Roland AT-30R Manuel utilisateur

Marque: Roland

Modèle: AT-30R

Catégorie: Pianos numériques

Taper: Manuel utilisateur

Ce manuel convient également à

AT30R

0RGHGHPSORL

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Avant d’installer cet appareil, lisez attentivement les chapitres

«RÈGLES DE SÉCURITÉ» (p. 2), «CONSIGNES D’UTILISATION» (p.

3), et «REMARQUES IMPORTANTES» (p. 4-5) qui rassemblent des

informations essentielles permettant une mise en œuvre correcte

de l’appareil. De plus, afin de pouvoir tirer parti des nombreuses

fonctionnalités de votre nouvelle acquisition, nous vous

conseillons de lire attentivement et préalablement l’ensemble de

ce manuel. Conservez-le en lieu sûr afin de pouvoir vous y

reporter ultérieurement en cas de besoin.



soit, est strictement interdite sans l’accord préalable de ROLAND CORPORATION

ATTENTION

RISQUE DE CHOC ÉLECTRIQUE

NE PAS OUVRIR

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

L’éclair fléché au centre d’un triangle équilatéral prévient

l’utilisateur de la présence de courants élevés dans

l’appareil, pouvant constituer un risque d’électrocution en

cas de mise en contact avec les composants internes.

Le point d’exclamation au centre d’un triangle équilatéral

prévient l’utilisateur de la présence d’instructions

importantes dans le mode d’emploi concernant la mise en

œuvre et l’entretien de l’appareil.

INSTRUCTIONS RELATIVES AUX BLESSURES, RISQUES D'ÉLECTROCUTION ET D'INCENDIE.

RÈGLES DE SÉCURITÉ

- À CONSERVER -

AVERTISSEMENT - L'utilisation d'appareils électriques nécessite un certain nombre de précautions élémentaires

incluant les règles qui suivent :

Lisez toutes les instructions avant d'utiliser cet appareil.

Ne l'utilisez pas dans des endroit humides ou à proximité

d'une baignoire, d'une machine à laver, d'un évier, d'une

piscine etc.

Ce produit ne doit être utilisé que dans les conditions et sur

les supports recommandés par le fabricant.

Cet appareil, qu'il soit utilisé seul ou avec un amplificateur,

un casque ou des haut-parleurs, peut produire des niveaux

sonores capables de provoquer une perte définitive de

l'accuité auditive. Ne le faites pas fonctionner à un niveau

exagéré ou douloureux. Si vous ressentez une perte

d'audition ou des sifflements dans les oreilles, consultez

immédiatement un médecin.

Cet appareil ne doit être installé que dans des endroits où

rien ne gêne sa ventilation.

Il doit être maintenu à distance des sources de chaleur telles

que radiateurs, bouches de chauffage ou autres appareils

susceptibles de monter en température pendant leur activité.

Cet appareil ne doit être raccordé qu'à une source électrique

du type indiqué dans le manuel et/ou indiqué sur son

châssis.

10.

11.

En cas d'inactivité prolongée, débranchez le cordon

d'alimentation de la prise secteur.

Veillez à ce qu'aucun objet ou liquide ne puisse être

indroduit par les orifices de ventilation ou répandu

accidentellement sur l'appareil.

Vous devez impérativement faire réviser votre appareil par

un personnel qualifié dans les cas suivants :

Le cordon d'alimentation a été endommagé.

Des objets ou des liquides sont tombés ou ont été

introduits dans l'appareil.

L'appareil a été exposé à la pluie.

L'appareil ne semble pas fonctionner normalement ou

présente des performances dégradées.

L'appareil est tombé ou son boîtier a été endommagé

Ne tentez aucune opération de maintenance autre que

celles clairement décrites dans le mode d'emploi. Toute

autre intervention ne doit être réalisée que par un personnel

qualifié.

IMPORTANT : LES COULEURS DES FILS DU CORDON SECTEUR CORRESPONDENT AU CODE SUIVANT :

BLEU :

MARRON :

Si les couleurs des fils de votre prise secteur (ou l'identification de ses bornes) ne correspondaient pas à ce code, procédez

comme suit :

Le fil BLEU doit être relié à la borne marquée d'un N ou de couleur NOIRE.

Le fil MARRON doit être relié à la borne marquée d'un L ou de couleur ROUGE.

