Lanzar 1055D Manuel utilisateur

USER’S MANUAL

AMPLIFIERS:AMPLIFIERS:

MAXP 1200 / 1055D / 1201D / 1601D / 2051D / 2055D / 2651D

TABLE

OF

CONTENTS

Contents and introdction ----- - ----- - ----- - ----- - ----- - ----------------- - ----- -

Page

J

Amplifier featuer descriptions --- - ----- - -------------- - ----- - -- - -------------- -

_.

Page

2

Monoblock amplifier applications

(MAXP

J 200) ---- - ----- - ----- --------- - -- - -- - -- -

Page

3

Monoblock

class

D amplifier applications

(MAXP

J 055D/MAXP J

20

J D/MAXP J 60 J D/MAXP205 J D/MAXP2055D/MAXP265 J

D)

--- -

_.

Page

4

Setting up systems after installation for best performance ---- - -- - -- - -- - ----------- -

_.

Page

5

Max pro

series

amplifier specifications -- - -- - -- - -- - -- - -- - -- - --- -- - -- - -- - -- - -- - -- - --

Page

6

Troubleshooting -- -- - -- - -- - -- - ----------- - -- - -- - -- - -- - -- - - - - -- - -- - -- - -- - ------

Page

7

INTRODUCTION

Thank

you

for

purchasing

the

Lanzar

MAX

P-

PRG

series amplifier.

Rest

assured

you

have purchased a

quality

product

designed

and

engineered

to

g. e

you

many

years

of

uncompromised musical service.

The

MAXP

PRO

series amplifier has been desigrned using

the

latest

in

electronic

technology

available

today

This

mono

subwoofer amplifer

is

the result

of

advanced high speed switching technology that

overcomes

the

less-efficient classAB design. The

MAxP

PRO

series amplifier reflects

your

true

appreciation

for

powerful

bass

reproduction

in

the

mobile e virol7lment.

This amplifier

is

designed

for

low-frequency

information

only

and

it

is

not

capable

of

reproducing

any

mid/high-frequency

information.

This

is

due

to

the noise intreXluced into the signal

by

the switching speed

of

the

power

supply, which must be

filtered

out

of

the

audio

Signal.

AMPLIFIER

FEATUER

DESCRIPTIONS

~IZOO

~,

o

~.

I.

Une

Out

RCA

Jacks·

The

LINE

OUT

allows

you

to

build

multiple

amplifier

systems

without

having

to

use

splitter

cords

to

distribute

the

signal.

Now

it

is

simple

a

matter

of

bringing

one

set

of

RCAs

into

the

first

amplifier,

then

using

the

line

out

RCA

jacks

as

the

feed

to

the

Z.

Line

Input

RCA .Jacks - These inputs

are

for signal cables from

the

source.

Always

use

high

quality

shielded

RCA cables.

3.

Input

Level

Controls·

Enables

the

matching

of

input

levels

to

the

output

levels

from

the

head

unit!

or

other

signal

source).

4.

Phase

Shift·

Allows

you

to

change

the

phase

of

your

subwoofer

from

0

to

180

degrees

to

help

compensate

for

timing

differences

between

drivers.

Amplifier

Feature

Descriptions:

BAlANCED

INPUT: Accepts balanced line inputs

from

0.4 volts

to

18

volts.

LINE

INPUT:

The Line Inputs

are

the

RCA

input jacks labeled "LINE

INPUr.

This

is

where

the

Radio/CD player

RCA

outputs

connect to. The

line

Inputs accept unbalanced

RCA

inputs

from

0.2 volts

to

9 volts.

UNE

OUTPUT:

The Line

Outputs

are a direct pass·through

from

the

inputs. The

RCA

input

signal from the radio/CD player

is

routed

through

the

amplifier and

out

of

the

Line Outputs.

The outputs

would

connect

to

another

amp

Line Inputs in a multi-amp set-up. This allows

you

to

daisy

chain

multiple

amps

from

a single set

of

RCA

cables

from

the

radio/CD

player.

