Yamaha CVP-89 Manuel utilisateur

Marque: Yamaha

Modèle: CVP-89

Catégorie: Instruments de musique

Taper: Manuel utilisateur

Owner’s Manual

Bedienungsanleitung

Mode d’emploi

Manual de instrucciones

92-469-

➀

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-

rechargeable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes neces-

sary, contact a qualified service representative to perform

the replacement.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the

manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and con-

sult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

PRODUCT SAFETY MARKINGS: Yamaha electronic

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these graph-

ics appears on this page. Please observe all cautions indi-

cated on this page and those indicated in the safety in-

struction section.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point with the equilat-

eral triangle is intended to alert the user

to the presence of important operating

and maintenance (servicing) instruc-

tions in the literature accompanying the

product.

The lightning flash with arrowhead

symbol within the equilateral triangle is

intended to alert the user to the pres-

ence of uninsulated “dangerous volt-

age” within the product’s enclosure that

may be of sufficient magnitude to con-

stitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products

are tested and approved by an independent safety testing

laboratory in order that you may be sure that when it is

properly installed and used in its normal and customary

manner, all foreseeable risks have been eliminated. DO

NOT modify this unit or commission others to do so un-

less specifically authorized by Yamaha. Product perform-

ance and/or safety standards may be diminished. Claims

filed under the expressed warranty may be denied if the

unit is/has been modified. Implied warranties may also be

affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the specifications

without notice or obligation to update existing units.

Model _____________________________________

Serial No.__________________________________

Purchase Date _____________________________

SPECIAL MESSAGE SECTION

English

Owner’s Manual

Deutsch

Bedienungsanleitung

Français

Mode d’emploi

Español

Manual de instrucciones

Introduction

Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs

advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of musical

pleasure.

as the presets.

● Full-keyboard ABC (Auto Bass Chord) provides ac-

companiment as you play across the entire keyboard.

● 50 Solo Styleplay variations make it simple to pro-

duce rich, complex harmonies.

● 10-track performance memory records and plays

back your keyboard performances.

● Registration Memory memorizes 12 complete control-

panel setups that you can recall whenever needed.

● Internal 3.5" floppy disk drive provides extended Per-

formance Memory capacity and Disk Orchestra play-

back capability – one blank floppy disk for recording

and one Disk Orchestra Collection disk with corre-

sponding score are provided.

● MIDI compatibility, GM voices, and a range of MIDI

functions make the Clavinova useful in a range of

advanced MIDI music systems.

● AWM (Advanced Wave Memory) tone generator sys-

tem offers a range of 60 rich, realistic voices.

● 32-note polyphony permits use of sophisticated play-

ing techniques.

● Piano-like touch response provides extensive expres-

sive control and outstanding playability.

● Dual and split play modes allow 2 voices to be played

simultaneously or individually with the left and right

hands.

● 50 exciting accompaniment styles can be used to

provide rhythm-only accompaniment or fully-orches-

trated rhythm, bass, and chord accompaniment. 50

additional accompaniment styles are provided on

floppy disk (Style Disk).

● Custom Rhythm lets you create original rhythm pat-

terns that can be recalled and played in the same way

In order to make the most of your Clavinova’s performance potential and features, we urge you to read this

Owner’s Manual thoroughly, and keep it in a safe place for later reference.

Contents

Taking Care of Your Clavinova 1

The Panel Controls 2

Preparation 4

The Volume Controls 5

Demonstration Playback 6

Voice Selection 7

■ Selecting the 60 Voices ....................... 7

■ Keyboard Percussion .......................... 8

Dual Mode 9

■ Engaging the Dual Mode ..................... 9

■ Dual-mode Voice Balance ................... 9

Split Mode 10

■ Engaging the Split Mode ................... 10

■ Changing the Split Voices ................. 10

■ Changing the Split Point.................... 10

■ Split Balance ..................................... 11

■ Damper Pedal Operation in the

Split Mode ......................................... 11

Digital Reverb Effects 12

■ Selecting a Reverb Effect.................. 12

■ Reverb Depth Control........................ 12

The Keyboard & Polyphony 13

Pan 13

The Pedals 14

■ Right Pedal (Damper Pedal) ............. 14

■ Center Pedal (Sostenuto Pedal)........ 14

■ Left Pedal (Multi-function) ................. 14

Pitch Control 16

■ The Pitch Display .............................. 16

Accompaniment 17

■ Style Selection................................... 17

■ Tempo Control................................... 18

■ Starting the Accompaniment ............. 18

■ Fill-ins ................................................ 20

■ Left-pedal Rhythm Break................... 20

■ Stopping the Accompaniment ........... 20

■ Metronome ........................................ 20

Auto Bass Chord (ABC) 21

■ Single-Finger & Fingered

Accompaniment................................. 21

■ Full-keyboard ABC ............................ 22

■ Volume Control.................................. 23

■ Changing the ABC Split Point ........... 23

■ Special Modes................................... 23

Custom Rhythm 24

■ Creating an Original Rhythm Pattern 24

■ Playing Back Your Custom Rhythm

Pattern............................................... 25

Disk Styles 26

■ Selecting & Loading Disk Styles........ 26

■ Using a Loaded Disk Style ................ 27

Solo Styleplay 28

■ Using Solo Styleplay ......................... 28

■ Harmonization Variations .................. 28

■ The Left Pedal & Solo Styleplay........ 28

Registration Memory 29

■ Memory Store.................................... 29

■ Recall ................................................ 29

Disk Orchestra 30

■ Automatic Performance..................... 30

■ Playing Back only Specific Parts ....... 31

■ Volume Control.................................. 32

■

Guided Right- and Left-hand Practice...

■ Repeat Functions .............................. 33

■ Other Playback Controls ................... 34

■ DISK ORCHESTRA COLLECTION

Disk Copy .......................................... 34

■ Playing Other Types of Music Data ... 34

Performance Memory 35

Easy One-pass Recording & Playback ..

Multi-track Recording & Playback

.....

■ Adding New Tracks ........................... 38

■ Punch-in Recording........................... 39

■ Playback............................................ 40

The Chord Sequence Function

...........

Utility Functions 42

■

Selecting & Using the Utility Functions . 42

The Utility Mode Functions................ 42

Effect Functions

.....................................

Disk Functions

.......................................

MIDI Functions

.......................................

General Utilities

.....................................

