Yamaha QY700 Manuel utilisateur

3

Reference

Introduction

Thank you for purchasing the Yamaha QY700 music sequencer.

The QY700 is a 20 song / 32 track sequencer with 1/480th quarter note resolution featuring a built-in XG- and GM-compatible high-

quality AWM2 tone generator, all contained in a newly-designed package. The Style Sequencer functions that were so popular on the

QY300 etc. have been enhanced and made easier to use. A large LCD display also makes operation easier and more intuitive.

In order to take full advantage of the QY700’s functionality, please make good use of this owner’s manual. Once you have read it, keep it

in a safe and convenient place for reference should any questions arise later.

Owner’s Manual

4

Features of the QY700

Powerful sequencer functionality

The sequencer of the QY700 provides 32 sequence tracks and 16 pattern tracks, and up to 110,000 notes of storage

capacity for professional-level sequencing power. Note timing resolution is 1/480th of a quarter note. Memory is

backed up, so your data will not disappear when the power is turned off. Play Effect functions and a full complement

of editing jobs allow you to edit and modify your data as desired. Play Effects provide a Groove Quantize function that

lets you instantly produce a variety of different groove feelings. Also provided are jobs such as Chord Sort and Chord

Separate, convenient for entering guitar strokes.

Functional music production environment with Songs, Patterns, and Phrases

The QY700’s Auto-Accompaniment functionality provides a highly practical music production environment that lets

you use patterns and phrases to create your song.

Easy operation with large display, dials, function buttons, and direct buttons

The large 320 × 240 dot full-graphic display provides you with plenty of information for efficient music-making. For

example, playback data can be viewed not only as an event list, but also graphically in a track-view or piano-roll

display.

The jog dial provides an easy way to modify data, and the shuttle dial lets you rewind/fast-forward intuitively through

data just as on a VTR.

Full assortment of preset phrases

The QY700 provides a vast 3,876 types of preset phrases from all musical genres. All preset phrases have been care-

fully selected for immediate musical usefulness. Simply by combining preset phrases into patterns, you can create

backing data with infinite variety.

Undo/redo function

The QY700 provides an Undo/Redo job. Even if recording, editing, or job execution has caused your important data to

disappear, you will always be able to recover it.

5

Features of the QY700

XG tone generator for rich expressiveness

The QY700 features an XG-compatible tone generator with 491 high-quality voices and 3 high-quality effect systems,

providing the rich expressiveness that you expect from XG.

Wide range of compatibility

The QY700’s tone generator section is compatible with XG and with the GM system level 1 tone generator format. The

sequencer section is compatible with ESEQ and SMF (Standard MIDI File) formats 0/1. Playback data that was

created on the QS300 music synthesizer can also be played back on the QY700. You can also playback commercially

available “XG-compatible song data” for additional enjoyment.

GM System Level 1

“GM System Level 1” is a standard specification that defines the arrangement of voices in a tone generator and its

MIDI functionality, ensuring that data can be played back with substantially the same sounds on any GM-compatible

tone generator, regardless of its manufacturer or model.

Tone generators and song data that meet the “GM System Level 1” bear this GM logo.

XG

“XG” is a tone generator format that expands the voice arrangement of the “GM System Level 1” specification to meet

the ever-increasing demands of today’s computer peripheral environment, providing richer expressive power while

maintaining upward compatibility of data. “XG” greatly expands “GM System Level 1” by defining the ways in which

voices are expanded or edited and the structure and type of effects.

When commercially available song data bearing the XG logo is played back on a tone generator which bears the XG

logo, you will enjoy a full musical experience that includes unlimited expansion voices and effect functions.

6

How to use the manuals

The documentation for the QY700 consists of the following two manuals. Understand the role of each manual, and refer to them as necessary.

Owner’s Manual: Reference (this manual)

This explains precautions for use, how to make connections, and all parameters and commands. Use this manual like a dictionary whenever

you need to.

