Roland EXR-46 OR Le manuel du propriétaire

Catégorie
Instruments de musique
Taper
Le manuel du propriétaire

Ce manuel convient également à

r
Owner’s Manual
Thank you for choosing a Roland EXR-46 OR Interactive Arranger, a novel keyboard with a superior Roland sound source, an intuitive user interface, a USB port, V-LINK
compatibility and a host of other useful functions.
To get the most out of the EXR-46 OR and to ensure many years of trouble-free service, we urge you to read through this Owner’s Manual thoroughly.
To avoid confusion, let’s agree to use the word “button” for all keys on the front panel, and use “key” only when referring to the EXR-46 OR’s keyboard.
Before using this instrument, carefully read the “Important notes” (p. 7). They provide information concerning the proper operation of the EXR-46 OR. Be sure to keep this
manual in a safe place for future reference.
Copyright © 2006 ROLAND EUROPE. All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland Europe S.p.a.
r
EXR-46 OR
2
Superior sound source
The EXR-46 OR’s sounds are based on full-length (uncom-
pressed) waveforms, which is unique in this price range. This
produces vibrant, realistic sounds quite unlike anything you
would expect from a budget-friendly arranger keyboard. The
EXR-46 OR’s tone generator is 64-voice polyphonic.
Combined with the new amplification system and Digital
Bass Enhancer function, the EXR-46 OR sounds truly amaz-
ing, with a clear high end and a powerful low range.
Drum Pad mode
The EXR-46 OR provides a “Drum Pad” mode that allows you
to assign drum sounds to the 8 highest keys (right side of
the keyboard). You can use this function to play live drum or
percussion parts to the EXR-46 OR’s Style or Song playback.
Lock functions
The EXR-46 OR is equipped with five buttons that allow you
to filter various settings from the User Programs you recall.
This allows for a more flexible and efficient use of your reg-
istrations, because settings you do not need in a given situa-
tion can be ignored.
Flash memory and USB
The EXR-46 OR comes with 99 oriental Music Styles in ROM,
50 additional Music Styles and several Standard MIDI Files.
The additional Styles and SMFs reside in the EXR-46 OR’s
Flash memory area, whose contents can be expanded and
managed via a USB connection with your PC or Macintosh
computer.
New concept
The EXR-46 OR is 19-part multitimbral, with 3 parts that can
be played via the keyboard (Main, Split and Dual). The Main
part can be used to play melodies or for drumming, while
the Split and Dual parts allow you to quickly add a second
sound to your solo playing.
Furthermore, the EXR-46 OR provides a new selection rou-
tine for Music Styles, Tones, songs, and User Programs: the
FAMILY
[√][®]
buttons can be used for selecting specific
groups, while the SELECT
[√][®]
buttons allow you to choose
a setting within the selected group.
Excellent Arranger
The EXR-46 OR comes loaded with 149 Music Styles pre-
pared by Roland’s legendary Style foundry. As usual, several
patterns are available (INTRO, ORIGINAL, VARIATION, FILL
and ENDING), with additional options via the BAND
ORCHESTRATOR buttons.
3 scale memories plus User Program-dependent
scale settings
The EXR-46 OR is Roland’s first arranger keyboard to provide
3 scale memories (for oriental tunings)
and
the possibility to
save the currently used tuning settings in a User Program.
That way, each of the 200 User Program memories could use
a different tuning system.
And much, much more…
A metronome and several educational functions are pro-
vided, while three digital effects processors (Reverb, Chorus
and MFX) can be used to further enhance the already amaz-
ing sound quality.
The EXR-46 OR can play back GM, GM2, GS and XG song
data, so that you can virtually use any Standard MIDI File
available at your Roland dealer or on the Internet.
Note:
The EXR-46 OR supports XG Light and therefore only pro-
vides the basic set of compatible functions.
The EXR-46 OR is also equipped with a floppy disk drive
(2DD/2HD) for data management and importing Music
Styles prepared for older Roland arranger instruments.
Have fun!
1. Features
Microsoft and Windows are registered trademarks of Microsoft Corporation
USA in the United States and other countries.
Apple and Macintosh are registered trademarks of Apple Computer Corpora-
tion USA in the United states and other countries.
Mac OS is a registered trademark of Apple Computer Corporation.
Other names of companies, products, or standards are the trademarks or reg-
istered trademarks of their respective owners.
EXR-46 OR
3
Before using this instrument, make sure to read the instructions
below, and the Owner’s Manual.
......................................................................................................................................
Do not open or perform any internal modifications on the unit.
......................................................................................................................................
Do not attempt to repair the EXR-46 OR, or replace parts within it
(except when this manual provides specific instructions directing
you to do so). Refer all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as listed on the
“Information” page.
......................................................................................................................................
Never use or store the EXR-46 OR in places that are:
Subject to temperature extremes (e.g., direct sunlight in an
enclosed vehicle, near a heating duct, on top of heat-generating
equipment); or are
Damp (e.g., baths, washrooms, on wet floors); or are
Humid; or are
Exposed to rain; or are
Dusty; or are
Subject to high levels of vibration.
......................................................................................................................................
This unit should be used only with a rack or stand that is recom-
mended by Roland.
......................................................................................................................................
007
Make sure you always have the unit placed in such a way that it is
level and sure to remain stable. Never place it on stands that could
wobble, or on inclined surfaces.
......................................................................................................................................
The instrument should only be connected to a power supply of the
type described in the operating instructions, or as marked on the
adapter supplied with the EXR-46 OR.
......................................................................................................................................
Do not excessively twist or bend the adapter’s power cord, nor place
heavy objects on it. Doing so can damage the cord, producing sev-
ered elements and short circuits. Damaged cords are fire and shock
hazards!
......................................................................................................................................
This instrument, either alone or in combination with an amplifier
and headphones or speakers, may be capable of producing sound
levels that could cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at a level that is
uncomfortable. If you experience any hearing loss or ringing in the
ears, you should immediately stop using the unit, and consult an
audiologist.
......................................................................................................................................
Do not allow any objects (e.g., flammable material, coins, pins); or
liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
......................................................................................................................................
In households with small children, an adult should provide supervi-
sion until the child is capable of following all rules essential for the
safe operation of the EXR-46 OR.
......................................................................................................................................
Protect the unit from strong impact.
(Do not drop it!)
......................................................................................................................................
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
Using the unit safely
r
EXR-46 OR
4
Do not force the EXR-46 OR’s adapter to share an outlet with an
unreasonable number of other devices. Be especially careful when
using extension cords—the total power used by all devices you have
connected to the extension cord’s outlet must never exceed the
power rating (watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat up and eventu-
ally melt through.
