Yamaha PSR-S775 Manuel utilisateur

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This Reference Manual explains advanced features of the PSR-S975/S775.
Please read the Owner’s Manual first, before reading this Reference Manual.
Reference Manual
Digital Workstation
2 PSR-S975/S775 Reference Manual
Table of Contents
1Voices 3
Voice Types (Characteristics) ............................................ 3
Selecting GM&XG or Other Voices.................................... 5
Touch Response and Effect-Related Settings................... 6
Pitch-Related Settings ....................................................... 9
Editing Parameters Assigned to the LIVE CONTROL
Knobs............................................................................... 11
Editing Voices (Voice Set) ............................................... 15
Editing Organ Flutes Voices ............................................ 20
Adding New Contents—Expansion Packs....................... 22
2Styles 24
Chord Fingering Types .................................................... 25
Style Playback Related Settings ...................................... 27
Memorizing Original Settings to One Touch Setting........ 29
Creating/Editing Styles (Style Creator) ............................ 30
3 Songs 49
Editing Music Notation (Score) Settings .......................... 49
Editing Lyrics/Text Display Settings................................. 52
Using the Auto Accompaniment Features with Song
Playback .......................................................................... 53
Song Playback Related Parameters (Guide Function,
Channel settings, Repeat settings).................................. 54
Creating/Editing Songs (Song Creator) ........................... 58
4 USB Audio Player/Recorder 75
Displaying Lyrics of an Audio file ..................................... 75
5 Multi Pads 77
Creating Multi Pads (Multi Pad Creator) .......................... 77
Editing Multi Pads ............................................................ 79
6 Music Finder 81
Creating a Set of Favorite Records.................................. 81
Editing Records................................................................ 82
Saving the Records as a Single File ................................ 83
7 Registration Memory 85
Editing the Registration Memory...................................... 85
Disabling Recall of Specific Items (Freeze) ..................... 86
Calling Up Registration Memory Numbers in Order
(Registration Sequence) .................................................. 87
8 Microphone/Guitar Input 90
Making and Saving the Microphone/Guitar Settings
(EQ/CMP) ........................................................................ 90
Setting and Editing Vocal Harmony Types (PSR-S975).. 93
Editing the Synth Vocoder Types (PSR-S975) .............. 100
9 Mixing Console 104
Editing VOL/VOICE Parameters .................................... 104
Editing FILTER Parameters ........................................... 105
Editing TUNE Parameters.............................................. 106
Editing EFFECT Parameters ......................................... 107
Editing EQ Parameters .................................................. 111
Editing Master Compressor (CMP) Parameters ............ 113
Block Diagram................................................................ 115
10 Connections 116
Footswitch/Foot Controller Settings ............................... 116
MIDI Settings ................................................................. 120
Connecting with an iPhone/iPad via Wireless LAN........ 126
11 Other Functions 128
UTILITY.......................................................................... 128
SYSTEM ........................................................................ 132
Index 135
Each chapter in this Reference Manual corresponds to the relevant chapters in the Owner’s Manual.
The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat dif-
ferent from those on your instrument.
Even though the example screens and illustrations pertain to the PSR-S975, the usage is the same for the PSR-S775.
The displays are taken from the PSR-S975, and are in English.
The “Data List” and “iPhone/iPad Connection Manual” documents can be downloaded from the Yamaha website:
http://download.yamaha.com/
The company names and product names in this manual are the trademarks or registered trademarks of their respective compa-
nies.
Using the PDF manual
To quickly jump to items and topics of interest, click on the desired items in the “Bookmarks” index to the left
of the main display window. (Click the “Bookmarks” tab to open the index if it is not displayed.)
Click the page numbers that appear in this manual to go directly to the corresponding page.
Select “Find” or “Search” from the Adobe Reader “Edit” menu and enter a keyword to locate related informa-
tion anywhere in the document.
NOTE The names and positions of menu items may vary according to the version of Adobe Reader being used.
1
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PSR-S975/S775 Reference Manual 3
Voices
Voices
Contents
Voice Types (Characteristics) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Selecting GM&XG or Other Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Touch Response and Effect-Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
• Setting the Touch Response of the Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
• Making Detailed Settings for Harmony/Arpeggio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Pitch-Related Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
• Fine-tuning the Pitch of the Entire Instrument . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
• Scale Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
• Changing the Part Assignment of the TRANSPOSE Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
Editing Parameters Assigned to the LIVE CONTROL Knobs . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Editing Voices (Voice Set) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
• Editable Parameters in the VOICE SET Displays. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
• Disabling Automatic Selection of Voice Sets (Effects, etc.) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Editing Organ Flutes Voices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Adding New Contents—Expansion Packs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
• Installing the Expansion Pack data from the USB Flash Drive. . . . . . . . . . . . . . . . . . . . . . . . . . . 22
• Uninstalling the Expansion Pack data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
• Saving the Instrument Info File to the USB Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
The particular type of Voice is indicated at the upper left of the Voice name in the Voice Selection display.
