting Started

book covers the following areas:

• Computer requirements.

• Installation issues.

• Setting up your system for audio, MIDI and/or video work.

• Tutorials describing the most common procedures for record-

ing, playing back, mixing and editing in Cubase.

In other words, this book does not go into detail on any

Cubase windows, functions or procedures.

7

Introduction

The Operation Manual

The Operation Manual is the main Cubase reference docu-

mentation, with detailed descriptions of Cubase operations,

parameters, functions and techniques. It also includes de-

tailed information about the Score Editor. You should be fa-

miliar with the concepts and methods described in the

Getting Started book before moving on to the Operation

Manual.

MIDI Devices

This pdf document contains descriptions of how to man-

age MIDI Devices and device panels.

Plug-in Reference

This manual describes the features and parameters of the

included VST plug-ins, real-time audio effects and VST In-

struments and the MIDI effects.

Remote Control Devices

This pdf document lists the supported MIDI remote control

devices and describes how to set them up and use them

with Cubase.

Mackie Control

This pdf document describes the supported features for

the Mackie Control remote device.

Menu Reference

This pdf document provides a list of all menus and their

options with a brief description, for quick reference.

The dialog help

To get information about the active dialog, click its Help

button.

About the program versions

The documentation covers two program versions; Cubase

and Cubase Studio, for two different operating systems or

“platforms”; Windows and Mac OS X.

Some features described in the documentation are only

applicable to the Cubase version. Whenever this is the

case this will be clearly indicated in the heading of the re-

lated subject.

Similarly, some features and settings are specific to one of

the platforms, Windows or Mac OS X. This is clearly

stated in the applicable cases. In other words:

ÖIf nothing else is said, all descriptions and procedures

in the documentation are valid for both Cubase and Cu-

base Studio, under Windows and Mac OS X.

The screenshots are taken from the Windows version of Cubase.

Key command conventions

Many of the default key commands in Cubase use modifier

keys, some of which are different depending on the oper-

ating system. For example, the default key command for

Undo is [Ctrl]+[Z] under Windows and [Command]+[Z]

under Mac OS X.

When key commands with modifier keys are described in

this manual, they are shown with the Windows modifier

key first, in the following way:

[Win modifier key]/[Mac modifier key]+[key]

For example, [Ctrl]/[Command]+[Z] means “press [Ctrl] un-

der Windows or [Command] under Mac OS X, then press

[Z]”. Similarly, [Alt]/[Option]+[X] means “press [Alt] under

Windows or [Option] under Mac OS X, then press [X]”.

ÖPlease note that this manual often refers to “right-

clicking”, e.g. to open context menus, etc. If you are using

a Macintosh computer with a single-button mouse, hold

down [Ctrl] and click.

How you can reach us

On the Help menu in Cubase you will find items for getting

additional information and help:

•On the “Steinberg on the Web” submenu, you can find

links to various Steinberg web sites. Selecting one will au-

tomatically launch your browser application and open the

page.

You can find support and compatibility information, answers to frequently

asked questions, links for downloading new drivers, etc. This requires

that you have a web browser application installed on your computer, and

a working Internet connection.

2

System requirements and installation

9

System requirements and installation

About this chapter

This chapter describes the requirements and installation

procedures for the Windows version and the Mac version

of Cubase.

Minimum requirements

To use Cubase, your computer must meet the following

minimum requirements:

Windows

• Windows XP (Home or Professional),

or Windows Vista (32-bit and 64-bit – see below)

• Intel Pentium or AMD Athlon 1.4 GHz processor

•512 MB RAM

• Windows DirectX compatible audio hardware;

ASIO compatible audio hardware recommended for low

latency performance.

