Yamaha 01V96 Version 2 Manuel utilisateur

Catégorie
Instruments de musique
Taper
Manuel utilisateur
Owner’s Manual
Keep This Manual For Future Reference.
EN
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions con-
tained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by
the FCC, to use the product.
2. IMPORTANT:
When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE:
This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reason-
able level of assurance that your use of this product in a residential
environment will not result in harmful interference with other elec-
tronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation
of other electronic devices. Compliance with FCC regulations does
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)
not guarantee that interference will not occur in all installations. If
this product is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to elimi-
nate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by
the interference.
Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type of
product. If you can not locate the appropriate retailer, please con-
tact Yamaha Corporation of America, Electronic Service Division,
6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.
FCC INFORMATION (U.S.A.)
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
WARNING:
THIS APPARATUS MUST BE EARTHED
IMPORTANT. The wires in this mains lead are coloured in accordance
with the following code:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured markings identifying the terminals in
your plug proceed as follows:
The wire which is coloured GREEN-and-YELLOW must be connected
to the terminal in the plug which is marked by the letter E or by the
safety earth symbol or colored GREEN or GREEN-and-YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the termi-
nal which is marked with the letter L or coloured RED.
This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. (3 wires)
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig håndtering. Udskiftning
må kun ske med batteri af samme fabrikat og type. Levér det brugte
batteri tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd samma batterityp eller
en ekvivalent typ som rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti asennettu. Vaihda paristo
ainoastaan laitevalmistajan suosittelemaan tyyppiin. Hävitä käytetty
paristo valmistajan ohjeiden mukaisesti.
(lithium caution)
NEDERLAND / THE NETHERLANDS
Dit apparaat bevat een lithium batterij voor geheugen back-up.
This apparatus contains a lithium battery for memory back-up.
Raadpleeg uw leverancier over de verwijdering van de batterij op het
moment dat u het apparaat ann het einde van de levensduur of
gelieve dan contact op te nemen met de vertegenwoordiging van
Yamaha in uw land.
•For the removal of the battery at the moment of the disposal at the
end of life please consult your retailer or Yamaha representative
office in your country.
Gooi de batterij niet weg, maar lever hem in als KCA.
Do not throw away the battery. Instead, hand it in as small chemical
waste.
(lithium disposal)
This product contains a battery that contains perchlorate material.
Perchlorate Material—special handling may apply,
See www.dtsc.ca.gov/hazardouswaste/perchlorate.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif.
90620
Telephone : 714-522-9011
Type of Equipment : Digital Mixing Console
Model Name : 01V96
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including interfer-
ence that may cause undesired operation.
See user manual instructions if interference to radio reception is sus-
pected.
(FCC DoC)
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(Perchlorate)
The above warning is located on the rear
of the unit
• Explanation of Graphical Symbols
The lightning flash with arrowhead symbol
within an equilateral triangle is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude
to constitute a risk of electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and mainte-
nance (servicing) instructions in the literature
accompanying the product.
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions.
2Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in
accordance with the manufacturer’s instruc-
tions.
8 Do not install near any heat sources such as
radiators, heat registers, stoves, or other appa-
ratus (including amplifiers) that produce heat.
9 Do not defeat the safety purpose of the polar-
ized or grounding-type plug. A polarized plug
has two blades with one wider than the other. A
grounding type plug has two blades and a third
grounding prong. The wide blade or the third
prong are provided for your safety. If the pro-
vided plug does not fit into your outlet, consult
an electrician for replacement of the obsolete
outlet.
10 Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from
the apparatus.
11 Only use attachments/accessories specified by
the manufacturer.
12 Use only with the cart, stand,
tripod, bracket, or table spec-
ified by the manufacturer, or
sold with the apparatus.
When a cart is used, use cau-
tion when moving the cart/
apparatus combination to
avoid injury from tip-over.
13 Unplug this apparatus during lightning storms
or when unused for long periods of time.
14 Refer all servicing to qualified service person-
nel. Servicing is required when the apparatus
has been damaged in any way, such as power-
supply cord or plug is damaged, liquid has been
spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or mois-
ture, does not operate normally, or has been
dropped.
