Peavey SMRTM 821a Manuel utilisateur

Marque: Peavey

Modèle: SMRTM 821a

Catégorie: Équipement musical supplémentaire

Taper: Manuel utilisateur

Ce manuel convient également à

SMR 821a

SMR™821a Mic/Line Program Audio MixerUser Manual

Intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s

enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

Intended to alert the user of the presence of important operating and maintenance (servicing)

instructions in the literature accompanying the product.

CCAAUUTTIIOONN::Risk of electrical shock — DO NOT OPEN!

CCAAUUTTIIOONN::To reduce the risk of electric shock, do not remove cover. No user serviceable parts inside.

Refer servicing to qualified service personnel.

WWAARRNNIINNGG::To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture.

Before using this appliance, read the operating guide for further warnings.

Este símbolo tiene el propósito, de alertar al usuario de la presencia de “(voltaje) peligroso” sin

aislamiento dentro de la caja del producto y que puede tener una magnitud suficiente como para

constituir riesgo de descarga eléctrica.

Este símbolo tiene el propósito de alertar al usario de la presencia de instruccones importantes sobre la

operación y mantenimiento en la información que viene con el producto.

PPRREECCAAUUCCIIOONN::Riesgo de descarga eléctrica ¡NO ABRIR!

PPRREECCAAUUCCIIOONN::Para disminuír el riesgo de descarga eléctrica, no abra la cubierta. No hay piezas útiles

dentro. Deje todo mantenimiento en manos del personal técnico cualificado.

AADDVVEERRTTEENNCCIIAA::Para evitar descargas eléctricas o peligro de incendio, no deje expuesto a la lluvia o

humedad este aparato Antes de usar este aparato, Iea más advertencias en la guía de operación.

Ce symbole est utilisé dans ce manuel pour indiquer à l’utilisateur la présence d’une tension dangereuse

pouvant être d’amplitude suffisante pour constituer un risque de choc électrique.

Ce symbole est utilisé dans ce manuel pour indiquer à l’utilisateur qu’il ou qu’elle trouvera d’importantes

instructions concernant l’utilisation et l’entretien de l’appareil dans le paragraphe signalé.

AATTTTEENNTTIIOONN::Risques de choc électrique — NE PAS OUVRIR!

AATTTTEENNTTIIOONN::Afin de réduire le risque de choc électrique, ne pas enlever le couvercle. Il ne se trouve à

l’intérieur aucune pièce pouvant être reparée par l’utilisateur. Confiez I’entretien et la réparation de

l’appareil à un réparateur Peavey agréé.

AAVVEERRTTIISSSSEEMMEENNTT: Afin de prévenir les risques de décharge électrique ou de feu, n’exposez pas cet

appareil à la pluie ou à l’humidité. Avant d’utiliser cet appareil, lisez attentivement les avertissements

supplémentaires de ce manuel.

Dieses Symbol soll den Anwender vor unisolierten gefährlichen Spannungen innerhalb des Gehäuses

warnen, die von Ausreichender Stärke sind, um einen elektrischen Schlag verursachen zu können.

Dieses Symbol soll den Benutzer auf wichtige Instruktionen in der Bedienungsanleitung aufmerksam

machen, die Handhabung und Wartung des Produkts betreffen.

VVOORRSSIICCHHTT:: Risiko — Elektrischer Schlag! Nicht öffnen!

VVOORRSSIICCHHTT:: Um das Risiko eines elektrischen Schlages zu vermeiden, nicht die Abdeckung enfernen. Es

befinden sich keine Teile darin, die vom Anwender repariert werden könnten. Reparaturen nur von

qualifiziertem Fachpersonal durchführen lassen.

AACCHHTTUUNNGG::Um einen elektrischen Schlag oder Feuergefahr zu vermeiden, sollte dieses Gerät nicht dem

Regen oder Feuchtigkeit ausgesetzt werden. Vor Inbetriebnahme unbedingt die Bedienungsanleitung lesen.

IIMMPPOORRTTAANNTT SSAAFFEETTYY IINNSSTTRRUUCCTTIIOONNSS

WWAARRNNIINNGG::When using electrical products, basic cautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with manufacturer’s instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers)

that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one

wider than the other. A grounding type plug has two blades and a third grounding plug. The wide blade or third prong is

provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the

obsolete outlet.

10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point

they exit from the apparatus.

11. Note for UK only: If the colors of the wires in the mains lead of this unit do not correspond with the terminals in your

plug‚ proceed as follows:

a) The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E‚ the earth

symbol‚ colored green or colored green and yellow.

b) The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black.

c) The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red.

12. Only use attachments/accessories provided by the manufacturer.

13. Use only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a

cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

14. Unplug this apparatus during lightning storms or when unused for long periods of time.

15. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any

way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus,

the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

16. Never break off the ground pin. Write for our free booklet “Shock Hazard and Grounding.” Connect only to a power

supply of the type marked on the unit adjacent to the power supply cord.