The defining characteristics of these Voices and their performance advantages are described below.
Voice Types (Characteristics)
S.Art!
(Super Articulation)
These Voices provide many benefits with great playability and expressive con-
trol in real time.
For example, with the Saxophone Voice, if you play a C and then a D in a very
legato way, you will hear the note change seamlessly, as though a saxophone
player played it in a single breath.
Similarly with the Concert Guitar Voice and play the D note strongly, the D
note would sound as a “hammer on,” without the string being plucked again.
Depending on how you play, other effects such as “shaking” or breath noises
(for the Trumpet Voice), or finger noises (for the Guitar Voice) are produced.
For details on how to best play each S.Art! Voice, call up the information win-
dow (pressing the [6 ] (INFO) button in the Voice Selection display).
Live! These acoustic instrument sounds were sampled in stereo, to produce a truly
authentic, rich sound—full of atmosphere and ambience.
Cool! These Voices use sophisticated programming to capture the dynamic textures
and subtle nuances of electric instruments.
Sweet! These acoustic instrument sounds also benefit from Yamaha’s sophisticated
technology—and feature a finely detailed and natural sound.
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Voices
NOTE S.Art! and MegaVoices are not compatible with other instrument models. For this reason, any Song or Style you’ve created on this instrument using these
Voices will not sound properly when played back on the instruments which do not have these types of Voices.
NOTE S.Art! and MegaVoices sound differently depending on keyboard range, velocity, touch, etc. Hence, if you turn on the [HARMONY/ARPEGGIO] button,
change the transpose setting or change the Voice Set parameters, unexpected or undesired sounds may result.
For a list of preset Voices of this instrument, refer to the “Voice List” in the Data List on the website.
Drums Various drum and percussion sounds are assigned to individual keys, letting
you play the sounds from the keyboard. For information about what sound is
assigned to each key, refer to the “Drum/SFX Kit List” in the Data List on the
website.
Live! Drums These are high-quality drum sounds that take full advantage of Stereo Sam-
pling and Dynamic Sampling.
SFX Various special effect sounds and percussion sounds are assigned to individual
keys, letting you play the sounds from the keyboard. For information about
what sound is assigned to each key, refer to the “Drum/SFX Kit List” in the
Data List on the website.
Live! SFX These are various high-quality special effect sounds and percussion sounds that
take full advantage of Stereo Sampling and Dynamic sampling.
Organ Flutes! This authentic organ Voice lets you use the Voice Set to adjust the various foot-
ages and craft your own original organ sounds. See page 20 for details.
MegaVoice These Voices make special use of velocity switching. Each velocity range (the
measure of your playing strength) has a completely different sound.
For example, a guitar MegaVoice includes the sounds of various performance
techniques. In conventional instruments, different Voices having those sounds
would be called up via MIDI and played in combination to achieve the desired
effect. However, now with MegaVoices, a convincing guitar part can be played
with just a single Voice, using specific velocity values to play the desired
sounds. Because of the complex nature of these Voices and the precise veloci-
ties need to play the sounds, they’re not intended for playing from the key-
board. They are, however, very useful and convenient when creating MIDI
data—especially when you want to avoid using several different Voices just for
a single instrument part.
The MegaVoices are in the “MegaVoices” folder in the Voice Selection display.
For instructions on selecting MegaVoices, refer to the “Selecting GM&XG or
Other Voices” on page 5.
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Voices
This instrument features Voices provided specially for Style playback and XG/GM compatibility. These
Voices cannot be called up directly from the VOICE category selection buttons. However, they can be called
up as described below.
1 Turn on the PART SELECT button corresponding to the part you want to use.
2 Press one of the VOICE category selection buttons (other than the [ORGAN FLUTES]
and [EXPANSION/USER] buttons) to call up the Voice Selection display.
3 Press the [8 ] (UP) button to call up the Voice categories.
4 Press the [2 ] (P2) button to display page 2.
5 Press the desired [A]–[J] button to call up the Voice Selection display of GM&XG
Voices, GM2 Voices, etc.
NOTE You can find the “Legacy” folder in this display. This folder contains previous Yamaha keyboards’ Voices (such as PSR-S950, PSR-S750, etc.) for data
compatibility with other models.
NOTE The “MegaVoices” folder contains the MegaVoices (page 4).
6 Select the desired Voice.
Selecting GM&XG or Other Voices
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Voices
Setting the Touch Response of the Keyboard
Touch Response determines how the sound responds to your playing strength. The selected Touch Response
type becomes the common setting for all Voices.