The Connectors 65

Factory Preset Recall 66

Troubleshooting 66

Options 66

Index 67

Assembly ................................................ i

MIDI Data Format...................................iii

Voice List ..............................................vii

Percussion Kit List............................... ix

Specifications....................................... xi

Fingering Chart ....................................xii

MIDI Implementation Chart................ xvii

1. Avoid Humidity & Heat

Avoid placing the Clavinova in areas that are subject to exces-

sive humidity or heat. Do not leave the instrument near heaters

or in a car exposed to direct sunlight, for example.

2. Avoid Dust & Moisture

Avoid locations in which the instrument is likely to be exposed

to excessive dust or moisture.

3. Power-off Before Connecting

Connections between the Clavinova and any other device must

be made with both pieces of equipment turned off.

4. Handle With Care

Never apply excessive force to the controls, connectors or

other parts of your Clavinova, and avoid scratching or bumping

it with hard objects. Further, always turn the POWER switch off

after use, and close the key cover to protect the keyboard.

5. Clean Carefully

Clean the cabinet and keys of your Clavinova only with a clean,

slightly damp cloth. A neutral cleanser may be used if desired.

Never use abrasive cleansers, waxes, solvents or chemical

dust cloths since these can dull or damage the finish.

6. Never Tamper With the Internal Circuitry

Never open the Clavinova cabinet and touch or tamper with the

internal circuitry. Tampering with the circuitry can result in elec-

trical shock!

7. Electric Interference

Since the Clavinova contains digital circuitry, it may cause

interference if placed too close to radio or television receivers.

If this occurs, move the instrument further away from the af-

fected equipment.

8. Name Plate Location

The Clavinova name plate, including the unit’s serial number, is

located on the bottom panel of the main unit.

9. Handling Floppy Disks

Yamaha Disk Orchestra Collection and Style Disk are write-

protected, and therefore cannot be used to save songs. To save

Performance Memory songs from the Performance Memory, a

blank floppy disk should be used (one blank disk is supplied

with the Clavinova).

Taking Care of Your Floppy Disks

■ Do NOT eject the disk during recording or playback, or at

any time when the disk drive lamp is lit. Doing so may dam-

age both the disk and the FDD.

■ Do NOT turn the Clavinova on or off while the disk is in the

drive.

■ Always eject the disk before turning the Clavinova off.

■ When ejecting a floppy disk from the disk drive:

Your Clavinova will give you years of playing pleasure if you observe the simple rules given below:

nism and/or the floppy disk. To remove a partially ejected

disk, try pressing the eject button once again or push the

disk back into the slot, then repeat the eject procedure

carefully.

■ Never open or close the key cover while a disk is

extending from the drive (i.e. in the ejected position).

The key cover may contact the disk, possibly damag-

ing the disk or even the disk drive.

■ Do not insert anything but floppy disks into the disk

drive. Other objects may cause damage to the disk

drive or floppy disk.

■ Use only double-sided double density (2DD) 3.5-inch

floppy disks with the Clavinova.

Taking Care of Your Clavinova

• To eject a floppy disk, press the eject button slowly as far as it will go.

Then when the disk Is fully ejected, remove it by hand.

• The disk may not be ejected properly if the eject button is pressed too

quickly or if it is not pressed in far enough. (The eject button may

become stuck halfway with the disk extending from the slot by only a

few millimeters). If this is the case, do not attempt to pull out the

partially ejected disk. Doing so may damage the disk drive mecha-

Disk drive lamp

Write protect tab

open (locked —

write protected)

Write protect tab

closed (unlocked —

write enabled)

Precautions Regarding Floppy Disk Use

■ Never open the disk’s shutter. Dirt or dust on the

Internal magnetic surface will cause data errors.

■ Never leave disks near a speaker, TV, or other de-

vice that emits a strong magnetic field.

■ Do not store disks in places exposed to direct sun-

light or sources of high temperature.

■ Do not place heavy objects such as books on top of

a disk.

■ Avoid getting the disks wet.

■ Be sure to store the disks in environmental condi-

tions as specified below:

• Storage temperature: 4

to 53

C (39

to 127

F).

• Storage humidity: 8 to 90% relative humidity.

• Store in an area free from dust, sand, smoke, etc.

■ Be sure to apply the disk label at the proper position.

When changing the label never cover the old label

with a new label; always remove the old label first.

Head Cleaning

The head of the disk drive unit will get dirty as you use

it eventually causing data errors. If this occurs, clean

the head with a 3.5 inch head cleaning disk (available

from most computer supply stores).

Data Backup

It is recommended that you copy your recorded songs

to another disk for backup (see page 46). If the original

disk is damaged or your song is deleted, the backup

disk can be used instead of the original.

Protecting Your Data (Write Protect Tab)

The Panel Controls

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4

B0A0G0F0E0D0C0B-1A-1

MAX

MIN

MASTER VOLUME



DEMO LEFT PEDAL

UTILITY REVERB

PROGRAM

CUSTOM

RHYTHM

TEMPO

TAP

METRONOME

–

– / NO

+ / YES

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

STYLE

POP 16BEAT

DANCE

POP

BOOGIE

SLOW

ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

STYLE

COUNTRY

WALTZ

STYLE

13-50

DISK

STYLE

START/STOP

INTRO/

ENDING

SYNCHRO

START

SOLO

STYLEPLAY

NORMAL

FILL TO

NORMAL

VAR IAT IO N

FILL TO

VAR IATI ON

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIG

BAS

VOICE

CDEFGAB

2 45 7

# %

PHONES

MIC. VOL

MIC.

MIN MAX

BEAT

* (

) q

we r t

POWER

AUX IN

AUX OUT

R L/L+R

The Panel Controls

1 POWER Switch........................................................page 4

2 MASTER VOLUME Control .....................................page 5

3 [UTILITY] Button............... page 5, 13, 30, 33, 38, 42—64

4 [DEMO] Button.........................................................page 6

5 [LEFT PEDAL] Button............................................page 14

6 [REVERB] Button...................................................page 12

7 AUTO ACCOMPANIMENT Volume Controls.... page 5, 23

8 [START/STOP] Button .................................... page 18, 22

9 ABC [FULL KEYBOARD] Button...........................page 22

0 [INTRO/ENDING] Button................................ page 19, 22

! ABC [SINGLE/FINGERED] Button .......................page 21

@ [NORMAL/FILL TO NORMAL] Button ............ page 18, 22

# [SYNCHRO START] Button...................................page 19

$ [VARIATION/FILL TO VARIATION] Button ..... page 18, 22

% [SOLO STYLEPLAY] Button..................................page 28

^ [CUSTOM RHYTHM] Button .................................page 24

& [PROGRAM] Button...............................................page 24

* STYLE Selectors ...................................................page 17

( [DISK STYLE] Buttons ..........................................page 26

) BEAT Display .........................................................page 20

q LCD Display .............................................................page 4

w [TAP (–)] Button .............................................. page 19, 42

e [METRONOME (+)] Button............................. page 20, 42

r TEMPO [▲ (+/YES)] and [▼(–/NO)] Buttons. page 18, 42

t VOICE Selectors......................................................page 7

y [SPLIT] Button .......................................................page 10

u 3.5" Floppy Disk Drive ........................page 26, 30, 35, 44

i [REGISTRATION] Button ......................................page 29

o [MEMORY] Button .................................................page 29

p DISK ORCHESTRA Buttons .......................... page 30, 55

Q [CHORD SEQUENCE] Button...............................page 41

W Keyboard................................................................page 13