17. If this product is to be mounted in an equipment rack, rear support should be provided.

18. Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in

susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently

intense noise for a sufficient time. The U.S. Government’s Occupational and Health Administration (OSHA) has specified

the following permissible noise level exposures:

Duration Per Day In Hours Sound Level dBA, Slow Response

890

692

495

397

2 100

⁄

102

1 105

⁄

110

⁄

or less 115

According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Ear plugs or protectors to the

ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss, if exposure

is in excess of the limits as set forth above. To ensure against potentially dangerous exposure to high sound pressure levels, it is

recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be

protected by hearing protectors while this unit is in operation.

SSAAVVEE TTHHEESSEE IINNSSTTRRUUCCTTIIOONNSS!!

The SMR™821a is a professional microphone and line level audio program mixer intended for

fixed installation applications. This single‚ rack-mount unit is designed to provide high-quality

audio performance using versatile control options and a simple user-interface. Engineered from

the ground up with the commercial sound systems contractor in mind‚ the SMR 821a includes

many features for easy operation‚ installation and servicing.

With three independent audio output buses‚ the SMR 821a is perfect for applications where

zoned output and simple monitoring is required. Six of the eight inputs include high-quality

microphone pre-amplifiers and separate gain controls. Additional rear panel controls provide

even more flexibility for proper gain setup‚ output assign and remote control features.

In stand-alone applications‚ the SMR 821a is a very powerful tool. Ease of use‚ external control

options and a simple user-interface make it perfect for many applications where the end-user

must have access to the audio system. The ability to link multiple units provides even more

flexibility for a wide range of applications.

This manual describes the features of the SMR 821a and how it can fit into a variety of

applications.

DDeessccrriippttiioonn::

EENNGGLLIISSHH

FFeeaattuurreess::· single rack space design

· eight total inputs: 6 balanced mic/line; 2 unbalanced stereo

· LED level/clip status indicator on each channel

· mic inputs include selectable 48-volt phantom power

· two selectable stereo line inputs (mono or stereo switchable)

· three assignable electronically-balanced outputs: Left‚ Right‚ Aux

· master level controls for each output bus

· three 5-segment LED meter arrays

· 4-band EQ: low‚ low-mid‚ high-mid‚ high

· integral channel muting system with priority

· audio and mute bus linking

· Left‚ Right‚ Aux and Mute bus links for stacking multiple units

· rear panel master/slave linking mode switch

· remote master Left/Right level control port

· rear panel 20 dB pad switch on each microphone input

· front panel continuously variable preamp gain control

· rear panel bus assign switches for each microphone channel

· rear panel global 100 Hz low-cut filter switch for all microphone inputs

· mute bus with channel 1 rear panel threshold control

· select switch for routing microphone mix bus post remote control

‚ all audio I/O on removable Euro-type connectors

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(1) Gain Control

This control may also be referred to as a trim control. It varies the amount of mic preamp

gain at the first gain stage.

(2) Status LED

This bi-color LED illuminates green when a -20 dBu signal is present and red when the signal

level is near clipping.

(3) Level Control (Channels 1–6)

This control adjusts the channel signal level sent to the mix buses. It functions identically on

channels 1–6.

(4) Level Control (Channels 7–8)

This level control adjusts the stereo signal sent to the mix buses for channels 7 & 8

(5) Select

The Select switch is a momentary switch that selects the stereo input signal from either chan-

nel 7 or 8. When power is applied to the SMR™821a‚ channel 7 is selected by default.

(6) Select LED

The LEDs indicate which stereo input channel (7 or 8) is feeding the mix buses.

(7) Low EQ

The Low EQ is a shelving-type active tone control. (±15 dB @ 70 Hz)

(8) Low Mid EQ

The Low Mid EQ is a bandpass (peak/notch) type of active tone control. (±15 dB @ 250 Hz)

(9) Hi Mid EQ

The Hi Mid EQ is a bandpass (peak/notch) type of active tone control. (±15 dB @ 3.1 kHz)

(10) Hi EQ

The Hi EQ control is a shelving type of active tone control. (±15 dB @ 10kHz)

(11) Level Meters

The three 5-segment LED Level Meters monitor the levels of the Left‚ Right and Aux outputs.

The 0 dB reference level corresponds to +4 dBu at its respective output connector.

(12) Left Level

The Left Level control adjusts the level of the Left output.

(13) Right Level

The Right Level control adjusts the level of the Right output.

(14) Aux Level

The Aux Level control adjusts the output of the Aux output.

(15) Power LED

This LED indicates that AC power is applied to the SMR 821a.

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17 19 20 22 2624

(16) AC Power Receptacle

Accepts standard IEC power cable (included).

(17) Power Switch

Applies power to the SMR™821a.

(18) Left‚ Right and Aux Outs

Main mix bus balanced outputs.

(19) Remote Connector

Used to control signal levels of the Left and Right outputs and Stereo Input Select from a

remote location.

(20) Bus Links

Stacking connector for linking multiple SMR™821a mixers.

(21) EQ Switch

Places the 4-band equalizer in or out of the Left and Right signal paths. In the Out position the

equalizer is completely bypassed.

