Yamaha QY700 Manuel utilisateur

Catégorie
Pianos numériques
Taper
Manuel utilisateur
3
Reference
Introduction
Thank you for purchasing the Yamaha QY700 music sequencer.
The QY700 is a 20 song / 32 track sequencer with 1/480th quarter note resolution featuring a built-in XG- and GM-compatible high-
quality AWM2 tone generator, all contained in a newly-designed package. The Style Sequencer functions that were so popular on the
QY300 etc. have been enhanced and made easier to use. A large LCD display also makes operation easier and more intuitive.
In order to take full advantage of the QY700’s functionality, please make good use of this owner’s manual. Once you have read it, keep it
in a safe and convenient place for reference should any questions arise later.
Owner’s Manual
4
Features of the QY700
Features of the QY700
Powerful sequencer functionality
The sequencer of the QY700 provides 32 sequence tracks and 16 pattern tracks, and up to 110,000 notes of storage
capacity for professional-level sequencing power. Note timing resolution is 1/480th of a quarter note. Memory is
backed up, so your data will not disappear when the power is turned off. Play Effect functions and a full complement
of editing jobs allow you to edit and modify your data as desired. Play Effects provide a Groove Quantize function that
lets you instantly produce a variety of different groove feelings. Also provided are jobs such as Chord Sort and Chord
Separate, convenient for entering guitar strokes.
Functional music production environment with Songs, Patterns, and Phrases
The QY700’s Auto-Accompaniment functionality provides a highly practical music production environment that lets
you use patterns and phrases to create your song.
Easy operation with large display, dials, function buttons, and direct buttons
The large 320 × 240 dot full-graphic display provides you with plenty of information for efficient music-making. For
example, playback data can be viewed not only as an event list, but also graphically in a track-view or piano-roll
display.
The jog dial provides an easy way to modify data, and the shuttle dial lets you rewind/fast-forward intuitively through
data just as on a VTR.
Full assortment of preset phrases
The QY700 provides a vast 3,876 types of preset phrases from all musical genres. All preset phrases have been care-
fully selected for immediate musical usefulness. Simply by combining preset phrases into patterns, you can create
backing data with infinite variety.
Undo/redo function
The QY700 provides an Undo/Redo job. Even if recording, editing, or job execution has caused your important data to
disappear, you will always be able to recover it.
5
Features of the QY700
XG tone generator for rich expressiveness
The QY700 features an XG-compatible tone generator with 491 high-quality voices and 3 high-quality effect systems,
providing the rich expressiveness that you expect from XG.
Wide range of compatibility
The QY700’s tone generator section is compatible with XG and with the GM system level 1 tone generator format. The
sequencer section is compatible with ESEQ and SMF (Standard MIDI File) formats 0/1. Playback data that was
created on the QS300 music synthesizer can also be played back on the QY700. You can also playback commercially
available “XG-compatible song data” for additional enjoyment.
GM System Level 1
“GM System Level 1” is a standard specification that defines the arrangement of voices in a tone generator and its
MIDI functionality, ensuring that data can be played back with substantially the same sounds on any GM-compatible
tone generator, regardless of its manufacturer or model.
Tone generators and song data that meet the “GM System Level 1” bear this GM logo.
XG
“XG” is a tone generator format that expands the voice arrangement of the “GM System Level 1” specification to meet
the ever-increasing demands of today’s computer peripheral environment, providing richer expressive power while
maintaining upward compatibility of data. “XG” greatly expands “GM System Level 1” by defining the ways in which
voices are expanded or edited and the structure and type of effects.
When commercially available song data bearing the XG logo is played back on a tone generator which bears the XG
logo, you will enjoy a full musical experience that includes unlimited expansion voices and effect functions.
6
How to use the manuals
How to use the manuals
The documentation for the QY700 consists of the following two manuals. Understand the role of each manual, and refer to them as necessary.
Owner’s Manual: Reference (this manual)
This explains precautions for use, how to make connections, and all parameters and commands. Use this manual like a dictionary whenever
you need to.
Chapter 1. BASIC CONCEPTS
Chapter 2. SONG MODE
Chapter 3. VOICE MODE
Chapter 4. EFFECT MODE
Chapter 5. PATTERN MODE
Chapter 6. UTILITY MODE
Chapter 7. DISK MODE
“Song mode” and “Pattern mode” have several functions in common.