E FILL IN Bars...........................................................page 20

R Disk Orchestra Keyboard Guide Lamps ...............page 32

T Soft Pedal...............................................................page 14

Y Sostenuto Pedal.....................................................page 14

U Damper Pedal ........................................................page 14

I PHONES Jacks........................................................page 4

O MIC. Jack & MIC. VOL. Control..............................page 65

P AUX IN R and L Jacks ...........................................page 65

a AUX OUT R and L/L+R Jacks ...............................page 65

s EXP PEDAL Jack.............................................. page 5, 65

d MIDI Connectors....................................................page 65

B4 C5 D5 E5 F5 G5 A5 B5 C6

D6 E6 F6 G6 A6 B6 C7

MEMORY

REGIST-

RATION

VOICE

T

ELEC

BASS

DRUMS

VOICE

13-60

SPLIT

SONG/PHRASE

NUMBER

START/STOP

REC

CHORD

SEQUENCE

PHRASE

REPEAT

GUIDE

LAMP

CANCEL

SONG SELECT

3-10

DISK ORCHESTRA

PAUSE

RIGHT

LEFT

ORCH

RHYTHM

REW

CLEAR

ALL

CANCEL

THRUIN

MIDI

EXP PEDAL

OUT

Preparation

■The Music Stand

If you will be using sheet music with your Clavinova, raise the music stand

built into it’s top panel by lifting the rear edge of the music stand.

The music stand can be lowered by slightly lifting the stand and then lowering

it gently back down to its resting position.

■The Power Switch

After making sure that the Clavinova’s AC plug is properly inserted into a con-

venient AC wall outlet, press the [POWER] switch located to the left of the key-

board once to turn the power on. The power indicator located below the left end of

the keyaboard will light. Press the [POWER] switch again to turn the power off.

When the power is initially turned on, the PIANO voice selector LED will

light, the POP style selector LED will light, and the display will appear as shown

to the left.

■Headphones

One or two standard pairs of stereo headphones can be plugged in here for pri-

vate practice or late-night playing. The internal speaker system is automatically

shut off when a pair of headphones is plugged into either or both of the PHONES

jacks.

■The Key Cover

To open the CVP-89 key cover lift it just enough to clear the keys (do not lift

excessively) then slide the cover back into the main unit. To close the cover slide it

forward all the way and then lower it gently until it closes completely.

PHONES

POWER

∫ 001µ Piano 1

œ= 78 Pop 1

The Clavinova has several volume controls that

give you extra versatility in creating the required

sound.

The Volume Controls

● Master Volume ........................................................................................................................................

The MASTER VOLUME control adjusts the overall volume of sound

produced by the Clavinova. It also adjusts headphone volume when one or two

pairs of headphones are plugged into the PHONES jacks.

Initially set the MASTER VOLUME control about half way between the

“MIN” and “MAX” settings. Then, when you start playing, adjust the control for

the most comfortable listening level.

MAX

MIN

MASTER VOLUME

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

BEAT

MAX

MIN

MASTER VOLUME



DEMO LEFT PEDAL

UTILITY REVERB

PROGRAM

CUSTOM

RHYTHM

TEMPO

TAP

METRONOME

–

/ NO

+ / YES

MEMORY

REGIST-

RATION

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

STYLE

POP 16BEAT

DANCE

POP

BOOGIE

SLOW

ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

STYLE

COUNTRY

WALTZ

STYLE

13-50

DISK

STYLE

START/STOP

INTRO/

ENDING

SYNCHRO

START

SOLO

STYLEPLAY

NORMAL

FILL TO

NORMAL

VARIATI ON

FILL TO

VARIATI ON

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

SPLIT

VOICE

SONG/PHRASE

NUMBER

START/STOP

REW

REC

CHORD

SEQUENCE

PHRASE

REPEAT

GUIDE

LAMP

CANCEL

SONG SELECT

3-10

DISK ORCHESTRA

PAUSE

RIGHT

LEFT

ORCH

RHYTHM

MAX

MIN

MASTER VOLUME

● Auto Accompaniment ............................................................................................................................

Separate volume controls are provided for the RHYTHM, CHORD 1,

CHORD 2, and BASS sound. These volume controls let you set up the best

balance between the various accompaniment parts when the AUTO BASS

CHORD (ABC), Disk Orchestra Collection playback, and Performance Memory

features are used, and the RHYTHM volume control can be used to balance the

keyboard and rhythm sound when only rhythm accompaniment is used.

The volume of the keyboard can be independently adjusted (1 … 127) by using

the BASS control while holding the [UTILITY] button — this is particularly

handy for adjusting the balance when recording the Clavinova sound.

● Other Volume Control Modes

The Auto Accompaniment volume controls can be assigned to other functions

via the “Accompaniment Volume Mode” utility function (page 61). They can be

used to control modulation, pitch bend, and expression; or individual reverb

depth for the rhythm, chord 1, chord 2, and bass parts.

NOTES

• If any or all of the Auto Accompaniment volume controls are set to their minimum

positions, no sound will be produced by the corresponding parts. The maximum

control positions produce the normal volume levels.

● Expression Control ................................................................................................................................

An optional Yamaha EP-1 Expression Pedal can be plugged into the EXP

PEDAL jack for foot volume (expression) control of the keyboard sound only (i.e.

expression doesn’t affect the auto-accompaniment sound or disk playback). Press

the pedal forward to increase volume, and backward to decrease volume.

