Yamaha RX-V390RDS Manuel utilisateur
- Catégorie
- Lecteurs de cassettes
- Taper
- Manuel utilisateur
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
Natural Sound Stereo Receiver
Récepteur stéréo “Son Naturel”
Natural Sound Stereoreceiver
Natural Sound Stereoreceiver
Sintonizzatore stereo a suono naturale
Receptor estéreo de Sonido Natural
Natural Sound Stereo Ontvanger
RX-V390RDS
This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or
87/308/EEC.
Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.
Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/308/EWG.
Dette apparat overholder det gaeldende EF-direktiv vedrørende radiostøj.
Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.
Este producto está de acuerdo con los requisitos sobre interferencias de radio frecuencia fijados por el Consejo Directivo
87/308 CEE.
Dit product voldoet aan de EEG normen betreffende radio-frekwentie storingen 82/499/EEG en/of 87/308/EEG.
2
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Indoor FM Antenna
●
Antenne FM intérieure
●
UKW-Innenantenne
●
FM inomhusantenn
●
Antenna FM per interni
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Antena FM interior
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FM Binnenantenne
●
AM Loop Antenna
●
Cadre-antenna AM
●
MW-Rahmenantenne
●
AM ramantenn
●
Antenna AM ad anello
●
Antena de cuadro de AM
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AM Lusantenne
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Remote Control Transmitter
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Emetteur de télécommande
●
Fernbedienungsgeber
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Fjärrkontrollsändare
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Telecomando
●
Transmisor del control remoto
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Afstandbediening
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Batteries (size AA, R6, UM-3)
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Piles (taille AA, R6, UM-3)
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Batterien (Größe AA, R6, UM-3)
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Batterier (storlek AA, R6, UM-3)
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Batterie (dimensioni AA, R6, UM-3)
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Pilas (tamaño AA, R6, UM-3)
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Batterijen (maat AA, R6, UM-3)
SUPPLIED ACCESSORIES
●
After unpacking, check that the following parts are included.
ACCESSOIRES FOURNIS
●
Après le déballage, vérifier que les pièces suivantes sont incluses.
MITGELIEFERTE ZUBEHÖRTEILE
●
Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.
MEDFÖLJANDE TILLBEHÖR
●
Kontrollera efter det apparaten packats upp att följande delar finns med.
ACCESSORI IN DOTAZIONE
●
Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.
ACCESORIOS INCLUIDOS
●
Desembale el aparato y verificar que los siguientes accesorios están en la caja.
BIJGELEVERDE ACCESSOIRES
●
Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.
FEATURES
CONTENTS
3
English
●
5 Speaker Configuration
Front: 60W + 60W (8Ω) RMS Output
Power, 0.04% THD, 20–20,000 Hz
Center: 60W (8Ω) RMS Output Power,
0.2% THD, 1 kHz
Rear: 15W (8Ω) RMS Output Power,
0.7% THD, 1 kHz
●
Digital Sound Field Processor
2 Programs for Digital Sound Field
Processing
2 Programs for Dolby Surround Decoding
(DOLBY PRO LOGIC and DOLBY 3
STEREO)
●
Automatic Input Balance Control for
Dolby Surround
●
Test Tone Generator for Easier Speaker
Balance Adjustment
●
3 Center Channel Modes
(NORMAL/WIDE/PHANTOM)
●
Multi-Functions for RDS Broadcast
Reception
●
40-Station Random Access Preset Tuning
●
Automatic Preset Tuning
●
Preset Station Shifting Capability (Preset
Editing)
●
IF Count Direct PLL Synthesizer Tuning
System
●
Video Signal Input/Output Capability
●
SLEEP Timer
●
Remote Control Capability
Supplied Accessories ......................................2
Caution ............................................................4
Profile of This Unit ...........................................5
Speaker Setup ................................................6
Connections ....................................................7
Speaker Balance Adjustment ........................11
Basic Operations ...........................................14
Tuning Operations .........................................17
Preset Tuning ................................................18
Receiving RDS Stations ................................21
Using Digital Sound Field Processor (DSP)
......................................................................25
Setting the SLEEP Timer ..............................29
Remote Control Transmitter ..........................30
Notes about the Remote Control Transmitter
.......................................................................31
Troubleshooting .............................................32
Specifications ................................................33
Thank you for selecting this YAMAHA stereo receiver.
