Roland AT30R Manuel utilisateur

Catégorie
Pianos numériques
Taper
Manuel utilisateur

Ce manuel convient également à

0RGHGHPSORL
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Avant d’installer cet appareil, lisez attentivement les chapitres
«RÈGLES DE SÉCURITÉ» (p. 2), «CONSIGNES D’UTILISATION» (p.
3), et «REMARQUES IMPORTANTES» (p. 4-5) qui rassemblent des
informations essentielles permettant une mise en œuvre correcte
de l’appareil. De plus, afin de pouvoir tirer parti des nombreuses
fonctionnalités de votre nouvelle acquisition, nous vous
conseillons de lire attentivement et préalablement l’ensemble de
ce manuel. Conservez-le en lieu sûr afin de pouvoir vous y
reporter ultérieurement en cas de besoin.

Copyright © 1999 ROLAND CORPORATION
Tous droits réservés. La reproduction de tout ou partie de ce manuel, sous quelque forme que ce
soit, est strictement interdite sans l’accord préalable de ROLAND CORPORATION
2
ATTENTION
RISQUE DE CHOC ÉLECTRIQUE
NE PAS OUVRIR
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
L’éclair fléché au centre d’un triangle équilatéral prévient
l’utilisateur de la présence de courants élevés dans
l’appareil, pouvant constituer un risque d’électrocution en
cas de mise en contact avec les composants internes.
Le point d’exclamation au centre d’un triangle équilatéral
prévient l’utilisateur de la présence d’instructions
importantes dans le mode d’emploi concernant la mise en
œuvre et l’entretien de l’appareil.
INSTRUCTIONS RELATIVES AUX BLESSURES, RISQUES D'ÉLECTROCUTION ET D'INCENDIE.
RÈGLES DE SÉCURITÉ
- À CONSERVER -
AVERTISSEMENT - L'utilisation d'appareils électriques nécessite un certain nombre de précautions élémentaires
incluant les règles qui suivent :
Lisez toutes les instructions avant d'utiliser cet appareil.
Ne l'utilisez pas dans des endroit humides ou à proximité
d'une baignoire, d'une machine à laver, d'un évier, d'une
piscine etc.
Ce produit ne doit être utilisé que dans les conditions et sur
les supports recommandés par le fabricant.
Cet appareil, qu'il soit utilisé seul ou avec un amplificateur,
un casque ou des haut-parleurs, peut produire des niveaux
sonores capables de provoquer une perte définitive de
l'accuité auditive. Ne le faites pas fonctionner à un niveau
exagéré ou douloureux. Si vous ressentez une perte
d'audition ou des sifflements dans les oreilles, consultez
immédiatement un médecin.
Cet appareil ne doit être installé que dans des endroits où
rien ne gêne sa ventilation.
Il doit être maintenu à distance des sources de chaleur telles
que radiateurs, bouches de chauffage ou autres appareils
susceptibles de monter en température pendant leur activité.
Cet appareil ne doit être raccordé qu'à une source électrique
du type indiqué dans le manuel et/ou indiqué sur son
châssis.
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
A.
B.
C.
D.
E.
En cas d'inactivité prolongée, débranchez le cordon
d'alimentation de la prise secteur.
Veillez à ce qu'aucun objet ou liquide ne puisse être
indroduit par les orifices de ventilation ou répandu
accidentellement sur l'appareil.
Vous devez impérativement faire réviser votre appareil par
un personnel qualifié dans les cas suivants :
Le cordon d'alimentation a été endommagé.
Des objets ou des liquides sont tombés ou ont été
introduits dans l'appareil.
L'appareil a été exposé à la pluie.
L'appareil ne semble pas fonctionner normalement ou
présente des performances dégradées.
L'appareil est tombé ou son boîtier a été endommagé
Ne tentez aucune opération de maintenance autre que
celles clairement décrites dans le mode d'emploi. Toute
autre intervention ne doit être réalisée que par un personnel
qualifié.
IMPORTANT : LES COULEURS DES FILS DU CORDON SECTEUR CORRESPONDENT AU CODE SUIVANT :
BLEU :
MARRON :
Si les couleurs des fils de votre prise secteur (ou l'identification de ses bornes) ne correspondaient pas à ce code, procédez
comme suit :
Le fil BLEU doit être relié à la borne marquée d'un N ou de couleur NOIRE.
Le fil MARRON doit être relié à la borne marquée d'un L ou de couleur ROUGE.
Aucun de ces fils ne doit jamais être relié à la terre d'une prise à trois broches.
NEUTRE
PHASE
Pour le Royaume-Uni
Cet appareil peut être équipé d'une prise polarisée (une lame plus large que l'autre) . Il s'agit d'une mesure de sécurité.
Si vous ne pouvez pas insérer cette prise dans votre prise secteur, contactez un électricien pour mettre votre installation
aux nouvelles normes. N'annulez pas la sécurité que représente cette mesure.
À propos des prises polarisées :
CAUTION:
ATTENTION:
TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE
DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU' AU FOND.
Pour les États-Unis
Pour le Canada
N’OUVREZ PAS LE CAPOT (OU LE PANNEAU ARRIÈRE) DE
L’APPAREIL. IL NE CONTIENT AUCUN COMPOSANT QUI PUISSE
ÊTRE ENTRETENU PAR L’UTILISATEUR. REPORTEZ-VOUS
AUPRÈS D’UN SERVICE DE MAINTENANCE QUALIFIÉ.