• Display resolution of 1024x768 pixels

• Steinberg Key and USB component connector

• DVD ROM drive required for installation

• Internet connection required for license activation

Macintosh

• Mac OS X 10.4

• Power Mac G4 1 GHz or Core Solo 1.5 GHz

•512 MB RAM

• Display resolution of 1024x768 pixels

• CoreAudio compatible audio hardware

• Steinberg Key and USB component connector

• DVD ROM drive required for installation

• Internet connection required for license activation

ÖIf you want to install the 64-bit version of Cubase,

make sure you read the ReadMe document on this topic

before proceeding.

You will find this document, called “Windows_Vista_64bit_[lan-

guage].rtf”, on the installation DVD, in the ReadMe Files folder.

General notes on how to set up your system

•RAM – There is a direct relation between the amount of

available RAM and the number of audio channels that you

can have running.

The amount of RAM specified above is the minimum requirement, but as

a general rule “the more the better” applies.

•Hard disk size – The size of the hard disk determines

how many minutes of audio you will be able to record.

Recording one minute of stereo CD quality audio requires 10 MB of hard

disk space. That is, eight stereo tracks in Cubase use up at least 80 MB

of disk space per recording minute.

•Hard disk speed – The speed of the hard drive also de-

termines the number of audio tracks you can run.

That is the quantity of information that the disk can read, usually expressed

as “sustained transfer rate”. Again, “the more the better” applies.

•Wheel mouse – Although a regular mouse will work fine

with Cubase, we recommend that you use a wheel mouse.

This will speed up value editing and scrolling considerably.

MIDI requirements

If you intend to use the MIDI features of Cubase, you need

the following:

• A MIDI interface to connect external MIDI equipment to your

computer.

•A MIDI instrument.

• Any audio equipment required to listen to the sound from your

MIDI devices.

Audio hardware

Cubase will run with audio hardware that meets the fol-

lowing specifications:

•Stereo.

•16 bit.

• Support of at least the 44.1kHz sampling rate.

• Windows – The audio hardware must be supplied with a spe-

cial ASIO driver, or a DirectX compatible driver, see below.

• Mac – The audio hardware must be supplied with Mac OS X-

compatible drivers (CoreAudio or ASIO).

!

On the Steinberg web site, under “Support–DAW

Components”, you can find detailed information on

what to consider when setting up a computer system

dedicated to audio work.

10

System requirements and installation

Using the built-in audio hardware of the Macintosh

(Mac only)

Although Cubase is designed with multi-channel input

and output in mind, it’s of course possible to use the pro-

gram with “basic” stereo inputs and outputs. As of this

writing, all current Macintosh models provide at least built-

in 16 bit stereo audio hardware. For detailed information,

refer to the documentation describing your computer.

Depending on your preferences and requirements, using

the built-in audio hardware may be sufficient for use with

Cubase. It is always available for selection in Cubase –

you don’t need to install any additional drivers.

About drivers

A driver is a piece of software that allows a program to

communicate with a certain piece of hardware. In this

case, the driver allows Cubase to use the audio hardware.

For audio hardware, there are two different cases, requir-

ing different driver configurations:

If the audio hardware has a specific ASIO driver

Professional audio cards often come with an ASIO driver

written especially for the card. This allows for communica-

tion directly between Cubase and the audio card. As a re-

sult, audio cards with specific ASIO drivers can provide

lower latency (input-output delay), which is crucial when

monitoring audio via Cubase or using VST Instruments.

The ASIO driver may also provide special support for mul-

tiple inputs and outputs, routing, synchronization, etc.

Audio card-specific ASIO drivers are provided by the card

manufacturers. Make sure to check the manufacturer’s

web site for the latest driver versions.

If the audio card communicates via DirectX (Windows

only)

DirectX is a Microsoft “package” for handling various

types of multimedia data under Windows. Cubase sup-

ports DirectX, or to be more precise, DirectSound, which

is a part of DirectX used for playing back and recording

audio. This requires two types of drivers:

• A DirectX driver for the audio card, allowing it to communicate

with DirectX. If the audio card supports DirectX, this driver

should be supplied by the audio card manufacturer. If it isn’t

installed with the audio card, please check the manufacturer’s

web site for more information.