CAUTION : READ THIS BEFORE OPERATING YOUR UNIT.
4
1. To assure the finest performance, please read this manual
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
3. Never open the cabinet. If something drops into the set,
contact your dealer.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull the
wires themselves.
5. The openings on the cabinet assure proper ventilation of
the unit. If these openings are obstructed, the temperature
inside the cabinet will rise rapidly and eventually damage
the circuits. Therefore, avoid placing objects against these
openings and do not install the unit where the flow of air
through the ventilation openings could be impeded.
6. Always set the VOLUME control to “–
∞
” before starting
the audio source play. Increase the volume gradually to an
appropriate level after playback has been started.
7. Do not attempt to clean the unit with chemical solvents;
this might damage the finish. Use a clean, dry cloth.
8. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that
the unit is faulty.
9. When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the
wall outlet.
10.To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an
electrical storm.
11.Grounding or polarization – Precautions should be taken
so that the grounding or polarization of an appliance is not
defeated.
12.AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.
IMPORTANT
Please record the serial number of this unit in the space
below.
Serial No.:
The serial number is located on the rear of the unit.
Retain this Owner’s Manual in a safe place for future
reference.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the
instructions described below.
Note: The plug severed from the mains lead must be
destroyed, as a plug with bared flexible cord is hazardous if
engaged in a live socket outlet.
Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN THE MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the main lead of this apparatus
may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the
terminal which is marked with the letter N or coloured
BLACK. The wire which is coloured BROWN must be
connected to the terminal which is marked with the letter L
or coloured RED. Make sure that neither core is connected
to the earth terminal of the three pin plug.
The apparatus is not disconnected from the AC power
source as long as it is connected to the wall outlet, even if
the apparatus itself is turned off.
5
English
PROFILE OF THIS UNIT
You are the proud owner of a Yamaha stereo receiver – an extremely sophisticated audio component. The Digital Sound Field
Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to
bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,
and this unit will sonically transform your room into a totally new listening environment. In addition, you get incredible realism from
Dolby surround-encoded video sources using the built-in Dolby Pro Logic Surround Decoder.
Please read this operation manual carefully and store it in a safe place for later reference.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but chances are you’ll still
notice something missing: the acoustic environment of the live
concert hall. Extensive research into the exact nature of the
sonic reflections that create the ambience of a large hall has
made it possible for Yamaha engineers to bring you this same
sound in your own listening room, so you’ll feel all the sound of
a live concert.
Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of actual music venues to allow you to accurately
recreate live performance environments in your own home.
Dolby Pro Logic Surround
The Dolby Pro Logic Surround Decoder program lets you
experience the dramatic realism and impact of a Dolby
Surround movie theater sound in your own home. Dolby Pro
Logic gets its name from its professional-grade steering logic
circuitry, which provides greater effective front and rear
channel separation for a much higher degree of realism than
the “passive” Dolby Surround circuits found in less
sophisticated home audio/video equipment. Dolby Pro Logic
Surround provides a true center channel, so there are four
independent channels, unlike passive Dolby Surround which
has in effect only three channels: left, right, and rear. This
center channel allows listeners seated in even less-than-ideal
positions to hear the dialog originating from action on the
screen while getting a stereo effect as well.
This Dolby Pro Logic Surround Decoder employs a digital
signal processing system. This system increases sound
stability at each channel and minimizes crosstalk between
channels compared to conventional analog Dolby signal
processing.
In addition, this unit features a built-in automatic input balance
control. This circuit always presents you the best surround
conditions without performing manual adjustments.
6
SPEAKER SETUP
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with
this unit are front speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker
Configuration” shown below.)
The front speakers are used for the main source sound plus the effect sounds. They will probably be the speakers from your
present stereo system. The rear speakers are used for the effect and surround sounds, and the center speaker is for the center
sounds (dialog etc.) within the Dolby Surround encoded programs. The center speaker needs to be equal in power to the front
speakers, although the rear speakers should not be equal. However, all the speakers should have high enough power handling to
accept the maximum output of this unit.
SPEAKER CONFIGURATION
5-Speaker Configuration
This configuration is the most effective and recommended one.
In this configuration, the center speaker is necessary as well as
the rear speakers. If the program DOLBY PRO LOGIC or
DOLBY 3 STEREO is selected, conversations will be output
from the center speaker and the ambience will be excellent.