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

UTILITY

BASS

EXP PEDAL

[001] Piano 1

œ= 78 MANUAL VOL. 127

The CVP-89 features a powerful “3D System” amplifier featuring a single 50-watt channel

and stereo 25-watt channels. This high-performance amplifier and speaker system puts out

exceptionally rich sound with natural response from powerful lows to shimmering highs. The

CVP-89 speaker system employs a single 18-cm speaker for center-channel low-frequency

reproduction, and three speakers each per stereo channel: 13-centimeter speaker units for

midrange sound, 2.5-cm units for outstanding high-frequency sound, and 8-cm units for

player monitoring.

The Internal Amplifier &

Speaker System

Demonstration Playback

The Clavinova features 25 demonstration tunes that effectively demonstrate

its sound and accompaniment capabilities. Here’s how you can select and play

the demo tunes.

VStop Playback .........................................................................................................................................

Demo playback can be stopped temporarily by pressing either the [START/

STOP] button or STYLE or VOICE selector corresponding to the demonstration

tune which is currently playing. Press the [DEMO] button when you want to stop

demo playback and return to the normal mode.

The Demo Tunes

BEAT

MAX

MIN

MASTER VOLUME



DEMO LEFT PEDAL

UTILITY REVERB

PROGRAM

CUSTOM

RHYTHM

TEMPO

TAP

METRONOME

–

/ NO

+ / YES

MEMORY

REGIST-

RATION

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

STYLE

POP 16BEAT

DANCE

POP

BOOGIE

SLOW

ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

STYLE

COUNTRY

WALTZ

STYLE

13-50

DISK

STYLE

START/STOP

INTRO/

ENDING

SYNCHRO

START

SOLO

STYLEPLAY

NORMAL

FILL TO

NORMAL

VARIATI ON

FILL TO

VARIATI ON

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

SPLIT

VOICE

SONG/PHRASE

NUMBER

START/STOP

REW

REC

CHORD

SEQUENCE

PHRASE

REPEAT

GUIDE

LAMP

CANCEL

SONG SELECT

3-10

DISK ORCHESTRA

PAUSE

RIGHT

LEFT

ORCH

RHYTHM

POP 16BEAT

DANCE

POP

BOOGIE

SLOW

ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

STYLE

COUNTRY

WALTZ

DEMO

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

VOICE

MAX

MIN

MASTER VOLUME

CAdjust the Volume ..................................................................................................................................

Use the MASTER VOLUME control to adjust the volume, and play along on

the keyboard if you like.

NOTES

• The tempo cannot be adjusted during demo playback.

ZPress the [DEMO] button .......................................................................................................................

XSelect a Demo Tune ...............................................................................................................................

The 25 demo tunes are selected via the STYLE and VOICE selectors — the

corresponding selector indicators light when the [DEMO] button is pressed. Press a

selector to start playback of the corresponding tune. You can also select continuous

repeat playback of all demo tunes by pressing the [START/STOP] button. The

demo tunes will play back in sequential or random order, depending on the setting

of the “Random All Song Repeat” utility function described on page 62. The corre-

sponding voice name will appear on the LCD during VOICE demo playback. The

style name will appear on the display during STYLE demo playback.

DEMO

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES

DEMO SONG

SELECT VOICE OR STYLE

DEMO SONG

Elec. Piano Voice

DEMO

START/STOP

* The demonstration pieces listed above, except the PIANO piece, are short excerpts from the original compositions.

VOICE NAME COMPOSER SONG TITLE

PIANO F. F. Chopin Etude Op.25-1 “Aeolian Harp” or “The Shephered Boy”

CLAVINOVA TONE D. Foster “Water Fountain” from “The Secret of My Success”

HARPSICHORD J. S. Bach Italienisches Konzert (Italian Concerto) BWV 971 3rd movement

GUITAR I. Albeniz Asturias

STRINGS A. Vivaldi The Four Seasons No. 3 “Autumn” 1st movement

ORGAN J. S. Bach Sinfonia from Kantate (Cantata) 29 BWV 29

CHOIR W. A. Mozart Requiem K. 626 No. 6 “Lacrimosa”

Voice Selection

The CVP-89 has a total of 60 different voices that can be selected in a number

of ways. There’s also a “Keyboard Percussion” mode that let’s you play a range of

drums and percussion instruments on the keyboard.

● The VOICE 13-60 [▲] and [▼] Buttons..................................................................................................

Use the VOICE [▲] and [▼] buttons immediately to the right of the [VOICE

13-60] button to select a voice number between 13 and 60. Press either button

briefly to select the next voice number in the specified direction, or hold the button

for continuous scrolling in the specified direction. The [VOICE 13-60] indicator

will light and the voice number and name will appear on the display.

If a panel voice (1-12) is selected, the last selected voice in the 13-60 range can

be instantly re-selected simply by pressing the [VOICE 13-60] button. The

[VOICE 13-60] button will initially select voice number 13 (BRASS) after the

power is turned on.

NOTES

• Voice number 13 can be instantly selected by pressing the VOICE [

▲

] and [

▼

]

buttons simultaneously.

BEAT

MAX

MIN

MASTER VOLUME



DEMO

LEFT PEDAL

UTILITY

REVERB

PROGRAM

CUSTOM

RHYTHM

TEMPO

TAP

METRONOME

–

/ NO

+ / YES

MEMORY

REGIST-

RATION

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

STYLE

POP 16BEAT

DANCE

POP

BOOGIE

SLOW

ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

STYLE

COUNTRY

WALTZ

STYLE

13-50

DISK

STYLE

START/STOP

INTRO/

ENDING

SYNCHRO

START

SOLO

STYLEPLAY

NORMAL

FILL TO

NORMAL

VARIATI ON

FILL TO

VARIATI ON

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

SPLIT

VOICE

SONG/PHRASE

NUMBER

START/STOP

REW

REC

CHORD

SEQUENCE

PHRASE

REPEAT

GUIDE

LAMP

CANCEL

SONG SELECT

3-10

DISK ORCHESTRA

PAUSE

RIGHT

LEFT

ORCH

RHYTHM

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

VOICE

DRUMS

VOICE

13-60

● Numeric Selection ..................................................................................................................................

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

Enter the number of the desired voice via the voice selectors (note that each

voice selector has a number between 1 and 0 associated with it) while pressing the

[DRUMS] selector.

To select voice number 16, for example, press and hold [DRUMS], press [PI-

ANO/1], then [GUITAR/6], then release the [DRUMS] button. The voice number

and name will appear on the display. The [VOICE 13-60] button indicator will

light whenever a voice number between 13 and 60 is selected.

■Selecting the 60 Voices

● Voices 1-12: Direct Panel Selection......................................................................................................

Of the Clavinova’s 60 voices, 12 are “panel voices” which can be directly

accessed by pressing the corresponding VOICE selector. When a voice selector is

pressed the corresponding indicator will light and the number and name of the se-

lected voice will appear on the display.

