Roland OCTAPAD SPD-20 PRO Manuel utilisateur

Owner’s Manual

Before using this unit, carefully read “USING THE UNIT SAFELY” (p. 3) and “IMPORTANT NOTES” (p. 5). After reading, keep the document(s) where it will be available for

immediate reference.

Owner’s Manual (this document)

Read this rst. It explains the basic things you need to know in order to use the SPD-20 PRO.

PDF Manual (download from the Web)

5 Data List

This explains the parameters and sound of the SPD-20 PRO.

5 MIDI Implementation

This is detailed reference material regarding MIDI messages.

To obtain the PDF manual

1. Enter the following URL in your computer.

http://www.roland.com/manuals/

I

2. Choose “SPD-20 PRO” as the product

name.

2

Contents

USING THE UNIT SAFELY ................................ 3

IMPORTANT NOTES ..................................... 5

Overview of the OCTAPAD .............................. 6

Kit and Inst ............................................... 6

What Is an Inst (Instrument)? ............................. 6

What Does Layer Mean? .................................. 6

What Is a Kit? ............................................ 6

What Are Ambience and MFX? ............................ 6

Editing and Saving Your Data ............................. 7

Panel Description ....................................... 8

Top Panel ................................................. 8

Rear Panel ................................................ 9

Attaching to a Stand .................................... 10

Performing .............................................. 11

Turning the Power On/O ................................. 11

Selecting a Kit ............................................ 11

Disabling Button Operation .............................. 11

Stopping All Currently-Heard Sound ...................... 11

Creating a Kit ............................................ 12

Basic Editing Operation ................................... 12

Screen Indications ....................................... 12

Editing the Sound of a Pad ................................ 14

Eect Settings ............................................ 17

MFX Settings ............................................ 17

AMBIENCE Settings ...................................... 17

Editing the Sound of the Overall Kit ....................... 18

Recalling Kits in a Specic Order ........................ 20

Creating a Kit Chain ....................................... 20

Using a Kit Chain ......................................... 20

Specifying the Pad Sensitivity .......................... 21

Connecting External Devices ........................... 22

Connecting External Pads and Pedals ...................... 22

External Trigger Settings ................................. 22

Assigning the Footswitch ................................. 25

MIDI Settings ............................................. 26

MIDI Settings for the Entire OCTAPAD ..................... 26

Other Functions ......................................... 27

Copying or Exchanging Kits, Pads, or Layers ............... 27

Using a USB Flash Drive ................................... 28

Saving/Loading Settings ................................. 28

Formatting a USB Flash Drive ............................. 30

Other Functions .......................................... 30

Adjusting the Display Contrast ............................ 30

Restoring the Factory Settings ............................ 30

Adjusting the Signal Level of the OUTPUT Jacks and PHONES

Jack ..................................................... 31

Setting the AUTO OFF Function ........................... 31

Viewing the Version ...................................... 31

Error Messages .......................................... 32

Troubleshooting ........................................ 32

Specications ........................................... 33

3

USING THE UNIT SAFELY

Used for instructions intended to alert the

user to the risk of injury or material

damage should the unit be used

improperly.

* Material damage refers to damage or

other adverse effects caused with

respect to the home and all its

furnishings, as well to domestic animals

or pets.

Used for instructions intended to alert the

user to the risk of death or severe injury

should the unit be used improperly.

The symbol alerts the user to things that must be

carried out. The specific thing that must be done is

indicated by the design contained within the circle. In the

case of the symbol at left, it means that the power-cord

plug must be unplugged from the outlet.

The symbol alerts the user to important instructions or

warnings.The specific meaning of the symbol is

determined by the design contained within the triangle. In

the case of the symbol at left, it is used for general

cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be

carried out (are forbidden). The specific thing that must

not be done is indicated by the design contained within

the circle. In the case of the symbol at left, it means that

the unit must never be disassembled.

About WARNING and CAUTION Notices

About the Symbols

ALWAYS OBSERVE THE FOLLOWING

WARNING

To completely turn o power to the unit, pull out

the plug from the outlet

Even with the power switch turned o, this

unit is not completely separated from its

main source of power. When the power

needs to be completely turned o, turn

o the power switch on the unit, then

pull out the plug from the outlet. For this reason, the

outlet into which you choose to connect the power

cord’s plug should be one that is within easy reach and

readily accessible.

Concerning the Auto O function

The power to this unit will be turned

o automatically after a predetermined

amount of time has passed since it was

last used for playing music, or its buttons

or controls were operated (Auto O

function). If you do not want the power to be turned

o automatically, disengage the Auto O function (p.

31).

Do not disassemble or modify by yourself

Do not carry out anything unless you are

instructed to do so in the owner’s manual.

Otherwise, you risk causing malfunction.

Do not repair or replace parts by yourself

Be sure to contact your dealer, a Roland

service center, or an ocial Roland dealer.

For a list of Roland service centers and

ocial Roland dealers, refer to the Roland

website.

Do not use or store in the following types of

locations

• Subject to temperature extremes (e.g.,

direct sunlight in an enclosed vehicle,

near a heating duct, on top of heat-

generating equipment); or are

• Damp (e.g., baths, washrooms, on wet

oors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness;

or are

• Placed in a poorly ventilated location.

