Yamaha psr-5700 Le manuel du propriétaire
- Catégorie
- Pianos numériques
- Taper
- Le manuel du propriétaire
Advanced Features
Programmieranleitung
Fonctions avancées
Características avanzadas
OWNER’S MANUAL
Getting Started
BEDIENUNGSANLEITUNG
Kurzanleitung
MODE D’EMPLOI
Pour commencer
MANUAL DE INSTRUCCIONES
Para empezar
177
ENVIRONMENTAL ISSUES: Yamaha strives to produce
products that are both user safe and environmentally friendly.
We sincerely believe that our products and the production meth-
ods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware
of the following:
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in place.
The average life span of this type of battery is approximately
five years. When replacement becomes necessary, contact a
qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or inciner-
ate this type of battery. Keep all batteries away from children.
Dispose of used batteries promptly and as regulated by applica-
ble laws. Note: In some areas, the servicer is required by law to
return the defective parts. However, you do have the option of
having the servicer dispose of these parts for you.
Disposal Notice: Should this product become damaged beyond
repair, or for some reason its useful life is considered to be at an
end, please observe all local, state, and federal regulations that
relate to the disposal of products that contain lead, batteries,
plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge
relating to how a function or effect works (when the unit is
operating as designed) are not covered by the manufacturer’s
warranty, and are therefore the owners responsibility. Please
study this manual carefully and consult your dealer before re-
questing service.
NAME PLATE LOCATION: The graphic below indicates the
location of the name plate. The model number, serial number,
power requirements, etc., are located on this plate. You should
record the model number, serial number, and the date of pur-
chase in the spaces provided below and retain this manual as a
permanent record of your purchase.
PRODUCT SAFETY MARKINGS: Yamaha electronic prod-
ucts may have either labels similar to the graphics shown below
or molded/stamped facsimiles of these graphics on the enclo-
sure. The explanation of these graphics appears on this page.
Please observe all cautions indicated on this page and those
indicated in the safety instruction section.
IMPORTANT NOTICE: All Yamaha electronic products are
tested and approved by an independent safety testing laboratory
in order that you may be sure that when it is properly installed
and used in its normal and customary manner, all foreseeable
risks have been eliminated. DO NOT modify this unit or com-
mission others to do so unless specifically authorized by
Yamaha. Product performance and/or safety standards may be
diminished. Claims filed under the expressed warranty may be
denied if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The informa-
tion contained in this manual is believed to be correct at the
time of printing. However, Yamaha reserves the right to change
or modify any of the specifications without notice or obligation
to update existing units.
SPECIAL MESSAGE SECTION
The exclamation point within the equilateral
triangle is intended to alert the user to the
presence of important operating and mainte-
nance (servicing) instructions in the litera-
ture accompanying the product.
The lightning flash with arrowhead symbol
within the equilateral triangle is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magni-
tude to constitute a risk of electrical shock.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
92-469 1
Model _____________________________________
Serial No. __________________________________
Purchase Date ______________________________
AUX. OUT AUX. IN MIDI FOOT
SW.
SUSTAIN EXP.
PEDAL
OUT THRUINL/L+RL/L+RRR
2
Congratulations!
You are the proud owner of an extraordinary electronic keyboard. The Yamaha PSR-5700
PortaTone combines the most advanced AWM tone generation technology with state-of-the-art
digital electronics and features to give you stunning sound quality with maximum musical en-
joyment. The Interactive Accompaniment and Super Style Play features, in particular, are bril-
liant examples of how advanced technology can significantly expand your musical horizons.
In order to make the most of your PortaTone’s features and vast performance potential, we
urge you to read the manuals thoroughly while trying out the various features described. Keep
the manuals in a safe place for later reference.
Contents
About the PSR-5700 Manuals ................................................ 3
Taking Care of Your PortaTone ............................................. 4
Nomenclature ............................................................................ 6
Connections & Music Stand................................................... 8
The Demonstration ................................................................ 10
Playing the PSR-5700 ............................................................ 11
Selecting & Playing Voices .................................................... 11
Keyboard Percussion ............................................................ 14
Transposition, Tuning, and Octave Change ..................... 15
TRANSPOSE/TUNE ............................................................. 15
OCTAVE CHANGE ............................................................... 16
Voice Registration .................................................................. 17
Using the Accompaniment Section .................................... 18
Interactive Accompaniment ................................................... 24
Using the Disk Style on the Supplied Data Disk ..................... 25
Super Style Play ..................................................................... 26
Using the Pads........................................................................ 28
The MULTI Mode .................................................................. 28
The PERC Mode ................................................................... 32
The TEMPO Mode ................................................................ 34
Expression & Effects ............................................................. 36
Panel Registration .................................................................. 38
Playing DOC (Disk Orchestra Collection) Disks............... 40
Troubleshooting ..................................................................... 42
Options ..................................................................................... 42
Index ......................................................................................... 43
Fingering Chart ..................................................................... 178
3
The PSR-5700 comes with two manuals: “Getting Started” (this manual), and the “Advanced Features” manual.
■ The “Getting Started” Manual
This, as its name suggests, is the manual you should
start with. The “Getting Started” manual will teach you
everything you need to basically play and enjoy the PSR-
5700, concentrating on the keys and controls that you’ll
use most frequently.
The Getting Started manual covers:
● Playing the demonstration.
● Selecting and playing voices.
● Tuning and transposition.
● Voice registration.
● Using the auto accompaniment functions.
● The multi, tempo, and percussion pads.
● Expression and effects.
● The panel registration feature.
● Playing Disk Orchestra Collection disks.
Go through the Getting Started manual first!
■ The “Advanced Features” Manual
The Advanced Features manual is the manual you’ll
want to refer to after you gain initial familiarity with the
PSR-5700 — i.e. after you’ve carefully gone through the
Getting Started manual. As its name suggests, the Ad-
vanced Features manual concentrates on the many ad-
vanced features and utility functions provided by the
PSR-5700.
The Advanced Features manual covers:
● The sequencer.
● The custom accompaniment programmer.
● Custom voice editing.
● The PSR-5700’s digital effects.
● Floppy disk operations.
● And a range of other functions including MIDI
operations and General MIDI Level 1 protocol
compatibility.
Unlike the Getting started manual which is designed
to be read through from beginning to end, the Advanced
Features manual allows you to directly reference infor-
mation on individual features and functions.
■ Icons
The following simple icons are used throughout this
manual to draw attention to important points and infor-
mation where necessary. The icons also make it easier to
differentiate between information that you should read
immediately and information that can be skipped until
later, hopefully helping you to become familiar with the
PSR-5700 in the quickest, most efficient manner possi-
ble.