Chapter 1. BASIC CONCEPTS

Chapter 2. SONG MODE

Chapter 3. VOICE MODE

Chapter 4. EFFECT MODE

Chapter 5. PATTERN MODE

Chapter 6. UTILITY MODE

Chapter 7. DISK MODE

“Song mode” and “Pattern mode” have several functions in common.

In this manual, explanations for these common functions is given in greatest detail in chapter 2 “SONG MODE”. Some of the overlapping

explanation in chapter 5 “PATTERN MODE” is omitted. In such cases, the appropriate page of chapter 2 “SONG MODE” is indicated so that

you can refer to it.

Owner’s Manual: QY700 Reference Listings

This is a booklet that contains various lists such as the Voice list, Preset Phrase list, Effect list, Chord Type list, MIDI data format, and MIDI

implementation chart.

Printing conventions in this manual

This manual uses the following icons to indicate buttons and to distinguish different types of information.

s This indicates a panel button. The characters in the box indicate the characters printed on the panel. Buttons for which there are no

characters printed on the panel are indicated by the symbol printed on the panel, such as l. In the case of the function buttons 1

– 6, the function corresponding to each button is also given; for example, 3 (Effect).

[Explanation]

This icon indicates an explanation of the function.

0101

1101

[Setting values]

This icon indicates the range of values that can be set for that function.

7

[Procedure]

This icon indicates the actual procedure for using the function.

[Supplementary comments]

This icon indicates supplementary explanations related to the function, examples of use, and hints.

[Caution]

This icon indicates a caution. To avoid erasing or damaging important data, be sure to read such sections.

+ This icon means that an operation needs to be performed while doing something else. For example, s + y means “hold down

s and press y”.

/ This icon means “or”. For example,n/ymeans that you should press either thenor theykey.

→ This icon indicates the sequence in which buttons must be pressed. For example, numeric keys → e means that you must use the

numeric keys to select a value and then press the e button.

▼ This icon indicates the result of an operation.

→ p.● ● This indicates the page on which a related function or item is explained. Refer to these pages as necessary.

Printing conventions in this manual

8

Finding the information that you need

In order to find the information that you need, you can make use of the following pages.

Table of contents (→ p.9)

Locate the desired information within the flow of the entire manual.

Front and rear panels (→ p.12)

Here you can read about the name and location of each button and control, and read about their function.

Function tree (→ p.34)

This lets you locate the desired information within the structure of the command hierarchy.

Glossary (→ p.324)

This section contains unfamiliar terms or phrases in alphabetical order with their explanations.

Index (→ p.328)

This lets you search alphabetically for unfamiliar terms to find pages on which they are discussed and pages on which related topics appear.

9

Table of contents

Introduction

Features of the QY700........................................................................................................................................................................................4

How to use the manuals......................................................................................................................................................................................6

Printing conventions in this manual ...................................................................................................................................................................6

Finding the information that you need ...............................................................................................................................................................8

SETUP

1. Front and rear panels ...................................................................................................................................................................................12

Top panel................................................................................................................................................................................12

Rear panel ..............................................................................................................................................................................16

Floppy disk drive ...................................................................................................................................................................17

2. Connections.................................................................................................................................................................................................18

Power supply connections......................................................................................................................................................18

Audio equipment connections ...............................................................................................................................................19

Connecting a foot switch .......................................................................................................................................................20

Connecting external MIDI devices ........................................................................................................................................20

Connecting an MTR (multi-track recorder)...........................................................................................................................21

Connecting two or more devices............................................................................................................................................21

3. Using the Style and Demonstration disk .....................................................................................................................................................22

Contents of the disk ...............................................................................................................................................................22

Listening to the demo playback .............................................................................................................................................22

Restoring the factory settings ................................................................................................................................................23

Chapter 1. BASIC CONCEPTS

1. Mode structure ............................................................................................................................................................................................26

2. Function tree................................................................................................................................................................................................34

3. How the QY700 is organized ......................................................................................................................................................................36