NOTE Some Voices are purposely designed without Touch Response, in order to emulate the true characteristics of the actual instrument (for example, conventional
organs, which have no touch response).
1 Call up the operation display.
[FUNCTION] TAB [E] MENU 1 [D] CONTROLLER TAB [F] KEYBOARD/PANEL
2 Use the [A] button to select “1 TOUCH RESPONSE.
3 Use the [1 ], [2 ] and [4 ]–[7 ] buttons to set the Touch Response.
Touch Response and Effect-Related Settings
[1 ]/
[2 ]
TOUCH Determines the Touch Response type.
HARD 2: Requires strong playing to produce high volume. Best for play-
ers with a heavy touch.
HARD 1: Requires moderately strong playing for higher volume.
MEDIUM: Standard Touch Response.
SOFT 1: Produces high volume with moderate playing strength.
SOFT 2: Produces relatively high volume even with light playing
strength. Best for players with a light touch.
[4 ] TOUCH OFF
LEVEL
Determines the fixed volume level when Touch is set to “OFF.
[5 ]–
[7 ]
LEFT–RIGHT2 Turns Touch on or off for each keyboard part.
2
3
Touch Response is applied to
the checkmarked parts.
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Voices
Making Detailed Settings for Harmony/Arpeggio
This lets you make detailed settings, including volume level.
1 Call up the operation display.
[FUNCTION] TA B [ E] MENU 1 [B] HARMONY/ARPEGGIO
2 Select the desired Harmony/Arpeggio category and type by using the [1 ]–[6 ]
buttons.
3 Use the [7 ] (DETAIL) buttons to call up the detailed setting window.
4 Use the [3 ]–[8 ] buttons to make various Harmony/Arpeggio settings.
When any one of the Arpeggio types is selected, only the parameters indicated by “*” in the list below can
be set. None of the parameters in the list below are available when the Harmony category “Multi Assign”
type is selected.
[3 ] VOLUME* Determines the volume level of the Harmony/Arpeggio notes generated
by the Harmony/Arpeggio function.
NOTE When you are using certain Voices, such as Organ Voices, in which the TOUCH SENSE DEPTH is
set to 0 in the VOICE SET display (page 16), the volume does not change.
[4 ]/
[5 ]
ASSIGN* Determines the keyboard part to which the effect is assigned.
AUTO: Applies the effect to the part (RIGHT 1/2) for which PART ON/
OFF is on. If the Harmony/Echo category is selected, the RIGHT 1
part is given priority over the RIGHT 2 part when both parts are on.
MULTI: This parameter is available when the Harmony/Echo category is
selected. When both parts are on, the note played on the keyboard is
sounded by the RIGHT 1 part and the harmonies (effect) are divided to
the RIGHT 1 and RIGHT 2 parts. When only one part is on, the note
played on the keyboard and effect are sounded by that part.
RIGHT 1, RIGHT 2: Applies the effect to the selected part (RIGHT 1 or
RIGHT 2).
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Voices
NOTE The settings for the Arpeggio Quantize function and the Arpeggio Hold function can be made on the display called up via [FUNCTION] TAB [E]
MENU 1 [J] UTILITY TAB [E][F] CONFIG 2 (page 130).
[6 ] SPEED This parameter is only available when the “Echo” category (Echo, Trem-
olo, or Trill) is selected. It determines the speed of the Echo, Tremolo, and
Trill effects.
[7 ] CHORD NOTE
ONLY
This parameter is only available when the “Harmony” category is
selected. When this is set to “ON,” the Harmony effect is applied only to
the note (played in the right-hand section of the keyboard) that belongs to
a chord played in the chord section of the keyboard.
[8 ] TOUCH LIMIT It determines the lowest velocity value at which the Harmony, Echo,
Tremolo, or Trill note will sound. This allows you to selectively apply the
harmony by your playing strength, letting you create harmony accents in
the melody. The harmony effect is applied when you play the key strongly
(above the set value).
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Voices
Fine-tuning the Pitch of the Entire Instrument
You can fine-tune the pitch of the entire instrument such as keyboard, Style and Song parts (except the
keyboard part played by the Drum Kit or SFX Kit Voices, and audio playback)—a useful feature when
playing the PSR-S975/S775 along with other instruments or CD music.
1 Call up the operation display.
[FUNCTION]
TAB [
E
] MENU 1
[E] MASTER TUNE/SCALE TUNE
TAB [
E
] MASTER TUNE
2 Use the [4 ]/[5 ] buttons to set the tuning in 0.2 Hz steps.
Press both [] and [] buttons (of 4 or 5) simultaneously to reset the value to the factory setting of 440.0
Hz.
Scale Tuning
You can select various scales for playing in custom tunings for specific historical periods or music genres.