This icon warns of possible hardware dam-
age, software malfunction, or any other seri-
ous problem that may occur due to improper
operation or set up.
This icon marks information that you must
read — i.e. important steps or procedures
that are essential for proper, efficient, or
easy operation.
The magnifying-glass icon indicates infor-
mation that may not be essential for general
operation, but is a more detailed explanation
of a feature, a description of the principle
involved, etc. You can skip this information
if full details are not required immediately.
Suggestions as to how a feature or function
can be applied musically are identified by
this icon.
Hints or ideas that are not specifically musi-
cal but may make operation easier or more
interesting are marked by the light-bulb
icon.
About the PSR-5700 Manuals
HINT
MUSICAL
NOTE
DETAIL
IMPORTANT
CAUTION
4
Your PortaTone will give you years of playing pleasure if you follow the simple rules given below:
■ Location
Do not expose the instrument to the following conditions to avoid defor-
mation, discoloration, or more serious damage.
● Direct sunlight (e.g. near a window).
● High temperatures (e.g. near a heat source, outside, or in a car during the
daytime).
● Excessive humidity.
● Excessive dust.
● Strong vibration.
● Turn the power switch OFF when the instrument is not in use.
● The power supply cord should be unplugged from the AC outlet if the
instrument is not to be used for an extended period of time.
● Unplug the instrument during electric storms.
● Avoid plugging the instrument into the same AC outlet as appliances
with high power consumption, such as electric heaters or ovens. Also
avoid using multi-plug adapters since these can result in reduced sound
quality, operation errors, and possibly damage.
● To avoid damage to the instrument and other devices to which it is con-
nected (a sound system, for example), turn the power switches of all
related devices OFF prior to connecting or disconnecting audio and
MIDI cables.
● Never apply excessive force to the controls, connectors or other parts of
the instrument.
● Always unplug cables by gripping the plug firmly, not by pulling on the
cable.
● Disconnect all cables before moving the instrument.
● Physical shocks caused by dropping, bumping, or placing heavy objects
on the instrument can result in scratches and more serious damage.
● Clean the cabinet and panel with a dry soft cloth.
● A slightly damp cloth may be used to remove stubborn grime and dirt.
● Never use cleaners such as alcohol or thinner.
● Avoid placing vinyl objects on top of the instrument (vinyl can stick to
and discolor the surface).
■ Power Supply
■ Turn Power OFF When Making
Connections
■ Handling and Transport
■ Cleaning
Taking Care of Your PortaTone
5
● This instrument contains digital circuitry and may cause interference if
placed too close to radio or television receivers. If this occurs, move the
instrument further away from the affected equipment.
● Internal data (e.g. sequencer data) is retained in memory even if the
power switch is turned OFF. If the power is not turned ON for periods
longer than about a week, however, memory data will be lost. Save all
important data to disk before turning off for longer periods.
● Internal memory data can be corrupted due to incorrect operation. Be
sure to “save” important data to a floppy disk frequently so you have a
backup to revert to if something happens to damage the data in memory.
Also note that magnetic fields can damage data on the disk, so it is advis-
able to make a second back-up copy of disks that contain very important
data, and keep backup disks in a safe place away from stray magnetic
fields (i.e. away from speakers, appliances containing motors, etc.).
● Do not bend or apply pressure to the floppy disk. Do not open the shutter
and touch the surface of the floppy disk inside.
● Do not expose the disk to high temperatures. (e.g. direct sunlight)
● Use only 3.5” 2DD type floppy disks.
● Do not expose the disk to magnetic fields. Magnetic fields can partially
or totally erase data on the disk, rendering the disk unreadable.
● To eject a floppy disk, press the eject button slowly as far as it will go
then, when the disk is fully ejected, remove it by hand.
The disk may not be ejected properly if the eject button is pressed too
quickly, or it is not pressed in as far as it will go (the eject button may
become stuck in a half-pressed position and the disk extends from the
drive slot by only a few millimeters). If this happens, do not attempt to
pull out the partially ejected disk. Using force in this situation can dam-
age the disk-drive mechanism or the floppy disk. To remove a partially
ejected disk, try pressing the eject button once again, or push the disk
back into the slot and then repeat the eject procedure carefully.
● Do not insert anything but floppy disks into the disk drive. Other objects
may cause damage to the disk drive or the floppy disk.
● Be sure to remove the floppy disk from the drive when moving the PSR-
5700. Moving the instrument while a floppy disk is loaded can damage
both the drive and the disk.
● Apply floppy disk labels carefully! Improperly applied disk labels (wrin-
kled, protruding corners, etc.) can cause the disk to become stuck in the
disk drive.
● The PSR-5700 contains no user serviceable parts. Opening it or tamper-
ing with it in anyway can lead to irreparable damage and possibly elec-
tric shock. Refer all servicing to qualified YAMAHA personnel.
■ Electrical Interference
■ Data Backup
■ Handle Floppy Disks and the
Disk Drive With Care
YAMAHA is not responsible for damage caused by improper handling or operation.
■ Service and Modification
6
DOWN
UP
PITCH BEND/
GLISSANDO
MAX
MIN
MODULATION/
EFFECT
HEADPHONES
t
AUTO
BASS CHORD
INTERACTIVE
ACCOMPANIMENT
SYNCHRO
START
START/
RE-START
STOPCHORUS
2
SOLOCHORUS
1
VERSE
2
VERSE
1
STYLE SELECT
0 DISK12345
NUMBER
0 CUSTOM12345
BANK
VOLUME
MIN
MAX
ORCH.
1
ORCH.
2
CHORD
1
CHORD
2
BASSRHYTHMMASTER
REVERB
EFFECT
BEAT
ORCHESTRATION
ORCH.
1
ORCH.
2+1
ORCH.
2v1
LEFT
HOLD
HARMONY SUSTAIN
VOICE PART
ORCH.
2
ORCH.
1
CUSTOM
VOICE
VOICE SEL
01234
01234
MEMORY
VOICE
REGISTRATION
MODE
SELECT
MULTI REPEAT
PERC. BREAK
TEMPO SYNCHRO
CUSTOM ACCOMPANIMENT PROGRAMMER
SEQUENCER
SONG
SELECT
123456
+– +–
HARMONY
TYPE
OCTAVE
CHANGE
TRANSPOSE/
TUNE
s
t
<>
A. B. C. MODE
CHORD 1 CHORD 2 CHORD 3 CHORD 4 CHORD 5 CHORD 6 BASS RHYTHM
1 2 3 4 5 6 7 ACCOMP.
PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC PLAY REC
ENDING/
rit.