●
Set the center channel mode to the “NORMAL” or “WIDE”
position. (For details, refer to page 12.)
4-Speaker Configuration
The center speaker is not used in this configuration. If the
program DOLBY PRO LOGIC is selected, the center sound is
output from the left and the right front speakers, although the
program DOLBY 3 STEREO is useless in this configuration.
However, the sound effect of other programs can be the same
as that of the 5-speaker configuration.
●
Be sure to set the center channel mode to the “PHANTOM”
position. (For details, refer to page 12.)
SPEAKER PLACEMENT
The recommended speaker configuration, the 5-speaker configuration, will require two speaker pairs: front speakers (your normal
stereo speakers), and rear speakers, plus a center speaker. When you place these speakers, refer to the following.
Front: In normal position. (The position of your present
stereo speaker system.)
Rear: Behind your listening position, facing slightly inward.
Nearly six feet (approx. 1.8 m) up from the floor.
Center: Precisely between the front speakers. (To avoid
interference with TV sets, use a magnetically shielded
speaker.)
Front L Center Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L
Rear R
Front L Front R
Dialogue
Surround sound
Dialogue
Surround sound
Rear L Rear R
Front R
Center
Front L
TV set
Rear R
Rear L
Note
As this unit is equipped with a monaural amplifier for the rear channel, you may use one rear speaker only instead of using two rear
speakers.
However, the use of two rear speakers is recommended when there are more than one listener in the listening room.
When using one rear speaker, place it right behind your listening position.
7
English
CONNECTIONS
Before attempting to make any connections to or from this unit, be sure to first switch OFF the power to this unit and to any other
components to which connections are being made.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L (left)
to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
:Refer to “ABOUT THE ACCESSORY TERMINALS” on page 9.
To AC outlet
MONITOR
OUT
LD/TV
IN
OUT
VCR
PHONO CD
TAPE
LD
/
TV
VCR
TAPE
PB
REC
OUT
IN OUT
A OR B:8
Ω
MIN.
/
SPEAKER
B:l6
Ω
MIN.
/
SPEAKER
8
Ω
MIN.
/
SPEAKER
CENTER
l00W MAX. TOTAL
SWITCHED
VIDEO
SIGNAL
AUDIO SIGNAL
SPEAKERS
FRONT
A
B
l0 dB 0 dB
-
FRONT
LEVEL
FM
ANT
AM
ANT
GND
75Ω
UNBAL.
REAR SINGLE
REAR
REAR
A
OUTPUT
VIDEO IN
AUDIO OUT
VIDEO OUT
OUTPUT
LINE OUT
LINE IN
VIDEO OUT
AUDIO OUT
AUDIO IN
VIDEO IN
Turntable Monitor TV
LD player,
TV tuner, etc.
CD player Tape deck Video cassette recorder
GND
CENTER
OUTPUT
AC OUTLETS
SPEAKERS
GND
(Europe model)
Note on front speaker connection:
One or two speaker systems can be connected to this unit. If
you connect only one speaker system, connect it to either the
SPEAKERS A or B terminals.
Note on rear speaker connection:
Only one rear speaker can also be used in place of two rear
speakers. For connecting one rear speaker, follow the method
shown below.
FRONT LEVEL switch
Normally set to “0 dB”. If desired, you can decrease the
output level at the FRONT SPEAKERS terminals by 10 dB
by setting this switch to “–10 dB”. (Refer to “Notes” on page
13)
8
CONNECTING SPEAKERS
A OR B:8
Ω
MIN.
/
SPEAKER
B:l6
Ω
MIN.
/
SPEAKER
8
Ω
MIN.
/
SPEAKER
CENTER
SPEAKERS
FRONT
A
B
REAR SINGLE
REAR
REAR
A
CENTER
OUTPUT
SPEAKERS
Connect the respective speakers to this unit as figured below.
Rear speakers
Rear speaker
Center speaker
Front speakers B
Left
Right
Left
Right
Front speakers A
Left
Right
PHONO CD LD
/
TV
AUDIO SIGNAL
l0 dB 0 d B
–
FRONT
LEVEL
FRONT LEVEL switch
CENTER
REAR SINGLE
REAR
REAR
9
English
How to Connect:
Connect the SPEAKERS terminals to your speakers with wire
of the proper gauge, cut as short as possible. If the
connections are faulty, no sound will be heard from the
speakers. Make sure that the polarity of the speaker wires is
correct, that is, + and – markings are observed. If these wires
are reversed, the sound will be unnatural and will lack bass.