In this manual, explanations for these common functions is given in greatest detail in chapter 2 “SONG MODE”. Some of the overlapping
explanation in chapter 5 “PATTERN MODE” is omitted. In such cases, the appropriate page of chapter 2 “SONG MODE” is indicated so that
you can refer to it.
Owner’s Manual: QY700 Reference Listings
This is a booklet that contains various lists such as the Voice list, Preset Phrase list, Effect list, Chord Type list, MIDI data format, and MIDI
implementation chart.
Printing conventions in this manual
This manual uses the following icons to indicate buttons and to distinguish different types of information.
s This indicates a panel button. The characters in the box indicate the characters printed on the panel. Buttons for which there are no
characters printed on the panel are indicated by the symbol printed on the panel, such as l. In the case of the function buttons 1
6, the function corresponding to each button is also given; for example, 3 (Effect).
[Explanation]
This icon indicates an explanation of the function.
0101
1101
[Setting values]
This icon indicates the range of values that can be set for that function.
7
[Procedure]
This icon indicates the actual procedure for using the function.
[Supplementary comments]
This icon indicates supplementary explanations related to the function, examples of use, and hints.
[Caution]
This icon indicates a caution. To avoid erasing or damaging important data, be sure to read such sections.
+ This icon means that an operation needs to be performed while doing something else. For example, s + y means “hold down
s and press y”.
/ This icon means “or”. For example,n/ymeans that you should press either thenor theykey.
This icon indicates the sequence in which buttons must be pressed. For example, numeric keys e means that you must use the
numeric keys to select a value and then press the e button.
This icon indicates the result of an operation.
p.● ● This indicates the page on which a related function or item is explained. Refer to these pages as necessary.
Printing conventions in this manual
8
Finding the information that you need
Finding the information that you need
In order to find the information that you need, you can make use of the following pages.
Table of contents ( p.9)
Locate the desired information within the flow of the entire manual.
Front and rear panels ( p.12)
Here you can read about the name and location of each button and control, and read about their function.
Function tree ( p.34)
This lets you locate the desired information within the structure of the command hierarchy.
Glossary ( p.324)
This section contains unfamiliar terms or phrases in alphabetical order with their explanations.
Index ( p.328)
This lets you search alphabetically for unfamiliar terms to find pages on which they are discussed and pages on which related topics appear.
9
Table of contents
Table of contents
Introduction
Features of the QY700........................................................................................................................................................................................4
How to use the manuals......................................................................................................................................................................................6
Printing conventions in this manual ...................................................................................................................................................................6
Finding the information that you need ...............................................................................................................................................................8
SETUP
1. Front and rear panels ...................................................................................................................................................................................12
Top panel................................................................................................................................................................................12
Rear panel ..............................................................................................................................................................................16
Floppy disk drive ...................................................................................................................................................................17
2. Connections.................................................................................................................................................................................................18
Power supply connections......................................................................................................................................................18
Audio equipment connections ...............................................................................................................................................19
Connecting a foot switch .......................................................................................................................................................20
Connecting external MIDI devices ........................................................................................................................................20
Connecting an MTR (multi-track recorder)...........................................................................................................................21
Connecting two or more devices............................................................................................................................................21
3. Using the Style and Demonstration disk .....................................................................................................................................................22
Contents of the disk ...............................................................................................................................................................22
Listening to the demo playback .............................................................................................................................................22
Restoring the factory settings ................................................................................................................................................23
Chapter 1. BASIC CONCEPTS
1. Mode structure ............................................................................................................................................................................................26
2. Function tree................................................................................................................................................................................................34
3. How the QY700 is organized ......................................................................................................................................................................36
4. Sequencer block ..........................................................................................................................................................................................37
5. The tone generator block.............................................................................................................................................................................43
6. Controller block ..........................................................................................................................................................................................46
7. Effect block .................................................................................................................................................................................................47
8. Basic operation............................................................................................................................................................................................51
9. Song creation procedure..............................................................................................................................................................................56
Create pattrens .......................................................................................................................................................................57
Editing a pattern.....................................................................................................................................................................59
Pattern track recording...........................................................................................................................................................60
Chord track recording ............................................................................................................................................................61
Voice settings .........................................................................................................................................................................62
Realtime record of track 2 .....................................................................................................................................................62
Step recording of track 1........................................................................................................................................................63
Editing tracks 1 and 2 ............................................................................................................................................................65
Modifying the voice of track 1 ..............................................................................................................................................66
Save to floppy disk.................................................................................................................................................................67
Chapter 2. SONG MODE
SONG MODE Overview ..................................................................................................................................................................................70
1. SONG PLAY ...............................................................................................................................................................................................72
2. Play Effects ..................................................................................................................................................................................................80
Groove Quantizing .................................................................................................................................................................82
Clock Shift, Gate Time, and Velocity ....................................................................................................................................90
Transposition..........................................................................................................................................................................94
Drum Table Edit.....................................................................................................................................................................97
3. Track View ................................................................................................................................................................................................100
4. Output Channels........................................................................................................................................................................................103
10
Table of contents
5. Song Recording .........................................................................................................................................................................................106