FILL IN
n
FILL IN
j
INTRO.3INTRO.2INTRO.1
PAN
E
MEMORY
A B
RECALL
A/B 1 2 3
PAD
MULTI PLAYING
REC/STOP PHRASE CHORD
Tempo lTap StartTempo Change a tempofasteraccel. slower rit.
87654321
TEMPO
+–
STYLE
LIST
00 EURO BEAT
01 DANCE POP
02 PARTY POP
03 ROCK’N’ROLL
04 60’S ROCK
05 8 BEAT-LIGHT
10 8 BEAT BALLAD
11 ROCK SHUFFLE
12 16 BEAT-LIGHT
13 16 BEAT BALLAD
14 PIANO BALLAD
15 6/8 SLOW ROCK
20 SYNTH BOOGIE
21 SOUL ROCK
22 SOUL BALLAD
23 FUNK SHUFFLE
24 SWING
25 BIG BAND
30 JAZZ BALLAD
31 SHUFFLE
32 BOOGIE
33 WALTZ
34 SLOW WALTZ
35 JAZZ WALTZ
40 BOSSA NOVA
41 SAMBA
42 LATIN POP
43 RHUMBA
44 TANGO
45 CHA-CHA
50 REGGAE
51 COUNTRY
52 POLKA
53 MARCH
54 6/8 MARCH
55 NEW AGE
VOICE
LIST
00 PIANO 1
01 PIANO 2
02 E.PIANO 1
03 E.PIANO 2
04 E.PIANO 3
05 E.PIANO 4
06 HARPSICHORD
07 CLAVI
08 PIPE ORGAN 1
09 PIPE ORGAN 2
10 JAZZ ORGAN 1
11 JAZZ ORGAN 2
12 E. ORGAN 1
13 E. ORGAN 2
14 ROCK ORGAN
15 THEATER ORGAN
16 CHOIR 1
17 CHOIR 2
18 SYNTH CHOIR
19 VOYAGER
20 WHISTLE
21 STRINGS 1
22 STRINGS 2
23 STRINGS 3
24 PIZZ. STRINGS
25 TREMOLO STRINGS
26 SYNTH STRINGS
27 SOLO STRINGS
28 TUTTI
29 ORCHESTRA HIT
30 FLUTE
31 PAN FLUTE
32 BREATH FLUTE
33 CLARINET
34 OBOE
35 ENGLISH HORN
36 BASSOON
37 SAXOPHONE
38 ACCORDION 1
39 ACCORDION 2
40 HARMONICA
41 TRUMPET 1
42 TRUMPET 2
43 MUTE TRUMPET
44 TROMBONE 1
45 TROMBONE 2
46 FRENCH HORN
47 TUBA
48 BRASS 1
49 BRASS 2
50 BRASS FALL
51 SYNTH BRASS
52 VIBES
53 GLOCKEN
54 MARIMBA
55 XYLOPHONE
56 BELLS
57 CHIME
58 TIMPANI
59 STEEL DRUM
60 CLASSIC GUITAR
61 FOLK GUITAR
62 12 STRINGS GUITAR
63 JAZZ GUITAR 1
64 JAZZ GUITAR 2
65 ROCK GUITAR 1
66 ROCK GUITAR 2
67 ROCK GUITAR 3
68 DISTORTION GUITAR
69 MUTE GUITAR
70 HAWAIIAN GUITAR
71 BANJO
72 KOTO
73 HARP
74 ACOUSTIC BASS
75 E. BASS 1
76 E. BASS 2
77 FRETLESS BASS
78 SLAP BASS
79 SYNTH BASS 1
80
S
81
M
82
S
83
B
84
S
85
C
86
W
87
88
S
89
A
SUPER STYLE PLAY
VERSE
ABAB
CHORUS
F1: CUSTOM VOICE EDIT
F2: REVERB / EFFECT
F3: CONTROLLER / KEY V
E
F4: SPLIT POINT / I.A. / S.
S
F5: DISK
F6: UTILITY / MIDI
FUNCTION
EXIT
Nomenclature
3
4
5
6
7
8
9
0
!
1 POWER Button ........................................ [page 10]
2 DEMO Button .............................................[page 10]
3 VOICE SELECT Buttons..................... [page 13, 17]
BANK
NUMBER
VOICE REGISTRATION
MEMORY
4 BEAT Display ........................................... [page 21]
5 LED Display.............................................. [page 20]
6 TEMPO [-] and [+] Buttons ....................... [page 20]
7 Liquid Crystal Display (LCD)........ [page 10, 13, 20]
8 Left and Right [-] and [+] Buttons [page 10, 13, 20]
9 Display Scroll/Function Buttons
ABC MODE (s)................................... [page 18]
HARMONY TYPE (t) ......................... [page 36]
TRANSPOSE/TUNE (<) .................... [page 15]
OCTAVE CHANGE (>) ...................... [page 16]
0 FUNCTION Button . [Advanced Features, page 26]
! EXIT Button ............. [Advanced Features, page 26]
@ TO DISK Button ...... [Advanced Features, page 42]
# DISK IN USE Lamp ....................................[page 40]
$ FROM DISK Button [Advanced Features, page 44]
% DISK ORCHESTRA/GENERAL MIDI Button
............ [page 40, Advanced Features, page 50]
^ ORCHESTRATION Buttons and Indicators
............................................................. [page 12]
ORCH. 1
ORCH. 2+1
ORCH. 2v1
& LEFT HOLD Button .................................. [page 36]
* HARMONY Button .................................... [page 36]
( SUSTAIN Button ...................................... [page 36]
) VOICE PART Buttons and Indicators ...... [page 13]
ORCH. 2
ORCH. 1
q CUSTOM VOICE Button and Indicator
........................... [Advanced Features, page 27]
w VOLUME Controls ........................ [page 10, 11, 13]
MASTER
RHYTHM
BASS
CHORD 2
CHORD 1
ORCH. 2
ORCH. 1
^
&
*
(
)
q
w
e
r
t
y
u
i
o
p
W
Q
E
R
T
Y
U
I
P
a
7
>
CANCEL
ECT
65
NUMBER
65
BANK
978
978
prf
RECORD DELETE EDIT
E
L REGISTRATION
45678
POWER
ON
OFF
DEMO
90 SPACE PIANO
91 STRINGS & HARPSCD
92 BELL STRINGS
93 CLARINET & SAX
94 BIG BRASS
95 SYNTH REED
96 ATMOS PAD
97 EVOLUTION
98 DRUM KIT
99 POP DRUM KIT
S
YNTH BASS 2
M
INI LEAD
S
QUARE LEAD
B
IG LEAD
S
YNTH PAD
C
RYSTAL
W
ARM PAD
POLY SYNTH
S
WEEP PAD
A
TMOS
TO DISK
FROM DISK
DISK
IN USE
E
LOCITY
S
.P.MODE
DISK ORCHESTRA/
GENERAL MIDI
e REVERB Button ....................................... [page 37]
r EFFECT Button ........................................ [page 37]
t STYLE SELECT Buttons.......................... [page 20]
BANK
NUMBER
CUSTOM
DISK
y INTERACTIVE ACCOMPANIMENT Button and
Indicator .................................................... [page 24]
u AUTO BASS CHORD Button and Indicator
............................................................. [page 18]
i SUPER STYLE PLAY Buttons and Indicators
............................................................. [page 26]
VERSE A
VERSE B
CHORUS A
CHORUS B
o Fill-in, Intro, and Ending Buttons ....... [page 21, 23]
FILL INj/INTRO 1
FILL INn/INTRO 2
ENDING/rit./INTRO 3
p Verse, Chorus, and Solo Buttons ............ [page 22]
VERSE 1
VERSE 2
CHORUS 1
CHORUS 2
SOLO
Q Accompaniment Control Buttons ............. [page 21]
SYNCHRO START
START/RE-START
STOP