3
001
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002a
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014
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015
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016
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102b
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106
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104
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107b
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108d: Selection
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109a
$YDQW GH QHWWR\HU O·DSSDUHLO PHWWH]OH KRUV WHQVLRQ HW
GpEUDQFKH]OHS

110a
(Q FDV GH ULVTXH G·RUDJH pWHLJQH] O·DSSDUHLO HW
GpEUDQFKH]SK\VLTXHPHQWVRQFRUGRQG·DOLPHQWDWLRQ

116
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O·RXYHUWXUHRXODIHUPHWXUHGXFRXYHUFOHS
6XUYHLOOH]SOXVSDUWLFXOLqUHPHQWOHVMHXQHVHQIDQWV

117: Selection
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SRLQWVVXLYDQWV
1·XWLOLVH] SDV FHWWH EDQTXHWWH FRPPH MRXHW RX FRPPH
PDUFKHSLHG
1HYRXVDVVH\H]SDVjGHX[RXSOXV
1H O·XWLOLVH] SDV VL OHV ERXORQV PDLQWHQDQW OHV SLHGV
VHPEOHQWGHVVHUUpV'DQVXQWHOFDVUHVVHUUH]OHV
LPPpGLDWHPHQWDYHFODFOpIRXUQLHjFHWHIIHW
9HLOOH] j QH SDV YRXV SLQFHU OHV GRLJWV HQ RXYUDQW RX HQ
UHIHUPDQWFHWWHEDQTXHWWHSOXVSDUWLFXOLqUHPHQWDXQLYHDXGHV
FKDUQLqUHVPpWDOOLTXHVS
Signale des instructions avertissant
l'utilisateur d'un risque de blessures ou
de dommages matériels si l'appareil
n'est pas utilisé correctement.
* « Dommages matériels » fait référence
aux dommages ou aux conséquences
sur les bâtiments et le mobilier ainsi
qu'aux animaux domestiques ou de
compagnie.
Signale des instructions avertissant
l'utilisateur d'un risque de mort ou de
blessures graves si l'appareil n'est pas
utilisé correctement.
Le symbole signale des éléments qui doivent être
manipulés ou mobilisés. Leur nature est indiquée par
l'icône situé au centre du cercle. Dans le cas ci-contre, il
signale que le cordon d'alimentation doit être
débranché de la prise secteur.
Le symbole signale des instructions ou des
avertissements importants dont le sens précis est fourni
par l'icône situé au centre du triangle. Dans le cas ci-
contre, il s'agit de précautions ou d'avertissements
généraux et de mises en gardes contre un danger.
Le symbole signale des éléments qui ne doivent pas
être enlevés ou ne doivent pas être touchés. Leur
nature est indiquée par l'icône situé au centre du cercle.
Dans le cas ci-contre, il signale que l'appareil ne doit
pas être démonté.
CONSIGNES D'UTILISATION
AVERTISSEMENT
ATTENTION
OBSERVEZ SCRUPULEUSEMENT LES INSTRUCTIONS SUIVANTES
INSTRUCTIONS POUR EVITER TOUT RISQUE D'INCENDIE, D'ÉLECTROCUTION OU DE BLESSURE
À propos des mentions AVERTISSEMENT et ATTENTION À propos des symboles
4
REMARQUES IMPORTANTES
291b
En plus des recommandations contenues dans les chapitres «RÈGLES DE SÉCURITÉ» et «CONSIGNES D’UTILISATION»,
pages 2 et 3, nous vous demandons de lire attentivement et de respecter ce qui suit :
Alimentation
301
1·XWLOLVH]SDVFHWDSSDUHLOVXUOHPrPHFLUFXLWpOHFWULTXH
TXHG·DXWUHVDSSDUHLOVSRXYDQWJpQpUHUXQEUXLWGHOLJQH
PRWHXUVpOHFWULTXHVRXV\VWqPHVG·pFODLUDJHjYDULDWHXU
307
$YDQWWRXWEUDQFKHPHQWDXGLRDVVXUH]YRXVTXHWRXVOHV
pOpPHQWVGXV\VWqPHVRQWELHQKRUVWHQVLRQYRLUH