The PIANO voice is automatically selected when the power is initially turned

on.

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

[001] Elec. Piano 3

œ= 78 Pop 1

[001] Brass 13

œ= 78 Pop 1

[001] Mute Trumpet 16

œ= 78 Pop 1

Voice Selection

No. Name

Usable Range

1 PIANO A-1 - C7

2 CLAVINOVA TONE C1 - C7

3 E. PIANO C1 - C6

4 HARPSICHORD C1 - C6

5 VIBES F2 - F5

6 GUITAR E1 - F#4

7 STRINGS C0 - C6

8 ORGAN C0 - C6

9 CHOIR E1 - E5

10 UPRIGHT BASS C0 - F#3

11 ELEC BASS E0 - F#3

12 DRUMS —

No. Name

Usable Range

19 SAX SOFT A#0 - F#5

20 CLARINET D2 - A#5

21 OBOE A#2 - G5

22 FLUTE G2 - F#6

23 ACCORDION F2 - A5

24 HARMONICA C3 - C6

25 STRINGS SOFT C0 - C6

26 VIOLIN C0 - C6

27 VIOLIN HARD C0 - C6

28 FULL ORGAN C0 - C6

29 JAZZ ORGAN 1 C1 - C6

30 SYNTH BRASS C1 - C6

31 SYNTH WOOD C2 - F#6

32 SYNTH STRINGS C0 - C6

33 SYNTH CHOIR E1 - E5

34 PIANO BRIGHT A-1 - C7

35 PIANO SOFT A-1 - C7

36 E. PIANO DX C1 - C6

37 SYNTH CRYSTAL C2 - C6

38 CELESTA C2 - C6

39 MARIMBA C2 - C6

No. Name

Usable Range

40 FOLK GUITAR E1 - A4

41 JAZZ GUITAR 1 E1 - A4

42 JAZZ GUITAR 2 E1 - A4

43 ROCK GUITAR 1 E1 - A4

44 ROCK GUITAR 2 E1 - A4

45 MUTE GUITAR E1 - A4

46 BANJO C3 - A5

47 PIZZICATO C1 - C6

48 HARP C1 - C6

49 U. BASS SOFT C0 - F#3

50 E. BASS SOFT E0 - F#3

51 E. BASS HEAVY E0 - F#3

52 SYNTH BASS E0 - F#3

TIMPANI & ORCH. HIT

E0 - C2/G2 - C6

54 BASSOON A#0 - D4

CHAMBER STRINGS

C1 - C6

56 JAZZ ORGAN 2 C1 - C6

57 ROCK GUITAR 3 E1 - A4

58 COSMIC 1 G0 - C6

59 COSMIC 2 G0 - C6

60 COSMIC 3 G0 - C6

NOTES

• When the DRUMS voice is selected only the keys with drum or percussion sym-

bols printed above them will sound.

• The PIANO voice is automatically selected when the power is initially turned on.

• The chorus effect ON/OFF and pitch bend range parameters for the voices can

be accessed via the UTILITY mode — page 43, 62.

No. Name

Usable Range

13 BRASS F0 - C6

14 POP BRASS F0 - C6

15 TRUMPET F0 - C6

16 MUTE TRUMPET F#2 - A5

17 HORN A#0 - F4

18 SAX A#0 - F#5

Voices 13 — 60

Panel Voices (1 — 12)

■Keyboard Percussion

ELEC

BASS

DRUMS

VOICE

13-60

When the [DRUMS] voice selector is pressed (its indicator will light), you can

play 44 different drum and percussion instruments on the keyboard. The symbols

above the keys correspond to the NORMAL drum kit instruments (keys with no

symbols produce no sound).

NOTES

• The CVP-89 has two drum kits — “NORMAL” and “PROCESSED”. Which of

these kits will sound when Keyboard Percussion is engaged depends on the

currently selected accompaniment style. Some styles which use the “NORMAL”

kit, however, include instruments from the “PROCESSED” kit, and vice-versa.

• The accompaniment styles listed below use the “PROCESSED” drum kit while all

others use the “NORMAL” kit.

Internal Styles Disk Styles

3: DANCE POP 8: POP BALLAD

23: TECHNO POP 11: NEW AGE POP

12: COMPUTER GAME

16: DANCE POP 2

20: REGGAE 2

38: CLOCK

• See page ix for a list of the NORMAL and PROCESSED drum kit instrument

assignments.

• The TRANSPOSE and PITCH functions described on pages 43 and 16 do not

affect the DRUMS sound.

• Drum parameters individually programmable for each instrument are accessible

via the UTILITY mode — page 63.

Dual Mode

The DUAL mode makes it possible to play two voices simultaneously across the entire range

of the keyboard. This makes it easy to create exceptionally rich, thick tonal textures.

■Engaging the Dual Mode

Dual mode voice combinations can be broadly divided into three categories: panel voice + panel voice, panel voice +

voice number 13-60, and two voices in the 13-60 range. The dual mode for each combination is selected in a different way,

as described below:

BEAT

MAX

MIN

MASTER VOLUME



DEMO LEFT PEDAL

UTILITY REVERB

PROGRAM

CUSTOM

RHYTHM

TEMPO

TAP

METRONOME

–

/ NO

+ / YES

MEMORY

REGIST-

RATION

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

STYLE

POP 16BEAT

DANCE

POP

BOOGIE

SLOW

ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

STYLE

COUNTRY

WALTZ

STYLE

13-50

DISK

STYLE

START/STOP

INTRO/

ENDING

SYNCHRO

START

SOLO

STYLEPLAY

NORMAL

FILL TO

NORMAL

VARIATI ON

FILL TO

VARIATI ON

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

SPLIT

VOICE

SONG/PHRASE

NUMBER

START/STOP

REW

REC

CHORD

SEQUENCE

PHRASE

REPEAT

GUIDE

LAMP

CANCEL

SONG SELECT

3-10

DISK ORCHESTRA

PAUSE

RIGHT

LEFT

ORCH

RHYTHM

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

VOICE

● Panel Voice + Panel Voice .....................................................................................................................

To combine two panel voices simply press two voice selectors at the same time

— or press one voice selector while holding another. The names of both selected

voices will appear on the display when the DUAL mode is active. To return to the

normal single-voice play mode, press any single voice selector.

● Panel Voice + 13-60 Voice .....................................................................................................................