W PAD MODE SELECT Buttons and Indicators
....................................................... [page 28~35]
E PAD Buttons ....................................... [page 28~35]
R PANEL REGISTRATION Buttons ............ [page 38]
T
SEQUENCER Button .. [Advanced Features, page 3]
Y CUSTOM ACCOMPANIMENT PROGRAMMER
Button ..................... [Advanced Features, page 15]
U SONG SELECT Button
............................. [Advanced Features, page 3]
I Sequencer Track/Custom Accompaniment
Programmer Track Buttons
............. [Advanced Features, page 4~6, 16~17]
1 through 6/CHORD 1 through 6
7/BASS
ACCOMP./RHYTHM
O Sequencer/Custom Accompaniment Programmer
Control Buttons
............. [Advanced Features, page 4~6, 16~17]
RECORD
DELETE
EDIT
p (Top)
r (Rewind)
f (Forward)
P PITCH BEND/GLISSANDO Wheel .......... [page 37]
a MODULATION/EFFECT Wheel ............... [page 37]
s Disk Drive ........................................... [page 25, 40]
d Disk Eject Button ...................................... [page 40]
1
2
@
#
$
%
O
s
d
8
A standard pair of stereo headphones can be plugged in here for private
practice or late-night playing. The internal stereo speaker system is auto-
matically shut off when a pair of headphones is plugged into the HEAD-
PHONES jack.
The rear-panel AUX. OUT L/L+R and R jacks deliver the output of the
PSR-5700 for connection to a keyboard amplifier, stereo sound system, a
mixing console, or tape recorder. If you will be connecting the PSR-5700 to
a monaural sound system, use only the L/L+R jack. When a plug is inserted
into the L/L+R jack only, the left- and right-channel signals are combined
and delivered via the L/L+R jack so you don’t lose any of the PSR-5700
sound.
To prevent damage to the internal circuitry, the AUX. OUT jack signal must
never be returned to the AUX. IN jacks, either directly or through external equip-
ment.
These jacks are intended primarily for use with external audio sources
such as tone generators, drum machines, CD players, and similar equip-
ment. The signal received via the AUX. IN L and R jacks is reproduced via
the PSR-5700’s internal stereo amplifier and speaker system. If you will be
connecting a monaural source to the PSR-5700, use only the L/L+R jack.
When a plug is inserted into the L/L+R jack only, the monaural input signal
is fed to both the left and right channels of the PSR-5700 stereo sound sys-
tem. Please note that the PSR-5700 MASTER VOLUME control does not
affect the level of the signal delivered to external equipment.
The supplied FC5 footswitch or a second (optional) footswitch connected
to this jack can be used to control a range of important functions. Refer to
the “FOOT SWITCH SELECT” function described on page 37 of the Ad-
vanced Features manual.
1 The HEADPHONES Jack
2 The AUX. OUT L/L+R and R Jacks
AUX. OUT
L/L+RR
Stereo System
CAUTION
AUX. OUT AUX. IN
L/L+RL/L+RRR
3 AUX. IN L/L+R and R Jacks
AUX. IN
L/L+RR
Tone Generator
4 FOOT SW. Jack
FOOT
SW.
Connections & Music Stand
9
MIDI
OUT THRUIN
The Music Stand
The PSR-5700 is supplied with a music stand that can be attached to
the instrument by inserting it into the slot at the rear of the control
panel.
5 SUSTAIN Jack
The PSR-5700 comes with an FC5 footswitch that should be connected
here for foot sustain control. The footswitch functions like the damper pedal
on a piano — press for sustain, release for normal sound.
An optional Yamaha EP-1 Expression Pedal can be connected to this jack
to allow foot expression (swell) or effect control. Please note that when the
pedal is used for expression control, no sound will be produced if the ex-
pression pedal is set to the minimum position.
The MIDI IN connector receives MIDI data from an external MIDI de-
vice (such as a MIDI sequencer) which can be used to control the PSR-
5700. The MIDI THRU connector re-transmits any data received at the
MIDI IN connector, allowing “chaining” of several MIDI instruments or
other devices. The MIDI OUT connector transmits MIDI data generated by
the PSR-5700 (e.g. note and velocity data produced by playing the key-
board).
More details on MIDI are provided on page 50 of the Advanced Features
manual.
SUSTAIN
6 EXP. PEDAL Jack
7 MIDI IN, THRU and OUT
Connectors
Music
Computer
Tone Generator
EXP.
PEDAL
MIDI FOOT
SW.
SUSTAIN EXP.
PEDAL
OUT THRUIN
10
POWER
ON
OFF
*** YAMAHA PORTATONE ***
*** PSR-5700 ***
>00:Piano 1
00:Eurobeat 21:Strings1
To give you an idea of the PSR-5700’s sophisticated capabilities, it is programmed
with four demonstration sequences which play automatically.
ZSwitch ON
XSet Initial Volume Levels
VOLUME
MIN
MAX
ORCH.
1
ORCH.
2
CHORD
1
CHORD
2
BASSRHYTHMMASTER
CPress the [DEMO] Button
HINT
The demonstration sequences have been specially programmed for demonstra-
tion purposes — it is not possible to reproduce the demonstration sequences
100% using the PSR-5700 sequencer functions.
Plug the AC power cord into a convenient AC outlet, then press the
[POWER] button to turn the PSR-5700 ON.
Set the [MASTER] VOLUME control to a position about half way to-
ward the “MAX” setting. You can re-adjust the [MASTER] VOLUME con-
trol for the most comfortable overall volume level after playback begins.