WARNING

Use only the stand that is recommended

This unit should be used only with a stand

that is recommended by Roland.

Do not place in a location that is unstable

When using the unit with a stand

recommended by Roland, the stand must

be carefully placed so it is level and sure to

remain stable. If not using a stand, you still

need to make sure that any location you

choose for placing the unit provides a level surface

that will properly support the unit, and keep it from

wobbling.

Precautions regarding placement of this unit on a

stand

Be sure to follow the instructions in the

Owner’s Manual carefully when placing

this unit on a stand (p. 10).

If it is not set up properly, you risk creating

an unstable situation which could lead to

the unit falling or the stand toppling, and may result

in injury.

Use only the supplied AC adaptor and the correct

voltage

Be sure to use only the AC adaptor

supplied with the unit. Also, make

sure the line voltage at the installation

matches the input voltage specied on

the AC adaptor’s body. Other AC adaptors

may use a dierent polarity, or be designed for a

dierent voltage, so their use could result in damage,

malfunction, or electric shock.

Use only the supplied power cord

Use only the attached power cord. Also,

the supplied power cord must not be used

with any other device.

Do not bend the power cord or place heavy objects

on it

Otherwise, re or electric shock may result.

WARNING

Avoid extended use at high volume

Use of the unit at high volume for

extended periods of time may cause

hearing loss. If you ever experience any

hearing loss or ringing in the ears, you

should immediately stop using the unit

and consult a specialized physician.

Do not allow foreign objects or liquids to enter

unit; never place containers with liquid on unit

Do not place containers containing liquid

(e.g., ower vases) on this product. Never

allow foreign objects (e.g., ammable

objects, coins, wires) or liquids (e.g., water

or juice) to enter this product. Doing so

may cause short circuits, faulty operation,

or other malfunctions.

Turn o the unit if an abnormality or malfunction

occurs

In the following cases, immediately turn

o the power, remove the AC adaptor

from the outlet, and contact your dealer, a

Roland service center, or an ocial Roland

dealer for service.

• The AC adaptor or the power cord has been

damaged; or

• If smoke or unusual odor occurs; or

• Objects have fallen into, or liquid has been spilled

onto the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

For a list of Roland service centers and ocial Roland

dealers, refer to the Roland website.

Be cautious to protect children from injury

Always make sure that an adult is on hand

to provide supervision and guidance when

using the unit in places where children

are present, or when a child will be using

the unit.

Do not drop or subject to strong impact

Otherwise, you risk causing damage or

malfunction.

4

USING THE UNIT SAFELY

WARNING

Do not share an outlet with an unreasonable

number of other devices

Otherwise, you risk overheating or re.

Do not use overseas

Before using the unit in overseas, consult

with your retailer, the nearest Roland

service center, or an authorized Roland

distributor.

For a list of Roland service centers and ocial Roland

dealers, refer to the Roland website.

CAUTION

Use only the specied stand(s)

This unit is designed to be used in

combination with specic stands (PDS

series) manufactured by Roland. If used

in combination with other stands, you

risk sustaining injuries as the result of this

product dropping down or toppling over due to a lack

of stability.

Evaluate safety issues before using stands

Even if you observe the cautions given

in the owner’s manual, certain types of

handling may allow this product to fall

from the stand, or cause the stand to

overturn. Please be mindful of any safety

issues before using this product.

When disconnecting the power cord, grasp it by the

plug

To prevent conductor damage, always

grasp the power cord by its plug when

disconnecting it.

Periodically clean the power plug

An accumulation of dust or foreign objects

between the power plug and the power

outlet can lead to re or electric shock.

At regular intervals, be sure to pull out

the power plug, and using a dry cloth,

wipe away any dust or foreign objects that may have

accumulated.

Disconnect the power plug whenever the unit will

not be used for an extended period of time

Fire may result in the unlikely event that a

breakdown occurs.

Route all power cords and cables in such a way as

to prevent them from getting entangled

Injury could result if someone were to

trip on a cable and cause the unit to fall

or topple.

Avoid climbing on top of the unit, or placing heavy

objects on it

Otherwise, you risk injury as the result of

the unit toppling over or dropping down.

Never connect/disconnect a power plug if your

hands are wet

Otherwise, you could receive an electric

shock.

CAUTION

Disconnect all cords/cables before moving the unit

Before moving the unit, disconnect the

power plug from the outlet, and pull out all

cords from external devices.

Before cleaning the unit, disconnect the power

plug from the outlet

If the power plug is not removed from the

outlet, you risk receiving an electric shock.

Whenever there is a threat of lightning, disconnect

the power plug from the outlet

If the power plug is not removed from the

outlet, you risk causing malfunction or

receiving an electric shock.

Keep small items out of the reach of children

To prevent accidental ingestion of the

parts listed below, always keep them out of

the reach of small children.

• Removable Parts

Screws (p. 10)

5

IMPORTANT NOTES

Power Supply

• Do not connect this unit to same electrical outlet

that is being used by an electrical appliance that

is controlled by an inverter or a motor (such as a

refrigerator, washing machine, microwave oven, or

air conditioner). Depending on the way in which

the electrical appliance is used, power supply noise

may cause this unit to malfunction or may produce

audible noise. If it is not practical to use a separate

electrical outlet, connect a power supply noise lter

between this unit and the electrical outlet.