Aucun de ces fils ne doit jamais être relié à la terre d'une prise à trois broches.

NEUTRE

PHASE

Pour le Royaume-Uni

Cet appareil peut être équipé d'une prise polarisée (une lame plus large que l'autre) . Il s'agit d'une mesure de sécurité.

Si vous ne pouvez pas insérer cette prise dans votre prise secteur, contactez un électricien pour mettre votre installation

aux nouvelles normes. N'annulez pas la sécurité que représente cette mesure.

À propos des prises polarisées :

CAUTION:

ATTENTION:

TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE

DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU' AU FOND.

Pour les États-Unis

Pour le Canada

N’OUVREZ PAS LE CAPOT (OU LE PANNEAU ARRIÈRE) DE

L’APPAREIL. IL NE CONTIENT AUCUN COMPOSANT QUI PUISSE

ÊTRE ENTRETENU PAR L’UTILISATEUR. REPORTEZ-VOUS

AUPRÈS D’UN SERVICE DE MAINTENANCE QUALIFIÉ.

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Signale des instructions avertissant

l'utilisateur d'un risque de blessures ou

de dommages matériels si l'appareil

n'est pas utilisé correctement.

* « Dommages matériels » fait référence

aux dommages ou aux conséquences

sur les bâtiments et le mobilier ainsi

qu'aux animaux domestiques ou de

compagnie.

Signale des instructions avertissant

l'utilisateur d'un risque de mort ou de

blessures graves si l'appareil n'est pas

utilisé correctement.

Le symbole ● signale des éléments qui doivent être

manipulés ou mobilisés. Leur nature est indiquée par

l'icône situé au centre du cercle. Dans le cas ci-contre, il

signale que le cordon d'alimentation doit être

débranché de la prise secteur.

Le symbole signale des instructions ou des

avertissements importants dont le sens précis est fourni

par l'icône situé au centre du triangle. Dans le cas ci-

contre, il s'agit de précautions ou d'avertissements

généraux et de mises en gardes contre un danger.

Le symbole signale des éléments qui ne doivent pas

être enlevés ou ne doivent pas être touchés. Leur

nature est indiquée par l'icône situé au centre du cercle.

Dans le cas ci-contre, il signale que l'appareil ne doit

pas être démonté.

CONSIGNES D'UTILISATION

AVERTISSEMENT

ATTENTION

OBSERVEZ SCRUPULEUSEMENT LES INSTRUCTIONS SUIVANTES

INSTRUCTIONS POUR EVITER TOUT RISQUE D'INCENDIE, D'ÉLECTROCUTION OU DE BLESSURE

À propos des mentions AVERTISSEMENT et ATTENTION À propos des symboles

REMARQUES IMPORTANTES

291b

En plus des recommandations contenues dans les chapitres «RÈGLES DE SÉCURITÉ» et «CONSIGNES D’UTILISATION»,

pages 2 et 3, nous vous demandons de lire attentivement et de respecter ce qui suit :

Alimentation

301

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Positionnement

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355

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401a

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Pertes de données

452

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503

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Précautions supplémentaires

551

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JDUGHVVXUGLVTXHWWHV

552

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553

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554

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556

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557

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Manipulation du lecteur de disquettes

602

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603

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604

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OjHQFRUHVDQVYLROHQFHH[FHVVLYH

605a

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606

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607

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608

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Manipulation des disquettes

651

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652

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653

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Onglet de protection

FONCTIONNALITÉS

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Principales fonctionnalités

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Sommaire ................................................................................... 8

Contrôles et fonctions ................................................................ 12

Avant de commencer ................................................................. 15

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3UpFDXWLRQVFRQFHUQDQWODEDQTXHWWH

5DSSHOGHVUpJODJHVSDUGpIDXW

$IILFKDJHVVXUpFUDQERXWRQ'LVSOD\([LW

eFUDQGHVU\WKPHV 

eFUDQGXFRPSRVLWHXU

Prise en main de l’AT-30R ......................................................... 19

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eFRXWHGHVPRUFHDX[GHGpPRQVWUDWLRQ