The demonstration will begin playing as soon as you press the [DEMO]
button.
The demonstration will play continuously until the [DEMO] button is
pressed a second time, or until the accompaniment control [STOP] button is
pressed.
You can select playback of just one of the four demonstration sequences by
using the [+] and [-] buttons below “Song=ALL” on the LCD panel while holding
the [DEMO] button. Select “Song=1”, “Song=2”, “Song=3”, or Song=4" and then
release the [DEMO] button. The selected demonstration will play through to the
end and then stop automatically.
DETAIL
DEMO
PSR-5700 DEMONSTRATION
Song=1 ClubRock
PSR-5700 DEMONSTRATION
Playing 1:ClubRock
DEMO
+–
The Demonstration
11
FUNCTION
EXIT
HARMONY
TYPE
OCTAVE
CHANGE
TRANSPOSE/
TUNE
s
t
<>
A. B. C. MODE
+– +–
“RECALL INITIAL DATA 1
Data=AllData -Execute-
FUNCTION
EXIT
■ Before You Begin
Before playing your PSR-5700 for the first time, it might be a good idea to re-
initialize it to the original factory settings just in case these have been changed at
some point before you receive the instrument. To do this, press the [FUNCTION]
button a few times until “F6” appears on the LED display (this is the UTILITY
mode). Now press the [t] button (HARMONY TYPE) to the right of the LCD panel
a few times until the following display appears:
Selecting & Playing Voices
+–
“RECALL INITIAL DATA 1
Data=AllData Busy!
Press both the right [-] and [+] buttons under “-Execute-” on
the display simultaneously. “Busy!” will appear while the ini-
tialization is taking place, and “Completed” will appear when the
initialization is complete. Finally, press the [EXIT] button to
return to the normal play mode.
Z
Turn Power On and Set Initial
Volume
VOLUME
MIN
MAX
ORCH.
1
ORCH.
2
CHORD
1
CHORD
2
BASSRHYTHMMASTER
Press the [POWER] button to turn the power ON, and set all seven VOL-
UME controls about three-quarters of the way toward their MAX settings.
You can set the [MASTER] VOLUME control for the most comfortable
overall volume level after beginning to play.
No sound will be produced if all volume controls other than the MASTER control
are set to their minimum positions.
Playing the PSR-5700
DETAIL
12
ORCHESTRATION
ORCH.
1
ORCH.
2+1
ORCH.
2v1
LEF
T
HOL
D
Playing the PSR-5700
XSelect the Orchestration
The PSR-5700 has three orchestration modes, selected by the correspond-
ing ORCHESTRATION buttons. The corresponding ORCHESTRATION
indicator will light.
ORCH. 1: In this mode a single voice — the ORCH. 1 voice — can
be played across the entire keyboard.
ORCH. 2+1: This is a “dual” mode in which two voices — ORCH. 1 and
ORCH. 2 — can be played simultaneously across the entire
keyboard.
ORCH. 2v1: This is a “split” mode in which the ORCH. 2 voice is
played on the left-hand section of the keyboard (to the left
of the “split point” — see “DETAIL” below), while the
ORCH. 1 voice is played on the right-hand section of the
keyboard. Since two voices are played simultaneously in
this mode, the total number of notes that can be played on
the keyboard at the same time is reduced.
The split point for the PSR-5700 is initially set at F
#
2 when the unit is shipped.
This means that when the “ORCH. 2
v
1” mode is selected, the ORCH. 2 voice
will be played by all keys to the left of and including F
#
2, while the ORCH. 1
voice will be played on all keys to the right of F
#
2. You can change the split
point to any key desired by using the SPLIT POINT function described on page
40 of the Advanced Features manual.
When the “ORCH.2+1” mode is selected and the same voice is selected for
both ORCH. 1 and ORCH. 2, the sound may be slightly different from the nor-
mal voice.
DETAIL
Left-Hand Section
C
3
▼
Split Point (F#2)
Right-Hand Section
DETAIL
CSelect a Voice or Voices
Voice List
The PSR-5700 has 100 voices. A list of the voice names is printed on the
control panel for easy reference.
BANK 0
00 PIANO 1
01 PIANO 2
02 E.PIANO 1
03 E.PIANO 2
04 E.PIANO 3
05 E.PIANO 4
06 HARPSICHORD
07 CLAVI
08 PIPE ORGAN 1
09 PIPE ORGAN 2
BANK 1
10 JAZZ ORGAN 1
11 JAZZ ORGAN 2
12 E.ORGAN 1
13 E.ORGAN 2
14 ROCK ORGAN
15 THEATER ORGAN
16 CHOIR 1
17 CHOIR 2
18 SYNTH CHOIR
19 VOYAGER
BANK 2
20 WHISTLE
21 STRINGS 1
22 STRINGS 2
23 STRINGS 3
24 PIZZ. STRINGS
25 TREMOLO STRINGS
26 SYNTH STRINGS
27 SOLO STRINGS
28 TUTTI
29 ORCHESTRA HIT
BANK 3
30 FLUTE
31 PAN FLUTE
32 BREATH FLUTE
33 CLARINET
34 OBOE
35 ENGLISH HORN
36 BASSOON
37 SAXOPHONE
38 ACCORDION 1
39 ACCORDION 2
BANK 4
40 HARMONICA
41 TRUMPET 1
42 TRUMPET 2
43 MUTE TRUMPET
44 TROMBONE 1
45 TROMBONE 2
46 FRENCH HORN
47 TUBA
48 BRASS 1
49 BRASS 2
BANK 5
50 BRASS FALL
51 SYNTH BRASS
52 VIBES
53 GLOCKEN
54 MARIMBA
55 XYLOPHONE
56 BELLS
57 CHIME
58 TIMPANI
59 STEEL DRUM
BANK 6
60 CLASSIC GUITAR
61 FOLK GUITAR
62 12 STRING GUITAR
63 JAZZ GUITAR 1
64 JAZZ GUITAR 2
65 ROCK GUITAR 1
66 ROCK GUITAR 2
67 ROCK GUITAR 3
68 DISTORTION GUITAR
69 MUTE GUITAR
BANK 7
70 HAWAIIAN GUITAR
71 BANJO
72 KOTO
73 HARP
74 ACOUSTIC BASS
75 E.BASS 1
76 E.BASS 2
77 FRETLESS BASS
78 SLAP BASS
79 SYNTH BASS 1
BANK 8
80 SYNTH BASS 2
81 MINI LEAD
82 SQUARE LEAD
83 BIG LEAD
84 SYNTH PAD
85 CRYSTAL
86 WARM PAD
87 POLY SYNTH
88 SWEEP PAD
89 ATMOS
BANK 9
90 SPACE PIANO
91 STRINGS & HARPSCD
92 BELL STRINGS
93 CLARINET & SAX
94 BIG BRASS
95 SYNTH LEAD
96 ATMOS PAD
97 EVOLUTION
98 DRUM KIT
99 POP DRUM KIT
• The lowest key on the keyboard is C1.