• The ASIO DirectX Full Duplex driver, allowing Cubase to com-

municate with DirectX. This driver is included with Cubase,

and does not require any special installation.

Hardware installation

The Steinberg Key

Included with the Cubase package, you will find the Stein-

berg Key (also referred to as a “dongle” or “eLicenser”), a

hardware copy protection device that is part of the Cu-

base copy protection scheme. Cubase will not run if there

is no Steinberg Key.

The Steinberg Key

The Steinberg Key is, in fact, a little computer on which

your Steinberg software licenses are stored. All hardware-

protected Steinberg products use the same type of key,

and you can store more than one license on one key. Also,

licenses can (within certain limits) be transferred between

keys – which is helpful, e.g. if you want to sell a piece of

software.

!

Some Macintosh models have audio outputs but no

inputs. This means that you can only play back audio

– recording is not possible without additional audio

hardware.

!

If your audio hardware comes with a specific ASIO

driver we strongly recommend that you use this.

!

Please read the following section before installing

the Cubase software.

11

System requirements and installation

The Syncrosoft License Control Center (which can be

found in the Start/Programs menu under Windows or the

Applications folder on a Mac) is the place where you can

check the licenses installed on your Steinberg Key.

•If you are using other copy-protected Steinberg prod-

ucts, you may want to transfer all licenses for your applica-

tions to only one Steinberg Key, thus using only one USB

port of your computer. To transfer licenses between keys,

launch the License Transfer wizard of the Syncrosoft Li-

cense Control Center and follow the instructions.

•Steinberg software products always come with a license

activation code, but not always with a Steinberg Key – if

you want to activate a license for such a Steinberg software

(e.g. a VSTi) on the Steinberg Key you received with Cu-

base, launch the License Download wizard of the Syn-

crosoft License Control Center and follow the instructions.

More information on the transfer or activation of licenses

can be found in the help for the Syncrosoft License Con-

trol Center.

Installing the audio hardware and its driver

1. Install the audio card and related equipment in the

computer, as described in the card’s documentation.

2. Install the driver for the card.

Depending on the operating system of your computer, there are different

types of drivers that could apply: card-specific ASIO drivers, DirectX

drivers (Windows) or Mac OS X (Mac) drivers:

Specific ASIO driver

If your audio card has a specific ASIO driver, it may be in-

cluded with the audio card, but you should always make

sure to check the audio card manufacturer’s web site for

the most recent drivers. For details on how to install the

driver, refer to the manufacturer’s instructions.

DirectX driver (Windows only)

If your audio card is DirectX compatible, its DirectX drivers

will most likely be installed when you install the card. If you

have downloaded special DirectX drivers for the audio

card, you should follow the manufacturer’s installation in-

structions.

Mac OS X drivers (Mac only)

If you are using a Macintosh computer, make sure you are

using the latest Mac OS X drivers for your audio hard-

ware. Follow the manufacturer’s instructions to install the

driver.

Testing the card

To make sure the audio card will work as expected, perform

the following two tests:

•Use any software included with the audio card to make

sure you can record and play back audio without problems.

•If the card is accessed via a standard operating system

driver, try playing back audio using the computer’s standard

audio application (e.g. Windows Media Player or Apple

iTunes).

Installing a MIDI interface/synthesizer card

Installation instructions for a MIDI interface should be in-

cluded with the product. However, here’s an outline of the

necessary steps:

1. Install the interface (or MIDI synthesizer card) inside

your computer or connect it to a “port” (connector) on the

computer.

Which is right for you depends on which type of interface you have.

2. If the interface has a power supply and/or a power

switch, turn it on.

3. Install the driver for the interface, as described in the

documentation that comes with the interface.

You should also make sure to check the manufacturer’s web site for the

latest driver updates.

12

System requirements and installation

Installing Cubasew

The installation procedure puts all files in the right places,

automatically.