......................................................................................................................................
Before using the EXR-46 OR in a foreign country, consult with your
retailer, the nearest Roland Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
......................................................................................................................................
The EXR-46 OR should be located so that its location or position
does not interfere with its proper ventilation.
......................................................................................................................................
This unit for use only with Roland keyboard stand KS-12. Use with
other stands is capable of resulting in instability causing possible
injury.
......................................................................................................................................
Always grasp only the plug on the adapter when plugging into, or
unplugging from, an outlet or this unit.
......................................................................................................................................
Try to prevent cords and cables from becoming entangled. Also, all
cords and cables should be placed out of the reach of children.
......................................................................................................................................
Never climb on top of, nor place heavy objects on the unit.
......................................................................................................................................
Never handle the adapter’s power cord or its plugs with wet hands
when plugging into, or unplugging from, an outlet or this unit.
......................................................................................................................................
If you need to move the instrument, take note of the precautions
listed below. Make sure to have a firm grip, to protect yourself from
injury and the instrument from damage.
Disconnect the adapter.
Disconnect all cords coming from external devices.
Remove the music stand.
......................................................................................................................................
Before cleaning the unit, turn off the power and unplug the
adapter from the outlet.
......................................................................................................................................
Whenever you suspect the possibility of lightning in your area, dis-
connect the adapter from the outlet.
.....................................................................................................................................
Should you remove screws, make sure to put them in a safe place
out of children’s reach, so there is no chance of them being swal-
lowed accidentally.
.....................................................................................................................................
This product must be disposed of separately at
your local waste recycling centre.
Do not dispose of in household waste bin.
EXR-46 OR
5
1. Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
2. Important notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
3. Panel descriptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
Front panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Rear panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
4. First steps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Setting up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Demo songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Playing back a Tone demo song . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Playback of a Style demo song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Leaving Demo mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Playing without accompaniment . . . . . . . . . . . . . . . . . . . . . . .13
Using the Main part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Using the Main and Split parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Using the Main and Dual parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Using the metronome. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
5. Playing with accompaniment (Arranger) . . . . . . . . . . . . . .15
Starting/using the Arranger. . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Changing the tempo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Automatic playback start (Sync Start & Stop) . . . . . . . . . . . . . . . . 16
Stopping Arranger playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Selecting Music Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Using the Band Orchestrator function. . . . . . . . . . . . . . . . . . . 17
Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
6. Playing back songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Basic song playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Additional playback functions. . . . . . . . . . . . . . . . . . . . . . . . . . 20
Selecting Song mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Fast Forward, Rewind, and Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Loop playback (Repeat). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Live performance with song backing (Minus One). . . . . . . . . . . . . 21
Changing the track assignments. . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
7. Recording your music. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Basic song recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Listening to your song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Other recording functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
About the recording modes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
More about ALL mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Keyboard recording mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Single recording mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Punch I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
8. Additional Music Style functions. . . . . . . . . . . . . . . . . . . . 26
One Touch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Using the Music Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Melody Intelligence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Changing the Melody Intelligence harmony type. . . . . . . . . . . . . .27
PIANO Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Bass Inversion (Bass Inv). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
More Music Style functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
9. Using oriental tunings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Tuning individual notes a quarter tone down . . . . . . . . . . . . . . . . .29
Using other tuning values . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Saving and loading your tunings (SCALE MEMORY). . . . . . . . . . . .29
10. Keyboard part functions. . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Selecting sounds for the Main, Split and Dual parts. . . . . . . 30
Selecting any of the available sounds . . . . . . . . . . . . . . . . . . . . . . . .30
Using the USER TONES buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Assigning another Tone to a USER TONES button . . . . . . . . . . . . .30
Drum sounds and sound effects (“SFX”) . . . . . . . . . . . . . . . . . 31
Drum Kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Sound effects (“SFX”) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Using DRUM PAD mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Using the Drum Pad function. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Global transpose function (“GLB”) . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Octave settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
Other Keyboard part functions . . . . . . . . . . . . . . . . . . . . . . . . . 33
11. Performance functions and effects. . . . . . . . . . . . . . . . . . 34
Performance functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
Keyboard Touch (velocity sensitivity). . . . . . . . . . . . . . . . . . . . . . . . .34
Pitch Bend and Modulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Footswitch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Using effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Using the multi-effects processor (MFX) . . . . . . . . . . . . . . . . . . . . .35
Reverb. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
V-LINK function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
V-LINK functions that the EXR-46 OR can control (and
corresponding MIDI messages) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
12. Function menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Editing parameters (general procedure) . . . . . . . . . . . . . . . . . 39
KB SET parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
DRUM PAD parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
METRONOM parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
OCTAVE parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
VOLUME parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
ARR SET parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
EFFECTS parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
KB SCALE parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
MIDI parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
UTILITY parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
13. Working with User Programs . . . . . . . . . . . . . . . . . . . . . . . 45
Writing your settings to a User Program. . . . . . . . . . . . . . . . . 45
Notes about writing User Programs . . . . . . . . . . . . . . . . . . . . . . . . . 45
Selecting a User Program. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Lock: filtering certain User Program settings . . . . . . . . . . . . . 46
14. MIDI functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
MIDI Function parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
15. Data management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Working with the Flash memory. . . . . . . . . . . . . . . . . . . . . . . . 49
Saving songs to a Flash memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Archiving User Programs in the Flash area . . . . . . . . . . . . . . . . . . . 49
Saving Styles to a Flash memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Loading a User Program set from the Flash memory. . . . . . . . . . . 50
Removing songs from the Flash memory. . . . . . . . . . . . . . . . . . . . . 50
Removing Styles from the Flash memory . . . . . . . . . . . . . . . . . . . . 51
Removing a User Program set from the Flash memory. . . . . . . . . 51
Archiving data using a computer (USB) . . . . . . . . . . . . . . . . . 52
Disk functions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Loading User Programs from disk . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Loading songs from disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Contents
r
EXR-46 OR
6
Loading Music Styles from disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Saving files to disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Deleting files on disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
16. Using the outputs and an optional footswitch. . . . . . . . . 57
17. Miscellaneous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Functions for educational purposes . . . . . . . . . . . . . . . . . . . . 58
Deactivating or activating the Demo function. . . . . . . . . . . . . . . . 58
Deactivating or activating the Arranger . . . . . . . . . . . . . . . . . . . . . 58
Deactivating or activating the Arranger and Demo functions. . . 58
Initializing your EXR-46 OR (Factory) . . . . . . . . . . . . . . . . . . . 58
18. Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Thanks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
19. Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .120
Tones selectable via the front panel . . . . . . . . . . . . . . . . . . . 120
Drum Kits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Music Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Chord Intelligence (“Md1” setting) . . . . . . . . . . . . . . . . . . . . 131
MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . 133
EXR-46 OR
7
]
In addition to the items listed under “Using the unit safely” (p. 3), please read and observe the following:
Power supply
Do not use this instrument on the same power circuit with any
device that will generate line noise (such as an electric motor or
variable lighting system).