4. Sequencer block ..........................................................................................................................................................................................37

5. The tone generator block.............................................................................................................................................................................43

6. Controller block ..........................................................................................................................................................................................46

7. Effect block .................................................................................................................................................................................................47

8. Basic operation............................................................................................................................................................................................51

9. Song creation procedure..............................................................................................................................................................................56

Create pattrens .......................................................................................................................................................................57

Editing a pattern.....................................................................................................................................................................59

Pattern track recording...........................................................................................................................................................60

Chord track recording ............................................................................................................................................................61

Voice settings .........................................................................................................................................................................62

Realtime record of track 2 .....................................................................................................................................................62

Step recording of track 1........................................................................................................................................................63

Editing tracks 1 and 2 ............................................................................................................................................................65

Modifying the voice of track 1 ..............................................................................................................................................66

Save to floppy disk.................................................................................................................................................................67

Chapter 2. SONG MODE

SONG MODE Overview ..................................................................................................................................................................................70

1. SONG PLAY ...............................................................................................................................................................................................72

2. Play Effects ..................................................................................................................................................................................................80

Groove Quantizing .................................................................................................................................................................82

Clock Shift, Gate Time, and Velocity ....................................................................................................................................90

Transposition..........................................................................................................................................................................94

Drum Table Edit.....................................................................................................................................................................97

3. Track View ................................................................................................................................................................................................100

4. Output Channels........................................................................................................................................................................................103

10

Table of contents

5. Song Recording .........................................................................................................................................................................................106

Recording Standby...............................................................................................................................................................108

Realtime Recording: Sequence Tracks (TR1,...,TR32) .......................................................................................................112

Realtime Recording: PATTERN Track................................................................................................................................113

Realtime Recording: CHORD Track ...................................................................................................................................115

Realtime Recording: TEMPO Track....................................................................................................................................117

Punch Recording..................................................................................................................................................................118

Step Recording: Sequence Tracks (TR1,...,TR32)...............................................................................................................120

Step Recording: PATTERN track ........................................................................................................................................125

Step Recording: CHORD track............................................................................................................................................127

6. Song Editing..............................................................................................................................................................................................129

1 (Graphic) Graphic screen .......................................................................................................................................135

7. Song Jobs ..................................................................................................................................................................................................138

Chapter 3. VOICE MODE

About voice mode...........................................................................................................................................................................................168

1. Mixer .........................................................................................................................................................................................................170

2. Tune...........................................................................................................................................................................................................174

3. Voice edit...................................................................................................................................................................................................176

4. Drum Setup Edit........................................................................................................................................................................................182

Chapter 4. EFFECT MODE

About effect mode ..........................................................................................................................................................................................188

1. Connection ................................................................................................................................................................................................190

2. Reverb edit, Chorus edit, Variation edit ....................................................................................................................................................193

Chapter 5. PATTERN MODE

PATTERN MODE Overview..........................................................................................................................................................................198

1. PATCH ......................................................................................................................................................................................................200

Phrase Table .........................................................................................................................................................................209

2. Play Effects ...............................................................................................................................................................................................212

Groove Quantizing ...............................................................................................................................................................214

Clock Shift, Gate Time, and Velocity ..................................................................................................................................217

Transposition........................................................................................................................................................................219

Drum Table Edit ...................................................................................................................................................................222

3. Pattern Voice submode ..............................................................................................................................................................................225

Mixer....................................................................................................................................................................................227

Voice Edit.............................................................................................................................................................................232

Drum-Setup Edit ..................................................................................................................................................................235

4. Pattern Effects ...........................................................................................................................................................................................239

Connection ...........................................................................................................................................................................241

Reverb Edit, Chorus Edit, and Variation Edit ......................................................................................................................244

5. Phrase Recording ......................................................................................................................................................................................247

Recording Standby...............................................................................................................................................................248

Realtime Recording .............................................................................................................................................................252

Step Recording.....................................................................................................................................................................253