Recording Standby...............................................................................................................................................................108
Realtime Recording: Sequence Tracks (TR1,...,TR32) .......................................................................................................112
Realtime Recording: PATTERN Track................................................................................................................................113
Realtime Recording: CHORD Track ...................................................................................................................................115
Realtime Recording: TEMPO Track....................................................................................................................................117
Punch Recording..................................................................................................................................................................118
Step Recording: Sequence Tracks (TR1,...,TR32)...............................................................................................................120
Step Recording: PATTERN track ........................................................................................................................................125
Step Recording: CHORD track............................................................................................................................................127
6. Song Editing..............................................................................................................................................................................................129
1 (Graphic) Graphic screen .......................................................................................................................................135
7. Song Jobs ..................................................................................................................................................................................................138
Chapter 3. VOICE MODE
About voice mode...........................................................................................................................................................................................168
1. Mixer .........................................................................................................................................................................................................170
2. Tune...........................................................................................................................................................................................................174
3. Voice edit...................................................................................................................................................................................................176
4. Drum Setup Edit........................................................................................................................................................................................182
Chapter 4. EFFECT MODE
About effect mode ..........................................................................................................................................................................................188
1. Connection ................................................................................................................................................................................................190
2. Reverb edit, Chorus edit, Variation edit ....................................................................................................................................................193
Chapter 5. PATTERN MODE
PATTERN MODE Overview..........................................................................................................................................................................198
1. PATCH ......................................................................................................................................................................................................200
Phrase Table .........................................................................................................................................................................209
2. Play Effects ...............................................................................................................................................................................................212
Groove Quantizing ...............................................................................................................................................................214
Clock Shift, Gate Time, and Velocity ..................................................................................................................................217
Transposition........................................................................................................................................................................219
Drum Table Edit ...................................................................................................................................................................222
3. Pattern Voice submode ..............................................................................................................................................................................225
Mixer....................................................................................................................................................................................227
Voice Edit.............................................................................................................................................................................232
Drum-Setup Edit ..................................................................................................................................................................235
4. Pattern Effects ...........................................................................................................................................................................................239
Connection ...........................................................................................................................................................................241
Reverb Edit, Chorus Edit, and Variation Edit ......................................................................................................................244
5. Phrase Recording ......................................................................................................................................................................................247
Recording Standby...............................................................................................................................................................248
Realtime Recording .............................................................................................................................................................252
Step Recording.....................................................................................................................................................................253
6. Phrase Editing ...........................................................................................................................................................................................254
7. Pattern Jobs ...............................................................................................................................................................................................256
Chapter 6. UTILITY MODE
About Utility mode.........................................................................................................................................................................................288
1. System .......................................................................................................................................................................................................289
2. MIDI..........................................................................................................................................................................................................291
3. MIDI filter .................................................................................................................................................................................................293
4. Sequencer ..................................................................................................................................................................................................295
5. Click ..........................................................................................................................................................................................................297
6. Fingered chord zone ..................................................................................................................................................................................299
11
Table of contents
Chapter 7. DISK MODE
About floppy disks..........................................................................................................................................................................................302
About Disk mode............................................................................................................................................................................................304
1. Save ...........................................................................................................................................................................................................307
2. Load...........................................................................................................................................................................................................310
3. Rename......................................................................................................................................................................................................312
4. Delete ........................................................................................................................................................................................................314
5. Format .......................................................................................................................................................................................................316
APPENDIX
1. Specifications ............................................................................................................................................................................................318
2. Troubleshooting ........................................................................................................................................................................................320
3. Error messages ..........................................................................................................................................................................................322
4. Glossary.....................................................................................................................................................................................................324
5. Index..........................................................................................................................................................................................................328
12
SETUP
1. Front and rear panels
Top panel
1. PITCH wheel
This controller is used to continuously modify the pitch or tone etc. while you play. The controller will return to the center position when you
release it. ( p.290)
2. ASSIGNABLE wheel
This controller is used to continuously modify the tone etc. while you play. You can specify how this controller will affect the sound. ( p.290)
3. Mode keys
Use these buttons to switch between modes.