6pOHFWLRQGHVYRL[ 

9RL[HWSDUWLHV3DUWV

)RQFWLRQVOLpHVDX[ERXWRQVGHVpOHFWLRQ8SSHU/RZHU3HGDO%DVV

6pOHFWLRQGHVYRL[GHVFODYLHUVVXSpULHXUHWLQIpULHXU8SSHU/RZHU 

6pOHFWLRQGHODYRL[GXSpGDOLHU3HGDO%DVV 

6pOHFWLRQGHYRL[6ROR

6pOHFWLRQG·XQHYRL[jO·DLGHGXERXWRQ>2WKHUV@ 

5pJODJHGHODEDODQFHERXWRQV3DUW%DODQFH

7UDQVSRVLWLRQG·RFWDYHVERXWRQ2FW6KLIW

8WLOLVDWLRQGHVYRL[KXPDLQHV

6pOHFWLRQG·XQHYRL[KXPDLQH+XPDQ9RLFH 

$IIHFWDWLRQGHVSHUFXVVLRQVHWGHVHIIHWVVRQRUHVDXFODYLHU 

$IIHFWDWLRQGHVSHUFXVVLRQVDXFODYLHULQIpULHXU0DQXDO'UXPV

&KDQJHPHQWGH'UXP6HW

Utilisation des rythmes (Music Style) .......................................... 34

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6pOHFWLRQG·XQU\WKPH

8WLOLVDWLRQGHVU\WKPHV³'pSDUWHWDUUrW

'pPDUUDJHSDUO·DSSXLVXUXQERXWRQ

'pPDUUDJHDXWRPDWLTXHHQMRXDQWVXUOHFODYLHULQIpULHXURXVXUOHSpGDOLHU

²©6\QF6WDUWª 

$UUrWGHODERvWHjU\WKPH 

Sommaire

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$MRXWGHYDULDWLRQVjXQU\WKPH

8WLOLVDWLRQGHVU\WKPHVHWGHO·DFFRPSDJQHPHQW 

&KDQJHPHQWVGHWHPSRYLWHVVHERXWRQ7HPSR 

$FFRUGVjGRLJWpVLPSOLILp 

&RQGXFWHXUGHEDVVHERXWRQ/HDGLQJ%DVV

0DLQWLHQGHVQRWHVDXFODYLHULQIpULHXUIRQFWLRQ/RZHU+ROG

$FFqVVLPSOLILpDX[UpJODJHVG·DFFRPSDJQHPHQW³2QH7RXFK3URJUDP

5DSSHOGHVUpJODJHVOHVSOXVDGDSWpVSRXUFKDTXHU\WKPH 

8WLOLVDWLRQG·XQU\WKPHVW\OHPXVLFDOjSDUWLUG·XQHGLVTXHWWH

,QVHUWLRQHWpMHFWLRQG·XQHGLVTXHWWH

eFRXWHGHVU\WKPHVSUpVHQWVVXUODGLVTXHWWH 

&RSLHG·XQU\WKPHVXUGLVTXHWWHHQPpPRLUHLQWHUQH

5DSSHOGHVUpJODJHVSDUGpIDXWGHVU\WKPHVDVVRFLpVDXERXWRQ>'LVN@

Ajout d’effets sur une voix ........................................................ 46

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&KDQJHPHQWGXW\SHG·KDUPRQLVDWLRQ

(IIHW5RWDU\ 

(IIHW&KRUXV 

(IIHW5HYHUE

(IIHW6XVWDLQ 

Fonctions de lecture ................................................................... 51

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([pFXWLRQGHODSDUWLHGHSpGDOHDXFODYLHU³ERXWRQ>7R/RZHU@ 

7UDQVSRVLWLRQGDQVXQHWRQDOLWpGLIIpUHQWHERXWRQ7UDQVSRVH

&RQWU{OHGXYROXPHjO·DLGHGHODSpGDOHG·H[SUHVVLRQ 

$OORQJHPHQWGHODGXUpHGHODQRWHSpGDOHGHPDLQWLHQ

5pJODJHGHODFODUWpGXWLPEUH

8WLOLVDWLRQGHVLQWHUUXSWHXUVDXSLHG 

Utilisation des boutons de registration ....................................... 55

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0pPRULVDWLRQGHVUHJLVWUDWLRQV