(22) Bus Link Switch

For use with multiple SMR™821a units. This switch places the mixer in the master or slave

mode of operation.

(23 & 24) Channels 7 & 8 Input

Dual RCA connectors for stereo input sources (nominally -10 dBV).

(25 & 26) Mode Switch

Selects either stereo or mono mode for channels 7 or 8.

(27) Mic Mix Switch

Allows the summed signal of channels 1–6 to be routed before or after the remote Left/Right

volume control.

(28) Right Out Mute Switch

Controls the muting of the Right mix bus. When this switch is enabled‚ the Left and Right mix

buses are affected by the activity of the muting circuit. When this switch is defeated‚ only the

Left bus is affected.

(29) Low Cut Switch

This low cut filter switch has a corner frequency of 100 Hz. Enabling this switch affects

channels 1–6 only.

(30) Assignment Switches

Assigns the input channel to the Left‚ Right or Aux mix buses and enables the 48-volt phantom

power for channels 1–6.

(31) Channels 1–6 Input

Balanced microphone or line input on removable Euro-type connector.

(32) Pad Switch

The Pad switch attenuates the input signal by 20 dB.

(33) Channel 1 Mute Threshold

Adjusts the level of signal needed to trigger the muting circuitry in Channel 1.

25 27 30

28 29 31 32 33

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The SMR™821a is designed to be installed in a standard EIA equipment rack. Since the depth of the

unit is only 8 3⁄4"‚ you can use practically any size rack. Using only a single EIA rack space‚ the SMR

821a includes integral rack mounting ears and does not require any additional hardware for rack

mounting…other than rack screws!

All connections are made on the rear panel. It is recommended that you provide an additional 4" of

clearance between the rear of the chassis and the interior rear of your equipment rack for wiring

harnesses. Since every connection to the SMR 821a is easy to disconnect‚ the unit can be removed

from an equipment rack easily‚ without having to disturb fixed wiring harnesses.

Using common sense when installing this unit will help ensure that it will provide years of trouble-

free service. In installations where there are multiple power amplifiers‚ it is also recommended that

the SMR 821a be located more towards the top of the rack‚ while power amplifiers remain near the

bottom. This is generally considered standard rack design in the commercial audio industry. Following

this convention will ensure adequate rack cooling‚ proper weight distribution and reliable operation

from the SMR 821a.

Connecting the SMR 821a is not much different than any other analog audio device. In addition to the

normal inputs and outputs‚ there are also external control ports and bus link connectors.

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Audio Inputs

The inputs to the SMR 821a are balanced. This means there are three wires for each connection:

positive; negative and shield. These should be connected to each pin accordingly.

Figure 1. Balanced Audio Input Connections: Microphone or Line Level

Shield

Audio Negative

Audio Positive

Insert jumper wire between the negative and shield

pins for unbalanced circuits

Figure 2. Unbalanced Audio Input Connections: Microphone or Line Level

Shield

Audio “Hot” or Positive

Figure 3. RCA Input Connections

Left Shield

Left “Hot” Audio

Right Shield

Right “Hot” Audio

The Mode switch selects either Stereo mode or Mono mode

individually for channel 7 or 8. In Stereo mode‚ the Left input

signal feeds the Left mix bus and the Right input signal feeds the

Right mix bus via the front panel Level control. In Mono mode‚

the summed Left and Right signals feed both the Left and Right

mix buses. This allows for only one input to be used to feed

stereo mix buses. Additionally‚ it allows for Left and Right

outputs of the source to be summed without a Y-cable. In

either mode‚ a summed mono signal feeds the Aux mix bus.

The cabling for these connectors should be of the standard‚ consumer unbalanced shielded type. If you are using a 2-

conductor shielded cable‚ make sure to connect the negative side of the signal to the shield. Note: Unbalanced signal

sources should be located within approximately 6' of the SMR™821a.

Stereo Inputs

Channels 7 and 8 provide two inputs for each channel. These are intended for stereo use‚ as each

input (Left‚ Right) has a fixed assignment to the Left and Right output buses. Additionally‚ a sum of

both inputs is fed simultaneously to the Aux output bus. Although you cannot change the distribution

of these inputs‚ you can determine if they are stereo or mono. The Mode switch‚ when enabled‚ will

sum both connectors‚ feeding both to the Left and Right outputs simultaneously. These connectors

accept nominal levels of -10 dBV.

Figure 4. Master Output & Bus Link Connections

Audio Positive

Audio Negative

Shield

In a linked system‚ the Master mixer’s outputs

would be the primary system outputs.

The EQ switch places the 4-band equalizer in or out of

the Left and Right signal paths. In the Out position the

equalizer is completely bypassed.

The Bus Link switch is used to place the mixer in the

master or slave mode of operation. A stand-alone unit

should always be in master mode.

To increase the number of available inputs‚ multiple mixers may

be linked together. Linking mixers is a very simple process.

Wire the Bus Links connections between each mixer. Select the

mixer to be used as the master and place its Bus Link Switch in

the Master position. All other mixers in the system should have

their link switches in the Slave position.