s key
Switch to Song mode. ( p.70)
p key
Switch to Pattern mode. ( p.198)
u key
Switch to Utility mode. ( p.288)
v key
Switch to Voice mode. ( p.168)
e key
Switch to Effect mode. ( p.188)
d key
Switch to Disk mode. ( p.302)
7. PLAY indicator
CONTRAST
OUT BOUT AIN B
IN B
MIDI
MIDI
OUT BOUT A
IN A
IN A
PLAYREC
VOICE
SHIFT F1 F2 F3 F4 F5 F6 SHIFT EXIT
MAX
VOLUME
EFFECT
DISK
SONG
PITCH ASSIGNABLE
PATTERN
UTILITY
FOOT SWRL/MONO
OUTPUT
MUSIC SEQUENCER
1. PITCH wheel 13. MIDI Data monitors
2. ASSIGNABLE wheel 8. LCD display
3. Mode keys
4. VOLUME control
5. CONTRAST control
14. Shuttle dial
15. Data dial
6. REC (recording) indicator
11. EXIT key
10. Function keys
9. SHIFT key
12. Direct Cursor
keys
13
SETUP
4. VOLUME control
Use this to adjust the volume of the output jacks and the headphone jack.
5. CONTRAST control
Use this to adjust the contrast of the display.
6. REC (recording) indicator
This indicator will light when the e key is pressed, indicating that you are in recording mode.
7. PLAY indicator
During playback, this indicator will blink in time with the tempo.
8. LCD display
Various types of information are displayed in this 320 x 240 pixel backlit liquid crystal display. The time after which the backlight will
automatically turn off can be set in Utility mode. ( p.289)
9. s key
This button works in conjunction with other keys to perform various functions.
10.16 function keys
Use these keys to select from the menu that appears in the bottom line of the screen.
11.e key
This key moves from a sub mode or page display to the next higher level in the command hierarchy.
12.d [D1]d [D5] direct keys
Use these keys to move the cursor to the setting items that are shown in the right side of the display.
13.MIDI Data monitors
The corresponding indicator will blink when MIDI data is transmitted or received at the four MIDI connectors (IN-A, IN-B, OUT-A, OUT-B).
This provides a way to confirm MIDI communications.
(Note) Since MIDI Clock messages are normally being transmitted, the MIDI OUT-A/B indicators will be blinking lightly.
14.Shuttle dial
Use this to fast-forward or rewind songs or patterns. Depending on the angle to which you rotate the dial, the speed of fast-forward or rewind
will change in four steps.
15.Data dial
Use this to select voices or to continuously increase/decrease a numerical value.
14
SETUP
16.Sequencer keys
Use these keys to playback or record songs, patterns, and phrases. The layout of the buttons is similar to that of a conventional tape recorder.
t (Top) Return to the first measure of a song or pattern.
r (Rewind) Rewind the playback measure.
f (Forward) Advance the playback measure.
e (Recording) Enter recording standby mode.
s (Stop) Stop playback/recording.
p (Play) Begin playback/recording.
17.e key
Switch to Song Edit ( p.129) or Phrase Edit ( p.254).
18.j key
Access the Song jobs ( p.138) or Pattern jobs ( p.256).