A voice in the 13…60 range can be “dualed” with the panel voices by pressing

the [VOICE 13-60] button and any other voice selector at the same time. The

VOICE [▲] and [▼] buttons can then be used to select the desired 13…60 voice.

The names of both selected voices will appear on the display (the 13-60 voice name

will appear on right side of the display). To return to the normal single-voice play

mode, press any single voice selector.

● Two 13-60 Voices....................................................................................................................................

To combine two voices in the 13-60 range press the [DRUMS] button and the

[VOICE 13-60] button at the same time (the default combination is POP BRASS

and BRASS). The voice shown on the right of the display can then be selected by

using the VOICE [▲] and [▼] button, while the left voice can be selected by using

the VOICE [▲] and [▼] buttons while holding the [DRUMS] and [VOICE 13-60]

buttons. To return to the normal single-voice play mode, press any single voice

selector.

■Dual-mode Voice Balance

The volume balance between the two voices combined in the DUAL mode can

be adjusted by using the TEMPO [▲] and [▼] buttons while pressing both of the

active voice selectors. The selected balance value (1 … 15) will be shown on the

display until the voice selectors are released.

■ A setting of “1” sets the volume of the left voice on the display to maximum

and the right voice to minimum (no sound).

■ A setting of “8” sets both voices to the same volume (this is the default balance

setting, and can be recalled by pressing the TEMPO [▲] and [▼] buttons si-

multaneously).

■ A setting of “15” sets the volume of the right voice on the display to maximum

and the left voice to minimum (no sound).

NOTES

• Hold either the TEMPO [

] or [

] button for continuous scrolling in the specified

direction.

• The dual mode cannot be used with the DRUMS voice. Also, the dual and split

modes cannot be used at the same time.

PIANO

CLAVINOVA

TONE

E. PIANO

TEMPO

– / NO

+ / YES

E. PIANO

HARPSI-

CHORD

VIBES

PIANO

CLAVINOVA

TONE

PIANO

CLAVINOVA

TONE

VOICE

VOICE

13-60

[001] PopBrass+Brass

œ= 78 Pop 1

[001] Piano + ClavTone

œ= 78 DUAL BALANCE 8

ELEC

BASS

VOICE

DRUMS

VOICE

13-60

The split mode lets you play different voices with

the left and right hands — bass with the left and pi-

ano with the right, for example. You can assign any

of the Clavinova’s voices to the left and right-hand

sections of the keyboard.

Split Mode

■Engaging the Split Mode

When the [SPLIT] button is pressed and its indicator lights, the keyboard is

split into left- and right-hand sections and different voices can be assigned to each.

The split point is initially set at the F#2 key when the power is turned on, and the

UPRIGHT BASS voice is initially assigned to the left-hand section of the keyboard

(all keys up to and including F#2). The voice that was selected when the SPLIT

mode was engaged is assigned to the right-hand section of the keyboard. The cur-

rent settings are retained if the SPLIT mode is turned off (press the [SPLIT] button

again) and on while the power remains on. The names of both the left and right-

hand voices appear on the display while the SPLIT mode is active.

BEAT

MAX

MIN

MASTER VOLUME



DEMO

LEFT PEDAL

UTILITY

REVERB

PROGRAM

CUSTOM

RHYTHM

TEMPO

TAP

METRONOME

–

/ NO

+ / YES

MEMORY

REGIST-

RATION

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

STYLE

POP 16BEAT

DANCE

POP

BOOGIE

SLOW

ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

STYLE

COUNTRY

WALTZ

STYLE

13-50

DISK

STYLE

START/STOP

INTRO/

ENDING

SYNCHRO

START

SOLO

STYLEPLAY

NORMAL

FILL TO

NORMAL

VARIATI ON

FILL TO

VARIATI ON

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

SPLIT

VOICE

SONG/PHRASE

NUMBER

START/STOP

REW

REC

CHORD

SEQUENCE

PHRASE

REPEAT

GUIDE

LAMP

CANCEL

SONG SELECT

3-10

DISK ORCHESTRA

PAUSE

RIGHT

LEFT

ORCH

RHYTHM

SPLIT

Left-hand section

Right-hand section

▼

F#2

SPLIT

■Changing the Split Point

The split point can be set at any key by pressing the desired key while holding

the [SPLIT] button. The split point key name will appear on the display while the

[SPLIT] button is held.

■Changing the Split Voices

The right-hand voice can be changed simply by pressing the appropriate voice

selector.

The left-hand voice can be changed by pressing a voice selector while holding

the [SPLIT] button.

NOTES

• All voices except BASS (voice numbers 10, 11, 49, 50, 51, and 52) and DRUMS

(voice number 12) are shifted up one octave when assigned to the lower section

of the keyboard (this function can be turned on or off via the “Split Left Octave”

utility function described on page 64).

SPLIT

UPRIGHT

BASS

ELEC

BASS

SPLIT

A keyboard guide lamp will indicate the selected split point. The default split

point — F#2 — will always be set automatically whenever the power is initially

turned on.

[001] Up Bass /Piano

œ= 78 Pop 1

[001] E.Bs Slp/Piano

œ= 78 SPLIT BALANCE 8

[001] E.Bs Slp/Piano

œ= 78 SPLIT POINT C 2

■Split Balance

Split Mode

The volume balance between the left-hand and right-hand voices can be ad-

justed by using the TEMPO [▲] and [▼] buttons while holding the [SPLIT] but-

ton. The selected balance value (1 … 15) will be shown on the display while the

[SPLIT] button is held.

■ A setting of “1” sets the volume of the left voice to maximum and the right

voice to minimum (no sound).

■ A setting of “8” sets both voices to the same volume (this is the default balance

setting, and can be recalled by pressing the TEMPO [▲] and [▼] buttons si-

multaneously).

■ A setting of “15” sets the volume of the right voice to maximum and the left

voice to minimum (no sound).

NOTES

• Hold either the TEMPO [

] or [

] button for continuous scrolling in the specified

direction.

■Damper Pedal Operation in the Split Mode

The damper pedal (the right pedal — see “The Pedals” on page 14) can be as-

signed to the left voice only, the right voice only, or to both voices in the split

mode.

■ Right Voice Only (default): Press the right (damper) pedal while holding the

[SPLIT] button.

■ Left Voice Only: Press the left (soft) pedal while holding the [SPLIT] button.

■ Both Voices: Press both the right and left pedals while holding the [SPLIT]

button.

NOTES

• The dual and split modes cannot be used at the same time.

• In the split the soft and sostenuto pedal functions apply to both the left- and right-

hand voices.