• The AC adaptor will begin to generate heat after

long hours of consecutive use. This is normal, and is

not a cause for concern.

• Place the AC adaptor so that the side with text is

downward.

Placement

• Using the unit near power ampliers (or other

equipment containing large power transformers)

may induce hum. To alleviate the problem, change

the orientation of this unit; or move it farther away

from the source of interference.

• This unit may interfere with radio and television

reception. Do not use this unit in the vicinity of such

receivers.

• Noise may be produced if wireless communications

devices, such as cell phones, are operated in the

vicinity of this unit. Such noise could occur when

receiving or initiating a call, or while conversing.

Should you experience such problems, you should

relocate such wireless devices so they are at a

greater distance from this unit, or switch them o.

• When moved from one location to another where

the temperature and/or humidity is very dierent,

water droplets (condensation) may form inside

the unit. Damage or malfunction may result if you

attempt to use the unit in this condition. Therefore,

before using the unit, you must allow it to stand for

several hours, until the condensation has completely

evaporated.

• Depending on the material and temperature of the

surface on which you place the unit, its rubber feet

may discolor or mar the surface.

• Do not place containers or anything else containing

liquid on top of this unit. Also, whenever any liquid

has been spilled on the surface of this unit, be sure

to promptly wipe it away using a soft, dry cloth.

Maintenance

• Never use benzine, thinners, alcohol or solvents of

any kind, to avoid the possibility of discoloration

and/or deformation.

Repairs and Data

• Before sending the unit away for repairs, be sure to

make a backup of the data stored within it; or you

may prefer to write down the needed information.

Although we will do our utmost to preserve the

data stored in your unit when we carry out repairs,

in some cases, such as when the memory section

is physically damaged, restoration of the stored

content may be impossible. Roland assumes no

liability concerning the restoration of any stored

content that has been lost.

Additional Precautions

• Any data stored within the unit can be lost as the

result of equipment failure, incorrect operation, etc.

To protect yourself against the irretrievable loss of

data, try to make a habit of creating regular backups

of the data you’ve stored in the unit.

• Roland assumes no liability concerning the

restoration of any stored content that has been lost.

• Use a reasonable amount of care when using the

unit’s buttons, sliders, or other controls; and when

using its jacks and connectors. Rough handling can

lead to malfunctions.

• Never strike or apply strong pressure to the display.

• When disconnecting all cables, grasp the connector

itself—never pull on the cable. This way you will

avoid causing shorts, or damage to the cable’s

internal elements.

• To avoid disturbing others nearby, try to keep the

unit’s volume at reasonable levels.

• This instrument is designed to minimize the

extraneous sounds produced when it’s played.

However, since sound vibrations can be transmitted

through oors and walls to a greater degree than

expected, take care not to allow these sounds to

become a nuisance others nearby.

• When disposing of the packing carton or cushioning

material in which this unit was packed, you must

observe the waste disposal regulations that apply to

your locality.

• The rubber portion of the striking surface is treated

with a preservative to maintain its performance.

With the passage of time, this preservative may

appear on the surface as a white stain, or reveal how

the pads were struck during product testing. This

does not aect the performance or functionality

of the product, and you may continue using it with

condence.

• Continuous playing may cause dis-coloration of the

pad, but this will not aect the pad’s function.

• Do not use connection cables that contain a built-in

resistor.

• If you want to play the SPD-20 PRO with a stand, use

a pad stand (PDS-10 or PDS-20; sold separately).

• You must use the screws on the bottom panel of

the SPD-20 PRO. Using any other screws may cause

malfunction.

• Do not use the screws included in the PDS-10 (old

model).

Using External Memories

• Please observe the following precautions when

handling external memory devices. Also, make sure

to carefully observe all the precautions that were

supplied with the external memory device.

• Do not remove the device while reading/writing

is in progress.

• To prevent damage from static electricity,

discharge all static electricity from your person

before handling the device.

Intellectual Property Right

• The copyright of content in this product (the sound

waveform data, style data, accompaniment patterns,

phrase data, audio loops and image data) is reserved

by Roland Corporation.

• Purchasers of this product are permitted to utilize

said content (except song data such as Demo

Songs) for the creating, performing, recording and

distributing original musical works.

• Purchasers of this product are NOT permitted to

extract said content in original or modied form, for

the purpose of distributing recorded medium of said

content or making them available on a computer

network.

• This product contains eParts integrated software

platform of eSOL Co.,Ltd. eParts is a trademark of

eSOL Co., Ltd. in Japan.

• This Product uses the Source Code of μT-Kernel

under T-License 2.0 granted by the T-Engine Forum

(www.tron.org).

• Company names and product names appearing

in this document are registered trademarks or

trademarks of their respective owners.

• Roland and OCTAPAD are either registered

trademarks or trademarks of Roland Corporation in

the United States and/or other countries.

6

Overview of the OCTAPAD

Kit and Inst

What Is an Inst (Instrument)?

All the sounds and instruments on board the OCTAPAD are referred to as “INST.”

What Does Layer Mean?

Two Insts (Main, Sub) can be assigned to each pad.

The way in which the strength of your strike on the pad aects the volume of each instrument can be specied

in “Layer Type.”