Windows

1. Double-click the file called “Cubase4.msi” or

“CubaseStudio4.msi”.

2. Follow the instructions on screen.

Macintosh

1. Double-click the file called “Cubase4.mpkg” or “Cu-

base Studio 4.mpkg”.

2. Follow the instructions on screen.

About the tutorials

The program DVD also contains several tutorial project

files and videos. These are not installed during the installa-

tion, but can be added manually from the DVD.

The tutorial chapters in this manual all refer to these tuto-

rial projects. So, to be able to follow the instructions in this

manual, you have to drag the files to your computer.

You find the Tutorial Projects in the folder “Additional

Content”.

Defragmenting the hard disk

(Windows only)

If you plan to record audio on a hard disk where you have

already stored other files, now is the time to defragment it.

Defragmentation reorganizes the physical allocation of

space on the hard disk in order to optimize its perfor-

mance. It is done with a special defragmentation program.

Register your software

We encourage you to register your software! By doing so

you are entitled to technical support and kept aware of up-

dates and other news regarding Cubase.

There are two ways to register:

•In Cubase, open the Help menu and select the Regis-

tration option.

This option is an Internet link that will open the Registration page of the

Steinberg web site. To register, simply follow the instructions on screen.

When you launch Cubase, you will also be prompted to launch the regis-

tration process.

•Included on the Cubase installation DVD, you can find a

registration form in pdf format. To register, print out the

form, enter all required information and send it to Steinberg.

!

It is crucial to the audio recording performance that

your hard disk is optimized (defragmented). You

should make sure to defragment regularly.

3

Setting up your system

14

Setting up your system

Setting up audio

Connecting audio

Exactly how to set up your system depends on many dif-

ferent factors, e.g. the kind of project you wish to create,

the external equipment you want to use, the computer

hardware available to you, etc. Therefore, the following

sections can only serve as examples.

How you connect your equipment, i.e. whether you use

digital or analog connections, also depends on your indi-

vidual setup.

Stereo input and output – the simplest connection

If you only use a stereo input and output from Cubase, you

can connect your audio hardware, e.g. the inputs of your

audio card or your audio interface, directly to the input

source and the outputs to a power amplifier and speaker.

A simple stereo audio setup.

This is probably the simplest of all setups – once you have

set up the internal input and output busses, you can con-

nect your audio source, e.g. a microphone, to your audio

interface and start recording.

Multi-channel input and output

Most likely however, you will have other audio equipment

that you want to integrate with Cubase, using several in-

put and output channels. Depending on the equipment

available to you, there are two ways to go: either mixing

using an external mixing desk, or mixing using the mixer in-

side Cubase.

•External mixing means having a hardware mixing device

with a group or bus system that can be used for feeding

inputs on your audio hardware.

In the example below, four busses are used for feeding signals to the au-

dio hardware’s inputs. The four outputs are connected back to the mixer

for monitoring and playback. Remaining mixer inputs can be used for

connecting audio sources like microphones, instruments, etc.

A multi-channel audio setup using an external mixer.

ÖWhen connecting an input source (like a mixer) to the

audio hardware, you should use output busses, sends or

similar that are separate from the mixer’s master output to

avoid recording what you are playing back. You may also

have mixing hardware that can be connected via FireWire.

•When using the Mixer inside Cubase, you can use the

inputs on your audio hardware to connect microphones

and/or external devices. Use the outputs to connect your

monitoring equipment.

Cubase only: You can create very complex setups using external instru-

ments and external effects, and integrate Cubase seamlessly with all

your external equipment using the Control Room feature (see the chap-

ters “VST Connections: setting up input and output busses” and “The

Control Room” in the Operation Manual for details).

Mixing inside Cubase

!

Make sure that all equipment is turned off before

making any connections!