Even though only one mixer is set up as a Master‚ an output

from any mixer in the linked system may be used. Since the

buses are linked‚ all of the input signals are routed to all of the

outputs to which they are assigned in the system. The individual

EQ and Master Level controls operate the local output levels

on each respective mixer.

Master Bus & Mute Link Connections

Left Audio Link (L)

Right Audio Link (R)

Link Shield (Shd)

Aux Audio Link (A)

Mute Bus Link (M)

Master Mixer

Slave Mixer 1

Slave Mixer 2

Master Bus Output and Link Connections

These connections allow you to expand your SMR™821a. The Bus Links connector has 5 pins for

combining multiple units. Using a 4-pin conductor‚ shielded cable‚ you can easily connect between

two or more units wiring pin-to-pin across multiple SMR™821a mixers. Note: Use only shielded

cables. Refer to the following illustrations.

External Control Connections

The SMR™821a provides a powerful external control option. This feature allows you to configure

remote controls for the Left and Right Level controls simultaneously and the Channel 7/8 select

function. The Remote operation connector provides a simple way to make these connections. Note:

Use only shielded cable. Refer to the following illustrations.

This example is used to simultaneously control the Left and Right

Level Controls from a remote location with a simple connection

on the back of the unit. A 10k pot will provide approximately 0 to

30 dB of attenuation. A 100k pot will provide about 0 to 60 dB of

attenuation. If desired‚ a control voltage can be inserted to

“command” attenuation instead of a pot. This voltage is inserted

into the “C” input and is positive referenced to SHD. Note: The

control voltage should never exceed 11 volts DC.

This example shows the connection for remote selection of the

Channels 7 or 8 input select feature. The selection is done by

connecting a momentary switch between SEL and SHD. Each time

the switch is activated‚ the channel selection is toggled and alternated

between Channel 7 and 8. This remote operation functions in

conjunction with the front panel Select Control. A bi-color LED or 2

individual LEDs may be connected as shown in the diagram for

remote indication of the selected stereo line input. Note: The IND

circuit can supply a maximum of 6 mA for the LEDs.

Remote Volume Control Connections

Remote Channel 7/8 Select Connections

Remote Volume

Volume Control to Potentiometer CCW Leg (V)

Control to Potentiometer Wiper Leg (C)

Shield Potentiometer CW Leg (Shd)

Shield (Shd)

Channel 7/8 Select (Sel)

Indicator LED Output (Ind)

CH 7/8

Select

Switch

CH 7/8 Select LEDs

CH 8

CH 7

Figure 5. Remote Volume Control Connections

Figure 6. Remote Channel 7/8 Select Connections

Configuration

Since the SMR™821a is an analog product‚ there is not a lot of configuration to worry about. No

software‚ no data cables‚ no networks and no headaches. However‚ there are a few things to

remember while you begin to use your new SMR™821a mixer.

The SMR™821a is shipped from the factory ready to go. You should be able to follow the steps below

and get audio through the unit.

The first step is to calibrate your gain settings for the inputs. Each microphone input has a Gain

Control and a Level Control. These controls work together while the Status LED and the master Level

Meters provide a visual indication of the control’s behavior. To properly adjust the SMR™821a for

optimal performance‚ follow these simple steps for each input channel:

1. Adjust the Channel‚ Left‚ Right and Aux Level Controls so they are at the midpoint. There is a

center detent on the control which indicates this position.

2. Adjust the channel Gain Control to its minimum position—fully counter-clockwise—for the

channel you want to set.

3. Apply an audio signal to the input by either playing a line level audio source or by speaking into

a microphone at a nominal level. While monitoring the master Level Meters‚ slowly adjust the

Gain Control clockwise while audio is present. Keep turning the control until the Level Meters

are indicating nominal level—around the -6 dB to 0 dB area on the meters. In addition‚ the

channel Status LED should be green—not red. The bi-color Status LED illuminates green when a

signal is present at -20 dBu. It illuminates red when the signal level is near clipping. The Level

Control adjusts the signal level sent to the mix buses. This control should be operated near the

mid-point of its travel to assure an optimized signal-to-noise ratio and maximize headroom‚

once the Gain Control is properly set. If you find that the input signal is too

hot and you cannot properly adjust the Gain Control without causing a

clipping condition‚ you will need to use the Pad Switch‚ located on the rear

panel. This switch will give you an additional 20 dB of pad beyond what the

front panel Gain Control provides. Follow this procedure for each input to

ensure proper gain structure.

Figure 7.

Input Channel Controls

Figure 8.

Master Meters and Controls

Figure 9.

Stereo Input Channels There is no Gain Control for channels 7 and 8. To properly adjust the gain on

these channels‚ you will need to control the output level of the audio source.

With the Channel Level and the Master Level controls at the detent position‚ a -

1o dBV signal will present a +4 dBu output at the Bus Output connectors.