1 Call up the operation display.
[FUNCTION]
TAB [
E
] MENU 1
[E] MASTER TUNE/SCALE TUNE
TAB [
F
] SCALE TUNE
2 Use the [A]/[B] buttons to select the desired scale.
Preset Scale types
Pitch-Related Settings
EQUAL
The pitch range of each octave is divided equally into twelve parts, with each half-
step evenly spaced in pitch. This is the most commonly used tuning in music today.
PURE MAJOR, PURE
MINOR
These tunings preserve the pure mathematical intervals of each scale, especially for
triad chords (root, third, fifth). You can hear this best in actual vocal harmonies—
such as choirs and a cappella singing.
PYTHAGOREAN
This scale was devised by the famous Greek philosopher and is created from a
series of perfect fifths, which are collapsed into a single octave. The 3rd in this tun-
ing are slightly unstable, but the 4th and 5th are beautiful and suitable for some
leads.
MEAN-TONE
This scale was created as an improvement on the Pythagorean scale, by making the
major third interval more “in tune.” It was especially popular from the 16th century
to the 18th century. Handel, among others, used this scale.
WERCKMEISTER,
KIRNBERGER
This composite scale combines the Werckmeister and Kirnberger systems, which
were themselves improvements on the mean-tone and Pythagorean scales. The
main feature of this scale is that each key has its own unique character. The scale
was used extensively during the time of Bach and Beethoven, and even now it is
often used when performing period music on the harpsichord.
ARABIC1, ARABIC2
Use these tunings when playing Arabic music.
The tuning of each note for
the currently selected scale
is shown.
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3 Change the following settings as necessary.
NOTE To register the Scale Tune settings to Registration Memory, be sure to checkmark the SCALE item in the REGISTRATION MEMORY CONTENTS display
called up via the [MEMORY] button.
Changing the Part Assignment of the TRANSPOSE Buttons
You can determine to which parts the TRANSPOSE [-]/[+] buttons are applied.
1 Call up the operation display.
[FUNCTION] TAB [E] MENU 1 [D] CONTROLLER TAB [F] KEYBOARD/PANEL
2 Use the [B] button to select “3 TRANSPOSE ASSIGN.
3 Press the [4 ]/[5 ] buttons to select the desired part assignment.
The assignment can be confirmed by the pop-up display called up via the TRANSPOSE [-]/[+] buttons.
[2 ] BASE NOTE Determines the base note for each scale. When the base note is changed,
the pitch of the keyboard is transposed, yet maintains the original pitch
relationship between the notes.
[3 ]/
[4 ]
TUNE Select the desired note to be tuned by using the [3 ] buttons and tune
it in cents by using the [4 ] buttons.
NOTE In musical terms a “cent” is 1/100th of a semitone. (100 cents equal one semitone.)
[5 ]–
[8 ]
PART SELECT Determines whether the Scale Tune setting is applied to each part or not.
KEYBOARD The TRANSPOSE [-]/[+] buttons affect the pitch of keyboard played Voices,
Style playback (controlled by the performance in the chord section of the key-
board), and Multi Pad playback (when Chord Match is on, and left-hand chords
are indicated)—but they do not affect Song playback.
SONG The TRANSPOSE [-]/[+] buttons affect only the pitch of Song playback.
MASTER The TRANSPOSE [-]/[+] buttons affect the overall pitch of the instrument,
except audio playback.
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Voices
The eight combinations of functions assigned to the LIVE CONTROL knobs are provided by default,
however, you can change the functions as desired from a variety of options.
1 Press the [ASSIGN] button to call up the LIVE CONTROL display.
2 Use the [A]/[B] buttons or the [1 ]–[8 ] buttons to select the number of the
functions you want to change.
3 Press the [I] (ASSIGN) button to call up the PARAMETER ASSIGN window.
4 Use the [2 ]–[4 ] buttons (for knob 1) and the [5 ]–[7 ] buttons (for
knob 2) to select the functions to be assigned.
For information on available functions, see pages 12–14.
5 Press the [EXIT] button to close the PARAMETER ASSIGN window.
6 If necessary, repeat steps 2–5 to change the functions for other numbers.
NOTE The settings here are maintained even when you turn off the power.
NOTE The settings here can be saved to a Registration Memory.
NOTE Depending on the panel settings or how you move the knob, you may not notice any change to the parameter value, or the knob may not work as
expected, even if you rotate it.
Editing Parameters Assigned to the LIVE CONTROL Knobs
2
2
2
3
4
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Voices
Assignable Knob Functions
Voice/Filter/Cut/R1,R2 Adjusts the cutoff frequency of the filter for the RIGHT 1 and 2 parts.
Rotating the knob to the right makes the sound brighter.