5DSSHOG·XQHUHJLVWUDWLRQ 

&RPPHQWDSSHOHUXQHUHJLVWUDWLRQ

7HPSRULVDWLRQGHO·DSSHOGHVUHJLVWUDWLRQV 

(QUHJLVWUHPHQWDXWRPDWLTXHGHVPRGLILFDWLRQVGHVUpJODJHVGXSDQQHDXDYDQW

$WWULEXWLRQG·XQQRPjXQHQVHPEOHGHUHJLVWUDWLRQV 

&RSLHVpOHFWLYHGXQRPGHODUHJLVWUDWLRQ

6DXYHJDUGHGHVHQVHPEOHVGHUHJLVWUDWLRQVXUGLVTXHWWHERXWRQ6DYH

&KDUJHPHQWGDQVO·$75GHUHJLVWUDWLRQVSUpDODEOHPHQWVDXYHJDUGpHVERXWRQ/RDG

&KDUJHPHQWG·XQHQVHPEOHGHUHJLVWUDWLRQV

&KDUJHPHQWG·XQHUHJLVWUDWLRQVSpFLILTXH 

6XSSUHVVLRQG·XQHQVHPEOHGHUHJLVWUDWLRQVVDXYHJDUGpHV 

8WLOLVDWLRQGHUHJLVWUDWLRQVFUppHVVXUXQPRGqOHSUpFpGHQW

Fonctions d’enregistrement et de lecture .................................... 66

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(QUHJLVWUHPHQWG·H[pFXWLRQVERXWRQ5HF 

(QUHJLVWUHPHQWGHFKDTXHSDUWLHVpSDUpPHQW 

/HFWXUHG·XQPRUFHDXERXWRQ3OD\

&RXSXUHG·XQHSLVWH²IRQFWLRQ0XWH 

5pHQUHJLVWUHPHQW

(IIDFHPHQWG·XQPRUFHDX&OHDU

Sommaire

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)RUPDWDJHGHVGLVTXHWWHV

0RGLILFDWLRQGXQRPG·XQPRUFHDX5HQDPH 

6DXYHJDUGHGHVPRUFHDX[VXUGLVTXHWWHVERXWRQ6DYH

6DXYHJDUGHDXIRUPDW0,',)LOH60)

&KDUJHPHQWGHPRUFHDX[GDQVO·$75

$MRXWGHQRXYHOOHVGRQQpHVVXUXQPRUFHDXDXIRUPDW60)

/HFWXUHGHPRUFHDX[HQUHJLVWUpVVXUGLVTXHWWHV 

(IIDFHPHQWGHPRUFHDX[VXUGLVTXHWWHV 

5pHQUHJLVWUHPHQWGHIUDJPHQWVGXPRUFHDX³HQUHJLVWUHPHQWSDULQVHUWLRQ3XQFKLQ 

(QUHJLVWUHPHQWSDUSDVVDJHVVXFFHVVLIV³HQUHJLVWUHPHQWHQERXFOH/RRS5HFRUGLQJ

Réglages du compositeur (bouton Function) ............................... 87

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'pFRPSWHSUpDODEOH 

0RGLILFDWLRQGHVUpJODJHVGXPpWURQRPH

9ROXPHGXPpWURQRPH 

&KDQJHPHQWGXVRQGXPpWURQRPH

5pJODJHGHODPHVXUH

)RQFWLRQQHPHQWGHODSpGDOHG·H[SUHVVLRQ([S6RXUFH 

)RQFWLRQQHPHQWSHQGDQWO·HQUHJLVWUHPHQW

)RQFWLRQQHPHQWSHQGDQWO·pFRXWH

0XWHGHSDUWLHVLQGLYLGXHOOHVSHQGDQWODOHFWXUHGHPRUFHDX[

$IILFKDJHHWPDVTXDJHGHVSDUROHVGHVFKDQVRQVVXUO·pFUDQ 

Menu Edit (édition des morceaux) .............................................. 91

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6XSSUHVVLRQG·XQHSDUWLHHQUHJLVWUpH'HOHWH0HDVXUH%DU

6XSSUHVVLRQGHO·HQUHJLVWUHPHQWG·XQHSLVWH'HOHWH7UDFN

(IIDFHPHQWG·XQHQUHJLVWUHPHQW(UDVH 

&RSLHG·XQHQUHJLVWUHPHQW&RS\

&RUUHFWLRQGHVHUUHXUVGHPLVHHQSODFH4XDQWL]H

Réglage des effets ..................................................................... 96