It is important to adjust the gain down enough so the preamp will not clip at

louder levels. Carefully consider the type of audio source and adjust the gain

settings accordingly. Material with wide dynamic range will generally require a

lower gain control setting‚ while material that is fairly constant‚ can usually

tolerate a higher setting.

After these adjustments are made‚ make sure you monitor the front panel LEDs

and meters during normal use. Take note of the action of the Status LEDs.

Under normal operation‚ you should see lots of green with an occasional flash

of red. Constant red‚ however‚ indicates that a gain setting is improperly

adjusted and should be reset using the above procedure.

The next step is to configure the many rear panel switches for your applications.

Although the unit is shipped from the factory with default switch values‚ you should

make sure that these settings are correct for your application. Let’s take a look at

each one and describe how it works.

First there are the Channels 1–6 Bus Assign Switches (See Figure 10). These

switches provide the ability to assign each input to the Left‚ Right or Aux output

buses. In addition‚ you can turn on or off the phantom power on each channel. There

is a single 8-position DIP switch for each TWO input channels. Take care you are

adjusting the correct switch for each channel. It is recommended that you use a

small screwdriver or other instrument to set the switches. Do not force the switches.

Also‚ keep in mind that the ON position is UP. Figure 10 shows the DIP switches with

all functions in the ON position. Note: The factory setting is all bus assign switches

ON and phantom OFF.

Figure 10.

Input Channel Bus Assign Switches and

Input Connectors

Figure 11.

Mic Mix‚ Rt Out Mute and Low

Cut Switches

Figure 12.

Channel 7 & 8 Mode Switches

Figure 13.

EQ and Bus Link Switches

In approximately the middle of the rear panel‚ you will find a group of three switches. They

include the Mic Mix‚ Rt Out Mute and Low Cut switches (Figure 11). The Mic Mix switch allows

the summed signal of Channels 1–6 to be routed before or after the remote Left/Right volume

control. In the Pre Remote position‚ the signals from Channels 1–6 are affected by the remote

volume control along with the stereo input from either Channel 7 or 8. In the Post Remote

position‚ only the stereo input from either Channel 7 or 8 is affected by the remote volume

control. The factory default setting is Pre Remote.

The Rt Out Mute switch controls the muting of the right bus mix. The factory setting of this

switch is Enable. When enabled‚ the Left and Right mix buses are affected by the activity of the

Channel 1 muting circuit. When this switch is defeated‚ only the Left bus is affected by the

muting circuit. Use the Channel 1 Mute Threshold control to set the trigger point to activate the

muting.

The Low Cut switch enables a filter with a corner frequency of 100 Hz and is helpful to filter out

rumble‚ wind noise‚ breath thumps and other low-frequency signals that rob amplifier power

and muddy the mix. Enabling this switch will affect Channels 1–6 only. The factory default

setting for the Low Cut switch is Defeat or Flat.

The Mode switch (Figure 12) selects either Stereo mode or Mono mode for Channel 7 or 8.

In the Stereo mode‚ the Left input signal feeds the Left mix bus and the Right input signal

feeds the Right mix bus via the front panel Level control. In the Mono mode‚ the summed

Left and Right input signals feed Left and Right mix buses. This allows for a mono source

to be used to feed the stereo mix buses. Additionally‚ it allows for Left and Right outputs

of the source to be summed without a Y-cable. In either mode‚ a summed mono signal

feeds the Aux mix bus. The factory default is Stereo.

The EQ switch (Figure 13) places the 4-band stereo equalizer in or out of the Left and

Right signal paths. In the OUT position the equalizer is completely bypassed. The

factory default is IN. The Bus Link switch is used to place the mixer in the master or

slave mode of operation. A stand-alone unit should always be in the master mode

and the factory default is Master. See the Connections section of this manual for

details on Bus Linking and using multiple units.

That completes the configuration. As you can see‚ the SMR™821a provides many

powerful features for better‚ more cost-effective systems. The multiple combinations

of routing‚ control and input assignment facilitate a wide range of applications.

OOppttiioonnaall FFeeaattuurreessThe SMR™821a offers optional features for specific applications. These options include transformers

for the microphone inputs and the ability to defeat the functionality of the Channel 7/8 select switch.

These options and modifications require access to the inside of the SMR™821a. It highly

recommended that the installation of the optional microphone transformers and modification of the

Channel 7/8 Select switch be performed by qualified service personnel. There are dangerous voltages

present inside the unit as well as static sensitive components. Damage to the SMR™821a internal

circuitry caused by an unqualified persons is not covered under warranty‚ and in fact‚ could void the

warranty altogether.

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Optional transformers for use with the microphone input circuits are available from Peavey Electronics

Corp. (part # 70500852). The optional transformers may be added one at a time‚ all at once‚ or in any

combination. To ensure that the transformers are properly installed‚ please refer to the instructions

and illustrations in this section. If you have any questions or are not sure about the correct procedure‚

do not hesitate to call our Tech Support Group.