Voice/Filter/Res/R1,R2 Adjusts the resonance of the filter for the RIGHT 1 and 2 parts. Rotating
the knob to the right makes the sound more pronounced.
Voice/Filter/R1,R2 Adjusts the cutoff frequency of the filter and the resonance for the RIGHT
1 and/or 2 parts to change the timbre or tone of the sound.
Voice/Filter/R1
Voice/Filter/R2
Voice/Attack/R1,R2 Adjusts the length of time until the RIGHT 1 and/or 2 parts reach their
maximum level after the key is played. Rotating the knob to the right
increases it.
Voice/Attack/R1
Voice/Attack/R2
Voice/Release/R1,R2 Adjusts the length of time until the RIGHT 1 and/or 2 parts decay to
silence after the key is released. Rotating the knob to the right increases it.
Voice/Release/R1
Voice/Release/R2
Voice/Effect/Rev/R1,R2 Adjusts the Reverb depth for the RIGHT 1 and 2 parts. Rotating the knob
to the right makes it deeper.
Voice/Effect/Cho/R1,R2 Adjusts the Chorus depth for the RIGHT 1 and 2 parts. Rotating the knob
to the right makes it deeper.
Voice/Effect/Rev,Cho/R1 Adjusts both the Reverb depth and Chorus depth for the RIGHT 1 or 2
part. Rotating the knob to the right makes it deeper.
Voice/Effect/Rev,Cho/R2
Voice/Balance/R1,R2 Adjusts the volume balance between the RIGHT 1 and 2 parts. Rotating
the knob to the left increases the RIGHT 1 volume, while rotating it to the
right increases the RIGHT 2 volume.
Voice/Arp/Velocity Adjusts the volume of Arpeggio. Rotating the knob to the right increases
it.
Voice/Arp/GateTime Adjusts the length of each note of Arpeggio. Rotating the knob to the
right increases it.
Voice/Arp/UnitMultiply Adjust the speed of Arpeggio. Rotating the knob to the right makes it
faster.
Style/Filter/Cutoff Adjusts the cutoff frequency of the filter for the Style. Rotating the knob
to the right makes the sound brighter.
Style/Filter/Resonance Adjusts the resonance of the filter for the Style. Rotating the knob to the
right makes the sound more pronounced.
Style/Filter/Cutoff,Res Adjusts the cutoff frequency of the filter and the resonance for the Style to
change the timbre or tone of the sound.
Style/Effect/Reverb Adjusts the Reverb depth for the Style. Rotating the knob to the right
makes it deeper.
Style/Effect/Chorus Adjusts the Chorus depth for the Style. Rotating the knob to the right
makes it deeper.
Style/Effect/Rev,Cho Adjusts both the Reverb and Chorus depth for the Style. Rotating the
knob to the right makes it deeper.
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Voices
Style/Retrig/Rate Adjusts the Style Retrigger length. The first part of the current Style is
repeated in the specified length. Rotating the knob to the right decreases
it.
Style/Retrig/OnOff Turns the Style Retrigger function on/off. Rotating the knob to the right
turns it on, while rotating it to the left turns it off.
Style/Retrig/OnOff,Rate Turns the Style Retrigger function on/off and adjusts its length. Rotating
the knob to the left-most turns the function off; rotating it to the right
turns the function on and decreases the length.
Style/Track-Mute A Turns playback of the Style channels on/off. Rotating the knob to the left-
most position turns on only the Rhythm 2 channel, and the other channels
are turned off. By rotating the knob clockwise from that position, chan-
nels are turned on in the order of Rhythm 1, Bass, Chord 1, Chord 2, Pad,
Phrase 1, Phrase 2, and all channels are turned on when the knob reaches
to the right-most position. Turning the channels on/off lets you easily
change the rhythmic feel.
Style/Track-Mute B Turns playback of the Style channels on/off. Rotating the knob to the left-
most position turns on only the Chord 1 channel, and the other channels
are turned off. By rotating the knob clockwise from that position, chan-
nels are turned on in the order of Chord 2, Pad, Bass, Phrase 1, Phrase 2,
Rhythm 1, Rhythm 2, and all channels are turned on when the knob
reaches to the right-most position. Turning on/off the channels lets you
easily change the rhythmic feel.
MIC(Gt)/Effect/Reverb Adjusts the Reverb depth for the microphone or the guitar input sound.
Rotating the knob to the right makes it deeper.
MIC(Gt)/Effect/Chorus Adjusts the Chorus depth for the microphone or the guitar input sound.
Rotating the knob to the right makes it deeper.
MIC(Gt)/Effect/DSP Adjusts the DSP effect depth for the microphone or the guitar input
sound. Rotating the knob to the right makes it deeper.
NOTE Depending on the selected DSP type or how the microphone or the guitar is connected, the sound
may not be changed.