13
VOICE SELECT
0 612345
NUMBER
0 612345
BANK
978
978
MEMORY
VOICE
REGISTRATION
>73:Harp
00:Eurobeat 21:Strings1
+–
U
STAIN
VOICE PART
ORCH.
2
ORCH.
1
CUSTO
M
VOICE
>00:Piano 1
00:Eurobeat 21:Strings1
Press the [ORCH. 1] or [ORCH. 2] VOICE PART button, depending on
which voice you want to select. The corresponding VOICE PART indicator
will light and the “>” cursor on the LCD panel will move to the correspond-
ing voice position.
Use the VOICE SELECT buttons to enter the number of the desired
voice. Press a button in the upper row (BANK) to select the “BANK” or
“tens” digit, and then a button in the lower row (NUMBER) to select the
“ones” digit. For example, to select voice number 73 (HARP), press the
BANK [7] button and then the NUMBER [3] button.
If a BANK button is pressed but then no NUMBER button is pressed for more
than about 3 seconds, the BANK entry will automatically be cancelled.
The number of the ORCH. 1 or ORCH. 2 voice can also be decreased
(decremented) or increased (incremented) by using the [-] and [+] buttons
immediately below the voice names on the LCD panel. Press either button
briefly to decrement or increment the voice number by one, or hold the
button for continuous decrementing or incrementing.
You can now play the selected voice or voices with the selected orches-
tration. Use the [MASTER] volume control to adjust the overall volume
level, and the [ORCH. 1] and [ORCH. 2] VOLUME controls to set the de-
sired balance between the ORCH. 1 and ORCH. 2 voices when either the
dual or split orchestration mode is used.
The tone of some voices may change slightly at one or more points on the
keyboard. Some voices may also shift octaves on some of the lowest and high-
est keys of the keyboard. This is due to the way in which the voice waveforms
were initially sampled and is not a malfunction.
Voice numbers 90 through 97 are actually combinations of two voices, so the
total number of simultaneous notes that can be played when these voices are
selected is less than when any of the other voices are selected.
DETAIL
VPlay & Adjust Volume
DETAIL
DETAIL
VOLUME
MIN
MAX
ORCH.
1
ORCH.
2
CHORD
1
CHORD
2
BASSRHYTHMMASTER
Playing the PSR-5700
14
98: DRUM KIT 99: POP DRUM KIT
Key Instrument Instrument
C1 Applause Hand Claps
Db1 Triangle Close Triangle Close
D1 Whistle Low Whistle Low
Eb1 Triangle Open Triangle Open
E1 Whistle Hi Whistle Hi
F1 Kick 1 Kick 5
F#1 Kick 2 Kick 6
G1 Kick 3 Kick 7
Ab1 Kick 4 Kick 8
A1 Tom 1 Bass Tom Bass
Bb1 Rim Shot 1 Rim Shot 2
B1 Tom 1 Low Tom Low
C2 Tom 1 Mid Tom Mid
Db2 Snare 1 Snare 7
D2 Tom 1 Hi Tom Hi
Eb2 Snare 2 Snare 8
E2 Snare 3 Snare 9
F2 Snare 4 Snare 3
F#2 Snare 5 Snare 10
G2 Snare 6 Snare 11
Ab2 Brush Hit 1 Brush Hit 2
A2 Snare Roll Snare Roll
Bb2 Snare Brush Squeeze Snare Brush Squeeze
B2 Pedal Hi-Hat 1 Pedal Hi-Hat 2
C3 Closed Hi-Hat 1 Closed Hi-Hat 2
Db3 Timbales Low Timbales Low
D3 Open Hi-Hat 1 Open Hi-Hat 2
Eb3 Timbales Hi Timbales Hi
E3 Closed Hi-Hat 2 Closed Hi-Hat 3
F3 Open Hi-Hat 2 Open Hi-Hat 3
Keyboard Percussion
Playing the PSR-5700
When voice number 98 (DRUM KIT) or 99 (POP DRUM KIT) is se-
lected, you can play 59 different drums and percussion instruments on the
keyboard. The drums and percussion instruments played by the various
keys are marked by symbols above the keys. Some of the instruments in the
DRUM KIT and POP DRUM KIT voices sound different even though they
have the same name, while others are essentially the same.
The Transpose, Tune, Sustain, Harmony, Left Hold, Modulation, and Octave
Change functions do not affect the keyboard percussion sound.
The pitch bend wheel can be used to bend the pitch of the keyboard percussion
voices to create unique musical effects, but it has little effect on some percus-
sion sounds.
DETAIL
98: DRUM KIT 99: POP DRUM KIT
Key Instrument Instrument
F#3 Conga 1 Low Conga 2 Low
G3 Ride Cymbal 1 Ride Cymbal 2
Ab3 Conga 1 Hi Conga 2 Hi
A3 Ride Cup 1 Ride Cup 2
Bb3 Conga 1 Mute Conga 2 Mute
B3 Crash Cymbal 1 Crash Cymbal 1
C4 Crash Cymbal 2 Crash Cymbal 2
Db4 Bongo Low Bongo Low
D4 Splash Cymbal Chinese Cymbal
Eb4 Bongo Hi Bongo Hi
E4 March Cymbal Reverse Cymbal
F4 Surdo E.Tom Bass
F#4 Cabasa Maracas
G4 Tom Brush Low E.Tom Low
Ab4 Vibraslap Vibraslap
A4 Tom Brush Mid E.Tom Mid
Bb4 Claves Wood Block
B4 Tom Brush Hi E.Tom Hi
C5 Guiro Long Guiro Long
Db5 Cuica Low Scratch Noise Low
D5 Guiro Short Guiro Short
Eb5 Cuica Hi Scratch Noise Hi
E5 Tambourine Running Water
F5 Cowbell Low Cowbell Hi
F#5 Agogo Low Agogo Low
G5 Castanet Dropping Coin
Ab5 Agogo Hi Agogo Hi
A5 Finger Snaps Finger Snaps
Bb5 Cross Sticks Cross Sticks
—— —
>98:Drum Kit
00:Eurobeat 99:Pop.Drum
MUSICAL
NOTE
15
+– +–
TRANSPOSE / PITCH TUNE
Trans.= 0 Pitch=440.0Hz
+– +–
HARMONY
TYPE
OCTAVE
CHANGE
TRANSPOSE/
TUNE
s
t
<>
A. B. C. MODE
TRANSPOSE / PITCH TUNE
Trans.= 0 Pitch=440.0Hz
The most important and fundamental adjustment for any musical instrument is tuning.