6. Phrase Editing ...........................................................................................................................................................................................254

7. Pattern Jobs ...............................................................................................................................................................................................256

Chapter 6. UTILITY MODE

About Utility mode.........................................................................................................................................................................................288

1. System .......................................................................................................................................................................................................289

2. MIDI..........................................................................................................................................................................................................291

3. MIDI filter .................................................................................................................................................................................................293

4. Sequencer ..................................................................................................................................................................................................295

5. Click ..........................................................................................................................................................................................................297

6. Fingered chord zone ..................................................................................................................................................................................299

11

Table of contents

Chapter 7. DISK MODE

About floppy disks..........................................................................................................................................................................................302

About Disk mode............................................................................................................................................................................................304

1. Save ...........................................................................................................................................................................................................307

2. Load...........................................................................................................................................................................................................310

3. Rename......................................................................................................................................................................................................312

4. Delete ........................................................................................................................................................................................................314

5. Format .......................................................................................................................................................................................................316

APPENDIX

1. Specifications ............................................................................................................................................................................................318

2. Troubleshooting ........................................................................................................................................................................................320

3. Error messages ..........................................................................................................................................................................................322

4. Glossary.....................................................................................................................................................................................................324

5. Index..........................................................................................................................................................................................................328

12

SETUP

1. Front and rear panels

Top panel

1. PITCH wheel

This controller is used to continuously modify the pitch or tone etc. while you play. The controller will return to the center position when you

release it. (→ p.290)

2. ASSIGNABLE wheel

This controller is used to continuously modify the tone etc. while you play. You can specify how this controller will affect the sound. (→ p.290)

3. Mode keys

Use these buttons to switch between modes.

s key

Switch to Song mode. (→ p.70)

p key

Switch to Pattern mode. (→ p.198)

u key

Switch to Utility mode. (→ p.288)

v key

Switch to Voice mode. (→ p.168)

e key

Switch to Effect mode. (→ p.188)

d key

Switch to Disk mode. (→ p.302)

7. PLAY indicator

CONTRAST

OUT BOUT AIN B

IN B

MIDI

OUT BOUT A

IN A

PLAYREC

VOICE

SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT

MAX

VOLUME

EFFECT

DISK

SONG

PITCH ASSIGNABLE

PATTERN

UTILITY

FOOT SWRL/MONO

OUTPUT

MUSIC SEQUENCER

1. PITCH wheel 13. MIDI Data monitors

2. ASSIGNABLE wheel 8. LCD display

3. Mode keys

4. VOLUME control

5. CONTRAST control

14. Shuttle dial

15. Data dial

6. REC (recording) indicator

11. EXIT key

10. Function keys

9. SHIFT key

12. Direct Cursor

keys

13

SETUP

4. VOLUME control

Use this to adjust the volume of the output jacks and the headphone jack.

5. CONTRAST control

Use this to adjust the contrast of the display.

6. REC (recording) indicator

This indicator will light when the e key is pressed, indicating that you are in recording mode.

7. PLAY indicator

During playback, this indicator will blink in time with the tempo.

8. LCD display

Various types of information are displayed in this 320 x 240 pixel backlit liquid crystal display. The time after which the backlight will

automatically turn off can be set in Utility mode. (→ p.289)

9. s key

This button works in conjunction with other keys to perform various functions.

10.1–6 function keys

Use these keys to select from the menu that appears in the bottom line of the screen.

11.e key

This key moves from a sub mode or page display to the next higher level in the command hierarchy.

12.d [D1] –d [D5] direct keys

Use these keys to move the cursor to the setting items that are shown in the right side of the display.

13.MIDI Data monitors

The corresponding indicator will blink when MIDI data is transmitted or received at the four MIDI connectors (IN-A, IN-B, OUT-A, OUT-B).

This provides a way to confirm MIDI communications.

(Note) Since MIDI Clock messages are normally being transmitted, the MIDI OUT-A/B indicators will be blinking lightly.