GpEUDQFKpV9RXVpYLWHUH]DLQVLWRXWULVTXHGHGRPPDJHV
DX[KDXWSDUOHXUVHWDX[DXWUHVDSSDUHLOV
Positionnement
351
/·XWLOLVDWLRQ GH FHW DSSDUHLO SUqV G·DPSOLILFDWHXUV RX
G·DSSDUHLOVFRPSRUWDQWGHJURVVHVDOLPHQWDWLRQVSHXW
LQGXLUHGXVRXIIOH'DQVFHFDVHVVD\H]GHFKDQJHUVRQ
RULHQWDWLRQRXpORLJQH]OHGHODVRXUFHG·LQWHUIpUHQFH
352
&HWDSSDUHLOSHXWLQWHUIpUHUDYHFODUpFHSWLRQG·pPLVVLRQV
UDGLR791HO·XWLOLVH]SDVjSUR[LPLWpGHWHOVUpFHSWHXUV
353
9HLOOH] DX[ SRLQWV TXL VXLYHQW ORUV GH O·XWLOLVDWLRQ GX
OHFWHXUGHGLVTXHWWHVYRXVSRXYH]DXVVLYRXVUHSRUWHUDX
FKDSLWUH©0DQLSXODWLRQGHVGLVTXHWWHVªS
1H SRVLWLRQQH] SDV O·DSSDUHLO j F{Wp G·pOpPHQWV
VXVFHSWLEOHVGHJpQpUHUGHVFKDPSVPDJQpWLTXHV
LQWHQVHVKDXWSDUOHXUVHWF
,QVWDOOH]O·DSSDUHLOVXUXQHVXUIDFHSODQHHWVWDEOH
1H GpSODFH] SDV O·DSSDUHLO HW pYLWH] WRXWH YLEUDWLRQ
TXDQGOHOHFWHXUIRQFWLRQQH
354a
1·LQVWDOOH] SDV O·DSSDUHLO GDQV GHV HPSODFHPHQWV GLUHF
WHPHQWVRXPLVDX[UD\RQVGXVROHLORXjSUR[LPLWpGH
VRXUFHVGHFKDOHXULQWHQVHVQLGDQVXQYpKLFXOH
LPPRELOLVpDXVROHLORXGDQVWRXWHDXWUHFRQGLWLRQGH
WHPSpUDWXUHVH[WUrPHV
355
3RXU pYLWHU WRXW FRXUWFLUFXLW QH OH VRXPHWWH] SDV j OD
SOXLHjO·KXPLGLWpRXjGHVSURMHFWLRQVG·HDX
Entretien
401a
1HWWR\H] O·DSSDUHLO DYHF XQ FKLIIRQ GRX[ HW VHF RX
OpJqUHPHQWKXPLGLILp'DQVOHFDVGHWDFKHVWHQDFHV
XWLOLVH]XQFKLIIRQLPSUpJQpG·XQGpWHUJHQWGLOXpHWQRQ
DEUDVLI(VVX\H]OHHQVXLWHVRLJQHXVHPHQWDYHFXQFKLIIRQ
GRX[HWVHF
402
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DOFRROLVpVRXGHVROYDQWVTXLSRXUUDLHQWDOWpUHUO·HVWKp
WLTXHGHO·DSSDUHLO
Pertes de données
452
/HV GRQQpHV PpPRULVpHV SHXYHQW VH WURXYHU WRWDOHPHQW
HIIDFpHVGDQVFHUWDLQHVRSpUDWLRQVGHPDLQWHQDQFHGDQV
OHFDVRODSDQQHFRQFHUQHODPpPRLUHHOOHPrPHSDU
H[HPSOH9RXVGHYH]GRQFYHLOOHUjOHVVDXYHJDUGHUVXU
GLVTXHWWHVRXjHQFRQVHUYHUXQHWUDFHpFULWHVXUSDSLHU
TXDQGFHODHVWSRVVLEOH0DOJUpWRXWHO·DWWHQWLRQTXH
SHXYHQWSRUWHUOHVFHQWUHVGHPDLQWHQDQFHjODFRQVHU
YDWLRQGHYRVGRQQpHV5RODQGQHVDXUDLWrWUHWHQXSRXU
UHVSRQVDEOHG·DXFXQHSHUWHpYHQWXHOOH
Mémoires permanentes
503
6L O·DSSDUHLO Q·HVW SDV PLV VRXV WHQVLRQ SHQGDQW XQH
ORQJXHSpULRGHHQYLURQVHPDLQHVOHFRQWHQXGHV
PpPRLUHVVHUDSHUGXHWVHUDUHPSODFpSDUOHVYDOHXUVSDU
GpIDXW1RXVYRXVFRQVHLOORQVGRQFG·HIIHFWXHUUpJXOLq
UHPHQWGHVVDXYHJDUGHVVXUGLVTXHWWHV
Précautions supplémentaires
551
ODVXLWHG·XQG\VIRQFWLRQQHPHQWTXHOFRQTXHRXG·XQH
PDXYDLVHPDQLSXODWLRQOHVPpPRLUHVLQWHUQHVSHXYHQW
VHWURXYHUHIIDFpHVLUUpPpGLDEOHPHQW1RXVYRXV
FRQVHLOORQVGRQFG·HIIHFWXHUUpJXOLqUHPHQWGHVVDXYH
JDUGHVVXUGLVTXHWWHV
552
,OSHXWPDOJUpWRXWVHUpYpOHULPSRVVLEOHGHUpFXSpUHUOHV
GRQQpHVVWRFNpHVVXUGLVTXHWWHVPHGLDRXDSSDUHLO
GpIHFWXHX[5RODQG&RUSRUDWLRQQHSHXWHQDXFXQFDV
rWUHWHQXSRXUUHVSRQVDEOHG·XQHWHOOHSHUWHGHGRQQpHV
553
0DQLSXOH]OHVGLYHUVERXWRQVVpOHFWHXUVRXDWWpQXDWHXUV
GHYRWUHDSSDUHLODYHFPRGpUDWLRQHWSURFpGH]GHPrPH
SRXUFHTXLFRQFHUQHOHVSULVHVHWOHVFRQQHFWHXUV8Q
H[FqVGHEUXWDOLWpSHXWHQGRPPDJHULUUpPpGLDEOHPHQW
FHVGLYHUVpOpPHQWV
554
1HVRXPHWWH]O·DIILFKHXUjDXFXQHSUHVVLRQ
556
/RUV GX EUDQFKHPHQW RX GX GpEUDQFKHPHQW GHV FkEOHV
VDLVLVVH]OHVSDUODSULVHHOOHPrPHHWQHWLUH]MDPDLVVXU
OHFkEOH9RXVpYLWHUH]DLQVLGHSURYRTXHUGHVFRXUW
FLUFXLWVRXG·HQGRPPDJHUOHVpOpPHQWVLQWHUQHVGX
FRQQHFWHXU
557
,O HVW QRUPDO G·REVHUYHU XQH FKDXIIH PRGpUpH GH
O·DSSDUHLOTXDQGLOIRQFWLRQQH
558a
$ILQG·pYLWHUGHJrQHUYRVYRLVLQVHVVD\H]G·XWLOLVHUYRWUH
DSSDUHLOjXQYROXPHUDLVRQQDEOH6LEHVRLQXWLOLVH]XQ
FDVTXHSRXUYRXVLVROHUSOXVSDUWLFXOLqUHPHQWDX[KHXUHV