The TRANSPOSITION, TUNING, and OCTAVE CHANGE functions described below let
you control the pitch of the PSR-5700 in a number of ways.
TRANSPOSE/TUNE
Transposition, Tuning, and Octave Change
Z
Press the [TRANSPOSE/
TUNE] Button
This function allows the overall pitch of the PSR-5700 to be transposed up or down in
semitone increments, and fine-tuned in 0.5 Hertz increments.
DETAIL
X
Set the Transposition and/or
Tuning As Required
CPress [EXIT] When Done
Select the TRANSPOSE/TUNE function from the normal play mode by
pressing the [TRANSPOSE/TUNE] button (this is the same as the [<] dis-
play scroll button to the right of the LCD panel).
Use the left [-] and [+] buttons to set the desired degree of transposition,
and the right [-] and [+] buttons to set the desired degree of tuning.
The transpose range is from -6 to +6, allowing a maximum upward or
downward transposition of 1/2-octave. A setting of 0 produces the normal
pitch. The “0” setting can be instantly recalled by pressing both the left [-]
and [+] buttons simultaneously.
The tuning range is from 427.5 Hertz to 452.5 Hertz, adjustable in 0.5-
Hertz increments. 440.0 Hertz is “normal” pitch, and this setting can be
directly recalled by pressing both the right [-] and [+] buttons simultane-
ously.
Press the [EXIT] button to exit from the TRANSPOSE/TUNE function.
The TRANSPOSE/TUNE mode is automatically exited if neither of the [-] or [+]
buttons are pressed for approximately 10 seconds.
FUNCTION
EXIT
16
Select the OCTAVE CHANGE function from the normal play mode by
pressing the [OCTAVE CHANGE] button (this is the same as the [>] dis-
play scroll button to the right of the LCD panel).
Use the left [-] and [+] buttons to set the octave of the ORCH. 2 voice,
and the right [-] and [+] buttons to set the octave of the ORCH. 1 voice.
“Normal” on the display indicates that the corresponding voice is set to its
normal octave, “1down” indicates that the voice is shifted down one octave,
and “1up” indicates that the voice is shifted up one octave.
Press the [EXIT] button to exit from the OCTAVE CHANGE function.
The OCTAVE CHANGE mode is automatically exited if neither of the [-] or [+]
buttons are pressed for approximately 10 seconds.
Some voices may suddenly shift octaves when played at the extreme ends of
the keyboard if they are set to a lower or higher octave than normal. This can
also occur when the PITCH BEND wheel is used on extremely low or high
notes.
If you change the transpose, octave change, or tuning settings while playing
one or more notes on the keyboard, the new transpose and octave change
settings will take effect from the next notes played while tune settings take
effect immediately.
OCTAVE CHANGE
This function allows the ORCH. 1 and ORCH. 2 voices to be independently trans-
posed up or down by one octave.
Z
Press the [OCTAVE CHANGE]
Button
X
Set the Octave Change As
Required
CPress [EXIT] When Done
+– +–
HARMONY
TYPE
OCTAVE
CHANGE
TRANSPOSE/
TUNE
s
t
<>
A. B. C. MODE
OCTAVE CHANGE
Orc2=Normal Orc1=Normal
DETAIL
Transposition, Tuning, and Octave Change
IMPORTANT
+– +–
OCTAVE CHANGE
Orc2=Normal Orc1=Normal
FUNCTION
EXIT
DETAIL
17
>74:Aco.Bass
00:Eurobeat 52:Vibes
Voice Registration
If you have particular combinations of voices you like to use in the dual or split orchestration
modes, the PSR-5700 lets you store up to 10 different combinations in its Voice Registration
memory so that they can be recalled by pressing a single button. Voice registration also memorizes
the volume settings of the voices; the orchestration; the ON/OFF status of the key velocity, sustain,
and harmony effects; and the reverb and effect settings.
Here’s how you can store and recall voice combinations:
ZSelect the Desired Voices
Select the desired ORCH. 1 and ORCH. 2 voices as described in the pre-
vious section. As an example, let’s use the Acoustic Bass (number 74) and
Vibes (number 52) voices.
Press one of the VOICE SELECT NUMBER buttons ([0] through [9])
while holding the [MEMORY] button.
If a voice registration was previously recalled, the corresponding voice registra-
tion number will appear in the upper right-hand area of the display.
Anytime you want to recall a registered voice combination, press the
[VOICE REGISTRATION] button so that its indicator lights, then simply
press the VOICE SELECT NUMBER button (lower row) corresponding to
the desired combination. “V0” through “V9” will appear in the upper left
corner of the display while a registered voice combination is selected.
Press the [VOICE REGISTRATION] button so that its indicator goes
out and its registration number disappears to return to the normal voice
selection mode.
The “V?” symbol in the upper left corner of the display will disappear if any of
the parameters listed below are changed.
X
Register the Combination in
Memory
VOICE SELECT
0 612345
NUMBER
0 612345
BANK
978
978
MEMORY
VOICE
REGISTRATION
Store Edited V.Regist
-> 4
DETAIL
C
Recall the Registered
Combination
VOICE SELECT
0 612345
NUMBER
0 612345
BANK
978
978
MEMORY
VOICE
REGISTRATION
>00:Piano 1
00:Eurobeat 21:Strings1
V4 >74:Aco.Bass
00:Eurobeat 52:Vibes
IMPORTANT
Data Stored By the Voice Registration Memory
• ORCHESTRA 1 VOICE
• ORCHESTRA 2 VOICE
• ORCHESTRA 1 VOLUME
• ORCHESTRA 2 VOLUME
• ORCHESTRA 1 OCTAVE
• ORCHESTRA 2 OCTAVE
• ORCHESTRATION
• HARMONY TYPE
• HARMONY ON/OFF
• SUSTAIN ORCH. 1/ORCH. 2 ON/OFF
• KEY VELOCITY ON/OFF
• PITCH BEND SELECT
• WHEEL ON/OFF (Modulation only)
• WHEEL TYPE
• REVERB ON/OFF
• REVERB TYPE & ORCH. 1/ORCH. 2 DEPTH
• EFFECT ON/OFF
• EFFECT TYPE & ORCH. 1/ORCH. 2 DEPTH
• SUSTAIN ON/OFF
(when external SUSTAIN switch not connected)
Voice registration data can be saved to floppy disk. See page 46 of the Ad-
vanced Features manual for details.