MIC(Gt)/Volume Adjusts the volume of the microphone or guitar sound input from the
[MIC/GUITAR INPUT] jack. Rotating the knob to the right increases it.
MIC/VH-Balance
(PSR-S975)
Adjusts the volume balance between the lead vocal (your own voice) and
Vocal Harmony. Rotating the knob to the left increases the lead vocal vol-
ume, while rotating it to the right increases the Vocal Harmony volume.
Audio/Volume Controls the Audio playback volume. As you rotate the knob to the right,
it increases.
AUX/Volume Controls the input volume from the [AUX IN] jack. Rotating the knob to
the right increases it.
Balance/Voice,Style Adjusts the volume balance between the Voice and Style playback. Rotat-
ing the knob to the left increases the Style volume, while rotating it to the
right increases the Voice volume.
Balance/Style,M.Pad Adjusts the volume balance between the Style and Multi Pad playback.
Rotating the knob to the left increases the Style volume, while rotating it
to the right increases the Multi Pad volume.
Balance/Audio,AUX Adjusts the volume balance between the Audio playback and sound input
from the [AUX IN] jack. Rotating the knob to the left increases the Audio
playback volume, while rotating it to the right increases the input volume
from the [AUX IN] jack.
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Voices
Balance/Song,Audio Adjusts the volume balance between the Song and Audio playback.
Rotating the knob to the left increases the Song volume, while rotating it
to the right increases the Audio (USB Audio Player) volume.
Balance/Song,AUX Adjusts the volume balance between the Song playback and sound input
from the [AUX IN] jack. Rotating the knob to the left increases the Song
playback volume, while rotating it to the right increases the input volume
from the [AUX IN] jack.
Balance/MIDI,AudioAUX Adjusts the volume balance between the playback of MIDI data (Song,
Style, Multi Pad) and Audio (USB Audio Player and input from the
[AUX IN] jack). Rotating the knob to the left increases the MIDI volume,
while rotating it to the right increases the Audio volume.
Filter/Voice,Style Adjusts the cutoff frequency of the filter and the resonance for all key-
board parts and the Style to change the timbre or tone of the sound.
Reverb/Voice,Style Adjusts the Reverb depth for all keyboard parts and the Style. Rotating
the knob to the right makes it deeper.
Chorus/Voice,Style Adjusts the Chorus depth for all keyboard parts and the Style. Rotating
the knob to the right makes it deeper.
Master Tempo Changes the tempo of the currently selected Style or Song. Rotating the
knob to the left makes it slower, while rotating it to the right makes it
faster. Setting range is from 50% of the default tempo value to 150%.
<No Assign> No function is assigned.
PSR-S975/S775 Reference Manual 15
1
Voices
The Voice Set function allows you to create your own Voices by editing some parameters of the existing
Voices. Once you’ve created a Voice, you can save it as a file to internal memory (USER drive) or a USB
flash drive for future recall.
1 Select the desired Voice (other than an Organ Flutes Voice).
Organ Flutes Voices have a different editing method than described here. For instructions on editing the
Organ Flutes Voices, see page 20.
2 In the Voice Selection display, press the [5 ] (VOICE SET) button of MENU 1 to call
up the VOICE SET display.
3 Use the TAB [E][F] buttons to call up the relevant setting page.
For information on the available parameters in each page, see the “Editable Parameters in the VOICE SET
Displays” on page 16.
4 As necessary, use the [A]/[B] buttons to select the item (parameter) to be edited and
edit the Voice by using the [1 ]–[8 ] buttons.
By pressing the [D] (COMPARE) button, you can compare the sound of the edited Voice with the original
(unedited) Voice.
5 Press the [I] (SAVE) button to save your edited Voice.
For details on the Save operation, refer to “Basic Operations” in the Owner’s Manual.
NOTICE
The settings will be lost if you select another Voice or turn off the power to the instrument without carrying out the Save operation.
Editing Voices (Voice Set)
5
4
3
16 PSR-S975/S775 Reference Manual
1
Voices
Editable Parameters in the VOICE SET Displays
The Voice Set parameters are organized into five different pages. The parameters in each page are described
separately, below.
NOTE The available parameters differ depending on the Voice.
COMMON Page
[1 ] VOLUME Adjusts the volume of the current edited Voice.
[2 ]/
[3 ]
TOUCH SENSE Adjusts the touch sensitivity (velocity sensitivity), or how greatly the vol-
ume responds to your playing strength.
DEPTH: Determines the velocity sensitivity, or how much the level of the
Voice changes in response to your playing strength (velocity).
OFFSET: Determines the amount by which received velocities are
adjusted for the actual velocity effect.