15

Setting up your system

Connecting for surround sound (Cubase only)

If you plan to mix for surround sound, you can connect the

audio outputs to a multi-channel power amplifier, driving a

set of surround channels.

A surround sound playback configuration.

Cubase supports surround formats with up to 6 speaker

channels. The figure above shows a 5.1 surround setup.

Recording from a CD player

Most computers come with a CD-ROM drive that can also

be used as a regular CD player. In some cases the CD

player is internally connected to the audio hardware so

that you can record the output of the CD player directly

into Cubase (consult the audio hardware documentation if

you are uncertain).

• All routing and level adjustments for recording from a CD (if

available) are done in the audio hardware setup application

(see “Making settings for the audio hardware” on page 15).

• You can also grab audio tracks directly from a CD in Cubase

(see the chapter “File Handling” in the Operation Manual).

Word Clock connections

If you are using a digital audio connection, you may also

need a word clock connection between the audio hard-

ware and external devices. Please refer to the documenta-

tion that came with the audio hardware for details.

About recording levels and inputs

When you connect your equipment, you should make sure

that the impedance and levels of the audio sources and in-

puts are matched. Typically, different inputs may be de-

signed for use with microphones, consumer line level

(-10dBV) or professional line level (+4dBV), or you may be

able to adjust input characteristics on the audio interface or

in its control panel. Please check the audio hardware docu-

mentation for details.

Using the correct types of input is important to avoid dis-

tortion or noisy recordings.

Making settings for the audio hardware

Most audio cards come with one or more small applica-

tions that allow you to configure the inputs of the hard-

ware to your liking.

This includes:

• Selecting which inputs/outputs are active.

• Setting up word clock synchronization (if available).

• Turning monitoring via the hardware on/off (see “About moni-

toring” on page 18).

• Setting levels for each input. This is very important!

• Setting levels for the outputs, so that they match the equip-

ment you use for monitoring.

• Selecting digital input and output formats.

• Making settings for the audio buffers.

In many cases all available settings for the audio hardware

are gathered in a control panel, which can be opened from

within Cubase as described below (or opened separately,

when Cubase isn’t running). In some cases, there may be

several different applications and panels – please refer to

the audio hardware documentation for details.

!

It is very important that word clock synchronization is

done correctly or there might be clicks and crackles

in recordings that you make!

!

Cubase does not provide any input level adjustments

for the signals coming in to your audio hardware,

since these are handled differently for each card. Ad-

justing input levels is either done in a special applica-

tion included with the hardware or from its control

panel (see below).

16

Setting up your system

Selecting a driver and making audio settings

in Cubase

The first thing you need to do is select the correct driver in

Cubase to make sure that the program can communicate

with the audio hardware:

1. Launch Cubase, select Device Setup from the Devices

menu and click on VST Audio System in the Devices list to

the left.

The VST Audio System page in the Device Setup dialog.

2. Select your audio hardware driver from the ASIO

Driver menu.

There may be several options here that all refer to the same audio hard-

ware. When you have selected a driver, it is added to the Devices list.

3. Select the driver in the Devices list to open the Driver

settings for your audio hardware.

4. Bring up the control panel for the audio hardware and

adjust the settings as recommended by the audio hard-

ware manufacturer.

•Under Windows, you open the control panel by clicking

the Control Panel button.

The control panel that appears when you click this button is provided by

the audio hardware manufacturer and not Cubase (unless you use Di-

rectX, see below). Hence it will be different for each audio card brand

and model.

The Control panel for the ASIO DirectX driver is an exception, as it is

provided by Steinberg, and is described in the dialog help, opened by

clicking the Help button in the dialog. See also the notes below.

•Under Mac OS X, you will find the control panel for your

audio hardware in the System Preferences (“Other” sec-

tion), opened from the Apple menu or from the Dock.

If you are using the built-in audio hardware of the Macintosh, you use the

“Sound” control panel in the System Preferences to set levels, balance, etc.

If you are using ASIO audio hardware, you can click the Control Panel but-

ton to bring up its panel.