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0RGLILFDWLRQGXW\SHGHUpYHUEpUDWLRQ

0RGLILFDWLRQGHODSURIRQGHXUGHODUpYHUEpUDWLRQ 

0RGLILFDWLRQGHODGXUpHGXVXVWDLQPDLQWLHQ 

Autres réglages (bouton Utility) ................................................. 98

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7RXFKHUVHQVLWLI,QLWLDO7RXFK212))

0RGHGXSpGDOLHU

0RGHGHVYRL[6ROR

&KDQJHPHQWGHUHJLVWUDWLRQXWLOLVDWLRQGHO·LQWHUUXSWHXUGURLWGXSpGDOLHU

$VVLJQDWLRQGHVLQWHUUXSWHXUGURLWHWJDXFKHGXSpGDOLHU

$VVLJQDWLRQGHODSpGDOHGHPDLQWLHQ

*HVWLRQGHODIRQFWLRQ*OLGH 

6pOHFWLRQPDQXHOOHGHV'UXP6HW 

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0DLQWLHQG·DFFRUG&KRUG+ROG212))

$SSHOG·DUUDQJHPHQWGHSXLVOHVERXWRQVGHUHJLVWUDWLRQ 

$SSHOG·XQHWUDQVSRVLWLRQGHSXLVOHVERXWRQVGHUHJLVWUDWLRQ 

&DQDOGHWUDQVPLVVLRQ0,',

Sommaire

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7UDQVPLVVLRQ0,',GHVFKDQJHPHQWVGHSURJUDPPH

1XPpURVGHFKDQJHPHQWGHSURJUDPPH3&1XPEHUV 

$FFRUGDJH

/XPLQRVLWpGHO·pFUDQ 

Connexion d’appareils externes .............................................. 104

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$SSDUHLOVDXGLR 

RUGLQDWHXU 

8WLOLVDWLRQGX0,',

&RQQH[LRQGHO·$75jXQLQVWUXPHQW0,',

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0HVVDJHVG·HUUHXU 

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'UXP6HWV

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*ORVVDLUH 

SURSRVGHVJpQpUDWHXUVGHVRQV$7(/,(56HULHV

&DUDFWpULVWLTXHV

,QGH[

Contrôles et fonctions

Marche/arrêt [Power] (

→ p. 15)

Balance des niveaux [

▲] [

▼] (

→ p. 29, p. 50)

Voix du pédalier (

→ p. 25)



9RL[3HGDO%DVV

IRQFWLRQ>7R/RZHU@

→



S

IRQFWLRQ>2FWDYH8S@

→



S

Voix du clavier inférieur (

→ p. 22, p. 23)



9RL[/RZHU2UJDQ

9RL[/RZHU6\PSKRQLF

9RL[/RZHU2UFKHVWUDO

)RQFWLRQ>$OWHUQDWH@

(IIHW>&KRUXV@

→



S



$XWUHVIRQFWLRQV>2WKHUV@

→



S

(IIHWV>(IIHFW@

→



S

7UDQVSRVLWLRQG·RFWDYH>2FW6KLIW@

→



S

7UDQVSRVLWLRQ>7UDQVSRVH@

→



S

)RQFWLRQVXWLOLWDLUHV>8WLOLW\@

→



SS

7\SHG·DIILFKDJH>'LVSOD\([LW@

→



S

0HQXV> @> @

3DUWV> @> @

9DOHXUV9DOXH>@>@



0DLQWLHQFODYLHULQIpULHXU>/RZHU+ROG@

→



S

$FFRUGVLQWHOOLJHQWV>&KRUG,QWHOOL@

→



S

5HQYHUVHPHQWVGHODEDVVH>/HDGLQJ%DVV@

→



S

$UUDQJHXU$UUDQJHU>2Q2II@

→



S

Sustain (maintien) (

→ p. 50)



3pGDOLHU>3HGDO%DVV@

&ODYLHULQIpULHXU>/RZHU@

&ODYLHUVXSpULHXU>8SSHU@

Sélection de rythme (Rhythm) (

→ p. 34)



5K\WKP6HOHFW>@>@

→



S

Programmation simplifiée [One Touch Pro-

gram] (

→ p. 41)