• When the ABC Single/Fingered mode (page 21) and the split mode are used

simultaneously, the left-hand voice will be accompanied by the appropriate ABC

chord voices.

SPLIT

TEMPO

– / NO

+ / YES

SPLIT

[001] E.Bs Slp/Piano

œ= 78 SPLIT BALANCE 8

Digital Reverb Effects

The [REVERB] button provides a number of

digital effects that you can use for extra depth

and expressive power.

■Selecting a Reverb Effect

Each time the [TAP] or [METRONOME] button is pressed while the

[REVERB] button is held, the next reverb effect is selected. The currently selected

reverb effect and the reverb depth setting appear on the display while the

[REVERB] button is held. The reverb effect can also be selected by repeatedly

pressing the [REVERB] button while the reverb type remains on the display.

OFF

No effect is produced.

ROOM

This setting adds a reverb effect to the sound that is similar to the type of acous-

tic reverberation you would hear in a medium-size room.

HALL 1

For a more spacious reverb sound, use the HALL 1 setting. This effect simulates

the natural reverberation of a medium-size concert hall.

HALL 2

HALL 2 simulates the reverb of a very large concert hall.

COSMIC

“COSMIC” is an echo effect in which the sound seems to “bounce” around in

the stereo sound field.

NOTES

• The ROOM effect is automatically selected when the POWER switch is turned

on.

REVERB

TAP

METRONOME

–

REVERB

TYPE:HALL 1 DEPTH: 8

BEAT

MAX

MIN

MASTER VOLUME



DEMO LEFT PEDAL

UTILITY REVERB

PROGRAM

CUSTOM

RHYTHM

TEMPO

TAP

METRONOME

–

/ NO

+ / YES

MEMORY

REGIST-

RATION

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

STYLE

POP 16BEAT

DANCE

POP

BOOGIE

SLOW

ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

STYLE

COUNTRY

WALTZ

STYLE

13-50

DISK

STYLE

START/STOP

INTRO/

ENDING

SYNCHRO

START

SOLO

STYLEPLAY

NORMAL

FILL TO

NORMAL

VARIATI ON

FILL TO

VARIATI ON

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

SPLIT

VOICE

SONG/PHRASE

NUMBER

START/STOP

REW

REC

CHORD

SEQUENCE

PHRASE

REPEAT

GUIDE

LAMP

CANCEL

SONG SELECT

3-10

DISK ORCHESTRA

PAUSE

RIGHT

LEFT

ORCH

RHYTHM

REVERB

■Reverb Depth Control

TEMPO

–

/ NO

+ / YES

REVERB

The depth of the selected reverb effect can be increased or decreased by press-

ing the TEMPO [▲] or [▼] button while holding the [REVERB] button. The

reverb depth is shown on the display while the [REVERB] button is held. The

reverb depth range is from “0” (no effect) to “15” (maximum depth).

NOTES

• Reverb depth is initially set to “8” when the power is turned on (this setting can be

recalled during reverb depth selection by pressing the TEMPO [

▲

] and [

▼

] but-

tons simultaneously).

• Hold either the TEMPO [

] or [

] button for continuous scrolling in the specified

direction.

• The depth of reverb effect applied to the manually-played part can be individually

adjusted (0 … 127, 64 by default) by using the BASS volume control while hold-

ing the [REVERB] button: This setting is shown on the display while the

[REVERB] button is held.

REVERB

TYPE:HALL 1 DEPTH:11

[001] Piano 1

œ= 78 MANUAL REV. 64

REVERB

BASS

The Keyboard & Polyphony

The Clavinova has “32-note polyphony” which means you can normally play up to 32 notes at once.

This number varies, however, according to the functions being used, as shown in the chart below:

Keyboard only 32 notes.

Keyboard + rhythm 24 notes (rhythm uses 8).

Keyboard + ABC 12 notes (rhythm 8; ABC 12).

The following voices are STEREO:

• No.1 PIANO

• No.8 ORGAN

• No.28 FULL ORGAN

• No.34 PIANO BRIGHT

• No.35 PIANO SOFT

The following voices feature VELOCITY SWITCHING

(i.e. they sound different when played soft or loud).

• No.3 E.PIANO

• No.11 ELEC BASS

● The number of available notes is further reduced if the dual

mode, the performance memory, or a Disk Orchestra Collec-

tion disk is being played at the same time.

The Clavinova also offers keyboard touch response, so the

volume and timbre of notes played can be controlled accord-

ing to how “hard” you play the keys. The amount of variation

available depends on the selected voice.

NOTES

• Some voices have greater polyphony than shown in the above chart.

Further, some dual-mode and split-mode voice combinations provide 64-

note total polyphony (32 notes per voice).

Pan

● The pan (stereo) position of the voice played on the key-

board can be adjusted by moving the RHYTHM volume

control while holding the [UTILITY] button. The pan

position is shown on the display, from “LEFT 6” for full

left at the “MIN” control position, through “CENTER” for

center, to “RIGHT 6” for full right at the “MAX” control

position. This can be used to produce a broader ensemble

sound with the Performance Memory multitrack recording

feature.

Each voice has a preset pan setting (indicated by “KEY-

BOARD” on the display) which is automatically set when

the power is first turned on.

The pan settings are as follows:

NOTES

• The “KEYBOARD” default keyboard scale pan places the treble-regis-

ter sound to the right and the bass-register sound to the left. Using a

different PAN setting places the entire voice, low and high notes in-

cluded, at the same position.

• The DRUMS voice has a preset PAN setting which cannot be changed.

UTILITY

RHYTHM

BEAT

MAX

MIN

MASTER VOLUME



DEMO LEFT PEDAL

UTILITY REVERB

PROGRAM

CUSTOM

RHYTHM

TEMPO

TAP

METRONOME

–

/ NO

+ / YES

MEMORY

REGIST-

RATION

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

STYLE

POP 16BEAT

DANCE

POP

BOOGIE

SLOW

ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

STYLE

COUNTRY

WALTZ

STYLE

13-50

DISK

STYLE

START/STOP

INTRO/

ENDING

SYNCHRO

START

SOLO

STYLEPLAY

NORMAL

FILL TO

NORMAL

VARIATI ON

FILL TO

VARIATI ON

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

SPLIT

VOICE

SONG/PHRASE

NUMBER

START/STOP

REW

REC

CHORD

SEQUENCE

PHRASE

REPEAT

GUIDE

LAMP

CANCEL

SONG SELECT

3-10

DISK ORCHESTRA

PAUSE

RIGHT

LEFT

ORCH

RHYTHM

UTILITY

Full Left Full Right

LEFT 6 RIGHT 6

KEYBOARD

•

LEFT 1

CENTER

RIGHT 1

[001] Piano 1

œ= 78 PAN POS. RIGHT 6

The CVP-89 has three pedal which offer a

range of advanced expressive capabilities.