With a hi-hat for example, by playing softly you can have the closed hi-hat sound, and when playing harder,

the open hi-hat sound. Or you can use a snare drum sound, so when play softly you hear the head sound, and

when playing louder you can have a rim shot.

When the layer type is “SWITCH”

Volume

Playing

Dynamics

Sub

Main

Volume

Playing

Dynamics

When the layer type is “FADE2”

Sub

Main

What Is a Kit?

All instruments assigned to the eight pads and four external pads as well as the eects used, are memorized

as a “Kit.” You can select kits by pressing the [–], [+] buttons (p. 11).

In live performance situations, the Kit Chain function allows you to determine the switching order of selected

kits (p. 20).

“Kit structure” (p. 7)

What Are Ambience and MFX?

These are both eects.

The “Ambience” selected is a global function, meaning that all kits will use this eect. You can select from various types of rooms and halls.

“MFX” is a full blown eects unit that can be used on an individual kit basis.

On the OCTAPAD you can use one instance of ambience and three instances of MFX with each kit.

Ambience

MFX

“Audio signal ow” (p. 7)

Sub

Main

7

Overview of the OCTAPAD

Editing and Saving Your Data

The OCTAPAD features some powerful editing tools such as pitch, decay, tone color etc. Also, the MFX for each kit can be edited as well.

All of your edits are automatically saved internally. If you need to, you can restore an individual kit to the factory settings. See “Restoring

the Factory Settings” (p. 30).

By connecting a USB ash drive (sold separately) to the OCTAPAD, you can back up all of the OCTAPAD’s settings (or the settings for a

specied individual kit) to the USB ash drive. Be sure to back up your favorite data (p. 28).

Kit structure

KIT 200

KIT 001

PAD1

Main

Sub

PAD2

Main

Sub

PAD3

Main

Sub

PAD4

Main

Sub

PAD5

Main

Sub

PAD6

Main

Sub

PAD7

Main

Sub

PAD8

Main

Sub

EXT1 (R) EXT2 (R) EXT3 (R) EXT4 (R)

EXT1 (H)

Main

Sub

EXT2 (H)

Main

Sub

EXT3 (H)

Main

Sub

EXT4 (H)

Main

Sub

EXTERNAL TRIGGER INPUT

PAD 1–8

MFX1

MFX2

MFX3

AMBIENCE

KIT COMP

KIT EQ

KitVolume

PedalHHVol

KitTempo

PAD MUTE GROUP

PAD LINK

KIT MIDI

KIT NAME

PAD1–8

EXT1–4

Sub

Main

INST

Volume

Curve

FixedValue

CoarseTune

FineTune

Decay

Pan

Output

FixedHH

MFXSelect

MFXSend

AmbSend

LAYER EQ

LayerType

PadMinVol

FadePoint

PedalBend

PAD COMP (*)

(R): (RIM)

(H): (HEAD)

(*) The PAD COMP for an external trigger (EXT1–EXT4) is common to the Head and Rim.

Audio signal ow

To OUTPUT/

PHONES

PAD

SUB

MAIN

INST LAYER EQ

PAD COMP KIT COMP KIT EQ

MFX3

MFX2

MFX1

AMBIENCE

Common to both HEAD and RIM

for external trigger

Disconnected when Output is “MFX” (p. 14)

8

Panel Description

Top Panel

PAD 1

PAD 5

PAD 2

PAD 6

PAD 3

PAD 7

PAD 4

PAD 8

1

Number Name Explanation

1

PAD 1–8

Play pads 1–8 by playing them with

sticks.

2

Display

Kit numbers, Kit names, and settings

are shown here.

* The 7-segment display at the left

always shows the kit number.

3

[KIT] button

Displays the top screen.

* By pressing the [SHIFT] button +

[KIT] button, you can disable button

operations (p. 11).

4

[K][J] buttons

Select the item to edit.

5

[–][+] buttons

Select kits or edit the value of a

parameter.

6

[SHIFT] button

Used in combination with other

buttons to access a variety of

functions.

7

[EXIT] button

Returns to the previous screen.

Also used to cancel the previous

operation.

* By pressing the [SHIFT] button

+ [EXIT] button, you can stop all

currently-heard sound (p. 11).

8

[ENTER] button

By pressing this when the display

indicates [ENTER], you can execute

an operation or access a screen with

detailed settings.

* By pressing the [SHIFT] button +

[ENTER] button, you can specify a

common value for all pads (p. 13).

Number Name Explanation

9

[INST] button

Select the pad setting to edit (p. 14).

10

[LEVEL] button

11

LAYER [TYPE]

button

LAYER [MAIN/

SUB] button

12

[PITCH] button

13

[OTHER] button

14

[MFX] button Edit the eect settings (p. 17).

15

[KIT COMMON]

button

Edits settings for the entire kit

(p. 18).

16

[AMBIENCE]

button

Edits ambience settings (p. 17).

17

[COPY/

EXCHANGE]

button

Copies or exchanges kits or pads. You

can also exchange layers (p. 27).

18

[SYSTEM] button Edits settings for the entire OCTAPAD

19

[KIT CHAIN]

button

Lets you register and recall kits in the

order in which you want to use them

during a live performance (p. 20).