Percussions au clavier inférieur [Manual

Drums] (

→ p. 32)

Tempo [][] (

→ p. 38)

Arrangement (

→ p. 37)



5LFKH>$GYDQFHG@

>9DULDWLRQ@

Breaks / Fill In (

→ p. 37)



9HUVODYDULDWLRQ>7R9DULDWLRQ@

9HUVOHU\WKPHRULJLQDO>7R2ULJLQDO@

Intro et fin de morceau [Intro/Ending] (

→ p. 35)

Démarrage synchronisé [Sync Start] (

→ p. 35)

Départ/Arrêt [Start/Stop] (

→ p. 35)

Power

Part Balance

Orch SoloReverb Org/Symph

Orch

Bass Org/Symph

Accomp

Rhythm

Lower

Synth

Strings

BrassPiano

Lower Symphonic

Lower Orchestral

Strings

Choir

Lower Organ

String

Pedal Bass

Effect

Display/Exit

Part

Transpose

Oct Shift

Others

Value

Utility

Alternate ChorusAlternateAlternate

Organ

Electric

Harpsi

Harp

A.Guitar

Accordion

Harmonica

Pipe

Organ

Lower

Octave

Pipe

Theater

Lower

Others

Manual

Drums

Tempo Fill In

Variation

Advanced

Original

Variation

Arrangement

Standard

Intro/

Ending

Sync

Start

Start/

Stop

Program

One Touch

Set

Select

Rhythm

Hold

Lower

Bass

Leading

Bass

Pedal

Lower Upper

Rotary Sound

Sustain

On/ Off

Intelli

Chord

Arranger

Country Oldies Ballad

Rhythm

Latin 1 Latin 2 Showtime Pops

Acoustic World

Disk

Swing

Big Band

March

Waltz

Others Others Others

Upper

10 11 13

8 9

3 4 5

1412

Contrôles et fonctions

Écran (

→ p. 18)

Indicateur de tempo (

→ p. 38)

Harmonisation intelligente [Harmony Intelli-

gence] (

→ p. 46)

Voix du clavier supérieur (

→ p. 22, p. 23)



9RL[8SSHU2UJDQ

9RL[8SSHU6\PSKRQLF

9RL[8SSHU2UFKHVWUDO

)RQFWLRQ>$OWHUQDWH@

(IIHW>&KRUXV@

→



S

Sélection de voix Solo (

→ p. 26)



9RL[6ROR

)RQFWLRQ>$OWHUQDWH@

Arrangeur (Composer)



'pPRV>$OO6RQJ3OD\'HPR@

→



S

6pOHFWLRQ6HOHFW>@>@

&KDUJHPHQW>/RDG@

→



SSS

)RQFWLRQ>)XQFWLRQ@

→



SS

6DXYHJDUGH>6DYH@

→



SS

>5HJLVWUDWLRQ@

→



SS

3LVWHV7UDFNV

→



SS

,QLWLDOLVDWLRQ>5HVHW@

>6WRS@

/HFWXUH>3OD\@

→



SS

(QUHJLVWUHPHQW>5HF@

→

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SSS

5HWRXU>%ZG@

$YDQFH>)ZG@

Lecteur de disquette (

→ p. 43)

Boutons de registrations



eFULWXUH>:ULWH@

→



S

0RGHPDQXHO>0DQXDO@

→



S

5HJLVWUDWLRQV>@>@

→



S

Beat

MeasureRhythm/Song Name

ChordTe m p o

All Song Play

Demo

Select

Load

SaveFunction

Registration

1R234

Tr a ck

Reset

Stop

Play

Rec

Bwd

Fwd

Composer

Lower Upper Solo ControlAccomp BassRhythm

Rename Clear

Alternate ChorusAlternate AlternateAlternate

Trumpet Sax

Flute

Solo

BrassPiano

Upper Orchestral

Guitar

Upper Symphonic

Strings

Choir

Vibes

Marimba

Accordion

Harmonica

Pipe

Full

Pipe

Full

Theater

Full

Synth

Strings

Jazz

Upper Organ

Harmony Intelligence

Rotary Sound

Others Others Others Others

Write

234 5 781

Manual

22212017

Contrôles et fonctions

Volume général [Master Volume]



(

→ p. 15)

[Brilliance]



(

→ p. 54)