Refer to Figure 14‚ “Cutaway of circuit board showing jumper locations for installation of optional

microphone transformers” while performing the following steps:

1. Unplug the SMR™821a from the AC voltage source.

2. Remove the 6 screws securing the top panel. Remove the top and set aside.

3. Remove the 5 screws securing the rear panel to the chassis.

4. Remove the 5 screws securing the front panel to the chassis.

5. Carefully turn the unit upside down.

6. Remove the 11 screws securing the circuit board assembly to the chassis.

7. Carefully turn the entire unit right side up. One end of the circuit board assembly (with the front

and rear panels still attached) can be lifted out of the chassis with power supply wires still intact

to access the bottom side of the circuit board.

8. Locate the 6 round transformer outlines.

9. Before installing the transformers‚ you will need to cut some jumpers and resistors. These

components are labeled with reference designators on the board.

10. For each transformer installed‚ 3 jumpers and 1 resistor will need to be cut. The following table

shows which components need to be cut for their corresponding transformer.

Transformer T101 T1201 T301 T401 T501 T601

Components J102 J103 J202 J203 J302 J303 J402 J403 J502 J503 J602 J603

to be cut J105 R116 J205 R216 J305 R316 J405 R416 J505 R516 J605 R616

11. The transformers can only be inserted into the board one way. Place a transformer into the

circuit board and solder in place.

Repeat process for each transformer being installed.

Re-installing the Circuit Board and Re-assembling the Unit

1. Place the circuit board assembly (with the front and rear panels still attached) into the chassis.

2. Carefully turn the unit upside down and replace the 11 screws securing the circuit board

assembly to the chassis.

3. Carefully turn the unit right side up.

4. Replace the 5 screws securing the front panel to the chassis.

5. Replace the 5 screws securing the rear panel to the chassis.

6. Place the top panel on the chassis and replace the 6 screws securing it to the chassis.

Cut Jumper Here

Cut Resistor Here

Cut Jumper Here

Note: Cuts are

typical for each

channel where the

transformers will be

installed. Do not

cut these jumpers

unless a

transformers

installed for that

channel.

BE CAREFUL!

Cut Jumper Here

Figure 14. Cutaway of circuit board showing jumper locations for installation of optional microphone transformers.

Cut Jumper Here

Figure 15. Cutaway of circuit board showing jumper location of the Channel 7/8 Modification

CChhaannnneell 77//88 MMooddiiffiiccaattiioonn

This modification changes the functionality of the Channel 7/8 front panel select switch and the busing

of the audio inputs. When this modification is complete‚ the front panel switch will act as a MUTE

switch for all signals connected to the Channel 7 and 8 RCA connectors. In addition‚ both stereo

channels (7 & 8) will simultaneously feed the Left‚ Right and Aux output buses. The Select action of

the switch is defeated.

Refer to Figure 15‚ “Cutaway of circuit board showing jumper location for Channel 7/8 Modification”

while performing the following steps:

1. Unplug the SMR™821a from the AC voltage source.

2. Remove the 6 screws securing the top panel of the unit. Remove the top and set aside.

3. Locate and cut the jumper J905. It is located near the power supply.

4. Place the top panel on the chassis and replace the 6 screws securing it to the chassis.

BBlloocckk DDiiaaggrraamm

RIGHT

LEFT

R MUTE

CTRL

Threshold

Detection

CTRL

CH 8

LEVEL

RIGHT

CH 7

LEVEL

HPF

CH 2

LEVEL

L MUTE

GAIN

Mute

Threshold

Level

LEFT

CH 1

LEVEL

SIG/

CLIP

GAIN

RIGHT OUT

MUTE

PREAMP

SIG/

CLIP

HPF

CH 3

CH 4

CH 5

CH 6

SIG/

CLIP

SIG/

CLIP

CH 2

+48V

CH 1

CH 8

CH 7/8

SELECT

CH 7MONO

RIGHT

OUTPUT LEVEL

AUX

MASTER

LEVEL

LEFT

MIC MIX

BYPASS

VCA

AUX

OUTPUT LEVEL

SEL

RIGHT

OUTPUT

FOUR BAND EQUALIZER

LEFT

OUTPUT LEVEL

AUX

OUTPUT

FOUR BAND EQUALIZER

VCA

LEFT

OUTPUT

R MUTE

CTRL

L MUTE

IND

CH 7

AUX

HPF

CTRL

-1

MONO

CH 8

+48V LOW CUT PRE

REMOTE

POST

REMOTE

BUS LINK

BUS

LINKS

REMOTE

-1

Cut to mix

CH 7 & 8

Optional

Transformer

CTRL

Optional

Transformer

PAD

SHD

RIGHT

SSppeecciiffiiccaattiioonnss

DDiimmeennssiioonnss

1.75" (H) x 19" (W) x 8.75" (D) (45mm x 483mm x 222mm)

WWeeiigghhtt

7.4 lbs (3.4 kg)

MMoouunnttiinngg

Single EIA Rack Mount

CCoonnnneeccttiioonnss

Removable Euro-type connectors for single channel audio inputs‚ outputs‚ bus link and external control. RCA single-ended female

for channels 7 and 8 stereo inputs. IEC receptacle for AC power.