[4 ]/
[5 ]
PART OCTAVE Shifts the octave range of the edited Voice up or down in octaves. When
the edited Voice is used as any of the RIGHT 1–2 parts, the R1/R2 param-
eter is available; when the edited Voice is used as the LEFT part, the
LEFT parameter is available.
[6 ] MONO/POLY Determines whether the edited Voice is played monophonically or poly-
phonically. This setting can also be made from the VOICE EFFECT
[MONO] button on the panel.
[7 ] MONO TYPE Determines the behavior of the notes of decaying sounds, such as a guitar,
when they are played with legato with the edited Voice set to MONO
above.
When NORMAL is selected, the next note sounds after the previous note
is stopped. When LEGATO is selected, the sound of the previously played
note is maintained and only the pitch changes to that of the next note.
NOTE This parameter is unavailable for Super Articulation Voices, Organ Flute Voices and Drum/SFX Kit
Voices, and behaves the same as the NORMAL setting when these Voices are selected.
NOTE When LEGATO is selected, the behavior (other than what is described here) may be different from
NORMAL, depending on the panel settings.
[8 ] PORTAMENTO
TIME
Determines the pitch transition time when the edited Voice is set to
MONO above.
NOTE Portamento is a function that creates a smooth transition in pitch from the first note played on the
keyboard to the next.
0
64 127
64
127
0
64 127
64
127
Actual Velocity for
tone generator
Depth = 127 (twice)
Depth = 64 (normal)
Depth = 32 (half)
Depth = 0
TOUCH SENSE DEPTH
Changes to velocity curve according to
VelDepth (with Offset set to 64)
Received Velocity
(Actual KeyOn speed)
TOUCH SENSE OFFSET
Changes to velocity curve according to
VelOffset (with Depth set to 64)
Actual Velocity for
tone generator
Received Velocity
(Actual KeyOn
speed)
Offset = 96 (+64)
Offset = 127 (+127)
Offset = 64 (normal)
Offset = 32 (-64)
Offset = 0 (-127)
Depends
on offset
Depends
on offset
PSR-S975/S775 Reference Manual 17
1
Voices
CONTROLLER Page
MODULATION
The [MODULATION] wheel can be used to modulate the parameters below as well as the pitch (vibrato).
Here, you can set the degree to which the [MODULATION] wheel modulates each of the following
parameters.
SOUND Page
FILTER
Filter is a processor that changes the timbre or tone of a sound by either blocking or passing a specific
frequency range. The parameters below determine the overall timbre of the sound by boosting or cutting a
certain frequency range. In addition to making the sound either brighter or mellower, Filter can be used to
produce electronic, synthesizer-like effects.
[2 ] FILTER Determines the degree to which the [MODULATION] wheel modulates
the Filter Cutoff Frequency. For details about the filter, see below.
[3 ] AMPLITUDE Determines the degree to which the [MODULATION] wheel modulates
the amplitude (volume).
[5 ] LFO PMOD Determines the degree to which the [MODULATION] wheel modulates
the pitch, or the vibrato effect.
[6 ] LFO FMOD Determines the degree to which the [MODULATION] wheel modulates
the Filter modulation, or the wah effect.
[7 ] LFO AMOD Determines the degree to which the [MODULATION] wheel modulates
the amplitude, or the tremolo effect.
[1 ] BRIGHT.
(Brightness)
Determines the cutoff frequency or
effective frequency range of the fil-
ter (see diagram). Higher values
result in a brighter sound.
[2 ]HARMO.
(Harmonic Con-
tent)
Determines the emphasis given to
the cutoff frequency (resonance),
set in BRIGHT. above (see dia-
gram). Higher values result in a
more pronounced effect.
18 PSR-S975/S775 Reference Manual
1
Voices
EG
The EG (Envelope Generator) settings determine how the level of the
sound changes in time. This lets you reproduce many sound
characteristics of natural acoustic instruments—such as the quick
attack and decay of percussion sounds, or the long release of a
sustained piano tone.
VIBRATO
Vibrato is a quavering, vibrating sound effect that is produced by
regularly modulating the pitch of the Voice.
EFFECT/EQ Page
1 REVERB DEPTH/CHORUS DEPTH/DSP DEPTH/PANEL SUSTAIN
[3 ] ATTACK Determines how quickly the sound reaches its maximum level after the
key is played. The lower the value, the quicker the attack.
[4 ] DECAY Determines how quickly the sound reaches its sustain level (a slightly
lower level than maximum). The lower the value, the quicker the decay.
[5 ] RELEASE Determines how quickly the sound decays to silence after the key is
released. The lower the value, the quicker the decay.
[6 ] DEPTH Determines the intensity of the Vibrato effect. Higher settings result in a
more pronounced Vibrato.
[7 ] SPEED Determines the speed of the Vibrato effect.