Son rotatif (Rotary Soun



(

→ p. 48

)



>2Q2II@

/HQWUDSLGH>)DVW6ORZ@

■ Sous la partie gauche du clavier (

→ p. 104)

Prise casque (Phones)

Niveau de l’écho sur l’entrée micro (Echo)

Niveau de l’entrée micro (Volume)

Entrée micro (In)

Connecteur ordinateur

Sélecteur connexion ordinateur

MIDI IN/OUT

Sorties gauche (mono) / droite (Output L/R)

Brilliance

Master

Volume

Rotary

Sound

Mellow

Bright

Min

Max

On/Off

Fast /

Slow

25 26 27

L(mono) R

Out In

OutputComputer MIDI

MIDI

Mac

Max

Min

Max

Min

MicPhones

Volume InEcho

28 29 30 31

32 33 34 35

Avant de commencer

Ouverture et fermeture du

couvercle du clavier

fig.01-02

1. Pour ouvrir le couvercle, saisissez-le par les

deux mains et faites-le glisser vers l’arrière.

2. Pour le refermer, tirez-le doucement vers

l’avant.



 )DLWHVDWWHQWLRQjQHSDVYRXVSLQFHUOHVGRLJWVHQRXYUDQWHWHQ

IHUPDQWFHFRXYHUFOH9HLOOH]jFHTX·XQDGXOWHSXLVVHpYHQWXHO

OHPHQWDLGHUGHMHXQHVHQIDQWVjOHPDQLSXOHU

 3DUPHVXUHGHVpFXULWpQHWUDQVSRUWH]O·DSSDUHLOTXHOH

FRXYHUFOHIHUPp

 )DLWHVDWWHQWLRQjQHULHQODLVVHUGDQVO·LQVWUXPHQWSDUWLWLRQ

HWFTXDQGYRXVUHIHUPH]OHFRXYHUFOH

Mise en place du porte-

partition

fig.01-03

1. Insérez les tiges du porte partition dans les

trous prévus à cet effet sur l’appareil.

Branchement du cordon

d’alimentation

1. Commencez par vérifier que l’interrupteur

[Power] situé sur la partie gauche de l’appareil

est en position OFF (relevé).

2. Branchez le cordon fourni dans le connecteur

prévu sur l’appareil, et reliez-le à une prise sec-

teur alimentée.

fig.01-04



 1·XWLOLVH]TXHOHFRUGRQIRXUQLDYHFO·DSSDUHLO

 6LO·DSSDUHLOGRLWUHVWHULQXWLOLVpSHQGDQWXQHORQJXHSpULRGH

GpEUDQFKH]FHFRUGRQGHODSULVHVHFWHXU

Mise sous et hors-tension



 8QHIRLVOHVFRQQH[LRQVHIIHFWXpHVDOOXPH]YRVGLIIpUHQWV

DSSDUHLOVGDQVO·RUGUHSUpFRQLVp8QRUGUHGLIIpUHQWSRXUUDLW

SURYRTXHUGLYHUVG\VIRQFWLRQQHPHQWHWRXHQGRPPDJHUYRV

LQVWUXPHQWVRXYRVKDXWSDUOHXUV

■ Mise sous tension

1. Avant toute mise sous tension, vérifiez les

points suivants.



 /HFRUGRQVHFWHXUHVWLOELHQEUDQFKpGDQVXQHSULVH

DOLPHQWpH"

 /HFRUGRQVHFWHXUHVWLOELHQEUDQFKpVXUO·DSSDUHLO"

 /HFXUVHXU>0DVWHU9ROXPH@VLWXpjODJDXFKHGXFODYLHU

LQIpULHXUHVWLOELHQSRVLWLRQQpVXU0LQPLQLPXP"

fig.01-05

Master

Volume

Min

Max

Avant de commencer

2. Appuyez sur l’interrupteur [Power] pour allumer

l’appareil.

fig.01-06



 &HWDSSDUHLOHVWpTXLSpG·XQFLUFXLWGHSURWHFWLRQ8QHWHPSRUL

VDWLRQGHTXHOTXHVVHFRQGHVHVWGRQFQpFHVVDLUHDYDQWTX·LOVRLW

SUrWjIRQFWLRQQHU

3. Le curseur [Master Volume] situé à gauche du

clavier inférieur permet de contrôler le niveau

sonore général de l’instrument.