LEVEL: The

input

level

control

allows

you

to

match

the

amplifier

input

sensitivity

to

the

output

level

of

the

RADIO/CD player from 0.2 Volts

to

9 volts

when

using unbalanced

RCA

cables. The

level

control

needs

to

be

adjusted

to

match

the

line

level

Sensitivity fthis

is

the

amount

of

voltage

the

radio/CD player

RCA's

provide. Example:

If

the

radio/CD player Line

level

Sensitivity

is

4 volts,

adjust

the

amp

level

control

to

4 volts

SUBSONIC:

The variable SubsoniC filter

is

for

subwoofer

applications

that

require

very

low

tuning

frequencies typically

around

15Hz - 35Hz.

BASS

EQ:

Variable

Bass

Boost

from

0

to

1

OdB

at

a fIXed 45Hz.

LOW

PASS: Fully adjustable crossover

from

35

to

250Hz.

~I055D/~IZOID/~160ID

~Z05ID/~Z65ID/~Z055D

5.

Brigde

Mode

6.

Variable

Bass

Boost

Control·

0 - + 10dB

7.

Variable

Subsonic

Filter·

15Hz-35Hz

8.

Low

Pass

Filter·

When

Crossover

Mode

Selector

is

in

Low

Pass

Mode,

this

control

limits

the

frequencies

which

will

be

distributed

to

the

speakers

to

those

below

the

value

to

which

this

is

set

within

the

range

35Hz-250Hz.

9.Power

&

Protection

Indicator

..

Provde

instant

information

on

status

of

amplifier,

including

short-circuit

and

thermal

overload

alerts.

10.

Balanced

input:

Accepts

line

level

balanced

input

from

0.4v

to

18v.

PHASE

SHIFT: The

Phase

Shift

is

fully adjustable

from

0

to

180 degrees

and

this allows

you

to

control

the

timing

of

the

subwoofers. This

is

commonly

used

when

the

subwoofers are installed

in each

front

door.

SYSTEM

DIAGNOSnCS:

The amplifier has built-in

monitoring

devices

and

protection

circuits

that

monitor

all vital functions

of

the

amplifier. The Protection

light

does

not

come

on

to

indicate

there

is

a failure,

it

comes

on

when

it

detects

an

improper

operation.

Common

issues

that

cause.

Protection status are:

-

THERMAL:

The

amp

has

an

internal temperature sensor

that

will

automatically

shut

off

the

amp

if

it

reaches dangerous

temperature

levels.

-

OVER

LOAD:

If

the

amp

is

run

at

an

improper

impedance,

the

amp

will

shut

down.

If

you

are

-CUPPING- speakers / subwooferfsJ,

the

light

will

blink

to

indicate a

hard

Clip.

• DC PROTECT: In

the

unlikely event

the

amp

should internally fail,

the

amp

will

shut

down

to

prevent

a DC

voltage

output

to

the

speakers

or

sub.

REMOTE:

The Remote

Module

plugs

into

the

Remotejack

and

allows

you

to

adjust

the

level.

MAXPI

ZOO

MONO

BLOCK

AMPLIFIER

APPLICATIONS

Basic

application

Interconnect cable checklist:

- Connect

the

line inputs

to

a Radio/CD

RCA

outputs

or

line

output

of

the

full range primary amplifier

with

good

quality

RCA

cables. A "Y" adapter

may

be

needed

as

shown

in

the

diagram.

- Use

at

least

16

gauge speaker wiring. These amplifiers have

dual speaker terminals, simplifying

the

hookup

of

multiple

speakers

Crossover frequency

control

checklist:

-

LOWPASS:

35Hz

to

250Hz

-

SUBSONIC:

15Hz

to

35Hz

-

BASS

EO:

0

to

1

OdB

-

PHASE:

0

to

180 degrees

Level control

checklist:

- Refer

to

the

section 'Setting

up

systems after installation

for

best performance-

Minimum final loudspeaker impedance:

- 1 ohm.