19.1 (Locate 1) key
2 (Locate 2) key
In Song mode, these keys are used to move to a previously specified measure. Use s + 1/2 to store the current measure in the
corresponding locate key.
OCT
DOWN
OCT
UP
OCT
DOWN
OCT
UP
ON
BASS
F
#
E
FGAB C
D
M
add9
M7
add9
a
m
mM7
m6
c
C
#
D
#
REST
TRACK
DOWN
TRACK
UP
SOLOMUTE
EDIT JOB
LOC 2LOC 1
TIE
7
(
#
5)
7
(
b
5)
7
(
#
9)
7
sus4
sus4
SECTION
A
G
b
D
b
E
b
7
(
b
9)
m7
(
b
5
)
M7
(9)
6
6
(9)
7
7
(9)
m7
(9)
m7
dim
ZWV
/
HGF
UTSRQPO
#
N
CBA
?
MLK
_
!
S
%
&
E
)
D
(
_
YX
aug
7
(
b
13
)
7
(13)
7
(
#
11)
JI
m7
(11)
ORG
BASS
CAPS
SHIFT
SPACE
3
DEL
YESNO
c
G
#
A
b
A
#
B
b
789
456
123
0
-
-1 +1
3
B C D E F G H
16. Sequencer keys 18. JOB key
19. Locate keys 20. Track keys
22. Decrement key, Increment key
17. EDIT key
21. Cursor keys 23. Numeric keypad
24. Enter key26. Microkeyboard25. Octave keys 25. Octave keys
15
SETUP
20.Track keys
Use these keys to change the currently selected track, or to mute or solo specific tracks.
d key These keys switch the currently selected track.
u key
m key This mutes the playback of the currently selected track. Press the key once again to un-
mute the track.
s key This mutes the playback of all tracks other than the selected track. Press the key once
again to restore playback of the other tracks. Use this button when you want to hear only
the selected track.
21.Cursor keys
Use these keys to move the cursor location within the display.
22.n (Decrement) key
y (Increment) key
In various setting displays you can use these buttons to increase (increment) / decrease (decrement) values, or switch settings on/off. These
keys are also used to reply YES or NO to an “Are you sure?” prompt.
23.Numeric keypad
Use these to enter numerical values or note values.
24.e (Enter) key
Use this key to finalize a number entered by the numeric keypad, to enter the job selected by the cursor, or to execute a job etc.
25.Octave keys
These keys modify the pitch of the microkeyboard in steps of an octave.
In addition, the left octave button sets On Bass or Original Bass for a chord, and the right octave button sets chord Syncopation.
d[OCT DOWN] (Octave Down) key Lowers the pitch of the keyboard buttons in one-octave steps.
u[OCT UP] (Octave Up) key Raises the pitch of the keyboard buttons in one-octave steps.
26.Microkeyboard
These function as a keyboard for entering your performance. They are not sensitive to velocity or aftertouch. The microkeyboard are also used
to specify chords and pattern sections, and to input characters.
16
SETUP
Rear panel
1. MIDI connectors
These connectors are used to connect external MIDI devices via a MIDI cable. There are four MIDI connectors: IN-A, IN-B, OUT-A, and
OUT-B. IN-A and IN-B are inputs, and OUT-A and OUT-B are outputs. ( p.20)
2. FOOT SW (Foot switch) jack
A foot switch (FC4, FC5: option) can be connected to this jack. A connected foot switch can be used during performance as a sustain pedal or
as a start/stop switch. ( p.290)
3. OUTPUT jacks
These jacks are for line connections to powered speakers or a mixer. When playing in stereo, connect both jacks. When playing in mono,
connect the L/MONO jack. ( p.19)
4. PHONES (Headphones) jack
A set of headphones with a stereo phone plug can be connected to this jack. (HPE-170 or other Yamaha recommended headphones: impedance
8 – 150 ohms.) The headphone volume is adjusted by the Volume control. ( p.19)
5. DC IN (Power supply) jack
Connect the included PA-5B AC adaptor to this jack. ( p.18)
Before connecting the AC adaptor, make sure that the power switch of the QY700 is turned off. First connect the AC adaptor
to the power supply jack, and then plug it into an AC outlet.