Before connecting the EXR-46 OR to other devices, turn off the
power to all units. This will help prevent malfunctions and/or dam-
age to speakers or other devices.
Placement
Using the EXR-46 OR near power amplifiers (or other equipment
containing large power transformers) may induce hum. To alleviate
the problem, change the orientation of this instrument or move it
further away from the source of interference.
This instrument may interfere with radio and television reception.
Do not use it in the vicinity of such receivers.
Observe the following when using the unit’s floppy disk drive. For
further details, refer to “Before using floppy disks (handling the
floppy disk drive)”.
Do not place the unit near devices that produce a strong mag-
netic field (e.g., loudspeakers).
Install the EXR-46 OR on a solid, level surface.
Do not move the unit or subject it to vibration while the drive is
operating.
Do not expose the EXR-46 OR to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed vehicle, or oth-
erwise subject it to temperature extremes. Excessive heat can
deform or discolor the instrument.
To avoid possible breakdown, do not use the unit in a wet area, such
as an area exposed to rain or other moisture.
Do not allow objects to remain on top of the EXR-46 OR. This can be
the cause of malfunction.
Maintenance
For everyday cleaning wipe the EXR-46 OR with a soft, dry cloth or
one that has been slightly dampened with water. To remove stub-
born dirt, use a mild, non-abrasive detergent. Afterwards, be sure to
wipe the instrument thoroughly with a soft, dry cloth.
Never use benzene, thinner, alcohol or solvents of any kind, to avoid
the possibility of discoloration and/or deformation.
Repairs and data
Please be aware that all data contained in the instrument’s memory
may be lost when it is sent for repairs. In certain cases (such as when
circuitry related to memory itself is out of order), we regret that it
may not be possible to restore the data. Roland assumes no liability
concerning such loss of data.
Additional precautions
Please be aware that the memory contents can be irretrievably lost
as a result of a malfunction, or the improper operation of the
instrument.
Use a reasonable amount of care when using the instrument’s but-
tons, other controls, and jacks/connectors. Rough handling can lead
to malfunctions.
Never strike or apply strong pressure to the display.
When connecting/disconnecting cables, grasp the connector itself—
never pull on the cable. This way you will avoid causing shorts, or
damage to the cable’s internal elements.
A small amount of heat will radiate from the instrument during nor-
mal operation. This is perfectly normal.
To avoid disturbing your neighbors, try to keep the instrument’s vol-
ume at reasonable levels. You may prefer to use headphones, so you
do not need to be concerned about those around you (especially late
at night).
When you need to transport the instrument, package it in the box
(including padding) that it came in. Otherwise, you will need to use
equivalent packaging materials, or a flightcase.
Use only a recommended footswitch (DP-2, DP-6, sold separately).
By connecting any other footswitch, you risk causing malfunction
and/or damage to the EXR-46 OR.
When the EXR-46 OR is used at excessive volumes, the protection
system of its power amplifier stage may come on and mute the
speakers. In that case, reduce the volume setting and wait a few
seconds.
Before using floppy disks (handling the floppy disk
drive)
Install the unit on a solid, level surface in an area free from vibra-
tion. If the unit must be installed at an angle, be sure the installation
does not exceed the permissible range: upward, 2°; downward, 18°.
Avoid using the EXR-46 OR immediately after it has been moved to
a location with a level of humidity that is greatly different than its
former location. Rapid changes in the environment can cause con-
densation to form inside the drive, which will adversely affect the
operation of the drive and/or damage floppy disks. When the
EXR-46 OR has been moved, allow it to become accustomed to the
new environment (allow a few hours) before operating it.
To insert a disk, push it gently but firmly into the drive—it will click
into place. To remove a disk, press the EJECT button firmly. Do not
use excessive force to remove a disk which is lodged in the drive.
Never attempt to remove a floppy disk from the drive while the
drive is operating (the indicator is lit); damage could result to both
the disk and the drive.
Remove any disk from the drive before switching the instrument on
or off.
To prevent damage to the disk drive’s heads, always try to hold the
floppy disk in a level position (not tilted in any direction) while
inserting it into the drive. Push it in firmly, but gently. Never use
excessive force.
To avoid the risk of malfunction and/or damage, insert only floppy
disks into the disk drive. Never insert any other type of disk. Avoid
getting paper clips, coins, or any other foreign objects inside the
drive.
2. Important notes
r
EXR-46 OR
8
Handling floppy disks
Floppy disks contain a plastic disk with a thin magnetic coating.
Microscopic precision is required to enable storage of large amounts
of data on such a small surface area. To preserve their integrity,
please observe the following when handling floppy disks:
Never touch the magnetic medium inside the disk.
Do not use or store floppy disks in dirty or dusty areas.
Do not subject floppy disks to temperature extremes (e.g., direct
sunlight in an enclosed vehicle). Recommended temperature
range: 10°~50°C (50°~122°F).
Do not expose floppy disks to strong magnetic fields, such as
those generated by loudspeakers.
Floppy disks have a “WRITE” tab which can protect the disk from
accidental erasure. It is recommended that the tab be kept in the
PROTECT position, and moved to the WRITE position only when
you wish to write new data onto the disk.
Disks containing important performance data for this instrument
should always be locked (have their write protect tab slid to the
PROTECT position) before you insert them into the drive of
another instrument.
The identification label should be firmly affixed to the disk. If the
label comes loose while the disk is in the drive, it may be difficult
to remove the disk.
Put the disk back into its case for storage.
Electromagnetic radiations
Electromagnetic radiations may cause a deterioration of audio per-
formances. Such possible deterioration consists in an audio signal
being emitted. On ceasing the electromagnetic noise, the emission
of the audio signal will simultaneously stop.
Liability and copyright
Should data contained and stored on a floppy disk be lost, it is
unfortunately impossible to restore them. Roland Europe S.p.a.
assumes no liability concerning such loss of data.