WDUGLYHV
559
3RXU WUDQVSRUWHU O·DSSDUHLO XWLOLVH] GH SUpIpUHQFH
O·HPEDOODJHHWOHVpOpPHQWVGHFRQGLWLRQQHPHQWG·RULJLQH
6LQRQSURFXUH]YRXVXQHPEDOODJHpTXLYDOHQW
5
REMARQUES IMPORTANTES
Manipulation du lecteur de disquettes
602
,QVWDOOH]FHWDSSDUHLOVXUXQHVXUIDFHSODQHHWKRUL]RQWDOH
jO·pFDUWGHWRXWHVRXUFHGHYLEUDWLRQ6LYRXVGHYH]
O·LQVWDOOHUHQSRVLWLRQLQFOLQpHYpULILH]ELHQTX·LOQH
GpSDVVHSDVOHVOLPLWHVGHVpFXULWpDXWRULVpHV
603
eYLWH] G·XWLOLVHU O·DSSDUHLO LPPpGLDWHPHQW DSUqV O·DYRLU
GpSODFpG·XQHQGURLWROHQLYHDXG·KXPLGLWppWDLWWUqV
GLIIpUHQW&HW\SHGHFKDQJHPHQWSRXUUDLWHQWUDvQHUOD
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FONCTIONNALITÉS
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7
FONCTIONNALITÉS
Le chargement des fichiers musicaux au standard MIDI File (SMF)
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Sommaire
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FONCTIONNALITÉS ...................................................................... 6
3ULQFLSDOHVIRQFWLRQQDOLWpV
&RQYHQWLRQVXWLOLVpHVGDQVFHPDQXHO 
Sommaire ................................................................................... 8
Contrôles et fonctions ................................................................ 12
Avant de commencer ................................................................. 15
2XYHUWXUHHWIHUPHWXUHGXFRXYHUFOHGXFODYLHU
0LVHHQSODFHGXSRUWHSDUWLWLRQ
%UDQFKHPHQWGXFRUGRQG·DOLPHQWDWLRQ
$OOXPDJHHWH[WLQFWLRQGHO·DSSDUHLO 
0LVHVRXVWHQVLRQ
0LVHKRUVWHQVLRQ 
%UDQFKHPHQWG·XQFDVTXH
5HPDUTXHVVXUO·XWLOLVDWLRQGHVFDVTXHVG·pFRXWH 
%UDQFKHPHQWG·XQPLFUR
5HPDUTXHVVXUO·XWLOLVDWLRQGHVPLFURV 
3UpFDXWLRQVFRQFHUQDQWODEDQTXHWWH
5DSSHOGHVUpJODJHVSDUGpIDXW
$IILFKDJHVVXUpFUDQERXWRQ'LVSOD\([LW
eFUDQGHVU\WKPHV 
eFUDQGXFRPSRVLWHXU
Prise en main de l’AT-30R ......................................................... 19
eFRXWHGHVPRUFHDX[GHGpPRQVWUDWLRQ
6pOHFWLRQGHVYRL[ 
9RL[HWSDUWLHV3DUWV
)RQFWLRQVOLpHVDX[ERXWRQVGHVpOHFWLRQ8SSHU/RZHU3HGDO%DVV
6pOHFWLRQGHVYRL[GHVFODYLHUVVXSpULHXUHWLQIpULHXU8SSHU/RZHU 
6pOHFWLRQGHODYRL[GXSpGDOLHU3HGDO%DVV 
6pOHFWLRQGHYRL[6ROR
6pOHFWLRQG·XQHYRL[jO·DLGHGXERXWRQ>2WKHUV@ 
5pJODJHGHODEDODQFHERXWRQV3DUW%DODQFH
7UDQVSRVLWLRQG·RFWDYHVERXWRQ2FW6KLIW
8WLOLVDWLRQGHVYRL[KXPDLQHV
6pOHFWLRQG·XQHYRL[KXPDLQH+XPDQ9RLFH 
$IIHFWDWLRQGHVSHUFXVVLRQVHWGHVHIIHWVVRQRUHVDXFODYLHU 
$IIHFWDWLRQGHVSHUFXVVLRQVDXFODYLHULQIpULHXU0DQXDO'UXPV
&KDQJHPHQWGH'UXP6HW
Utilisation des rythmes (Music Style) .......................................... 34
6pOHFWLRQG·XQU\WKPH
8WLOLVDWLRQGHVU\WKPHV³'pSDUWHWDUUrW
'pPDUUDJHSDUO·DSSXLVXUXQERXWRQ
'pPDUUDJHDXWRPDWLTXHHQMRXDQWVXUOHFODYLHULQIpULHXURXVXUOHSpGDOLHU
²©6\QF6WDUWª 
$UUrWGHODERvWHjU\WKPH 
9
Sommaire
$MRXWGHYDULDWLRQVjXQU\WKPH
8WLOLVDWLRQGHVU\WKPHVHWGHO·DFFRPSDJQHPHQW 
&KDQJHPHQWVGHWHPSRYLWHVVHERXWRQ7HPSR 
$FFRUGVjGRLJWpVLPSOLILp 
&RQGXFWHXUGHEDVVHERXWRQ/HDGLQJ%DVV
0DLQWLHQGHVQRWHVDXFODYLHULQIpULHXUIRQFWLRQ/RZHU+ROG
$FFqVVLPSOLILpDX[UpJODJHVG·DFFRPSDJQHPHQW³2QH7RXFK3URJUDP
5DSSHOGHVUpJODJHVOHVSOXVDGDSWpVSRXUFKDTXHU\WKPH 
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,QVHUWLRQHWpMHFWLRQG·XQHGLVTXHWWH
eFRXWHGHVU\WKPHVSUpVHQWVVXUODGLVTXHWWH 
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Ajout d’effets sur une voix ........................................................ 46