14.Shuttle dial

Use this to fast-forward or rewind songs or patterns. Depending on the angle to which you rotate the dial, the speed of fast-forward or rewind

will change in four steps.

15.Data dial

Use this to select voices or to continuously increase/decrease a numerical value.

14

SETUP

16.Sequencer keys

Use these keys to playback or record songs, patterns, and phrases. The layout of the buttons is similar to that of a conventional tape recorder.

t (Top) Return to the first measure of a song or pattern.

r (Rewind) Rewind the playback measure.

f (Forward) Advance the playback measure.

e (Recording) Enter recording standby mode.

s (Stop) Stop playback/recording.

p (Play) Begin playback/recording.

17.e key

Switch to Song Edit (→ p.129) or Phrase Edit (→ p.254).

18.j key

Access the Song jobs (→ p.138) or Pattern jobs (→ p.256).

19.1 (Locate 1) key

2 (Locate 2) key

In Song mode, these keys are used to move to a previously specified measure. Use s + 1/2 to store the current measure in the

corresponding locate key.

OCT

DOWN

OCT

UP

OCT

DOWN

OCT

UP

ON

BASS

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16. Sequencer keys 18. JOB key

19. Locate keys 20. Track keys

22. Decrement key, Increment key

17. EDIT key

21. Cursor keys 23. Numeric keypad

24. Enter key26. Microkeyboard25. Octave keys 25. Octave keys

15

SETUP

20.Track keys

Use these keys to change the currently selected track, or to mute or solo specific tracks.

d key These keys switch the currently selected track.

u key

m key This mutes the playback of the currently selected track. Press the key once again to un-

mute the track.

s key This mutes the playback of all tracks other than the selected track. Press the key once

again to restore playback of the other tracks. Use this button when you want to hear only

the selected track.

21.Cursor keys

Use these keys to move the cursor location within the display.

22.n (Decrement) key

y (Increment) key

In various setting displays you can use these buttons to increase (increment) / decrease (decrement) values, or switch settings on/off. These

keys are also used to reply YES or NO to an “Are you sure?” prompt.

23.Numeric keypad

Use these to enter numerical values or note values.

24.e (Enter) key

Use this key to finalize a number entered by the numeric keypad, to enter the job selected by the cursor, or to execute a job etc.

25.Octave keys

These keys modify the pitch of the microkeyboard in steps of an octave.

In addition, the left octave button sets On Bass or Original Bass for a chord, and the right octave button sets chord Syncopation.

d[OCT DOWN] (Octave Down) key Lowers the pitch of the keyboard buttons in one-octave steps.

u[OCT UP] (Octave Up) key Raises the pitch of the keyboard buttons in one-octave steps.

26.Microkeyboard

These function as a keyboard for entering your performance. They are not sensitive to velocity or aftertouch. The microkeyboard are also used

to specify chords and pattern sections, and to input characters.

16

SETUP

Rear panel

1. MIDI connectors

These connectors are used to connect external MIDI devices via a MIDI cable. There are four MIDI connectors: IN-A, IN-B, OUT-A, and

OUT-B. IN-A and IN-B are inputs, and OUT-A and OUT-B are outputs. (→ p.20)

2. FOOT SW (Foot switch) jack

A foot switch (FC4, FC5: option) can be connected to this jack. A connected foot switch can be used during performance as a sustain pedal or

as a start/stop switch. (→ p.290)

3. OUTPUT jacks

These jacks are for line connections to powered speakers or a mixer. When playing in stereo, connect both jacks. When playing in mono,

connect the L/MONO jack. (→ p.19)

4. PHONES (Headphones) jack

A set of headphones with a stereo phone plug can be connected to this jack. (HPE-170 or other Yamaha recommended headphones: impedance

8 – 150 ohms.) The headphone volume is adjusted by the Volume control. (→ p.19)

5. DC IN (Power supply) jack

Connect the included PA-5B AC adaptor to this jack. (→ p.18)

• Before connecting the AC adaptor, make sure that the power switch of the QY700 is turned off. First connect the AC adaptor

to the power supply jack, and then plug it into an AC outlet.