[8 ] DELAY Determines the amount of time that elapses between the playing of a key
and the start of the Vibrato effect. Higher settings increase the delay of the
Vibrato onset.
[1 ]/
[2 ]
REVERB
DEPTH
Adjusts the reverb depth.
[3 ]/
[4 ]
CHORUS
DEPTH
Adjusts the chorus depth.
[5 ] DSP ON/OFF Determines whether the DSP effect is on or off.
This setting can also be made from the VOICE EFFECT [DSP] button on
the panel.
[6 ] DSP DEPTH Adjusts the DSP depth.
If you want to re-select the DSP type, you can do so in the “2 DSP” menu
explained on page 19.
[7 ] PANEL
SUSTAIN
Determines the sustain level applied to the edited Voice when the VOICE
EFFECT [SUSTAIN] button on the panel is turned on.
Time
Level
Key on Key off
Sustain
Level
ATTACK DECAY RELEASE
Pitch
DELAY
SPEED
DEPTH
Time
PSR-S975/S775 Reference Manual 19
1
Voices
2 DSP
3 EQ
Determines the Frequency and Gain of the low and high EQ bands. Use the [2 ]–[4 ] buttons for
the low EQ band, and the [5 ]–[7 ] buttons for the high EQ band.
HARMONY/ARP Page
Same as the display called up via [FUNCTION] TAB [E] MENU 1 [B] HARMONY/ARPEGGIO
(pages 7–8), with the exception of the following points:
The details set via the [7 ] (DETAIL) buttons are shown on the top of the display.
The [D] (COMPARE) and [I] (SAVE) buttons are available (see steps 4–5 on page 15).
Disabling Automatic Selection of Voice Sets (Effects, etc.)
Each Voice is linked to its default VOICE SET parameter settings. Usually these settings are automatically
called up when a Voice is selected. However, you can also disable this feature by the operation in the relevant
display as explained below. For example, if you want to change the Voice yet keep the same effect, set the
EFFECT parameter to OFF (in the display explained below).
1 Call up the operation display.
[FUNCTION] TA B [ E] MENU 1 [F] VOICE SET FILTER
2 Use the [A]/[B] buttons to select a keyboard part.
[1 ]/
[2 ]
CATEGORY Selects the DSP effect category and type. Select a type after selecting a
category.
[3 ]/
[4 ]
TYPE
[6 ] VARIATION
ON/OFF
Turns the DSP Variation on or off for the selected Voice. This setting
can also be made from the VOICE EFFECT [DSP VARI.] button on the
panel.
[5 ]/
[7 ]
DETAIL Calls up a detailed setting display. Press the [5 ] button for editing
the standard parameter value, and the [7 ] button for editing the
Variation parameter value.
[2 ]
–[4 ]
PARAMETER Selects the DSP variation parameter to be set.
[5 ]
–[6 ]
VALUE Adjusts the value of the DSP variation parameter.
2
3
20 PSR-S975/S775 Reference Manual
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Voices
3 Use the [4 ]–[7 ] buttons to turn each item for the selected Part on or off.
When the button is set to ON, the corresponding parameter settings are called up automatically together
with the Voice selection. For information on which parameters are linked to each item, see below.
The Organ Flute Voices can be edited by adjusting the footage levers, adding the attack sound, applying
effects and equalizer, etc.
1 Select the desired Organ Flutes Voice.
1-1 Press the [ORGAN FLUTES] button.
1-2 Press the [I] (PRESET) button to call up the Voice Selection display.
1-3 Press one of the [A]–[J] buttons to select the desired Voice.
2 Press the [5 ] (VOICE SET) button to call up the VOICE SET display.
3 Use the TAB [E][F] buttons to call up the relevant setting page (FOOTAGE, VOLUME/
ATTACK or EFFECT/EQ).
For information on the available parameters in each page, see pages 20–21.
4 Edit the Organ Flutes Voice.
5 Press the [I] (PRESET) button to call up the Organ Flutes Voice Selection display.
6 Save your edited Voice.
For instructions on the Save operation, refer to “Basic Operations” in the Owner’s Manual.
NOTICE
The settings will be lost if you select another Voice or turn off the power to the instrument without carrying out the Save operation.
FOOTAGE Page
Refer to the Owner’s Manual, chapter 1.
[4 ] VOICE Corresponds to the parameter settings of the COMMON, CONTROL-
LER, and SOUND pages.
[5 ] EFFECT Corresponds to the parameter settings of 1 and 2 in the EFFECT/EQ page.
[6 ] EQ Corresponds to the parameter settings of 3 in the EFFECT/EQ page.
[7 ] HARMONY/
ARPEGGIO
Corresponds to the HARMONY/ARP page.
Editing Organ Flutes Voices
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Yamaha PSR-S775 Manuel utilisateur

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