+DUPRQLVDWLRQG·XQHPpORGLH³©+DUPRQ\,QWHOOLJHQFHª
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(IIHW5RWDU\ 
(IIHW&KRUXV 
(IIHW5HYHUE
(IIHW6XVWDLQ 
Fonctions de lecture ................................................................... 51
([pFXWLRQGHODSDUWLHGHSpGDOHDXFODYLHU³ERXWRQ>7R/RZHU@ 
7UDQVSRVLWLRQGDQVXQHWRQDOLWpGLIIpUHQWHERXWRQ7UDQVSRVH
&RQWU{OHGXYROXPHjO·DLGHGHODSpGDOHG·H[SUHVVLRQ 
$OORQJHPHQWGHODGXUpHGHODQRWHSpGDOHGHPDLQWLHQ
5pJODJHGHODFODUWpGXWLPEUH
8WLOLVDWLRQGHVLQWHUUXSWHXUVDXSLHG 
Utilisation des boutons de registration ....................................... 55
0pPRULVDWLRQGHVUHJLVWUDWLRQV
5DSSHOG·XQHUHJLVWUDWLRQ 
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7HPSRULVDWLRQGHO·DSSHOGHVUHJLVWUDWLRQV 
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$WWULEXWLRQG·XQQRPjXQHQVHPEOHGHUHJLVWUDWLRQV 
&RSLHVpOHFWLYHGXQRPGHODUHJLVWUDWLRQ
6DXYHJDUGHGHVHQVHPEOHVGHUHJLVWUDWLRQVXUGLVTXHWWHERXWRQ6DYH
&KDUJHPHQWGDQVO·$75GHUHJLVWUDWLRQVSUpDODEOHPHQWVDXYHJDUGpHVERXWRQ/RDG
&KDUJHPHQWG·XQHQVHPEOHGHUHJLVWUDWLRQV
&KDUJHPHQWG·XQHUHJLVWUDWLRQVSpFLILTXH 
6XSSUHVVLRQG·XQHQVHPEOHGHUHJLVWUDWLRQVVDXYHJDUGpHV 
8WLOLVDWLRQGHUHJLVWUDWLRQVFUppHVVXUXQPRGqOHSUpFpGHQW
Fonctions d’enregistrement et de lecture .................................... 66
(QUHJLVWUHPHQWG·H[pFXWLRQVERXWRQ5HF 
(QUHJLVWUHPHQWGHFKDTXHSDUWLHVpSDUpPHQW 
/HFWXUHG·XQPRUFHDXERXWRQ3OD\
&RXSXUHG·XQHSLVWH²IRQFWLRQ0XWH 
5pHQUHJLVWUHPHQW
(IIDFHPHQWG·XQPRUFHDX&OHDU
10
Sommaire
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0RGLILFDWLRQGXQRPG·XQPRUFHDX5HQDPH 
6DXYHJDUGHGHVPRUFHDX[VXUGLVTXHWWHVERXWRQ6DYH
6DXYHJDUGHDXIRUPDW0,',)LOH60)
&KDUJHPHQWGHPRUFHDX[GDQVO·$75
$MRXWGHQRXYHOOHVGRQQpHVVXUXQPRUFHDXDXIRUPDW60)
/HFWXUHGHPRUFHDX[HQUHJLVWUpVVXUGLVTXHWWHV 
(IIDFHPHQWGHPRUFHDX[VXUGLVTXHWWHV 
5pHQUHJLVWUHPHQWGHIUDJPHQWVGXPRUFHDX³HQUHJLVWUHPHQWSDULQVHUWLRQ3XQFKLQ 
(QUHJLVWUHPHQWSDUSDVVDJHVVXFFHVVLIV³HQUHJLVWUHPHQWHQERXFOH/RRS5HFRUGLQJ
Réglages du compositeur (bouton Function) ............................... 87
'pFRPSWHSUpDODEOH 
0RGLILFDWLRQGHVUpJODJHVGXPpWURQRPH
9ROXPHGXPpWURQRPH 
&KDQJHPHQWGXVRQGXPpWURQRPH
5pJODJHGHODPHVXUH
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0XWHGHSDUWLHVLQGLYLGXHOOHVSHQGDQWODOHFWXUHGHPRUFHDX[
$IILFKDJHHWPDVTXDJHGHVSDUROHVGHVFKDQVRQVVXUO·pFUDQ 
Menu Edit (édition des morceaux) .............................................. 91
6XSSUHVVLRQG·XQHSDUWLHHQUHJLVWUpH'HOHWH0HDVXUH%DU
6XSSUHVVLRQGHO·HQUHJLVWUHPHQWG·XQHSLVWH'HOHWH7UDFN
(IIDFHPHQWG·XQHQUHJLVWUHPHQW(UDVH 
&RSLHG·XQHQUHJLVWUHPHQW&RS\
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Réglage des effets ..................................................................... 96
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0RGLILFDWLRQGHODSURIRQGHXUGHODUpYHUEpUDWLRQ 
0RGLILFDWLRQGHODGXUpHGXVXVWDLQPDLQWLHQ 
Autres réglages (bouton Utility) ................................................. 98
7RXFKHUVHQVLWLI,QLWLDO7RXFK212))
0RGHGXSpGDOLHU
0RGHGHVYRL[6ROR
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$VVLJQDWLRQGHVLQWHUUXSWHXUGURLWHWJDXFKHGXSpGDOLHU
$VVLJQDWLRQGHODSpGDOHGHPDLQWLHQ
*HVWLRQGHODIRQFWLRQ*OLGH 
6pOHFWLRQPDQXHOOHGHV'UXP6HW 
7\SHG·KDUPRQLVDWLRQLQWHOOLJHQWH+DUPRQ\,QWHOOLJHQFH
0DLQWLHQG·DFFRUG&KRUG+ROG212))
$SSHOG·DUUDQJHPHQWGHSXLVOHVERXWRQVGHUHJLVWUDWLRQ 