TTeesstt CCoonnddiittiioonnss

120Vac 60 Hz maintained throughout testing.

0 dBu = 0.775 Vrms

0 dBV = 1.00 Vrms

* Min. input level (sensitivity) is the smallest signal that will produce a nominal output with controls set at maximum gain.

** Nominal settings are defined as all controls set at center detent for nominal output. Microphone gain control is as specified.

0 dBu = 0.775 Vrms

0 dBm = 1 mW

IInnppuutt SSeennssiittiivviittyy

OOuuttppuuttss

Input

Output Minimum Load

Impedance

Output Level

Nominal Maximum

Balanced/

Unbalanced Connector

Microphone

without pad

Left

Right

Aux

600 ohms

+4 dBu

+21 dBu

+19 dBm

+21 dBu

+19 dBm

balanced

ground

Microphone

with pad

10k

Max Gain +60 dB

Min Gain +10 dB

Max Gain +40 dB

Min Gain -10 dB

Max Gain +60 dB

Min Gain +20 dB

Max Gain +40 dB

Min Gain 0 dB

N/A

-76 dBu

-25 dBu

-56 dBu

-5 dBu

-74 dBu

-34 dBu

-54 dBu

-14 dBu

-20 dBu

-56 dBu

-4 dBu

-36 dBu

+16 dBu

-54 dBu

-14 dBu

-34 dBu

+6 dBu

-10 dBu

-39 dBu

+13 dBu

-19 dBu

+33 dBu

-37 dBu

+3 dBu

-17 dBu

+23 dBu

+7 dBu

balanced

unbalanced

ground

RCA jacks

Microphone

without pad (optional

transformer)

Microphone

with pad (optional

transformer)

Stereo Line

Input

Impedance

(Ohms)

Input Gain

Pot Setting

Input Level: dBu

Min* Nom** Max

Balanced/

Unbalanced Connector

NNooiissee

Output Signal/Noise (typical) Test Conditions

Left

Right

GGaaiinn

Mic input range without pad:

Mic input to output without pad:

Mic input range with pad:

Mic input to output with pad:

Mic input range without pad (optional transformer):

Mic input to output without pad (optional transformer):

Mic input range with pad (optional transformer):

Mic input to output with pad (optional transformer):

10 dB to 60 dB

80 dB max

-10 dB to 40 dB

60 dB max

20 dB to 60 dB

80 dB max

0 dB to 40 dB

60 dB max

Aux

100 dB

84 dB

80 dB

95 dB

92 dB

81 dB

All level controls down

Master level controls nominal

Channel level controls down

All controls nominal

All channels assigned

Mic gain minimum

All level controls down

Master level control nominal

Channel level controls down

All controls nominal

All channels assigned

Mic gain minimum

FFrreeqquueennccyy RReessppoonnssee

20 Hz–20 kHz +0 dB/-1 dB

TToottaall HHaarrmmoonniicc DDiissttoorrttiioonn PPlluuss NNooiissee

<0.05% typical 22 Hz–22 kHz BW; Mic to Left/Right out

40 dB Mic gain‚ +4 dBu‚ 20 Hz–20 kHz

EEqquuiivvaalleenntt IInnppuutt NNooiissee ((EEIINN))

-128 dBu Mic input terminated with 150 ohms

CCoommmmoonn MMooddee RReejjeeccttiioonn RRaattiioo ((MMiicc IInnppuutt))

>70 dB typical 20 Hz–20 kHz

CCrroossssttaallkk AAddjjaacceenntt CChhaannnneellss ((11 kkHHzz))

>70 dB typical

CCrroossssttaallkk OOuuttppuutt ttoo OOuuttppuutt ((11 kkHHzz))

>60 dB typical

PPhhaannttoomm PPoowweerr

+48 volts at mic + and - inputs

RReemmoottee CCoonnttrrooll VVoolluummee

30 dB attenuation (10k ohm potentiometer) typical

60 dB attenuation (100k ohm potentiometer) typical

CChhaannnneell MMuuttee

>60 dB attenuation

SSiiggnnaall//CClliipp IInnddiiccaattoorrss

Input Channel Status

Green: -20 dBu

Red: 2 dB below clipping

Output Level Meters

-24: -20 dBu

-6: -2 dBu

0: +4 dBu

+6: +10 dBu

Clip: 2 dB below clipping

PPoowweerr RReeqquuiirreemmeennttss

Domestic: 120 Vac‚ 60 Hz 15 watts nominal

Export: 230 Vac‚ 50/60 Hz 15 watts nominal

La SMMRR™™882211aaes una mezcladora de audio para señales de línea y de micrófono diseñada para

aplicaciones que requieren instalaciones permanentes. Esta unidad de un espacio de rack

provee gran calidad de audio usando versátiles opciones de control y una interfase fácil de usar.

Pensada desde el principio con el contratista de sistemas de audio comerciales en mente, la

SSMMRR 882211aaincluye muchas características para su fácil operación, instalación y servicio.