/------------------,

I

FULL

RANGE

I

STEREO

UNE

INPUT

Y-ADAPIOR

o

---C:

0

----+

~

I

\

NOT

USED I

------------------~

*Note:

You

can

use

the

Radio/CD

designated

mono

line

output

or

a

full

range

stereo

line

output.

For

full

range

stereo

line

output,

you

will

need

an

optional

'Y-Adaptor"

as

shown

Dual

Subwoofer

Application

TOM.nmn'+I2V

-_.

--

II

CHAllIS

GIIOWm

~PI055D/~PI201D/~PI601D/~P2051D/~P2651D

~P2055D

MONO

BLOCK

CLASS D

AMPLIFIER

APPLICATIONS

Basic application

Interconnect cable checklist:

- Connect

the

line inputs

to

a Radio/CD

RCA

outputs

or

line

output

of

the

full range primary amplifier

with

good

quality

RCA

cables.

A

"Y" ada

per

may

be needed

as

shown in

the

diagram.

-

Use

at

least

16

gauge

speaker wiring. These amplifiers have dual

speaker

terminals, simplifYing

the

hookup

of

multiple speakers

Crossover frequency control checklist:

- lOWPASS: 35Hz

to

250Hz

-

SUBSONIC:

15Hz

to

35Hz

-

BASS

EO:

0

to

10dB

-

PHASE:

0

to

180 degrees

level

control checklist:

- Refer

to

the

section 'Setting

up

systems after installation for best

performance"

Minimum final loudspeaker impedance:

-I

ohm.

,

---------

---------,

I

FULL

RANGE

STEREO LINE INPUT

--c

--

=

NOTUSED

\

---------'"

I

*Note:

You

can use

the

Radio/CD

designated

mono

line

output

or

a

full

range

stereo

line

output.

For

full

range

stereo

line

output,

you

will

need

an

optional

ny-Adaptor'" as

shown

-4

nl!RBJU1I1!

."""'"

a

Dual

Subwoofer

Application

_0

8UBWOOFER

TOBATTERY+1JV

w"

....

"'CAR.,....

AUTO

ANTENNA

..

SUIIWOOFER

...

.....

-"

........

-,-,-_

....

"""""""'-....)

..

00

SUIIWOOFER

~

SETTING

UP

SYSTEMS AFTER INSTALLATION FOR BEST PERFORMANCE

General:

At

this

point

you

are ready

to

get

more specific

on

the

settings

for

your

amplifier.

Subsonic:

This setting acts

as

a

low

frequency

cut

off

for

your

system

bass

reproduction. The

point

that

you

set

it

at

cuts

off

any

frequencies from reproduction

beyond this point. The

12

o'clock position

is

a great starting point.

EXAMPLE:

If

you

adjust

the

Subsonic

to

25Hz,

the

amplifier will

not

play frequencies

below

25Hz

but

will

play frequencies from 25Hz

to

the

chosen

Low

Pass

frequency.

8assEQ:

This setting

is

a fixed

bass

boost

at

45Hz

that

is

variable from 0-I

OdB.

This feature provides impact

to

your

bass,

but

if

not

adjusted correctly,

it

can be

over used

and

cause damage

to

your

subwoofers

and

amplifiers.

It

is

best

to

slowly

turn

this setting clockwise until

the

desired

punch

is

felt.

it

is

not

recommended

to

exceed

the

12

o'clock position unless listening

at

a

low

volume

or

a

low

recording quality

as

this can result in

high

distortion and

possibly clipping.

Low

Pass:

The

Low

pass

control acts

as

a ceiling

and

doesn't

allow

frequencies

to

the

right

of

the

desired setting

to

be reproduced. The

12

o'clock position

is

a

great starting point.

EXAMPLE:

If

you

adjust

the

Low

Pass

to

BOHz,

the

amplifier will

not

play frequencies above 80Hz

but

will play frequencies from

80Hz

to

the

chosen Subsonic frequency.