$SSHOG·XQHWUDQVSRVLWLRQGHSXLVOHVERXWRQVGHUHJLVWUDWLRQ 
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11
Sommaire
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7UDQVPLVVLRQ0,',GHVFKDQJHPHQWVGHSURJUDPPH
1XPpURVGHFKDQJHPHQWGHSURJUDPPH3&1XPEHUV 
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/XPLQRVLWpGHO·pFUDQ 
Connexion d’appareils externes .............................................. 104
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RUGLQDWHXU 
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12
Contrôles et fonctions
1
Marche/arrêt [Power] (
p. 15)
2
Balance des niveaux [
] [
] (
p. 29, p. 50)
3
Voix du pédalier (
p. 25)
9RL[3HGDO%DVV
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4
Voix du clavier inférieur (
p. 22, p. 23)
9RL[/RZHU2UJDQ
9RL[/RZHU6\PSKRQLF
9RL[/RZHU2UFKHVWUDO
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5
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6
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7
Sustain (maintien) (
p. 50)
3pGDOLHU>3HGDO%DVV@
&ODYLHULQIpULHXU>/RZHU@
&ODYLHUVXSpULHXU>8SSHU@
8
Sélection de rythme (Rhythm) (
p. 34)
5K\WKP6HOHFW>@>@
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9
Programmation simplifiée [One Touch Pro-
gram] (
p. 41)
10
Percussions au clavier inférieur [Manual
Drums] (
p. 32)
11
Tempo [][] (
p. 38)
12
Arrangement (
p. 37)
5LFKH>$GYDQFHG@
>9DULDWLRQ@
13
Breaks / Fill In (
p. 37)
9HUVODYDULDWLRQ>7R9DULDWLRQ@
9HUVOHU\WKPHRULJLQDO>7R2ULJLQDO@
14
Intro et fin de morceau [Intro/Ending] (
p. 35)
15
Démarrage synchronisé [Sync Start] (
p. 35)
16
Départ/Arrêt [Start/Stop] (
p. 35)
Power
Part Balance
Orch SoloReverb Org/Symph
Orch
Bass Org/Symph
Accomp
Rhythm
Lower
Synth
Strings
BrassPiano
Lower Symphonic
Lower Orchestral
Strings
Choir
Lower Organ
String
Pedal Bass
Effect
Display/Exit
Part
Menu
Transpose
Oct Shift
Others
Value
Utility
Alternate ChorusAlternateAlternate
Organ
1
Organ
2
Electric
1
Harpsi
Harp
A.Guitar
Accordion
Harmonica
Pipe
Organ
Lower
To
Up
Octave
Pipe
1
Theater
1
Lower
1
Lower
2
Lower
3
Others
Manual
Drums
Tempo Fill In
To
Variation
Advanced
To
Original
Variation
Arrangement
Standard
Intro/
Ending
Sync
Start
Start/
Stop
Program
One Touch
Set
Select
Rhythm
Hold
Lower
Bass
Leading
Bass
Pedal
Lower Upper
Rotary Sound
Sustain
On/ Off
Intelli
Chord
Arranger
Country Oldies Ballad
Rhythm
Latin 1 Latin 2 Showtime Pops
Acoustic World
Disk
Swing
Big Band
March
Waltz
Others Others Others
Upper
12
6
10 11 13
8 9
15
7
3 4 5
1412
16
13
Contrôles et fonctions
17
Écran (
p. 18)
18
Indicateur de tempo (
p. 38)
19
Harmonisation intelligente [Harmony Intelli-
gence] (
p. 46)
20
Voix du clavier supérieur (
p. 22, p. 23)
9RL[8SSHU2UJDQ
9RL[8SSHU6\PSKRQLF
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21
Sélection de voix Solo (
p. 26)
9RL[6ROR
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22
Arrangeur (Composer)
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5HWRXU>%ZG@
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23
Lecteur de disquette (
p. 43)
24
Boutons de registrations
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Beat
MeasureRhythm/Song Name
ChordTe m p o
All Song Play
Demo
Select
Load
SaveFunction
Registration
1R234