Unauthorized recording, distribution, sale, lending, public perfor-
mance, broadcasting, or the like in whole or in part, of a work (musi-
cal composition, video, broadcast, public performance, or the like)
whose copyright is held by a third party is prohibited by law.
Do not use this unit for purposes that could infringe on a copyright
held by a third party. Roland assumes no responsibility whatsoever
with regard to any infringements of third-party copyrights arising
through your use of this unit.
Rear side of the disk
WRITE
(you can save data to the disk)
PROTECT
(you cannot save data)
Protect tab
EXR-46 OR
9
Front panel
A
SCALE MEMORY buttons
These three buttons allow you to save and recall the tuning
settings carried out with the ORIENTAL SCALE buttons. When
the EXR-46 OR is shipped, these memories already contain
useful settings (that will be recalled whenever you initialize
your EXR-46 OR).
Note:
The settings of the ORIENTAL SCALE buttons are also
saved to a User Program, so that you can use these three memo-
ries for more “general” settings.
B
ORIENTAL SCALE buttons
These buttons allow you to change the tuning of each note
of the scale. By default, pressing one of these buttons will
lower the corresponding notes in all octaves by a quarter
tone (–50 cents). Other tunings can also be selected and
saved to one of the three scale memories (see above) or a
User Program.
C
[POWER¥ON]
button
Press this button to switch the EXR-46 OR on and off.
D
BENDER/MODULATION lever
By performing left/right movements, you can bend your solo
notes down (left) or up (right). Press this lever towards the
rear of the instrument to add modulation (usually vibrato) to
the notes you are playing.
E
PHONES 1/2 sockets
This is where you can connect two pairs of optional head-
phones (Roland RH-25, RH-50, RH-200, or RH-300). By
doing so, you switch off the EXR-46 OR’s speakers.
F
[VOLUME]
knob
Use this knob to set the global volume of your EXR-46 OR.
G
BALANCE
[ACCOMP] [KEYBOARD]
buttons
Use the BALANCE buttons to change the volume of the cor-
responding section (accompaniment/song, or the parts you
play on the keyboard).
H
[KEYBOARD¥TOUCH]
button
Press this button to switch the keyboard’s velocity sensitivity
on or off. When it is switched off, you can specify the fixed
velocity value that should be used for all notes you play.
I
[METRONOME]
button
This button allows you switch the metronome on and off.
Holding it for more than one second calls up a FUNCTION
parameter you can set.
J
[MELODY¥INTELLIGENCE]
button
This button allows you to switch the Melody Intelligence
function on/off. This function adds a harmony part to your
melody playing. See p. 27. Holding it for more than one sec-
ond calls up a FUNCTION parameter you can set for selecting
the harmony type.
K
[USB]
button
This button allows you to select the function of the USB port
should perform: (i) mass storage (archiving and retrieving
settings to/from a computer) or (ii) USB/MIDI (whereby the
USB port has the same function as the MIDI IN and MIDI OUT
connectors). See pages 47 and 52 for details.
Press it together with
[ONE¥TOUCH]
to select the
EXR-46 OR’s demo function (see p. 12).
3. Panel descriptions
F
G
H K L
N
O Q
M
W
a
I
J
P R
S
T
U
V
X
Y
Z
b
C
A B
D
E
r
EXR-46 OR
10
L
[ONE¥TOUCH]
button
Press this button to select the desired One Touch settings.
One Touch memories contain a number of settings that
complement the currently selected Music Style. There are
two One Touch memories per Music Style. See p. 26.
M
[V-LINK]
button
Press this button to take advantage of the EXR-46 OR’s
V-LINK functionality for controlling video material via cer-
tain performance functions and the right-most keys on the
EXR-46 OR’s keyboard. By using V-LINK-compatible video
equipment, visual effects can be easily linked to, and made
part of the expressive elements of a performance. By con-
necting the EXR-46 OR to an optional Edirol DV-7PR or V-4,
you can switch images in synchronization with music, or use
the EXR-46 OR’s performance functions or right-most keys
to switch clips, control playback speed, etc.
During song and Music Style playback, this button flashes to
indicate the tempo and beats (BEAT function).
N
KEYBOARD CONTROL section
Press the
[SPLIT]
button to play different sounds with your
left and right hands. Press the
[DUAL]
button to play two
sounds simultaneously. Press
[SPLIT]
and
[DUAL]
simulta-
neously to activate the EXR-46 OR‘s Drum Pad mode
(page 32).
Use the
[TRANSPOSE]
button to transpose the keyboard (see
p. 32).
O
BAND ORCHESTRATOR section
Press one of these buttons to choose the desired orchestra-
tion for the selected Music Style. See page 17.
P
ARRANGER & SONG -CONTROLS section
[TAP¥TEMPO]
button: Press this button at least twice to set
the Arranger’s or Recorder’s playback tempo.
[SYNC¥START/STOP]
button: This button performs two func-
tions: In Arranger mode (while using the automatic accom-
paniment), it allows you to switch the SYNC START and SYNC
STOP function on and off.
In Song mode, it can be used to specify the beginning (“A”)
and end (“B”) of the passage that should be repeated.
The remaining buttons in this section allow you to control
Arranger or Recorder playback. See pages 15 and 19.
Q
LOCK section
The buttons in this section allow you to filter (ignore) certain
settings that are usually recalled when you select a User Pro-
gram. This allows for a more flexible use of your registra-
tions. See page 46.
When the Minus One function is on, these buttons allow you
to quickly mute several Standard MIDI File parts (these mute
functions are not available while you are using the Arranger
function).
R
KEYBOARD MODE section
These two buttons allow you to quickly configure the
EXR-46 OR for use with (
[ARRANGER¥BAND]
) or without
(
[PIANO÷SOLO]
) automatic accompaniment. At power-on,
the EXR-46 OR selects the PIANO SOLO mode.
Press them simultaneously to activate the PIANO MODE,
which allows you to use the EXR-46 OR’s Arranger (auto-
matic accompaniment) without splitting the keyboard (see
p. 27).
S
[MUSIC¥ASSISTANT]
button
This button allows you to work with pre-programmed regis-
trations (additional User Programs). See p. 26.
T
[SONG]
button
This button allows you to select the EXR-46 OR’s Song mode
and to specify that the
[INTRO]
,
[ORIGINAL]
, etc., buttons
should be used to operate the on-board Recorder.