Do not let the bare speaker wires touch each other and do
not let them touch the metal parts of this unit as this could
damage this unit and/or speakers.
For connecting to the FRONT SPEAKERS terminals
Red: positive (+)
Black: negative (–)
➀
Unscrew the knob.
➁
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
➂
Tighten the knob and
secure the wire.
Note
●
Use speakers with the specified impedance shown on the
rear of this unit.
For connecting to the REAR and CENTER SPEAKERS
terminals
Red: positive (+)
Black: negative (–)
➀
Press the tab.
➁
Insert the bare wire.
[Remove approx. 5mm
(1/4”) insulation from
the speaker wires.]
➂
Release the tab and
secure the wire.
➁
➂
➀
1
2
3
ABOUT THE ACCESSORY TERMINALS
AC OUTLET(S) (SWITCHED)
(Europe model) ................................. 2 SWITCHED OUTLETS
(U.K. model) ........................................ 1 SWITCHED OUTLET
Use these to connect the power cords from your components
to this unit.
The power to the SWITCHED outlets is controlled by this unit’s
POWER switch or the provided remote control transmitter’s
POWER key. These outlets will supply power to any
component whenever this unit is turned on.
The maximum power (total power consumption of
components) that can be connected to the SWITCHED AC
OUTLET(S) is 100 watts.
CENTER OUTPUT terminal
This terminal is for center channel line output. There is no
connection to this terminal when you use the built-in amplifier.
However, if you drive a center speaker with an external power
amplifier, connect the input terminal of the external amplifier to
this terminal.
GND terminal (For turntable use)
Connecting the ground wire of the turntable to the GND
terminal will normally minimize hum, but in some cases better
results may be obtained with the ground wire disconnected.
Use one of the two GND terminals on the rear of this unit for
the connection.
FM
ANT
AM
ANT
GND
75Ω
UNBAL
GND
or
Turntable
Loosen Tighten
10
ANTENNA CONNECTIONS
●
Each antenna should be connected to the designated terminals correctly, referring to the following diagram.
●
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience
poor reception quality, an outdoor antenna may result in improvement.
Connecting the AM loop antenna
* The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.
* The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.
GND terminal
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is
a metal stake driven into moist earth.
Notes
●
When connecting the indoor
FM antenna, insert its
connector into the FM ANT
terminal firmly.
●
If you need an outdoor
FM antenna to improve
FM reception quality, either
300-ohm feeder or coaxial cable may be used. In locations
troubled by electrical interference, coaxial cable is
preferable.
GND
MONITOR
OUT
LD/TV
IN
OUT
VCR
PHONO CD
TAPE
LD
/
TV
TAPE
PB
REC
OUT
VIDEO
SIGNAL
AUDIO SIGNAL
l0 dB 0 dB
-
FRONT
LEVEL
FM
ANT
AM
ANT
GND
75Ω
UNBAL.
Outdoor FM antenna
Indoor FM
antenna
(included)
75-ohm/300-ohm
antenna adapter
75-ohm
coaxial cable
300-ohm
feeder
Outdoor AM antenna
AM loop
antenna
(included)
Ground
➀
➁
➂
Orient so that the best
reception is obtained.
12 3
1
Set to the “
∞
” position.
2 Select the front speakers to be used.
* If you use two front speaker systems, press both the A
and B switches.
3
Set to the “0” position.
4 Turn the power on.
5 Turn the DSP on, so that a program name appears on
the display.
6 Select PRO LOGIC, so that the corresponding
name is illuminated on the display.
11
English
SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the front, center, and rear speakers using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor.
SPEAKERS
A
B
ON
OFF
ON
OFF
BASS
55
4
3
2
l
0
l
2
3
4
TREBLE
55
4
3
2
l
0
l
2
3
4
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
POWER
DECK
A
/
B
VCR MON
REC/PAUSE
STOP
3 STEREO
—
+
+
—
CENTER
MODE
PRO LOGIC
HALL ROCK
DELAY
TIME
EFFECT
ON/OFF
VOLUME
SUR.
6
CONTINUED
PRO LOGIC
6
1
4
2
3
5
EFFECT
PROGRAM
T
12
7 Select the center channel output mode according to your
speaker configuration.
(Refer to “SPEAKER CONFIGURATION” on page 6.)