Tr a ck
Reset
Stop
Play
Rec
Bwd
Fwd
Composer
Lower Upper Solo ControlAccomp BassRhythm
Rename Clear
Alternate ChorusAlternate AlternateAlternate
Trumpet Sax
Flute
Solo
BrassPiano
Upper Orchestral
Guitar
Upper Symphonic
Strings
Choir
Vibes
Marimba
Accordion
Harmonica
Pipe
1
Full
1
Pipe
2
Full
2
Theater
1
Full
3
Synth
Strings
Jazz
1
Upper Organ
Harmony Intelligence
Rotary Sound
Others Others Others Others
6
Write
234 5 781
Manual
24
18
23
22212017
19
14
Contrôles et fonctions
25
Volume général [Master Volume]
(
p. 15)
26
[Brilliance]
(
p. 54)
27
Son rotatif (Rotary Soun
(
p. 48
)
>2Q2II@
/HQWUDSLGH>)DVW6ORZ@
Sous la partie gauche du clavier (
p. 104)
28
Prise casque (Phones)
29
Niveau de l’écho sur l’entrée micro (Echo)
30
Niveau de l’entrée micro (Volume)
31
Entrée micro (In)
32
Connecteur ordinateur
33
Sélecteur connexion ordinateur
34
MIDI IN/OUT
35
Sorties gauche (mono) / droite (Output L/R)
Brilliance
Master
Volume
Rotary
Sound
Mellow
Bright
Min
Max
On/Off
Fast /
Slow
25 26 27
L(mono) R
Out In
OutputComputer MIDI
PC
-
2
MIDI
PC
-
1
Mac
Max
Min
Max
Min
MicPhones
Volume InEcho
28 29 30 31
32 33 34 35
15
Avant de commencer
Ouverture et fermeture du
couvercle du clavier
fig.01-02
1. Pour ouvrir le couvercle, saisissez-le par les
deux mains et faites-le glisser vers l’arrière.
2. Pour le refermer, tirez-le doucement vers
l’avant.
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IHUPDQWFHFRXYHUFOH9HLOOH]jFHTX·XQDGXOWHSXLVVHpYHQWXHO
OHPHQWDLGHUGHMHXQHVHQIDQWVjOHPDQLSXOHU
3DUPHVXUHGHVpFXULWpQHWUDQVSRUWH]O·DSSDUHLOTXHOH
FRXYHUFOHIHUPp
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HWFTXDQGYRXVUHIHUPH]OHFRXYHUFOH
Mise en place du porte-
partition
fig.01-03
1. Insérez les tiges du porte partition dans les
trous prévus à cet effet sur l’appareil.
Branchement du cordon
d’alimentation
1. Commencez par vérifier que l’interrupteur
[Power] situé sur la partie gauche de l’appareil
est en position OFF (relevé).
2. Branchez le cordon fourni dans le connecteur
prévu sur l’appareil, et reliez-le à une prise sec-
teur alimentée.
fig.01-04
1·XWLOLVH]TXHOHFRUGRQIRXUQLDYHFO·DSSDUHLO
6LO·DSSDUHLOGRLWUHVWHULQXWLOLVpSHQGDQWXQHORQJXHSpULRGH
GpEUDQFKH]FHFRUGRQGHODSULVHVHFWHXU
Mise sous et hors-tension
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DSSDUHLOVGDQVO·RUGUHSUpFRQLVp8QRUGUHGLIIpUHQWSRXUUDLW
SURYRTXHUGLYHUVG\VIRQFWLRQQHPHQWHWRXHQGRPPDJHUYRV
LQVWUXPHQWVRXYRVKDXWSDUOHXUV
Mise sous tension
1. Avant toute mise sous tension, vérifiez les
points suivants.
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DOLPHQWpH"
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LQIpULHXUHVWLOELHQSRVLWLRQQpVXU0LQPLQLPXP"
fig.01-05
Master
Volume
Min
Max
16
Avant de commencer
2. Appuyez sur l’interrupteur [Power] pour allumer
l’appareil.
fig.01-06
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SUrWjIRQFWLRQQHU
3. Le curseur [Master Volume] situé à gauche du
clavier inférieur permet de contrôler le niveau
sonore général de l’instrument.
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GHVQXDQFHVjYRWUHMHX/HYROXPHDXJPHQWHTXDQGYRXV
HQIRQFH]ODSpGDOHHWGLPLQXHTXDQGYRXVODUHOHYH]
fig.01-07
Mise hors tension
1. Avant d’éteindre l’appareil, veillez à ramener le
curseur [Master Volume] en position Min (mini-
mum).