U
[STYLE]
button
Press this button if you want to select Music Styles. By acti-
vating this button, you also specify that the
[INTRO]
,
[ORIGINAL]
, etc., buttons are used for selecting a Style Divi-
sion, while the numeric buttons can be used to select the
desired Style memory.
V
[TONE]
button
Press this button if you want to use the
[FAMILY]
and
numeric buttons for assigning a sound (“Tone”) or Drum Kit
to the Main, Split or Dual part. See p. 30.
W
DATA ENTRY buttons
FAMILY
and
SELECT
[√][®]
buttons: The FAMILY and SELECT
[√][®]
buttons are used to select Tones, Styles, Music Assis-
tant registrations, Songs, and Function parameters. The
FAMILY
[√][®]
buttons allow you to select a group. You can
press them, hold them, or press one while holding the other
to change the scrolling speed.
The SELECT
[√][®]
buttons allow you to choose items within
the selected group or family. You can press them, hold them,
or press one while holding the other to change the scrolling
speed. After selecting the last item of the currently selected
group, pressing
[®]
again takes you to the first entry of the
following group. Conversely, pressing
[√]
again after select-
ing the first entry of a group takes you to the last entry of
the preceding group.
Numeric key pad
: These buttons allow you to enter num-
bers (for Tone, Style, Music Assistant memory, song, track
selection), values and characters (for entering names).
The TEMPO/DATA
[–][+]
buttons allow you to set the arranger
or Song tempo and the value of the selected FUNCTION
parameter.
X [FUNCTION]
button
This button provides access to the FUNCTION menu. You can
use the FAMILY and SELECT [√][®] buttons to select the
desired function.
Y [DISK]
button
Press this button to access the Disk functions. They are used
for loading data from floppy, saving data to disk, and man-
aging floppy disks. See p. 53.
Note: You can also save and load data via USB.
Z [USER¥PROGRAM÷WRITE]
button
Press this button whenever you want to select a User Pro-
gram (a set of registrations). Press and hold it to save the
current panel and parameter settings to a User Program. See
page 45.
a
USER TONES section
These buttons allow you to select the “best” sound of the
indicated family (i.e. the “best” piano, organ, guitar/bass, etc.
sound). After pressing one of these buttons, you can use
FAMILY [√][®] and SELECT [√][®] to select other families and
other Tones within the active family. (At a later stage, these
can be recalled by “double-clicking” these buttons.) You can
also assign your favorite sounds to these buttons. See “Using
the USER TONES buttons” (p. 30) for details.
b
Disk drive, in the middle below the keyboard (not pictured)
This is where you insert floppy disks with Standard MIDI Files
or Music Styles you may already own. The drive accepts 2DD
(720k) and 2HD (1.44MB) floppy disks.
EXR-46 OR
11
Rear panel
A
OUTPUT R, L/MONO sockets
These sockets allow you to connect the EXR-46 OR to your
HiFi amplifier, a mixer, a cassette deck, a keyboard amplifier,
etc. If the external amplifier is mono, be sure to connect it to
the OUTPUT L/MONO socket.
B
DC IN socket
This is where you need to connect the supplied adapter
(PSB-4U).
Note: Be sure to only use the adapter supplied with your
EXR-46 OR. Other adapters may damage your Interactive
Arranger.
C
Cord hook
After connecting the adapter cable, wind it around the cord
hook to the socket’s right to prevent accidental power fail-
ures.
D
FOOTSWITCH socket
This is where you can connect an optional DP-2, DP-6, or
BOSS FS-5U footswitch that allows you to hold (“sustain”)
the notes you play with your right hand. It can also be used
for controlling other parameters (see “FSW° (Footswitch
Assign)” (p. 40)).
E
MIDI OUT/IN sockets
Connect the MIDI OUT socket to the MIDI IN jack of your
computer (or MIDI instrument) to transfer MIDI data from
the EXR-46 OR to the computer or external MIDI instrument.
Connect the MIDI IN socket of the EXR-46 OR to the com-
puter’s MIDI OUT jack to receive data from the computer.
Note: The EXR-46 OR can also transmit/receive MIDI data via its
USB port. To do so, you need to install the appropriate USB driv-
ers from the supplied CD-ROM.
F
USB port
The USB port can be used for transmitting/receiving MIDI
messages or for archiving purposes with a computer.
A B C D E F
r
EXR-46 OR
12
Setting up
The first thing you need to do is connect the supplied PSB-4U
adapter to a suitable wall outlet.
(1) Unpack the EXR-46 OR and place it on a stable surface.
(2) Connect the small end of the adapter cable to the
EXR-46 OR’s DC IN jack, and the other end to a suitable
wall outlet.
(3) Press the [POWER¥ON] button to switch on the
EXR-46 OR.
(4) Use the [VOLUME] knob to set the EXR-46 OR’s output
volume.
Note: When the EXR-46 OR is used at excessive volumes, the
protection system of its power amplifier stage may come on and
mute the speakers. In that case, reduce the volume setting and
wait a few seconds.
(5) Press [POWER¥ON] again to switch the EXR-46 OR back
off again.
If you wish to connect the EXR-46 OR to a keyboard or HiFi
amplifier, do so before performing step (3) and switch on the
amp before performing step (4).
Demo songs
Your EXR-46 OR comes with 1 song demo, 8 Tone demos, and
various Style demos.
The song demo illustrates the possibilities of the EXR-46 OR
as a whole.
Tone demos show off the EXR-46 OR’s amazing sound
quality.
Style demos give you an impression of the quality of the
on-board Music Styles.
(1) Hold down the [USB] button while pressing [ONE¥TOUCH].
(2) If necessary, use the [VOLUME] knob to change the play-
back volume.
(3) Press [START÷STOP] to stop playback.
Playing back a Tone demo song
(1) Press the [TONE] button.
Playback of the Tone demo song starts automatically.
You can now press [START÷STOP] to stop playback of the
currently selected Tone song. If you press this button again,
the next Tone demo song will be played back.
(2) Press [START÷STOP] to stop Tone demo song playback.
Playback of a Style demo song
(1) Press the [STYLE] button.
Playback of the Style demo song starts automatically.
You can now press [START÷STOP] to stop playback of the
currently selected Style demo song. If you press this button
again, the next Style demo song will be played back.
(2) Press [START÷STOP] to stop Style demo song playback.
Leaving Demo mode
(1) Hold down the [USB] button while pressing [ONE¥TOUCH]
to leave the Demo mode.