2 5 9 11 14 16 18

3 4 6 7

8

10 12 13

15 17 19

9

Panel Description

MIX IN jack

Connect another electronic

musical instrument, external

audio device (portable audio

player, computer, CD player,

etc.). The sound that is input

to this jack is output from the

OUTPUT jacks and the PHONES

jack.

PHONES jack

Connect your

headphones. Even

when using your

headphones, sound

is still output from the OUTPUT

jacks.

FOOT SW jack

p. 25

You can connect

a footswitch (sold

separately: BOSS FS-

5U, FS-6) and use it

to control a variety of

things.

OUTPUT jacks

For connection to your

amplication or recording

system.

If making a MONO connection,

use the L/MONO jack.

DC IN jack

Connect the included AC

adaptor here.

Rear Panel

EXTERNAL TRIGGER INPUT1–4 jacks/HH CTRL jack

p. 22

Connect pads or pedals to

the 1–4 external trigger

input jacks. To make this

connection, use the cable

that is included with each

pad. All pads and pedals are

sold separately.

To the HH CTRL jack you can connect a hi-hat control pedal

that is compatible with the FD-8, FD-9, VH-10, or VH-11.

USB MEMORY port

p. 28

Connect a USB ash drive (sold separately).

This lets you back up the OCTAPAD’s

settings to a USB ash drive.

[VOLUME] knob

Adjusts the volume that is

output from the OUTPUT

(L/R) jacks and the PHONES

jack.

[POWER] switch

p. 11

Turns the power on/o.

MIDI port

p. 26

Connect MIDI devices.

Use the cord hook to secure the cord

of the AC adaptor as shown in the

illustration.

Cord Hook

The cord of the

supplied AC Adaptor

* To prevent malfunction and equipment failure, always turn down the volume,

and turn o all the units before making any connections.

10

Attaching to a Stand

If you want to play the OCTAPAD with a stand, use a pad stand (PDS-10 or PDS-20; sold separately).

* You must use the screws on the bottom panel of the OCTAPAD Using any other screws may cause malfunction.

* Do not use the screws included in the PDS-10 (old model).

* When turning the unit over, be careful so as to protect the buttons and pads from damage. Also, handle the unit carefully; do not drop it.

1. Using the screws on the bottom of the OCTAPAD, attach the PDS-10 or PDS-20 mounting plate.

* Do not use the screws included with the pad stand.

bottom of OCTAPAD

2. Attach the OCTAPAD to the pad stand.

For the details on how to assemble the pad stand and use the mounting plate, refer to the owner’s manual of the pad stand.

11

Performing

Turning the Power On/O

1. Use the POWER switch (p. 9) to turn the power

on/o.

* The power to this unit will be turned o automatically after a

predetermined amount of time has passed since it was last used

for playing music, or its buttons or controls were operated (Auto

O function). If you do not want the power to be turned o

automatically, disengage the Auto O function (p. 31).

To restore power, turn the power on again.

* Before turning the unit on/o, always be sure to turn the volume

down. Even with the volume turned down, you might hear some

sound when switching the unit on/o. However, this is normal and

does not indicate a malfunction.

Selecting a Kit

When you switch kits, the sounds of all pads are switched together.

1. Press the [KIT] button.

2. Use the [–][+] buttons to select a kit.

Kit number: Kit nameKit number

* If you hold down the [SHIFT] button and use the [–][+] buttons, the

kit number changes in steps of ten.

About the icons shown in the upper right of the screen

Icon Meaning

Shown if the kit’s MFX is on (p. 17).

Shown if the kit’s ambience is on (p. 17).

Button operation is disabled.

Disabling Button Operation

While the kit selection screen is shown, you can disable operation

of the buttons and footswitch to prevent the settings from being

changed by inadvertently pressing a button or footswitch.

1. Hold down the [SHIFT] button and press the [KIT]

button.

A lock symbol appears in the upper right of the screen.

To unlock, once again hold down the [SHIFT] button and press the

[KIT] button.

* You can’t disable button operation in other than the kit selection

screen.

Stopping All Currently-Heard Sound

You can stop all currently-heard sound.

1. Hold down the [SHIFT] button and press the [EXIT]

button.

The screen indicates “All Sound O.”

KIT CHAIN Function

The Kit Chain function allows you specify the order in which kits will

switch. Very convenient for live performance.

For detail, see “Recalling Kits in a Specic Order” (p. 20).

Footswitch

Footswitches can be used to change kits.

For detail, see “Assigning the Footswitch” (p. 25).

12

Creating a Kit

Screen Indications

PAD LINK icon/

Pad number/

Layer icon

PAD LINK icon/

Pad number/

Layer icon

Inst name

Inst screen Other edit screens

Value

Parameter name

If “C” or “A” is shown, you can use

the [K][J] buttons to move to the

next (or previous) parameter.

Edited item

(button name)

Inst number

The rst two characters indicate

the instrument’s category, the

next three digits indicate the

inst number, and the SPD-20 inst

number is shown in parentheses

( ).

PAD LINK icon

This is shown only if PAD LINK (p. 14) is on.

Layer icon

Layer type Icon Layer

OFF

Main

Sub

Other than OFF

Main

Sub

Basic Editing Operation

2

41

5

1. Select a kit (p. 11).

2. Press a button to select the type of item that you

want to edit.

3. Select a pad (p. 13).

4. Use the [K][J] buttons to select the item that you

want to edit.