Use only the included PA-5B AC adaptor. Using other AC adaptors will cause malfunctions. Also, be sure to unplug the AC
adaptor from the AC outlet if you will not be using the unit for an extended period of time.
6. Cable clip
Wrap the AC adaptor power cable around this clip as shown in the diagram. This will decrease the possibility of the power cable being pulled
out accidentally.
7. POWER switch
This switch turns the power on/off. The power is on when the switch is pressed in. ( p.18)
POWER
ON
INDCPHONESL/MONORSWFOOT
IN-AIN-BOUT-AOUT-B
MIDI
OUTPUT
OFF
1. MIDI connectors
3. OUTPUT jacks
2. FOOT SW (Foot switch) jack
5. DC IN (Power supply) jack
7. POWER switch
4. PHONES (Headphones) jack
6. Cable clip
Cable clip
17
SETUP
Floppy disk drive
1. Floppy disk slot
This is where floppy disks are inserted for loading or saving data. 3.5 inch 2HD (MF2HD) or 2DD (MF2DD) floppy disks can be used. (
p.302)
2. Disk-in-use indicator
This indicator will light while data is being read from or written to the floppy disk. Never attempt to remove the disk while this indicator is lit.
3. Eject button
Press this button to remove the floppy disk. Disks must be inserted or removed gently and firmly, and only while the access indicator is dark.
The back of a floppy disk contains a write protect tab as shown in the following illustration. When this tab is in the downward position (with
the window open), it will not be possible to modify, add, or delete data. When you wish to protect important data, you should leave the tab
in this position.
Be aware that Yamaha can make no guarantee regarding data damage that results from improper use.
1. Floppy disk slot
2. Disk-in-use indicator 3. Eject button
Write protect tab
Write permit
Write prohibit
18
SETUP
2. Connections
In order to use the QY700, the included AC adaptor and an amp system etc. must be connected. If you use external MIDI devices or controllers, these
must also be connected.
This sections explains how to make these connections.
Be sure to turn off the power before making any connections. If you make connections while the power is on, you risk damag-
ing external equipment such as the amp or speakers.
Power supply connections
1. Make sure that the power switch of the QY700 is turned off, and connect the included AC adaptor (PA-5B) to the power supply jack.
2. Plug the AC adaptor into an AC outlet, and turn on the QY700 power switch.
Use only the included PA-5B AC adaptor. Using other AC adaptors will cause malfunctions. Also, be sure to unplug the AC
adaptor from the AC outlet if you will not be using the unit for an extended period of time.
19
SETUP
Audio equipment connections
To output the sound of the QY700, connect an amp or mixer to the output jacks.
Connection to powered speakers
Connect two powered speakers (left and right) to the output jacks (L/MONO, R).
If you are connecting only one powered speaker, use the L/MONO jack.
Connection to a mixer
Connect the output jacks (L/MONO, R) to two channels of the mixer. The channel connected to the L/MONO jack should be panned left, and
the channel connected to the R jack should be panned right.
Make the same type of connections if you are connecting the QY700 to an MTR or cassette deck.
Using headphones
If you are using headphones, connect them to the rear panel PHONES (headphones) jack.
When using headphones, adjust the volume to an appropriate level that will not harm your hearing.
Do not connect the output jacks of the QY700 to the mic input jacks of an amp or cassette deck etc. If they are connected to mic
inputs, the sound quality may be impaired, and the device may be damaged. Also, when connecting the QY700 to a mixer or
similar device, set the mixer channels to the Line Input position.
POWER
ON
INDCPHONESL/MONORSWFOOT
OUTPUT
OFF
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
6
0
5
10
0
5
10
20
1 2 4 5 6 7 8 9 10 12 13 14 15 16
ST
R
ST ST
2
6016
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
2
6016
6016
6016
6016
6016
6016
6016
6016
6016
6016
6016
6016
6016
6016
6016
6016
6016
6016
6
0
5
6
0
5
6
0
5
6
0
5
6
0
5
6
0
5
6
0
5
6
0
5
6
0
5
6
0
5
POWER
ON
INDCPHONESL/MONORSWFOOT
OUTPUT
OFF
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334

Yamaha QY700 Manuel utilisateur

Catégorie
Pianos numériques
Taper
Manuel utilisateur