4. First steps
POWER ON
VOLUME
=
DemoSong
120 001
TONE
=
DemStyle
146
STYLE
EXR-46 OR
13
Playing without accompaniment
When you switch on the EXR-46 OR, it selects the PIANO SOLO
mode. This means that you can use the EXR-46 OR like a digital
piano, or a synthesizer.
The accompaniment function (called “Arranger”) and
[ONE¥TOUCH] button are not available in PIANO SOLO mode,
while only the Main part is active.
The EXR-46 OR provides three parts for your live playing (and
many more for Arranger backing and Song playback):
Using the Main part
(1) To activate the Main part and assign it to the entire key-
board, press the [PIANO¥SOLO] button.
The icon disappears, the Arranger stops (if it
was playing), and the EXR-46 OR automatically selects a
piano sound for you.
(2) Play a few notes on the keyboard.
(3) If necessary, select another sound by pressing one of the 8
USER TONES buttons. See p. 30 for details.
(4) If necessary, you can hold down the [TONE] button and
use BALANCE [ACCOMP] (softer) or [KEYBOARD] (louder)
to change the Main part’s volume.
Note: Unlike previous Roland arranger instruments, the
EXR-46 OR no longer distinguishes between “melodic” parts and
a Manual Drums part. You can therefore also play a Drum Kit
with the Main part.
Note: You can also press the [START÷STOP] button to add a
rhythm accompaniment to your playing. This is based on the
currently selected Music Style. See p. 16 for how to select a dif-
ferent one.
Note: See p. 15 and “Automatic playback start (Sync Start &
Stop)” (p. 16) for other ways to start Music Style playback (the
drums, that is).
Using the Main and Split parts
(1) If you wish to play different sounds with your left and
right hands, press the [SPLIT] button.
The icon appears and the EXR-46 OR now automati-
cally selects a sound for the Split part that complements the
sound assigned to the Main part.
(2) Play a few notes on the keyboard.
At first, the keyboard is split at the G3 (note number “55”). If
necessary, you can select a different split point. See
“KeySplit* (Split point)” (p. 40).
To change the balance between the Main and Split sounds,
proceed as follows:
(3) Hold down the [SPLIT] button and use BALANCE [ACCOMP]
(decrease) or [KEYBOARD] (increase) to change the Split
part’s volume.
(4) To assign another sound to the Split part, hold down the
[SPLIT] button and proceed like for the Main part
(page 13).
Main As its name suggests, this is the most important
part. As long as the Split part is off, the Main part is
assigned to the entire keyboard.
Split When you switch on this part, it is assigned to the
left half of the keyboard, while the Main part can
be played with your right hand.
Dual This part can be added to the Main part and is also
assigned to the entire keyboard. This allows you to
play two sounds simultaneously.
PIANO
SOLO
ARRANGER
3
GUITAR/
BASS
BALANCE
ACCOMP KEYBOARD
TONE
SPLIT
SPLIT
Split Main
BALANCE
ACCOMP KEYBOARD
SPLIT
r
EXR-46 OR
14
Alternatively, press and hold one of the eight USER TONES
buttons (Main part) while pressing another USER TONES
button (Split part).
Note: You cannot assign Drum Kits to the Split part.
Note: You can also add a monophonic bass part (“Auto Bass”) to
the Split part. See “Auto Bass*: status and volume” (p. 41).
Using the Main and Dual parts
(1) To play two sounds simultaneously, press the [DUAL] but-
ton.
The icon appears and the EXR-46 OR now automati-
cally selects a sound for the Dual part that complements the
sound assigned to the Main part.
You can also activate the Dual mode by holding down one of
the eight USER TONES buttons while pressing another. The
first USER TONES button’s sound is then assigned to the
Main part, while the second sound is assigned to the Dual
part.
(2) Play a few notes on the keyboard.
To change the balance between the Main and Dual sounds,
proceed as follows:
(3) Hold down the [DUAL] button and use BALANCE
[ACCOMP] (decrease) or [KEYBOARD] (increase) to change
the Dual part’s volume.
(4) To assign another sound to the Dual part, hold down the
[DUAL] button and proceed like for the Main part
(page 13).
Note: You cannot assign Drum Kits to the Dual part.
Using the metronome
You can switch on the metronome when practising a new song.
(1) Press the [METRONOME] button.
The icon appears in the display and you hear the metro-
nome sound.
(2) Press and hold [METRONOME] to select the Metro TS
function.
(3) Use the [–][+] buttons to set another time signature.
The possibilities are: 1/4~9/4, 1/8~9/8.
(4) Press another “big” button in the DATA ENTRY section to
leave this function.
(5) Press the [METRONOME] button again to switch the met-
ronome off.
DUAL
DUAL
METRONOME
EXR-46 OR
15
Let us now take advantage of the EXR-46 OR’s accompaniment function. This function is called “Arranger”.
Starting/using the Arranger
(1) Press the [ARRANGER¥BAND] button.
The icon appears in the display and the key-
board is split into two halves. The keys you press in the left
half are used to specify the key of the accompaniment. The
right half of the keyboard allows you to play a tune to the
accompaniment.
(2) Press the [START÷STOP] button to start Arranger playback.
The [V-LINK] button now flashes to indicate the tempo and
beats (BEAT function).
Note: If the icon is displayed, playing in the left
half of the keyboard while the Arranger is stopped, will sound a
stereo string sound (to which you can add a monophonic bass
sound, see “Auto Bass*: status and volume” (p. 41)). The left half
of the keyboard is thus not muted (like on previous Roland
arranger instruments). This “EP Chord” function can be switched
off, however (page 42).
(3) Play a chord (or just one note) with your left hand.
(4) Play another chord (or note) to change the Arranger’s key.
(5) To quickly return to the beginning of the accompaniment
pattern (RE-START function), press the [REC¥∏] button
while the accompaniment is running.
(6) Press the following buttons to use other patterns of the
currently selected Music Style:
These buttons select Music Style “patterns”. The icon corre-
sponding to the button you press appears in the display.
Also, the ARRANGER chord field in the display indicates the
name of the chord you played last. This chord is used by the
accompaniment.
As soon as you feel comfortable with the Arranger, you
should try to play a melody with your right hand while using
your left for specifying Arranger chords.
5. Playing with accompaniment (Arranger)
BAND
ARRANGER
ARRANGER
ARRANGER
RE-START
REC
Button Function
INTRO Selects an introduction. Press this button
before activating [START÷STOP].
ORIGINAL Simple accompaniment version.
FILL Transition (“Fill In”) to VARIATION or ORIGI-
NAL.
VARIATION Slightly more complex accompaniment ver-
sion.