• Use only the included PA-5B AC adaptor. Using other AC adaptors will cause malfunctions. Also, be sure to unplug the AC

adaptor from the AC outlet if you will not be using the unit for an extended period of time.

6. Cable clip

Wrap the AC adaptor power cable around this clip as shown in the diagram. This will decrease the possibility of the power cable being pulled

out accidentally.

7. POWER switch

This switch turns the power on/off. The power is on when the switch is pressed in. (→ p.18)

POWER

ON

INDCPHONESL/MONORSWFOOT

IN-AIN-BOUT-AOUT-B

MIDI

OUTPUT

OFF

1. MIDI connectors

3. OUTPUT jacks

2. FOOT SW (Foot switch) jack

5. DC IN (Power supply) jack

7. POWER switch

4. PHONES (Headphones) jack

6. Cable clip

Cable clip

17

SETUP

Floppy disk drive

1. Floppy disk slot

This is where floppy disks are inserted for loading or saving data. 3.5 inch 2HD (MF2HD) or 2DD (MF2DD) floppy disks can be used. (→

p.302)

2. Disk-in-use indicator

This indicator will light while data is being read from or written to the floppy disk. Never attempt to remove the disk while this indicator is lit.

3. Eject button

Press this button to remove the floppy disk. Disks must be inserted or removed gently and firmly, and only while the access indicator is dark.

• The back of a floppy disk contains a write protect tab as shown in the following illustration. When this tab is in the downward position (with

the window open), it will not be possible to modify, add, or delete data. When you wish to protect important data, you should leave the tab

in this position.

• Be aware that Yamaha can make no guarantee regarding data damage that results from improper use.

1. Floppy disk slot

2. Disk-in-use indicator 3. Eject button

Write protect tab

Write permit

Write prohibit

18

SETUP

2. Connections

In order to use the QY700, the included AC adaptor and an amp system etc. must be connected. If you use external MIDI devices or controllers, these

must also be connected.

This sections explains how to make these connections.

• Be sure to turn off the power before making any connections. If you make connections while the power is on, you risk damag-

ing external equipment such as the amp or speakers.

Power supply connections

1. Make sure that the power switch of the QY700 is turned off, and connect the included AC adaptor (PA-5B) to the power supply jack.

2. Plug the AC adaptor into an AC outlet, and turn on the QY700 power switch.

• Use only the included PA-5B AC adaptor. Using other AC adaptors will cause malfunctions. Also, be sure to unplug the AC

adaptor from the AC outlet if you will not be using the unit for an extended period of time.

19

SETUP

Audio equipment connections

To output the sound of the QY700, connect an amp or mixer to the output jacks.

Connection to powered speakers

Connect two powered speakers (left and right) to the output jacks (L/MONO, R).

If you are connecting only one powered speaker, use the L/MONO jack.

Connection to a mixer

Connect the output jacks (L/MONO, R) to two channels of the mixer. The channel connected to the L/MONO jack should be panned left, and

the channel connected to the R jack should be panned right.

Make the same type of connections if you are connecting the QY700 to an MTR or cassette deck.

Using headphones

If you are using headphones, connect them to the rear panel PHONES (headphones) jack.

When using headphones, adjust the volume to an appropriate level that will not harm your hearing.

• Do not connect the output jacks of the QY700 to the mic input jacks of an amp or cassette deck etc. If they are connected to mic

inputs, the sound quality may be impaired, and the device may be damaged. Also, when connecting the QY700 to a mixer or

similar device, set the mixer channels to the Line Input position.

POWER

ON

INDCPHONESL/MONORSWFOOT

OUTPUT

OFF

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INDCPHONESL/MONORSWFOOT

OUTPUT

OFF

La page charge ...

Yamaha QY700 Manuel utilisateur

Yamaha QY700 Manuel utilisateur

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