Con tres buses de salida de audio independientes, la SSMMRR 882211aaes perfecta para aplicaciones

que necesitan salidas por zonas y requieren monitoreo simple. Seis de las ocho entradas

incluyen preamplificadores de micrófono de alta calidad con controles de ganancia separados.

Controles adicionales en la parte trasera proveen aún más flexibilidad de ganancia, asignación

de salidas y funciones de control remoto.

En aplicaciones variadas la SSMMRR 882211aaes una herramienta poderosa. Fácil manejo, opciones de

control externas y una interfase sencilla la hacen perfecta para muchas aplicaciones en las que

el usuario tiene que tener acceso al sistema de audio. La habilidad de conectar unidades

múltiples da aún más flexibilidad para un rango de usos más amplio.

Este manual describe las funciones de la SSMMRR 882211aay cómo puede funcionar en una variedad de

aplicaciones.

DDeessccrriippttiioonn::

CCaarraacctteerrííssttiiccaass· Diseño de un espacio de rack

· Total de ocho salidas: 6 balanceadas mic/line, 2 no balanceadas estéreo

· Indicador LED e saturación en cada canal

· Entradas de micro incluyen 48-voltios de poder phantom seleccionable

· Dos entradas de nivel de línea estéreo (seleccionable mono/estéreo)

· Tres salidas electrónicamente balanceadas asignables: Izquierda, Derecha, Aux

· Controles de nivel maestros para cada bus de salida

· Tres medidores de LED de 5 segmentos

· EQ de cuatro bandas: graves, medios graves, medios agudos y agudos.

· Sistema de muteo de canales integral con prioridad

· Encademaniemto de audio y muteo de busses

· Posibilidad de interconexión de Izq. Der. Aux y Mute para múltiples unidades

· Interruptor de modo esclavo/maestro en parte trasera

· Puerto de control remoto para nivel maestro Izq./Der.

· Interruptor de pad de 20 dB en cada entrada de micro en la parte posterior

· Control de ganancia de variación constante del preamp en el panel frontal

· Selectores de asignación de bus para canales de micro en la parte trasera

· Filtro de recorte de graves de 100 Hz para todas las entradas de micrófono en la parte trasera

· Bus de muteo con control de umbral del canal 1 en la parte posterior

· Interruptor de selección para mandar el bus de micros post control remoto

· Todas las entradas/salidas con conectadores removibles Euro-Type.

EESSPPAAÑÑOOLL

PANEL FRONTAL

1 4 7 9

2 5 12 138103

611 14

(1) Control de Ganancia

Este controlaría la cantidad de ganancia de preamplificador de micrófono en este primer

paso de ganancia.

(2) LED de Estatus

Este LED bicolor se ilumina verde cuando hay una señal de -20 dBu presente y rojo cuando

el nivel de señal está cerca de saturar.

(3) Control de Nivel (Canales 1-6)

Este control ajusta el nivel de señal del canal que se envía al bus de mezcla. Funciona de

manera idéntica en los canales 1-6.

(4) Control de Nivel (Canales 7-8)

Este control ajusta el nivel de señal estéreo que se envía a los buses de mezcla 7 y 8.

(5) Selección

El interruptor de selección es un interruptor momentáneo que selecciona entre la señal de

entrada estéreo del canal 7 u 8. Cuando se aplica corriente a la SMR 821a, el canal 7 está

preseleccionado.

(6) LED de selección

Este LED indica el canal de entrada estéreo (7 u 8) que está alimentando el bus de mezcla.

(7) EQ Grave

El EQ grave es activo de tipo shelving (±15 dB @ 70 Hz).

(8) EQ Grave Medio

El EQ de medios graves es activo de tipo de paso de banda (±15 dB @ 250 Hz)

(9) EQ Agudo Medio

El EQ agudo medio es activo de tipo shelving (±15 dB @ 3.1 kHz)

(10) EQ Agudo

El EQ agudo es activo de tipo shelving (±15 dB @ 10 kHz)

(11) Medidores de Nivel

Los tres medidores de nivel de LEDs de 5 segmentos monitorean los niveles de las salidas

Izquierda, Derecha y Aux. La referencia de 0 dB corresponde a +4 dBu en su respectivo

conectador de salida.

(12) Nivel Izquierdo

El control de Nivel Izquierdo ajusta el nivel de la salida Izquierda.

(13) Nivel Derecho

El control de Nivel Derecho ajusta el nivel de la salida Derecha.

(14) Nivel Aux

El control de Nivel Aux ajusta el nivel de la salida Aux.

(15) LED de corriente

Este LED indica que la SMR 821a está recibiendo corriente.

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Peavey SMRTM 821a Manuel utilisateur

Marque: Peavey

Modèle: SMRTM 821a

Catégorie: Équipement musical supplémentaire

Taper: Manuel utilisateur

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English: Peavey SMRTM 821a User manual
español: Peavey SMRTM 821a Manual de usuario
Deutsch: Peavey SMRTM 821a Benutzerhandbuch

Peavey SMRTM 821a Manuel utilisateur

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Peavey SMRTM 821a Manuel utilisateur

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