The Pedals

BEAT

MAX

MIN

MASTER VOLUME



DEMO LEFT PEDAL

UTILITY REVERB

PROGRAM

CUSTOM

RHYTHM

TEMPO

TAP

METRONOME

–

/ NO

+ / YES

MEMORY

REGIST-

RATION

RHYTHM BASS 1 CHORD 2

AUTO ACCOMPANIMENT

MAX

MIN

STYLE

POP 16BEAT

DANCE

POP

BOOGIE

SLOW

ROCK

SWING

JAZZ

BALLAD

BOSSA RHUMBA

MARCH

STYLE

COUNTRY

WALTZ

STYLE

13-50

DISK

STYLE

START/STOP

INTRO/

ENDING

SYNCHRO

START

SOLO

STYLEPLAY

NORMAL

FILL TO

NORMAL

VARIATI ON

FILL TO

VARIATI ON

FULL

KEYBOARD

A B C

SINGLE/

FINGERED

A B C

VOICE

PIANO

CLAVINOVA

TONE

E. PIANO

HARPSI-

CHORD

VIBES GUITAR STRINGS ORGAN CHOIR

UPRIGHT

BASS

ELEC

BASS

DRUMS

VOICE

13-60

SPLIT

VOICE

SONG/PHRASE

NUMBER

START/STOP

REW

REC

CHORD

SEQUENCE

PHRASE

REPEAT

GUIDE

LAMP

CANCEL

SONG SELECT

3-10

DISK ORCHESTRA

PAUSE

RIGHT

LEFT

ORCH

RHYTHM

LEFT PEDAL

■Left Pedal (Multi-function)

The left pedal has a number of functions which can be selected using the

[LEFT PEDAL] button. Each time the [TAP] or [METRONOME] button is

pressed while the [LEFT PEDAL] button is held, the next LEFT PEDAL function

is selected and shown on the display. The left pedal functions can also be selected

by using the TEMPO [▲] or [▼] button while holding the [LEFT PEDAL] but-

ton. It is also possible to select the left pedal function by repeatedly pressing the

[LEFT PEDAL] button while the left-pedal function name remains on the display.

LEFT PEDAL

TEMPO

TAP

METRONOME

–

/ NO

+ / YES

■Center Pedal (Sostenuto Pedal)

If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will

be sustained as long as the pedal is held (as if the damper pedal had been pressed) but all subsequently played notes will

not be sustained. This makes it possible to sustain a chord, for example, while other notes are played “staccato.”

■Right Pedal (Damper Pedal)

The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is

pressed notes played have a long sustain. Releasing the pedal immediately stops (damps) any sustained notes.

NOTES

• The damper pedal can be set for continuous or on/off type damping control via

the “Damper Pedal Mode” utility function (page 62). Continuous control is th

default setting.

• The damper pedal can also be used to increase the depth of a unique

“Soundboard” effect for the PIANO voice (voice number 1). The maximum depth

of the Soundboard effect can be set via the “Damper Pedal Mode” utility function

(page 62).

Pressing the soft pedal subtly reduces the volume and slightly changes the tim-

bre of notes played. The amount of “softness” corresponds to how deeply the pedal

is pressed. The SOFT function is automatically selected whenever the POWER

switch is turned on.

● Soft...........................................................................................................................................................

LEFT PEDAL FUNCTION

SOFT PEDAL

NOTES

• The sostenuto pedal will not function while the SOLO STYLEPLAY feature (page

28) is engaged.

● Start/Stop ................................................................................................................................................

LEFT PEDAL FUNCTION

START/STOP

The left pedal performs the same function as the panel [START/STOP] buttons.

For details on the START/STOP function, refer to the “Accompaniment” section,

page 18.

● Solo Styleplay .........................................................................................................................................

For details on the SOLO STYLEPLAY function see “SOLO STYLEPLAY” on

page 28 (the SOLO STYLEPLAY pedal function can only be selected when the

SOLO STYLEPLAY feature is in use).

NOTES

• The damper, soft, and sostenuto pedal functions do not affect the DRUMS voice.

LEFT PEDAL FUNCTION

SOLO STYLEPLAY

● Pitch Bend...............................................................................................................................................

LEFT PEDAL FUNCTION

PITCH BEND

When this function is selected the center and left pedals can be used to bend the

pitch of notes played on the keyboard up or down, respectively, while the center or

left pedal is held. The default pitch bend range is individually set for each voice.

The pitch bend range can be adjusted as required via the “Pitch Bend Range” utility

function (page 62).

● Rhythm Break .........................................................................................................................................

LEFT PEDAL FUNCTION

RHYTHM BREAK

For details on the RHYTHM BREAK function, refer to the “Accompaniment”

section, page 20.

Pitch control makes it possible to tune the Clavinova over a ±50-cent range (approximate) in

approximately 1.2-cent or 1-hertz intervals. A hundred “cents” equals one semitone, so the tuning

range provided allows fine tuning of overall pitch over a range of approximately a semitone. Pitch

control is useful for tuning the Clavinova to match other instruments or recorded music.

Pitch Control

● Tuning Up................................................................................................................................................

ZTo tune up (raise pitch), hold the A-1 and B-1 keys simultaneously (A-1 and B-

1 are the two lowest white keys on the keyboard) and press any key between C3

and B3. Each time a key in this range is pressed the pitch is raised by approxi-

mately 1.2 cents, up to a maximum of about 50 cents above standard pitch. To

raise the pitch in 1-hertz increments press the TEMPO [▲] button instead of

the C3-B3 keys. The TEMPO [▼] button can also be used to tune down while

the A-1 and B-1 keys are held.

XRelease the A-1 and B-1 keys.

● Tuning Down...........................................................................................................................................

ZTo tune down (lower pitch), hold the A-1 and A#-1 keys simultaneously and

press any key between C3 and B3. Each time a key in this range is pressed the

pitch is lowered by approximately 1.2 cents, up to a maximum of about 50 cents

below standard pitch. To lower the pitch in 1-hertz increments press the

TEMPO [▼] button instead of the C3-B3 keys. The TEMPO [▲] button can

also be used to tune up while the A-1 and A#-1 keys are held.

XRelease the A-1 and A#-1 keys.

-1

TEMPO

–

/ NO

+ / YES