5. If you plan to use several audio applications simulta-

neously, you may want to activate the option “Release

Driver when Application is in Background” on the VST

Audio System page. This will allow another application to

play back via your audio hardware even though Cubase is

running.

The application that is currently active (i.e. the “top window” on the desk-

top) will get access to the audio hardware. Make sure that any other au-

dio application accessing the audio hardware is also set to release the

ASIO (or Mac OS X) driver so Cubase can use it when it becomes the

active application again.

6. If your audio hardware and its driver support ASIO Di-

rect Monitoring, you may want to activate the Direct Moni-

toring checkbox on the page for the driver.

Read more about monitoring later in this chapter and in the chapter “Re-

cording” in the Operation Manual.

7. Click Apply and then OK to close the dialog.

!

Under Windows, we strongly recommend that you

access your hardware via an ASIO driver written

specifically for the hardware, if available. If no ASIO

driver is installed, we recommend that you check

with your audio hardware manufacturer if they have

an ASIO driver available, for example for download

via the Internet.

17

Setting up your system

If you are using audio hardware with a DirectX driver

(Windows only)

Cubase comes with a driver called ASIO DirectX Full Du-

plex, available for selection on the ASIO Driver pop-up

menu (VST Audio System page).

ÖTo be able to take full advantage of DirectX Full Du-

plex, the audio hardware must support WDM (Windows

Driver Model) in combination with DirectX version 8.1 or

higher.

In all other cases, the audio inputs will be emulated by DirectX (see the

dialog help for the ASIO DirectX Full Duplex Setup dialog for details

about how this is reported).

ÖDuring the installation of Cubase, the latest DirectX

will be installed on your computer.

When the ASIO DirectX Full Duplex driver is selected in

the Device Setup dialog, you can open the ASIO Control

Panel and adjust the following settings (for more details,

click the Help button in the control panel):

•Direct Sound Output and Input Ports

In the list to the left in the window, all available Direct Sound output and

input ports are listed. In many cases, there will be only one port in each

list. To activate or deactivate a port in the list, click the checkbox in the

left column. If the checkbox is ticked, the port is activated.

•You can edit the Buffer Size and Offset settings in this

list if necessary, by double-clicking on the value and typ-

ing in a new value.

In most cases, the default settings will work fine. Audio buffers are used

when audio data is transferred between Cubase and the audio card.

While larger buffers ensure that playback will occur without glitches, the

latency (the time between the moment Cubase sends out the data and

when it actually reaches the output) will be higher.

•Offset

If a constant offset is audible during playback of Audio and MIDI record-

ings, you can adjust the output or input latency time using this value.

Setting up the input and output ports

Once you have selected the driver and made the settings

as described above, you need to specify which inputs and

outputs should be used and name these:

1. In the Device Setup dialog, select your driver in the De-

vices list on the left to display the Driver settings for your

audio hardware.

All input and output ports on the audio hardware are listed.

2. To hide a port, click in the “Visible” column for the port

(deselecting the checkbox).

Ports that aren’t visible cannot be selected in the VST Connections win-

dow where you set up your input and output busses – see “Setting up

the VST Connections” on page 25 and the chapter “VST Connections:

setting up input and output busses” in the Operation Manual.

3. To rename a port, click on its name in the “Show as”

column and type in a new name.

ÖIt is a good idea to give your ports names that are re-

lated to the channel configuration (rather than to the ac-

tual hardware model)!

For example, if you are using a 5.1 surround audio setup (Cubase only),

you could name the six ports Left, Right, Center, Lfe, Left Surround and

Right Surround. This makes it easier to transfer your projects between

different computers, e.g. in different studios – if the same port names are

used on both computers, Cubase will automatically handle the bus con-

nections properly when you open the project on the other computer.

4. Click OK to close the Device Setup dialog and apply

your changes.

!