If the display indicates [ENTER], press the [ENTER] button to

proceed to detailed settings.

5. Use the [–][+] buttons to specify the value.

The value increases rapidly if you hold down the [+] button and

press the [–] button. The value decreases rapidly if you hold down

the [–] button and press the [+] button. The value changes more

greatly if you hold down [SHIFT] and press the [+] or [–] button.

13

Creating a Kit

Selecting an inst

1. Select a pad.

2. Press the [INST] button.

3. Press the LAYER [MAIN/SUB] button to select the

layer (Main or Sub).

4. Use the [–][+] buttons to select an instrument.

Alternatively, you can use the [K][J] buttons to select category,

number, or SPD-20 (old model) instrument number, and then

use the [–][+] buttons to select an instrument.

Selecting a pad or external trigger

Strike the pad that you want to edit. To select an external trigger

that’s connected to an EXTERNAL TRIGGER INPUT 1–4 jack, strike or

press the connected pad or pedal.

You can also select by holding down the [ENTER] button and using

the [K][J] buttons.

Making settings common to all pads (SET ALL)

Here’s how to set the currently-edited parameter to the same value

for all pads.

1. Select a value as described in “Basic Editing

Operation” (p. 12).

2. Hold down the [SHIFT] button and press the

[ENTER] button.

3. Press the [ENTER] button.

The parameter value specied for the selected pad/kit is applied

to all pads. If you decide to cancel, press the [EXIT] button.

* If you are editing a setting of an internal pad, the setting is

applied to the eight internal pads. If you are editing a setting of

an external pad, the setting is applied to both the head and rim

of the four external pads.

14

Creating a Kit

Editing the Sound of a Pad

Button Parameter Value Explanation

[INST] INST

Refer to “Data

List” (PDF)

Selects the instrument that is assigned to the pad.

LAYER [TYPE] LayerType Species the layer type (p. 15)

LAYER [MAIN/SUB] – – Switches between editing the Main or the Sub sound.

[LEVEL]

Volume 0–127 Species the volume.

Curve

LINEAR

Selects the way in

which the strength

of the strike aects

the volume of the

instrument (CURVE).

The standard setting. This produces the most natural

correspondence between playing dynamics and volume

change.

EXP1

Compared to LINEAR, strong dynamics produce a greater

change.

LOG1, LOG2,

LOG3

Compared to LINEAR, a soft playing produces a greater

change.

SPLINE1, SPLINE2

Extreme changes are made in response to playing

dynamics.

FIXED

The sound is heard at a xed volume regardless of your

playing dynamics.

FixedValue 1–127 Species the velocity when Curve=FIXED.

PadMinVol 0–15 Species the volume of the weakest strike.

[PITCH]

CoarseTune -24–24 Species the pitch in semitone units.

FineTune -50–50 Species the pitch in one-cent units (1/100 of a semitone).

PedalBend -24–24

Lets you modify the pitch by pressing the hi-hat pedal. This species the

maximum amount of change in semitone units.

[OTHER]

Decay 1–100

Species the instrument’s decay time (DECAY). Larger values make the decay

time longer.

* For some instruments, this setting might not aect the tonal character.

Fixed HH

NORMAL, CLOSE,

HALF, OPEN

Species the openness of the hi-hat. If this is NORMAL, the openness depends on

how deeply you press the pedal.

* This can be set only if the instrument is hi-hat control (HC).

Pan L30–CENTER–R30

Species the instrument’s panning (the position from which the sound is heard

from the left and right speakers).

Output MFX, DRY+MFX

Selects whether the sound of the instrument is output only to MFX or to both

MFX and direct.

MFX

DRY+MFX

MFXSelect

MFX1, MFX2,

MFX3

Of the three eects specied for a kit, one can be applied to Main and one to Sub.

MFXSend 0–127 Species the volume level sent to MFX separately for Main and for Sub.

AmbSend 0–127 Species the volume level sent to Ambience separately for Main and for Sub.

LAYER EQ –

Adjusts the tonal character (layer equalizer) separately for Main and for Sub. You

can adjust the tonal character by specifying the boost/cut for each of three bands

(LOW, MID, HIGH).

For details, refer to “LAYER EQ settings” (p. 15).

PAD COMP –

Adjusts the amount of volume change (pad compressor) for each pad.

For details, refer to “PAD COMP settings” (p. 16).

PAD MUTE GROUP

Strike to select

the pad whose

mute group you

want to assign

If you assign a pad to a group, other pads assigned to the same mute group

are muted (silenced) when you strike that pad. For example, you can use this to

prevent the HH Open and Close sounds from being heard simultaneously.

For details on this setting, refer to “PAD MUTE GROUP and PAD LINK settings”

(p. 16).

PAD LINK

Strike to select

the pad whose

PAD LINK setting

you want to

specify

This setting lets you play the sound of two pads by striking one pad. This is

convenient when you want to layer multiple sounds on a single strike.

(Layering multiple instances of the same sound might cause interference,

producing an unnatural impression.)

For details on this setting, refer to “PAD MUTE GROUP and PAD LINK settings”

(p. 16).

EXCHANGE LAYER

Main,Sub

Exchanges the settings of the Main and Sub layers.