On the feature of each mode, refer to the “Note” shown
below.
8
9 Turn up the volume.
You will hear a test tone (like pink noise) from the left front
speaker, then the center speaker, then the right front
speaker, and then the rear speakers, for about two
seconds each. The display changes as shown below.
* The test tone from the left rear speaker and the right rear
speaker will be heard at the same time.
Note
In step 7, when you select the center channel output mode,
note the following.
For 5 speaker configuration)
NORMAL: Select this mode when you use a center speaker
that is smaller than the front speakers. In this
mode, the bass tone will be output from the front
speakers.
WIDE: Select this mode when you use the center speaker
approximately same sized as the front speakers.
For 4 speaker configuration)
PHANTOM: Select this mode when you do not use the center
speaker. The center sound will be output from the
left and right front speakers.
* When the DOLBY 3 STEREO program is used, the
PHANTOM mode cannot be selected.
Flashes continuously.
CENTER
MODE
TEST
PHANTOM TEST
NORMAL
WIDE
PHANTOM
DECK
A
/
B
VCR MON
REC/PAUSE
STOP
3 STEREO
—
+
+
—
CENTER
MODE
PRO LOGIC
HALL ROCK
DELAY
TIME
EFFECT
ON/OFF
VOLUME
SUR.
9
7
9
8
(L and R)
13
English
10 Adjust the BALANCE control so that the effect sound
output level of the left front speaker and the right front
speaker are the same.
11 Adjust the sound output level of the center speaker to
be at the same level as that of the front speakers with
the CENTER LEVEL control.
12 Adjust the sound output level of the rear speakers to
be at the same level as that of the front speakers with
the REAR LEVEL control.
13 Cancel the test tone.
Stops flashing and disappears
Notes
●
Once you have completed these adjustments, you can
adjust whole sound level on your audio system by using
the VOLUME control (or the VOLUME keys on the remote
control transmitter).
●
If you use external power amplifiers, their volume controls
may also be adjusted to achieve proper balance.
●
In step 11, if the center channel mode is in the
“PHANTOM” position, the sound output level of the center
speaker cannot be adjusted. This is because in this mode,
the center sound is automatically output from the left and
right front speakers.
●
If there is insufficient sound output from the center and
rear speakers, you may decrease the front speaker output
level by setting the FRONT LEVEL switch on the rear
panel to “–10 dB”.
10
11
12
13
CENTER
LEVEL
0l0
REAR
LEVEL
0l0
TEST
DEPHANTOM TEST
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
14
1
Set to the “
∞
” position.
2 Turn the power on.
3 Select the desired input source by using the input
selector buttons.
(For video sources, turn the TV/monitor ON.)
* The name of the selected input source will appear in
the display.
4 Select the front speakers to be used.
* If you use two front speaker systems, press both the A and
B switches.
5 Play the source. (For detailed information on the
tuning operation, refer to page 17.)
6
Adjust to the desired output level.
7 If desired, adjust the BASS, TREBLE, BALANCE
controls, etc. (refer to page 16) and use the digital
sound field processor. (Refer to page 27.)
Notes on using the input selector buttons
●
Note that pressing on each input selector button selects
the source which is connected to the corresponding input
terminals on the rear panel.
●
The selection of TAPE MONITOR or VCR MONITOR
cannot be canceled by pressing another input selector
button. To cancel it, press it again.
●
In step 3, if two or more program sources are selected at
the same time, be sure to remember the priority order of
the input sources.
Priority order of sources: 1) TAPE MONITOR, 2) VCR
MONITOR, 3) LD/TV, TUNER, CD or PHONO.
* If you select LD/TV, TUNER, CD or PHONO, be sure
that neither TAPE MONITOR nor VCR MONITOR have
been selected.
* If you select TAPE MONITOR and VCR MONITOR and
another input selector button at the same time, the
playback result will be the video image from the VCR
and the sound from the audio tape.
* If you select both LD/TV and TAPE MONITOR at the
same time, the playback result will be the video image
from the LD player and the sound from the audio tape.
* Once you play the LD player, its video image will not be
interrupted even if other input selector buttons except
VCR MONITOR are selected.
To turn off the power
Press the POWER switch again.