Phase:

The variable

Phase

adjustment allows

you

to

change

the

relative time

that

the

waveform meets

your

ear. With standard subwoofer installations

where

the

subwoofer

is

behind you,

the

Phase

should generally be

at

O.

When

subwoofers

or

woofers are in the kick panels

or

door

panels,

the

Phase

adjustment

is

useful in delaying

the

timing

of

the

wave

meeting

your

ear

by

adjusting

the

potentiometer

to

I

BO

degrees.

LeveIIGAlNJ

Control

Setup:

Ensure

that

the

Level

is

turned completely

to

the

left prior

to

turning

the system on. Next

you

should insert a

CD

or

cassette

that

you

are familiar

with

to

use

as

a reference,

and

turn

the

head

unit

volume control

to

about

80%

of

its full setting. The system sound level

will

of

course be very low,

and

the

following

procedures will help

you

to

match

the

amplifier

input

sensitivities properly

to

the head

unit

output

signal level.

It

is

important

to

match

the

amplifier LEVEL

input

sensitivity

to

the

Radio/CD

output

sensitivity. This can

be

located in

the

Radio/CD manual.

If

the

Radio/CD

output

sensitivity

is

2 volts,

then

adjust

the

amplifier LEVEL

input

to

2 volts.

If

you

are

not

sure

what

the

Radio

output

sensitivity

is,

follow

these general

guide

lines:

Turn

the

level control

up

slowly, till

you

hear distortion, then back

off

a

few

degrees

on

the

control.

If

at

any

point

your

amplifier goes

into

protection,

you

will need

to

turn

the

Level

to

the

left a bit

and

then

try again.

If

you

reach a

point

where

the

output

does

not

increase, stop

turning

the

Level

control

to

the

right

as

the

amplifier/subwoofer combo has reached its maxx

output

in this application.

Lanzar

MAX

PRO

SERIES

AMPLIFIER

FEATURES

output

Power Rating

MAXPI200 MAXPIOSSD

MAXPI20lD

MAXPI60lD

MAXP20SID MAXP205SD MAXP26SID

4Ohmload

450xl

Ix250W

Ix500W

Ix750W

lxl000W

lx625W

lx1250W

2-Ohm load

900xl

lx500W

Ix

1

OOOW

lx1500W lx2000W

lx1250W

lx2500W

l-Ohm

load

1800xl

lxl000W

lx2000W lx3000W lx4000W

lx2500W

lx5000W

O.S-Ohm

load

NA

lx2000W

NA NA

NA

lx5000W

NA

Electrical Specifications

Slow Un-Mute Tum-On (soft start)

YES YES YES YES YES

YES

Dampening Factor

>200 >300 >300 >300 >300 >300 >300

Signal

To Noise Ratio (A-weighted)

>95d8 >95dB >95dB >95dB >95dB >95dB >95dB

THD

& Noise

<0.05% <0.50% <0.50% <0.50% <0.50% <0.50% <0.50%

Variable

Input

level

Controllunbalanced)

0.2V-9V 0.2V-9V

0.2V-9V

Input

Level Control ( balanced)

0.04V-

18V

0.04V-

18V

0.04V-

18V

0.04V-

18V

0.04V-

18V

0.04V-

18V

0.04V-

18V

Input

Impedance (un-balanced)

47k-Ohm 47k-Ohm

47k-Ohm 47k-Ohm 47k-Ohm

47k-Ohm

Input

Impedance (balanced)

20k-Ohm 20k-Ohm

20k-Ohm 20k-Ohm 20k-Ohm

20k-Ohm 20k-Ohm

Power / Diagnostic

L.E.D.

Yes Yes

Yes

Yes Yes Yes

Protection:

DC.