15

Creating a Kit

Layer type

The OCTAPAD lets you play two instruments (Inst Main and Inst Sub) layered on one pad. You can also switch between two instruments or vary

their balance according to your playing dynamics.

Parameter Value Explanation

Layer Type

OFF

Volume

Playing

dynamics

Only Inst Main is played.

MIX

Volume

Playing

dynamics

Inst Main and Inst Sub are layered and played simultaneously.

FADE1

Volume

Playing

dynamics

Inst Sub is heard only for a pad strike that is stronger than the value

(velocity value) specied by Fade Point.

FADE2

Volume

Playing

dynamics

For pad strikes that are stronger than the Fade Point, the Inst Sub is layered in

addition to the Inst Main sound.

SWITCH

Volume

Playing

dynamics

The Inst Main sound is heard for pad strikes that are weaker than the Fade Point,

and the sound switches to Inst Sub for pad strikes that are stronger.

XFADE

Volume

Playing

dynamics

This is essentially the same as FADE2, with the dierence that pad strikes that are

stronger than the Fade Point decrease the volume of the Inst Main sound.

Fade Point 1–127 Species the velocity value at which Inst Sub begins to be heard

LAYER EQ settings

Parameter Value Explanation

ON/OFF ON, OFF Turns the EQ on/o.

LoFrq 20Hz–1kHz Species the center frequency of the low-frequency region.

LoGain -15–+15dB Amount of low-frequency boost/cut

MidFrq 20Hz–16kHz Adjusts the center frequency of the mid-frequency region.

Mid Q 0.5–8.0

Width of the mid-frequency region

Higher values make the region narrower.

MidGain -15–+15dB Adjusts the amount of mid-frequency boost/cut.

HiFrq 1–16kHz Species the center frequency of the high-frequency region.

HiGain -15–+15dB Adjusts the amount of high-frequency boost/cut.

16

Creating a Kit

PAD COMP settings

Parameter Value Explanation

ON/OFF ON, OFF Turns the pad compressor on/o.

TYPE

KICK 1, KICK 2,

SNARE 1,

SNARE 2, TOM 1,

TOM 2,

CYMBAL 1,

CYMBAL 2,

SOFT COMP,

HARD COMP,

LIMITER

Type of compressor

* Changing this parameter sets the pad compressor’s Ratio, Knee, Attack, and Release parameters

to optimal values. Based on these settings, you can adjust the value of each parameter as

necessary.

Gain -24.0–+24.0dB Compressor output volume

Thre -48–0dB Volume level at which compression starts

Ratio

1:1, 2:1, 3:1, 4:1, 8:1,

16:1, 32:1, 100:1

Compression ratio

Knee

HARD, SOFT1,

SOFT2, SOFT3

Attack of the sound at the moment compression is applied

Attack 0.1–100ms Time until compression starts

Release 10–1000ms Time until compression returns to the original state

PAD MUTE GROUP and PAD LINK settings

1. From the [OTHER] button items, select PAD MUTE

GROUP or PAD LINK, and press the [ENTER] button.

2. Press the [ENTER] button once again.

To cancel a specied mute/link, use the [K][J] buttons to select

“RESET,” and then press the [ENTER] button.

3. Use the [K][J] buttons to specify the group

number.

Up to eight groups can be specied.

4. Strike a pad to select the pad that you want to mute

or link.

PAD1–8 EXTERNAL TRIGGER INPUT 1–4

* For EXTERNAL TRIGGER INPUT 1–4, the upper row is HEAD and the

lower row is RIM.

MEMO

5 You can’t assign the same pad to dierent groups. If you attempt

to specify this, the following message appears.

5 You can’t use Pad Link to assign three or more pads to the same

group. If you attempt to specify this, the following message

appears.

17

Creating a Kit

Eect Settings

MFX Settings

You can select up to three MFX (MFX1–MFX3) and apply their eects to a kit.

1

2 4

3

1. Press the [MFX] button.

2. Use the [K][J] buttons to select the MFX (MFX1–MFX3) that you want to edit.

3. Use the [–][+] buttons to turn the eect on/o.

4. Press the [ENTER] button.

Use the [K][J] buttons and [–][+] buttons to edit the eect settings in detail.

* For details on MFX, refer to “Data List” (PDF).

MEMO

MFX eect settings can be made separately for the Main and Sub of a pad (p. 14).

AMBIENCE Settings

Ambience simulates the reverberation and acoustics of a location in which you are playing the drums. It lets you

obtain a more natural sound with a sense of presence.

Button Parameter Value Explanation

[AMBIENCE]

ON/OFF ON, OFF Turns ambience on/o.

TYPE

ROOM1, ROOM2,

HALL1,

HALL2,

PLATE

Selects the type of reverberation.

PreDelay 0–100ms Species the delay time from the original sound until the reverb is heard.

Time 0.1–10.0s Species the length over which the reverb sound decays.

Density 0–127 Species the density of the reverb sound.

Diusion 0–127

Species how the density of the reverb sound changes over time.

With higher values, the sound becomes denser as time passes. (This has a greater

eect when the reverb time is longer.)

LF Damp 0–100 Adjusts the low-frequency portion of the reverb sound.

HF Damp 0–100 Adjusts the high-frequency portion of the reverb sound.

Spread 0–127 Adjusts the spaciousness of the reverb sound.