HINT
18
A
AUTO
BASS CHORD
T
ERACTIVE
O
MPANIMENT
ZTurn ABC ON
The PSR-5700 has 36 different accompaniment “styles” that can be used to provide
fully-orchestrated or rhythm-only accompaniment. The PSR-5700’s sophisticated Auto
Bass Chord accompaniment system can provide automated bass and chord backing that
is perfectly matched to the selected accompaniment style.
XSelect the Desired ABC Mode
DETAIL
Cm
6
CmM
7
C
Cm
Cm
7
CM
7
-5
Cm
7
Csus
4
C
6
Press the [AUTO BASS CHORD] button so that its indicator lights,
thereby turning the ABC mode on.
The maximum number of notes that can be played simultaneously on the PSR-
5700 keyboard is reduced when the Auto Bass Chord feature is used.
Press the [ABC MODE] button to select the ABC MODE display, then
use the left [-] and [+] buttons to select the FINGERED CHORD or SIN-
GLE FINGER mode, or the right [-] and [+] buttons to select the MANUAL
BASS mode and specify the bass voice to be used. The ABC mode display
ends automatically after about 10 seconds if the [-] and [+] buttons are not
pressed.
The FINGERED CHORD, SINGLE FINGER, and MANUAL BASS
modes function as follows:
This is the default ABC mode. The Fingered Chord mode lets you finger
your own chords on the left-hand section of the keyboard (i.e. all keys to
the left of and including the split-point key — normally F#2), while the
PSR-5700 supplies appropriately orchestrated rhythm, bass, and chord ac-
companiment in the selected style.
The Fingered Chord mode will accept the chord types listed below (notes
in parentheses may be omitted).
Chord Name/[Abbreviation] Normal Voicing
Major [M] ...................................................................... 1-3-5*
Minor [m] .................................................................... 1-b3-5*
Major seventh [M7] .................................................1-3-(5)-7*
Major sixth [6] ............................................................ 1-3-5-6
Suspended fourth [sus4].............................................. 1-4-5*
Minor sixth [m6] ........................................................ 1-b3-5-6
Minor seventh [m7] .............................................. 1-b3-(5)-b7
Minor seventh flatted fifth [m7-5] .......................... 1-b3-b5-b7
Minor major seventh [mM7] .................................. 1-b3-(5)-7*
+–
HARMONY
TYPE
OCTAVE
CHANGE
TRANSPOSE/
TUNE
s
t
<>
A. B. C. MODE
ABC MODE:Fingered Chord
SF FC MB
+–
● FINGERED CHORD (FC):
Using the Accompaniment Section
19
ABC MODE:Manual Bass
SF FC 74:Aco.Bass
+–
7
C
+5
7
C
C sus
4
7
Caug
Cadd
9
7
C
-5
Cdim
Cm add
9
7
C
(9)
7
Cm
(9)
7
CmM
(9)
7
CM
(9)
7
C
(b9)
CM
7
-5
Seventh [7] ........................................................... 1-3-(5)-b7*
Seventh flatted fifth [7-5]......................................... 1-3-b5-b7
Augmented seventh [7+5] .................................... 1-3-#5-b7*
Seventh suspended fourth [7sus4] ......................... 1-4-5-b7*
Added ninth [add9] ................................................... 1-2-3-5*
Minor added ninth [madd9] ..................................... 1-2-b3-5*
Seventh ninth [7(9)] ........................................... 1-2-3-(5)-b7*
Minor seventh ninth [m7(9)] ............................. 1-2-b3-(5)-b7*
Major seventh ninth [M7(9)] ................................ 1-2-3-(5)-7*
Minor major seventh ninth [mM7(9)] ..................1-2-b3-(5)-7*
Seventh flatted ninth [7(b9)]............................. 1-b2-3-(5)-b7*
Major seventh flatted fifth [M7-5] ............................ 1-3-b5-7*
Augmented [aug] ......................................................... 1-3-#5
Diminished [dim] .................................................. 1-b3-b5-(6)
* Chords marked with an asterisk (*) can be played in any inversion (i.e. the root of the
chord does not have to be the lowest note played).
* If you play any three adjacent keys (including black keys), the chord sound will be
cancelled and only the rhythm instruments will continue playing (CHORD CANCEL
function).
Single-finger accompaniment makes it simple to produce beautifully
orchestrated accompaniment using major, seventh, minor and minor-sev-
enth chords by pressing a minimum number of keys on the left-hand section
of the keyboard. The abbreviated chord fingerings described below are
used:
■ For a major chord, press the root key only.
■ For a minor chord, press the root key and a black key to its left.
■ For a seventh chord, press the root key and a white key to its left.
■ For a minor-seventh chord, press the root key and both a white and black
key to its left.
The Manual Bass mode provides an alternative to the normal split key-
board. The bass voice assigned to the left-hand keyboard section is mono-
phonic, while a polyphonic ORCH. 1 voice is played on the upper section
of the keyboard. You can select any of the PSR-5700’s normal voices (00
through 89) to play on the lower section of the keyboard — of course, it’s
normal to choose a bass voices for the left hand. No automatic bass and
chord accompaniment is produced, although the Interactive Accompani-
ment feature (page 24) does affect the rhythm sound.
Voices created using the PSR-5700 Custom Voice feature (Advanced Features
manual, page 27) can also be selected for use with the Manual Bass mode.
Cm
C
7
Cm
7
● SINGLE FINGER (SF):
● MANUAL BASS (MB):
CGF
DETAIL
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Yamaha psr-5700 Le manuel du propriétaire
- Catégorie
- Pianos numériques
- Taper
- Le manuel du propriétaire
dans d''autres langues
- italiano: Yamaha psr-5700 Manuale del proprietario
- English: Yamaha psr-5700 Owner's manual
- español: Yamaha psr-5700 El manual del propietario
- Deutsch: Yamaha psr-5700 Bedienungsanleitung
- русский: Yamaha psr-5700 Инструкция по применению
- Nederlands: Yamaha psr-5700 de handleiding
- português: Yamaha psr-5700 Manual do proprietário
- dansk: Yamaha psr-5700 Brugervejledning
- polski: Yamaha psr-5700 Instrukcja obsługi
- čeština: Yamaha psr-5700 Návod k obsluze
- svenska: Yamaha psr-5700 Bruksanvisning
- Türkçe: Yamaha psr-5700 El kitabı
- suomi: Yamaha psr-5700 Omistajan opas
- română: Yamaha psr-5700 Manualul proprietarului
Documents connexes
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Yamaha PSR-83 Le manuel du propriétaire
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