3RVLWLRQQH]ODSpGDOHG·H[SUHVVLRQjPLFRXUVH5pJOH]OH

FXUVHXU>0DVWHU9ROXPH@jXQQLYHDXFRQYHQDEOH9RXV

SRXYH]DORUVXWLOLVHUODSpGDOHG·H[SUHVVLRQSRXUGRQQHU

GHVQXDQFHVjYRWUHMHX/HYROXPHDXJPHQWHTXDQGYRXV

HQIRQFH]ODSpGDOHHWGLPLQXHTXDQGYRXVODUHOHYH]

fig.01-07

■ Mise hors tension

1. Avant d’éteindre l’appareil, veillez à ramener le

curseur [Master Volume] en position Min (mini-

mum).

2. Appuyez sur l’interrupteur [Power] pour étein-

dre l’appareil.

Branchement d’un casque



/·$75GLVSRVHG·XQHSULVHFDVTXH/·pFRXWHDXFDVTXH

pYLWHWRXWSUREOqPHGHYRLVLQDJHRXGHWUDYDLODX[KHXUHV

WDUGLYHV

fig.01-08

1. Branchez un casque d’écoute sur la prise cas-

que située sous le clavier.



/HVKDXWSDUOHXUVVRQWDORUVGpFRQQHFWpVHWO·pFRXWHVHIDLW

XQLTXHPHQWDXFDVTXH

fig.01-09

2. Réglez le volume sonore à l’aide du curseur

[Master Volume] et de la pédale d’expression.



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■ Précautions à prendre lors de

l’écoute au casque

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Power

plus fort

moins fort

Master

Volume

Min

Max

Phones

Avant de commencer

Branchement d’un micro



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fig.01-10

1. Branchez le micro sur la prise [Mic In] située

sous le clavier.

2. Réglez le volume d’entrée du micro à l’aide du

bouton [Mic Volume].

3. Utilisez le bouton [Mic Echo] pour ajuster le

niveau d’écho affecté à cette entrée.



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■ Précautions à prendre lors de

l’utilisation d’un micro

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■ Manipulez la banquette avec

précautions



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fig.01-13

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IHUPHWXUHGHODEDQTXHWWH

fig.01-14

•••••••••••

Avant de commencer

Rappel des réglages par

défaut

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1. Vérifiez qu’aucune disquette ne se trouve dans

le lecteur avant de lancer cette procédure.

2. Mettez l’appareil hors tension.

3. Tout en maintenant le bouton [One Touch Pro-

gram] enfoncé, appuyez sur l’interrupteur

[Power] pour remettre l’appareil sous tension.

fig.01-15

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fig.01-16

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Affichages sur écran (bouton

Display/Exit)

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fig.01-17

■ Écran des rythmes

fig.01-18

■ Écran du compositeur

fig.01-19

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fig.01-20

Power

Program

One Touch

Set

Display/Exit

Effect

Part

Transpose

Oct Shift

Others

Value

Utility

Beat

MeasureRhythm/Song Name

ChordTe m po

Rythme

Tempo

Accord

Nom du morceau

Mesure

Tempo Accord

Nom du morceau

N° de morceau

Tempo Accord

Prise en main de l’AT-30R

Écoute des morceaux de démonstration



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

ILJ

Vérifiez qu’aucune disquette n’est présente dans le lecteur.

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Appuyez sur le bouton [All Song Play/Demo] (son témoin s’allume).



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

ILJ

Utilisez les boutons Select [-] et [+] de la section Composer pour

choisir un morceau.

Appuyez sur [Play].



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Vous pouvez arrêter la lecture à n’importe quel moment en

appuyant sur le bouton [Stop].



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All Song Play

Demo

Select

Load

SaveFunction

Registration

1R234

Tr ac k

Reset

Stop

Play

Rec

Bwd

Fwd

Composer

Lower Upper Solo ControlAccomp BassRhythm

Rename Clear

Prise en main de l’AT-30R

●

Si l’écran suivant apparaît

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O·DSSDUHLO

MEMO

REMARQUE

La page charge ...

Roland AT-30R Manuel utilisateur

Marque: Roland

Modèle: AT-30R

Catégorie: Pianos numériques

Taper: Manuel utilisateur

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