2. Appuyez sur l’interrupteur [Power] pour étein-
dre l’appareil.
Branchement d’un casque
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pYLWHWRXWSUREOqPHGHYRLVLQDJHRXGHWUDYDLODX[KHXUHV
WDUGLYHV
fig.01-08
1. Branchez un casque d’écoute sur la prise cas-
que située sous le clavier.
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XQLTXHPHQWDXFDVTXH
fig.01-09
2. Réglez le volume sonore à l’aide du curseur
[Master Volume] et de la pédale d’expression.
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Précautions à prendre lors de
l’écoute au casque
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Power
plus fort
moins fort
Master
Volume
Min
Max
Phones
17
Avant de commencer
Branchement d’un micro
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jO·RUJXHGHVILFKLHUVPXVLFDX[60)YHQGXVVpSDUpPHQW
fig.01-10
1. Branchez le micro sur la prise [Mic In] située
sous le clavier.
2. Réglez le volume d’entrée du micro à l’aide du
bouton [Mic Volume].
3. Utilisez le bouton [Mic Echo] pour ajuster le
niveau d’écho affecté à cette entrée.
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Précautions à prendre lors de
l’utilisation d’un micro
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5pGXLVH]OHYROXPHTXDQGYRXVEUDQFKH]OHPLFURVXU
O·$75/HVFRXUDQWVGHUXSWXUHFDXVpVSDUODFRQQH[LRQ
SRXUUDLHQWHQGRPPDJHUYRVKDXWSDUOHXUV
/·HIIHW/DUVHQVLIIOHPHQWHVWRFFDVLRQQpSDUXQPDXYDLV
SRVLWLRQQHPHQWGXPLFURSDUUDSSRUWDX[KDXWSDUOHXUV
TXLUHGLIIXVHQWVRQVLJQDO
9RXVSRXYH]\UHPpGLHU
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(QO·pORLJQDQWGHVKDXWSDUOHXUV
(QGLPLQXDQWOHYROXPHVRQRUH
Manipulez la banquette avec
précautions
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UDQJHPHQWGHSDUWLWLRQVHWF
fig.01-13
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SHQGDQWOHVRSpUDWLRQVG·RXYHUWXUHRXGH
IHUPHWXUHGHODEDQTXHWWH
fig.01-14
•••••••••••
18
Avant de commencer
Rappel des réglages par
défaut
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XWLOLVDQWODIRQFWLRQ©)DFWRU\5HVHWª
1. Vérifiez qu’aucune disquette ne se trouve dans
le lecteur avant de lancer cette procédure.
2. Mettez l’appareil hors tension.
3. Tout en maintenant le bouton [One Touch Pro-
gram] enfoncé, appuyez sur l’interrupteur
[Power] pour remettre l’appareil sous tension.
fig.01-15
/·pFUDQFLGHVVRXVDSSDUDvW
fig.01-16
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SUpVHQWHVHQPpPRLUHGDQVO·$756LYRXVVRXKDLWH]OHV
VDXYHJDUGHUSUpDODEOHPHQWUHSRUWH]YRXVjODSURFpGXUHGpFULWH
SDJH
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UHWRXUQHSDVjVHVUpJODJHVSDUGpIDXW3RXUFHIDLUHUHSRUWH]
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UHVWpLQXWLOLVpSHQGDQWSOXVGHGHX[VHPDLQHVLOSHXWVHWURXYHU
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Affichages sur écran (bouton
Display/Exit)
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WUqVGLYHUVHVPDLVTXLSHXYHQWVHUpVXPHUjGHX[W\SHV
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DUUDQJHXU9RXVSRXYH]SDVVHUIDFLOHPHQWGHO·XQjO·DXWUH
HQDSSX\DQWVXUFHERXWRQ>'LVSOD\([LW@
fig.01-17
Écran des rythmes
fig.01-18
Écran du compositeur
fig.01-19
2X VL YRXV DYH] VpOHFWLRQQp XQ PRUFHDX VXU XQH
GLVTXHWWH
fig.01-20
Power
Program
One Touch
Set
Display/Exit
Effect
Part
Menu
Transpose
Oct Shift
Others
Value
Utility
Beat
MeasureRhythm/Song Name
ChordTe m po
Rythme
Tempo
Accord
Nom du morceau
Mesure
Tempo Accord
Nom du morceau
N° de morceau
Tempo Accord
19
Prise en main de l’AT-30R
Écoute des morceaux de démonstration
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ILJ
1.
Vérifiez qu’aucune disquette n’est présente dans le lecteur.
6LXQHGLVTXHWWHHVWSUpVHQWHDSSX\H]VXUOHERXWRQ(MHFWSHWUHWLUH]OD
2.
Appuyez sur le bouton [All Song Play/Demo] (son témoin s’allume).
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3.
Utilisez les boutons Select [-] et [+] de la section Composer pour
choisir un morceau.
4.
Appuyez sur [Play].
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5.
Vous pouvez arrêter la lecture à n’importe quel moment en
appuyant sur le bouton [Stop].
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5
4
3
2
All Song Play
Demo
Select
Load
SaveFunction
Registration
1R234
Tr ac k
Reset
Stop
Play
Rec
Bwd
Fwd
Composer
Lower Upper Solo ControlAccomp BassRhythm
Rename Clear
20
Prise en main de l’AT-30R
Si l’écran suivant apparaît
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