Tone 0–127 Adjusts the tonal character of the reverb sound.

Level 0–127 Adjusts the volume of the reverb.

MEMO

The volume level that is sent to Ambience can be adjusted individually for Main and Sub (p. 14).

18

Creating a Kit

Editing the Sound of the Overall Kit

* For details on the parameters, refer to “Data List” (PDF).

Button Parameter Value Explanation

[KITCOMMON]

KitVolume 0–127 Species the volume of the entire kit.

PedalHHVolume 0–127 Species the volume of the pedal hi-hat.

KitTempo 20–260

Species the tempo setting of each kit.

If the MFX Tempo Sync is ON, eect settings such as Rate and Delay Time reect

the tempo specied here.

* For details on MFX, refer to “Data List” (PDF).

KIT COMP –

Adjusts the volume dynamics of the entire kit. This makes settings for the

compressor that is applied at the nal stage of the output.

For details, refer to “KIT COMP settings” (p. 18).

KIT EQ –

Adjusts the tonal character of the entire kit. You can adjust the amount of boost/

cut for three bands (LOW, MID, HIGH). You can also use this to adjust the tonal

character when using KIT COMP.

For details, refer to “KIT EQ settings” (p. 19).

KIT NAME –

Edits the name of the kit.

Use the [K][J] buttons to select the character that you want to edit, and use the

[–][+] buttons to edit it.

KIT MIDI –

Here you can specify the MIDI messages that a pad sends or receives.

For details, refer to “KIT MIDI settings” (p. 19).

KIT RESET KIT001–KIT200 Returns the kit to its factory-set state.

KIT COMP settings

Parameter Value Explanation

ON/OFF ON, OFF Turns KIT COMP on/o

TYPE SOFT, HARD, LIMITER

Type of compressor

* When you change this parameter, all parameters in KIT COMP are changed to the optimal

settings. Based on these settings, you can edit each parameter as desired.

Gain -24.0–+24.0dB Output volume of the compressor

Thre -48–0dB Volume level at which compression starts

Ratio

1:1, 2:1, 3:1, 4:1, 8:1,

16:1, 32:1, 100:1

Compression ratio

Knee

HARD, SOFT1,

SOFT2, SOFT3

Attack of the sound at the moment that compression is applied

Attack 0.1–100ms Time until compression starts

Release 10–1000ms Time over which compression returns to the original state

19

Creating a Kit

KIT EQ settings

Parameter Value Explanation

ON/OFF ON, OFF Turns the KIT EQ on/o.

LoFrq 20Hz–1kHz Species the center frequency of the low-frequency region.

LoGain -12–+12dB Amount of low-frequency boost/cut

MidFrq 20Hz–16kHz Adjusts the center frequency of the mid-frequency region.

Mid Q 0.5–8.0

Width of the mid-frequency region

Higher values make the region narrower.

MidGain -12–+12dB Adjusts the amount of mid-frequency boost/cut.

HiFrq 1–16kHz Species the center frequency of the high-frequency region.

HiGain -12–+12dB Adjusts the amount of high-frequency boost/cut.

KIT MIDI settings

Parameter Value Explanation

Note#

0 (C -)–127 (G 9)

MIDI note number transmitted/received for each pad

* If you specify a note number that is the same as the note number specied for a dierent pad,

an “*” is shown at the end.

OFF Note messages are not received or transmitted

GateTime 0.1– 8.0s Duration of the note that each pad transmits

Channel

CH1–CH16 MIDI channel used by each pad to transmit or receive note messages or control change messages

GLOBAL Transmit/receive using the transmit/receive channel specied in SYSTEM (p. 26)

HClNote (*)

(Hi-Hat Closed Note)

0 (C -)–127 (G 9), OFF MIDI note number transmitted and received for the closed hi-hat

HPedal (*)

(Hi-Hat Pedal)

0 (C -)–127 (G 9), OFF MIDI note number transmitted and received for the pedal hi-hat

INITIALIZE – Returns the KIT MIDI settings to their factory-set state.

(*) Valid only for the pad that is controlled by hi-hat open/closed (p. 25).

20

Recalling Kits in a Specic Order

You can register and recall kits in the order in which you plan to use

them. This is called the Kit Chain function. If you register kits in the

order in which you will be using them in your live performance, you

can instantly recall the next kit to use. Up to 16 kits can be registered

in one kit chain.

Up to 16 kit chains can be stored in the banks (A–P).

BANK A

Kit Chain

STEP1 STEP2 STEP3 STEP16

BANK P

STEP1 STEP2 STEP3 STEP16

Kit Chain

BANK B

Creating a Kit Chain

1. Hold down the [SHIFT] button and press the [KIT

CHAIN] button.

The [KIT CHAIN] button blinks.

2. Use the [K][J] buttons to select the bank (A–P) in

which you want to store the chain.

3. Press the [ENTER] button.

4. Use the [K][J] buttons to select a step (1–16).

5. Use the [–][+] buttons to select the kit that you

want to assign to the selected step.

If you don’t want to use all the steps to step 16, select “END.”

Using a Kit Chain

1. Press the [KIT CHAIN] button.

The [KIT CHAIN] button lights.

2. Use the [K][J] buttons to select a bank (A–P).

3. Use the [–][+] buttons to switch steps.

The assigned kit is selected.

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