Speaker

Short

Thermal. Overload

Yes Yes Yes Yes

Yes

Power Supply MOSFET

Yes Yes Yes Yes

Yes

Yes Yes

Audio

Output

MOSFET

Yes Yes Yes Yes

Yes

Yes Yes

Crossover:

Variable

Low

Pass

Filter / 24dB

35Hz-250Hz 35Hz-250Hz

35Hz-250Hz

35Hz-250Hz 35Hz-250Hz

Variable Subsonic Filter / 24dB

15Hz-35Hz

15Hz-35Hz 15Hz-35Hz 15Hz-35Hz

15Hz-35Hz

Variable

Bass

EQ

OdB-+

10dB

OdB

- + 10dB

OdB-+

10dB

OdB

- + 10dB

OdB-+

10dB

OdB-+l0dB

OdB-+

10dB

Phase Shift

(0 - + 180 degrees)

Yes Yes Yes

Yes

Yes Yes

Cronnector Type:

Unbalanced Inputs

(RCA)

Yes

Yes Yes

Yes

Balanced Inputs (DIN)

Yes Yes Yes Yes Yes Yes Yes

Line

Output

(RCA)

Yes

Yes Yes Yes Yes

Speaker Terminals (molded)

12

gao

12

gao

12ga.

12

gao Oga. Oga. Oga.

Power/Ground Terminals

(molded)

4ga. 4ga.

4ga.

Oga. Oga. Oga.

Remote

INCLUDED INCLUDED INCLUDED INCLUDED INCLUDED INCLUDED INCLUDED

30Ax3

40Ax3

35Ax3

40Ax4

200A 250A 250A

Fuses:

(not

included)

(not

included)

(not

included)

Dimensions

(W

x H x

L)

Inches IO.16

W

x

25b

W

xIO.9I

W

IO.16

W

x 2.56

W

x12.8

W

TO.16

W

x 2.S6

W

xI2.BW

IO.16

W

x 2.S6

W

xlS.6r

IO.16

W

x 2.S6

w

xla

w

TO.

16

w

x 2.S6

w

x21.7r

IO.16

w

x 2.S6

w

x2T.73

w

Note:

All

features sUbject

to

change

without

notice

TROUBLESHOOTING

Before

removing

your

amplifier,

refer

to

the

list

below

and

follow

the

suggested

procedures.

Always

test

the

speakers

and

their

wires

first.

AMPLIFIER

WILL

NOT

POWER

UP.

Check

for

good

ground

connection.

Check

that

remote

DC

terminal has

at

least 13.Bv

DC.

Check

that

there

is

battery

power

on

the

+terminal.

Check all

fuses.

Check

that

Protection

lED

is

not

lit.

If

it

is

lit

shut

off

amplifier briefly and

then

repower

it.

HIGH

HISS

OR

ENGINE

NOISE

(ALTERNATOR

WHINE)

IN

SPEAKERS.

Disconnect

all

RCA

inputs to the

amplifierlsJ.jf

hiss/noise

disappear>.

then plug in the component driving the amplifier and unplug

its

inputs. If

hiss

/ noise

disappear>.

go

on

until the faulty/noisy component

is

found.

It

is

best

to

set

the

amplifier's

input

level

as

insensitive

as

possible. The best

SUbjective

SIN

ratio

is

oblainable this

way.

Try to drive

as

high a

signal

level

from the head

unit

as

possible.

PROTECTION

LED COMES

ON

WHEN

tT

HE

AMPLIFIER

IS

POWERED

UP.

Check

for

shorts

on

speaker leads.

Check

that

the

volume control

on

the

heiJd

unit

is

turned

down

low.

Remove speaker

leads.

and

reset

the

am/Jlifier.

If

the

P

otection

LED still

comes

on.

then

the

amplifier

is

faulty.

Check

that

the

minimum

speaker imped<lnce

for

that

model

is

correct.

Check

for

speaker shorts.

Check

that

there

is

good

airflow

around

the

amplifier. In some applications,

an

external cooling fan may be required.

DISTORTED

SOUND

Check

that

the

level

contrails)

is

set

to

match

the

signal Ie

Check

that

all crossover frequencies have been properly

set.

-.

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