ENDING Phrase that indicates the end of the song. Use
this button instead of [START÷STOP] to stop
playback.
ARRANGER
M
r
EXR-46 OR
16
Changing the tempo
(7) Use the TEMPO/DATA buttons to decrease ([–]) or increase
([+]) the tempo (if necessary).
To return to the Music Style’s default tempo, simultaneously
press [–] and [+].
You can also press the [TAP¥TEMPO] button several times at
the desired tempo.
Automatic playback start (Sync Start & Stop)
Press [SYNC¥START÷STOP] (the icon appears).
“Sync Start” means that the Arranger starts playing back the
selected Music Style as you play a note or a chord with your
left hand (to the left of the split point).
In PIANO mode, Arranger playback will start when you press
any note.
The EXR-46 OR also provides a SYNC STOP option: quickly
press [SYNC¥START÷STOP] twice (“double-click”) so that the
icon starts to flash. This will cause the Arranger to
stop as soon as you release all keys in the chord recognition
area. This is great for songs where you need breaks (i.e. one
or several beats of silence).
Note: The behavior of the SYNC STOP function can be changed
(see p. 42) by pressing and holding the [SYNC¥START÷STOP] but-
ton.
Stopping Arranger playback
(8) Press [START÷STOP] again to stop playback.
You can also press [ENDING]. In that case, you first hear an
ending phrase. When it is finished, Arranger playback stops
automatically.
Alternatively, you can press the [SYNC¥START÷STOP] button
twice in succession to activate the SYNC STOP function. If
you then release all keys in the left half of the keyboard,
playback stops at the same time.
Selecting Music Styles
The EXR-46 OR provides three memory areas for Music Styles:
USER STL: (Memory 000) This is where a Music Style loaded
from the Flash memory or floppy disk (MSA, MSD and MSE
series, optional) is temporarily stored. The data in this RAM
memory are erased when you switch off the EXR-46 OR.
MAKSOUM (001~008), SAIDI (009~013), MASRI (014~
025), MALFOUF (026~028), ARABI (029~035), TRADIT
(036~049), OR-WORLD (050~066), KHALIGI (067~088),
TURKISH (089~099): These are the Style families in the
EXR-46 OR’s internal ROM memory. These Styles cannot be
erased (but you can modify them in realtime using the Band
Orchestrator function, see page 17).
FLASH: (Memories 101~150) This is a Flash area inside the
EXR-46 OR that already contains 50 Styles when the EXR-46 OR
is shipped. You can expand the number of Styles in this area by
copying more Styles from your computer (via USB) or by saving
the Styles loaded from disk. There are 99 Flash memory slots in
all, but the actual number of Styles you can save there depends
on the data size of the Styles.
DISK: (Memories 201~…) This area refers to a floppy disk you
inserted into the EXR-46 OR’s drive. The number of available
Styles depends on the floppy disk, of course. The Style you select
is transferred to the EXR-46 OR’s USER STL memory (see
above), which is why it takes a little longer before you can use
it. (You could, however, save it to a Flash memory, see p. 49.)
(1) Press the [ARRANGER¥BAND] button.
Check whether the and a
icon are displayed.
(2) Press the [STYLE] button.
(3) If you want to use a style on floppy disk, insert the disk
into the drive.
NO YES
TAP TEMPO
SYNC START
SYNC
START/STOP
SYNC START
ARRANGER
INTRO ORIGINAL FILL VARIATION ENDING
STYLE
EXR-46 OR
17
(4) Use FAMILY [√][®] to select the memory area that contains
the desired Music Style (see above).
The FAMILY buttons allow you to jump to the desired “fam-
ily” (which also include the Flash and USER STL areas).
The display now shows the name of the selected family.
(5) Use SELECT [√][®] to specify the desired Style within the
selected group.
The first press of SELECT [®] (or [√]) shows the name of the
first Music Style within the selected group. It is already
selected, so if you need the first Style, there is actually no
need to press SELECT [®]. You must use SELECT [√] or [®],
however, to select another Style within the same group. You
can also use the numeric buttons to select Styles. See also
“Working with the FAMILY, SELECT and numeric buttons”
(p. 20).
After selecting memory 101 (Flash) or 201 (first disk mem-
ory), the display shows a flashing Yes message.
Note: If you forgot to insert a floppy disk into the drive, the dis-
play shows “No Disk” when you attempt to select the “disk
family”.
(6) If necessary, confirm your selection by pressing the [+/YES]
button.
The display briefly shows “LOADING” (only after selecting
a Style from the inserted floppy disk).
If you selected a Music Style on floppy disk, the icon
now flashes, and the EXR-46 OR automatically selects the
USER STL memory that now contains the Music Style
you loaded from floppy disk.
If you press [+/YES] during Arranger playback, the new Style
is used at the next downbeat (1st beat of the next measure).
Otherwise, the EXR-46 OR displays its name and uses that
Style when you press [START÷STOP].
Note: See page 50 for how to save the Music Style in the
USER STL memory to the Flash memory.
Using the Band Orchestrator
function
The Band Orchestrator function allows you to vary the accom-
paniment patterns played by the Arranger. You can leave out
parts, thin out the drum part, etc. – in real-time (i.e. while you
are playing).
(1) Press the [ARRANGER¥BAND] button to select the Arranger
mode.
(2) Select the Music Style you wish to use for playing (or use
the one that is currently selected).
See page 16.
(3) Press one of the following buttons to select the desired
level of musical “complexity” (the corresponding icon is
displayed):
Obviously, these buttons should be used during Arranger
playback.
FAMILY
=
MALFOUF
73
=
FLASH
132
SELECT
DRUM & BASS
The simplest accompaniment that only con-
tains the drum and bass lines.
COMBO
Accompaniment pattern with only a few
instruments (i.e. a band).
FULL BAND
Accompaniment pattern with a lush
arrangement (several melodic instrument
lines).
r
EXR-46 OR
18
The corresponding icon appears in the display (only
one of them can be displayed at any one time).
Note: Immediately after switching on the EXR-46 OR, the
Orchestrator selects the “FULL BAND” level.
Note: The effect of these three levels also depends on whether
the [VARIATION] or [ORIGINAL] button was pressed. In effect, the
combination of the [ORIGINAL]/[VARIATION] and [DRUM&BASS]/
[COMBO]/[FULL¥BAND] buttons provides 6 accompaniment pat-
terns per Music Style (3 x 2).
The last selection you make can be saved to a User Program.
See p. 45.