BASIC OPERATIONS
TO PLAY A SOURCE
SPEAKERS
A
B
ON
OFF
ON
OFF
VCR
MONITOR
LD/TV
TAPE
MONITOR
TUNER CD PHONO
COPY
3
1, 6
2
4
7
7
POWER
1 Select the source to be recorded.
* To dub from tape to tape, refer to the “Notes” shown at
right.
* When you select LD/TV, TUNER, CD or PHONO, make
sure that neither TAPE MONITOR nor VCR MONITOR is
also selected.
2
Play the source and then turn the VOLUME control
up to confirm the input source. (For detailed information
on the tuning operations, refer to the page 17.)
3 Set the tape deck or VCR to the recording mode.
4 To monitor the audio and/or video signals being
recorded, press the input selector button for the tape
deck or VCR used to make the recording.
Notes
●
To dub from tape to tape, only the following method of
dubbing can be performed.
●
The DSP, VOLUME, BASS, TREBLE and BALANCE
control settings have no effect on the material being
recorded.
15
English
TO RECORD A SOURCE TO TAPE (OR DUB FROM TAPE TO TAPE)
SOURCE
VCR (or tape deck)
connected to the VCR
terminals.
RECORDER
Tape deck connected to
the TAPE terminals.
→
2
1, 4
VCR
MONITOR
LD/TV
TAPE
MONITOR
TUNER CD PHONO
COPY
VCR
MONITOR
LD/TV
TAPE
MONITOR
TUNER CD PHONO
COPY
When you listen with headphones
Connect the headphones to the PHONES jack. You can listen
to the sound to be output from the front speakers through
headphones.
When listening with headphones privately, set both the
SPEAKERS A and B switches to the OFF position and switch
off the digital sound field processor (so that no DSP program
name is illuminated on the display) by pressing the EFFECT
switch.
16
Because one or two speaker systems (as front speakers) can
be connected to this unit, the SPEAKERS switches allow you
to select speaker system A or B, or both at once.
Adjust the balance of the output volume to the left and right
speakers to compensate for sound imbalance caused by
speaker location or listening room conditions.
Note
This control is effective only for the sound from the front
speakers.
BASS : Turn this clockwise to increase (or counter-
clockwise to decrease) the low frequency
response.
TREBLE : Turn this clockwise to increase (or counter-
clockwise to decrease) the high frequency
response.
Note
These controls are effective only for the sound from the front
speakers.
Selecting the SPEAKER system
Adjusting the BASS and TREBLE
controls
Adjusting the BALANCE control
PHONES
SPEAKERS
A
B
ON
OFF
ON
OFF
BALANCE
55
4
3
2
l
0
l
2
3
4
LR
TREBLE
55
4
3
2
l
0
l
2
3
4
BASS
55
4
3
2
l
0
l
2
3
4
17
English
1 Select the reception band (FM or AM) while watching
the display.
2
3 Tune to a desired station manually.
* To continue tuning search, press and hold the button.
FM/AM
FM AM
or
1 Select the reception band (FM or AM) while watching
the display.
2
3
To tune to a higher frequency, press the right side once.
To tune to a lower frequency, press the left side once.
* If the station where tuning search stops is not the desired
one, press again.
* If the tuning search does not stop at the desired station
(because the signals of the station are weak), change to
the MANUAL TUNING method.
TUNING OPERATIONS
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).
Display information
➀
Displays the band and frequency of the received station.
* If an RDS station is received, the frequency is then
replaced by the station name. (However, if the PS data
cannot be received within 5 seconds, “NO PS” flashes,
and then it returns to the frequency display.)
Refer to page 22 for details.
➁
Lights up when an FM stereo broadcast is received in
stereo.
➂
Indicates the signal level of the received station.
Note
If you tune to an FM station manually, it is received in
monaural mode automatically to increase the signal quality.
AUTOMATIC TUNING MANUAL TUNING
FM/AM
TUNING
MODE
AUTO/MAN’L MONO
TUNING
MODE
AUTO/MAN’L MONO
DOWN
TUNING UP
DOWN
TUNING UP
PRESET
MHz
FM
STEREO
0
20
l00
REAR
➀➁
➂
AUTO TUNING
“AUTO TUNING”
goes off.
FM AM
or
1 3
2
1 Tune to a desired station.
(Refer to the previous page for tuning procedure.)
2 Select a desired page (A – E) of preset station buttons
while watching the display.
3
4 Press a preset station button before “MEMORY”
goes off from the display.