If your Windows audio hardware does not have a

specific ASIO driver, a DirectX driver is the next best

option.

!

If you attempt to hide a port that is already used by a

bus you will be asked whether this is really what you

want – note that this will disable the port!

18

Setting up your system

About monitoring

In Cubase, monitoring means listening to the input signal

while preparing to record or while recording. There are

three ways to monitor:

External monitoring

External monitoring (listening to the input signal before it

goes into Cubase) requires an external mixer for mixing the

audio playback with the input signal. This can be a classic

mixing desk or a mixer application for your audio hardware,

if this has a mode in which the input audio is sent back out

again (usually called “Thru”, “Direct Thru” or similar).

Via Cubase

In this case, the audio passes from the input into Cubase,

possibly through Cubase effects and EQ and then back to

the output. You control monitoring via settings in Cubase.

This allows you to control the monitoring level from Cu-

base and add effects to the monitored signal only.

ASIO Direct Monitoring

If your audio hardware is ASIO 2.0 compatible, it may sup-

port ASIO Direct Monitoring (this feature may also be avail-

able for audio hardware with Mac OS X drivers). In this

mode, the actual monitoring is done in the audio hardware,

by sending the input signal back out again. However, moni-

toring is controlled from Cubase. This means that the audio

hardware’s direct monitoring feature can be turned on or off

automatically by Cubase.

Monitoring is described in detail in the chapter “Record-

ing” in the Operation Manual. However, when setting up,

there’s one thing to note:

•If you want to use the external monitoring via your audio

hardware, make sure the corresponding functions are ac-

tivated in the card’s mixer application.

ÖIf you are using RME Audio Hammerfall DSP audio

hardware, make sure that the pan law is set to -3dB in the

card’s preferences.

Setting up MIDI

This section describes how to connect and set up MIDI

equipment. If you have no MIDI equipment, you can skip

this section. Note that this is only an example – you might

need or want to hook things up differently!

Connecting the MIDI equipment

In this example we assume that you have a MIDI keyboard

and an external MIDI sound module. The keyboard is used

both for feeding the computer with MIDI messages for re-

cording and for playing back MIDI tracks. The sound mod-

ule is used for playback only. Using Cubase’s MIDI Thru

feature (described later) you will be able to hear the cor-

rect sound from the sound module while playing the key-

board or recording.

A typical MIDI Setup.

!

Make sure that all equipment is turned off before

making any connections!

19

Setting up your system

You might want to use even more instruments for playback.

If you do, simply connect MIDI Thru on the sound module to

MIDI In on the next instrument, and so on. In this hook-up,

you will always play the first keyboard when recording. But

you can still use all your devices for providing sounds on

playback.

Setting MIDI Thru and Local On/Off

In the “MIDI” section in the Preferences dialog (located on

the File menu under Windows and on the Cubase menu

under Mac OS X), you will find a setting called “MIDI Thru

Active”. This is related to a setting in your instrument

called “Local On/Off” or “Local Control On/Off”.

• If you use a MIDI keyboard instrument, as described earlier in

this chapter, MIDI Thru should be activated and that instru-

ment should be set to Local Off (sometimes called Local Con-

trol Off – see the instrument’s operation manual for details).

The MIDI signal from the keyboard will be recorded in Cubase

and at the same time be re-routed back to the instrument so

that you hear what you are playing, without the keyboard “trig-

gering” its own sounds.

• If you use a separate MIDI keyboard – one that does not pro-

duce any sounds itself – MIDI Thru in Cubase should also be

activated, but you don’t need to look for any Local On/Off set-

ting in your instruments.

• The only case where MIDI Thru should be deactivated is if you

use Cubase with only one keyboard instrument and that in-

strument cannot be set to Local Off mode.

• Note that MIDI Thru will be active only for those MIDI tracks

that are record enabled and/or have the Monitor button acti-

vated. See the chapter “Recording” in the Operation Manual

for more information.

!