Balance
The BALANCE [√][®] buttons allow you to change the volume
balance between the Arranger (or Song) parts and the Keyboard
parts (the ones you can play yourself).
(1) Press BALANCE [ACCOMP] if the Arranger (or Song parts)
are too soft.
(2) Press BALANCE [KEYBOARD] if you think your solo playing
should be louder.
By holding down [SPLIT] (or [DUAL]) while pressing these
buttons, you can modify the volume of those Keyboard
parts.
Note: See p. 41 for setting the volume of individual parts.
BALANCE
ACCOMP KEYBOARD
=
Balance
80a10
EXR-46 OR
19
The EXR-46 OR allows you to play back commercially available music data files (called Standard MIDI Files) or your own songs you saved to disk or to the EXR-46 OR’s Flash memory. Your own songs are saved as
Standard MIDI Format 0 files and can also be played back using any other SMF compatible sequencer (or software).
Basic song playback
(1) Press the [SONG] button (it lights) to switch to Song
mode.
This is necessary because, otherwise, pressing the
[START÷STOP] button will start Arranger playback. So be sure
to check whether the [SONG] button lights and whether the
and icons are no
longer displayed. Only then will the ARRANGER & SONG
CONTROLS buttons allow you to control song playback (see
above).
(2) If you want to play back a song from floppy disk, insert
the disk into the drive (front right).
(3) Use FAMILY [√][®] to select the memory area that contains
the song you wish to play back.
The EXR-46 OR provides three memory areas for songs:
USERSONG: (Memory 000) This where the song data you
record are temporarily stored. The data in this RAM memory
are erased when you switch off the EXR-46 OR.
FLASH: (Memories 101~199) This is the Flash area inside
the EXR-46 OR that already contains several songs when the
EXR-46 OR is shipped. You can expand the number of songs
in this area by copying more songs from your computer (via
USB). There are 99 Flash memory slots in all, but the actual
number of songs you can save there depends on the data
size of the songs.
DISK: (Memories 201~…) This area refers to a floppy disk
you insert into the EXR-46 OR’s drive. The number of avail-
able songs depends on the floppy disk, of course.
(4) Use SELECT [√][®] or the numeric buttons to specify the
desired song within the selected group.
This is only necessary for the Flash memory or a floppy disk
(there is only one USERSONG memory).
The first press of SELECT [®] (or [√]) shows the name of the
first song within the selected group. It is already selected, so
if you need the first song, there is actually no need to press
SELECT [®]. You must use SELECT [√] or [®], however, to select
another song within the same group. After selecting mem-
ory 101 (the first Flash memory), the display looks as follows.
You can also use numeric buttons to select songs.
6. Playing back songs
TAP TEMPO ENDING
VARIATION
FILLORIGINALINTRO
SYNC
START/STOP
SONG
ARRANGER
INTRO ORIGINAL FILL VARIATION ENDING
FAMILY
SELECT
=
SongName
101
r
EXR-46 OR
20
You can press FAMILY [√] or [®] either repeatedly (brief
presses) to go back or advance, or hold down [√] or [®] to
quickly select another family. The fastest way to scroll
through the available families is by holding down [√] while
pressing [®] (go backwards), or by holding down [®] while
pressing [√] (advance). The same methods are available for
the SELECT [√][®] buttons. As a reminder: the FAMILY buttons
are used for selecting groups, while the SELECT buttons
allow you to select items within a group.
If you prefer to use the numeric buttons, enter three fig-
ures (e.g. “001” for entry “1”). If you only enter two figures
(or only one), the EXR-46 OR takes slightly longer to accept
your entry.
Note: If the number you enter lies beyond the last available
entry, the EXR-46 OR does not change.
Note: Enter “000” (or “0”) to select the USERSONG memory.
After selecting memory 101 (Flash) or 201 (first disk mem-
ory), the display shows a flashing Yes message. You can
ignore this if you like, and proceed with the next step (or you
can press [YES/+] and then proceed).
Note: If you forgot to insert a floppy disk into the drive, the dis-
play shows “No Disk” when you attempt to select a file on
disk.
(5) After making sure that the correct song has been
selected, you can press [START÷STOP] (now called [®÷ª]) to
load it and immediately start playback.
The [V-LINK] button now flashes to indicate the tempo and
beats (BEAT function).
You can already select a new song while the current one is
still playing back. If you want to listen to it before the cur-
rent song is finished, stop playback by pressing
[START÷STOP], then press that button again. Otherwise, wait
until the current song is finished, then press the
[START÷STOP] button to start playback of the new song.
Note: Please bear in mind that starting playback of the selected
song on disk will erase the song in the USERSONG memory.
Be sure to save it to disk before proceeding (see p. 54).
(6) You can change the song tempo with the [–][+] buttons or
[TAP¥TEMPO].
Doing so, however, means that the tempo will still change if
the song you are playing back contains tempo change mes-
sages. Furthermore, every time you jump back to the begin-
ning or another position of the song using [|√], [º] or [‰], the
programmed song tempo is reset.
Note: In Song mode, the EXR-46 OR automatically selects the
PIANO SOLO keyboard mode. If you like, you can play along with
the song (and even use the Split or Dual part).
Note: In certain cases, the display may show the message XG
Light or GM2 rather than a Tone name. Such a message
means that the EXR-46 OR is using a Tone that cannot be
selected via the front panel. There are 798 such “hidden” Tones
whose sole purpose is to ensure XG/GM2 playback compatibility.
Additional playback functions
The [INTRO], [ORIGINAL], etc. buttons have two functions: one in
Style mode (printed above the buttons), and another one in
Song mode (printed below the buttons).
Selecting Song mode
The ARRANGER & SONG CONTROLS buttons have two func-
tions: they can be used for selecting Music Style patterns (when
the icon is displayed), or for Song navigation
(when the [SONG] button lights).
To select Song mode (and the SONG CONTROL functions), you
need to press the [SONG] button. Only then will the following
functions be available.
Fast Forward, Rewind, and Reset
To fast forward (jump to a measure later in the song), press
[‰].
To rewind (return to a measure that lies before the current
position), press [º].
The measure indication in the upper right corner of the dis-
play will help you locate the measure you need.
Press [|√] (Reset) to jump back to the first measure of the
song. You need to stop playback before using the [|√] button.
Working with the FAMILY, SELECT and numeric
buttons
ARRANGER
SONG
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192

Roland EXR-46 OR Le manuel du propriétaire

Catégorie
Instruments de musique
Taper
Le manuel du propriétaire
Ce manuel convient également à

dans d''autres langues