* In the same way, program other stations to A2, A3 ... A8.
* You can program more stations to the preset station
buttons on other pages in the same way by selecting
other pages in step 2.
11 Select the page of preset station buttons.
22 Select the desired preset station button.
Notes
●
A new setting can be programmed in place of the former
one.
●
For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
Memory back-up
The memory back-up circuit prevents the programmed data
from being lost even if the POWER switch is set off or the
power plug is disconnected from the AC outlet or the power is
cut due to temporary power failure. If, however, the power is
cut for more than one week, the memory may be erased. If
so, it can be re-programmed by simply following the PRESET
TUNING steps.
18
MANUAL PRESET TUNING
This unit can store station frequencies (selected by tuning operation) by using the preset station buttons. With this function, you can
select any desired station by only pressing the corresponding preset station button. Up to 40 stations (8 stations x 5 pages) can be
stored.
PRESET TUNING
To store stations
To recall a preset station
3
2, 11
4, 22 (Preset station buttons)
A/B/C/D/E
PRESET
MEMORY
MAN’L/AUTO FM
MEMORY
A/B/C/D/E
PRESET
Flashes on and off
for about 5 seconds.
l 2345 67 8
PRESET STATIONS
l 2345 67 8
PRESET STATIONS
PRESET
MHz
FM
STEREO
0
20
l00
AUTO TUNING
PRO LOGIC
3 STEREO
HALL ROCK
Shows the displayed station has been
programmed to A1.
PRESET
1
2
3
To tune to higher frequencies, press right side once.
To tune to lower frequencies, press left side once.
* If the TUNING button is not pressed, in a while, the
automatic preset tuning begins automatically toward higher
frequencies.
The automatic preset tuning begins from the frequency
currently displayed. Received stations are programmed to
A1, A2 ... A8 sequentially.
* If more than 8 stations are received, they are also
programmed to the preset station numbers on other pages
(B, C, D and E) in that order.
If you want to store the first station received by the
automatic preset tuning to a desired preset station
number.
If, for example, you want to store the first received station to
C5, select “C5” by using the A/B/C/D/E button and the preset
station buttons after pressing the MEMORY button in step 2.
Then press the TUNING button. The first received station is
stored to C5, and next stations to C6, C7 ... sequentially.
If stations are stored up to E8, the automatic preset tuning is
finished automatically.
When the automatic preset tuning is finished
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure of the section “To recall a preset
station” on page 18.
To recall a preset station
Simply follow the procedure of the section “To recall a preset
station” on page 18.
* A recalled station is shown by the frequency or station name
on the display.
Notes
●
You can replace a preset station by another FM or AM
station manually by simply following the procedure of the
section “To store stations” on page 18.
●
The automatic preset tuning search will be performed
through all RDS network frequencies until stations are
stored up to E8. If the number of received stations is not
enough to be stored up to E8, the search is finished
automatically after searching through all frequencies.
●
With this function, only RDS stations with sufficient signal
strength are stored automatically. If the station you want to
program is weak in signal strength, tune to it in monaural
manually and program it by following the procedure of the
section “To store stations” on page 18.
* There may be a case that this function cannot receive a
station which could be received by the automatic tuning
method. This is because this function receives a large
volume of PI (Program Identification) data along with the
station.
AUTOMATIC PRESET TUNING
You can also make use of an automatic preset tuning function for RDS stations only. By this function, this unit performs automatic
tuning and stores RDS stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in
the manual preset tuning method on page 18.
* Refer to page 21–24 for details on RDS stations.
19
English
To store stations
Press and hold for
about 3 seconds.
FM/AM
FM
MEMORY
MAN’L/AUTO FM
2
1 3
Flashes.
DOWN
TUNING UP
PRESET
MEMORY
AUTO TUNING
20
EXCHANGING PRESET STATIONS
You can exchange the places of two preset stations with each other as shown below.
Example)
If you want to shift the preset station on E1 to A5, and vice
versa.
1 Recall the preset station on E1 (by following the method
of “To recall a preset station” on page 18).
2
3 Next, recall the preset station on A5 by following the
same method with step 1.
4
Shows the exchange of stations is completed.
Flashes
Flashes
EDIT
EDIT
MEMORY
MEMORY
2, 4
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Yamaha RX-V390RDS Manuel utilisateur
- Catégorie
- Lecteurs de cassettes
- Taper
- Manuel utilisateur
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