If you plan to use more than three sound sources, we

recommend that you either use an interface with

more than one output, or a separate MIDI Thru box

instead of the Thru jacks on each unit.

When “MIDI Thru” is active

in Cubase, MIDI data re-

ceived is immediately

“echoed” back out.

When you press a key, it is sent

out via MIDI to Cubase.

MIDI data coming in to

the instrument is played

by the “Synth” inside it.

When Local Control is turned on in the instrument, the keys

you press will be played by the “Synth” inside the Instrument.

When Local Control is turned off, this connection is cut off.

MIDI data coming in to

the instrument is played

by the “Synth” inside it.

“Synth”

20

Setting up your system

Setting up MIDI ports in Cubase

The Device Setup dialog lets you set up your MIDI system

in the following ways:

ÖNote: When you change MIDI port settings in the De-

vice Setup dialog, these are automatically applied in the

program.

Showing or hiding MIDI Ports

The MIDI ports are listed in the Device Setup dialog on the

MIDI Port Setup page. By clicking in the “Visible” column

for a MIDI input or output, you can specify whether or not it

should be listed on the MIDI pop-up menus in the program.

If you are trying to hide a MIDI port which is already se-

lected for a track or a MIDI device, a warning message will

appear, allowing you to hide – and disconnect – the port

or to cancel the operation and keep the MIDI port visible.

Setting up the “All MIDI Inputs” option

When you record MIDI in Cubase, you can specify which

MIDI input each recording MIDI track should use. How-

ever, you can also select the “In All Inputs” option for an

input port, which causes any MIDI data from any MIDI in-

put to be recorded.

The “In All Inputs” option on the MIDI Port Setup page al-

lows you to specify which inputs should be included when

you select All MIDI Inputs for a MIDI track. This can be es-

pecially useful if your system provides several instances of

the same physical MIDI input – by deactivating the dupli-

cates you make sure only the desired MIDI data is recorded.

ÖIf you have a MIDI remote control unit connected, you

should also make sure to deactivate the “In All Inputs” op-

tion for that MIDI input.

This will avoid accidentally recording the data from the remote control

when the “All MIDI Inputs” option is selected as input for a MIDI track.

Connecting a synchronizer

When using Cubase with external tape transports, you will

most likely need to add a synchronizer to your system. All

connections and setup procedures for synchronization are

described in the

chapter

“Synchronization” in the Opera-

tion Manual.

Setting up video

Cubase plays back video films in AVI, Quicktime or MPEG

formats. Under Windows, video can be played back using

one of the following playback engines: Video for Win-

dows, DirectShow or Quicktime. This ensures compatibil-

ity with as wide a range of video files as possible. Under

Mac OS X, Quicktime is always used as playback engine.

Generally there are two ways to play back video:

•Without any special hardware at all, using the computer

CPU.

In this case, the “codec” is in software. While this will be fine in many sit-

uations it does put a limit on the size of the video window as well as the

quality of the image.

•Using video hardware that for example connects to an

external monitor.

Mac OS X: Using a FireWire port, you can play back video on an external

monitor using a DV-to-analog converter or a DV camera (see also the

chapter “Video” in the Operation Manual).

This is valid for DV video and QuickTime is used for playback.

Windows: Multi-head graphics cards which support overlay functionality

can be used to display the video picture on an external monitor. The fol-

lowing manufacturers have working (and tested) solutions available:

nVIDIA and Matrox.

If you plan to use special video hardware, install it and set

it up as recommended by the manufacturer.

Before you use the video hardware with Cubase, we re-

commend that you test the hardware installation with the

utility applications that came with the hardware and/or the

Windows Media Player or Quicktime Player (Mac OS X)

applications.

!

Make sure that all equipment is turned off before

making any connections!

!

Always make all connections with all equipment

turned off!

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Steinberg Cubase 4 Guide de démarrage rapide

Steinberg Cubase 4 Guide de démarrage rapide

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