CAUTION: TO REDUCE THE RISK OF
ELECTRIC SHOCK, DO NOT REMOVE
COVER (OR BACK). NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE.
(5)-1
1/2
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Only use the voltage specified as correct for the device. The required voltage is
printed on the name plate of the device.
Use only the specified power code.
Do not place the power cord near heat sources such as heaters or radiators, and
do not excessively bend or otherwise damage the cord, place heavy objects on
it, or place it in a position where anyone could walk on, trip over, or roll anything
over it.
Be sure to connect to an appropriate outlet with a protective grounding
connection. Improper grounding can result in electrical shock.
Do not open the device or attempt to disassemble the internal parts or modify
them in any way. The device contains no user-serviceable parts. If it should
appear to be malfunctioning, discontinue use immediately and have it inspected
by qualified Yamaha service personnel.
Do not expose the device to rain, use it near water or in damp or wet conditions,
or place containers on it containing liquids which might spill into any openings.
Never insert or remove an electric plug with wet hands.
If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the device, or if any unusual smells or smoke
should appear to be caused by it, immediately turn off the power switch,
disconnect the electric plug from the outlet, and have the device inspected by
qualified Yamaha service personnel.
If this device should be dropped or damaged, immediately turn off the power
switch, disconnect the electric plug from the outlet, and have the device
inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the device or other property. These precautions include, but are not limited to, the following:
Remove the electric plug from the outlet when the device is not to be used for
extended periods of time, or during electrical storms.
When removing the electric plug from the device or an outlet, always hold the
plug itself and not the cord. Pulling by the cord can damage it.
Before moving the device, remove all connected cables.
When setting up the product, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.
•Avoid setting all equalizer controls and faders to their maximum. Depending on
the condition of the connected devices, doing so may cause feedback and may
damage the speakers.
Do not expose the device to excessive dust or vibrations, or extreme cold or heat
(such as in direct sunlight, near a heater, or in a car during the day) to prevent
the possibility of panel disfiguration or damage to the internal components.
Do not place the device in an unstable position where it might accidentally fall
over.
Do not block the vents. This device has ventilation holes at the top/front/rear/
sides to prevent the internal temperature from rising too high. In particular, do
not place the device on its side or upside down, or place it in any poorly-
ventilated location, such as a bookcase or closet.
Do not use the device in the vicinity of a TV, radio, stereo equipment, mobile
phone, or other electric devices. Otherwise, the device, TV, or radio may
generate noise.
Before connecting the device to other devices, turn off the power for all devices.
Before turning the power on or off for all devices, set all volume levels to
minimum.
Be sure to connect to a properly grounded power source. A ground screw
terminal is provided on the rear panel for safely grounding the device and
preventing electrical shock.
Power supply/Power cord
Do not open
Water warning
If you notice any abnormality
Power supply/Power cord
Location
Connections
(5)-1
2/2
Do not insert your fingers or hand in any gaps or openings on the device (vents,
etc.).
•Avoid inserting or dropping foreign objects (paper, plastic, metal, etc.) into any
gaps or openings on the device (vents, etc.) If this happens, turn off the power
immediately and unplug the power cord from the AC outlet. Then have the
device inspected by qualified Yamaha service personnel.
Do not use headphones for a long period of time at a high or uncomfortable
volume level, since this can cause permanent hearing loss. If you experience
any hearing loss or ringing in the ears, consult a physician.
Do not apply oil, grease, or contact cleaner to the faders. Doing so may cause
problems with electrical contact or fader motion.
Do not rest your weight on the device or place heavy objects on it, and avoid use
excessive force on the buttons, switches or connectors.
This device has a rear-panel slot for installing mini-YGDAI cards. For technical
reasons, certain card combinations are not supported. Before installing any
cards, check the Yamaha web site (see page 6) to see whether your card is
compatible.
Installing cards that are not endorsed by Yamaha may cause electrical shock,
fire, or damage to the unit.
This device has a built-in backup battery. When you unplug the power cord from
the AC outlet, the internal data is retained. However, if the backup battery fully
discharges, this data will be lost. If the backup battery is running low, when you
turn on the device the display indicates “WARNING Low Battery!.” In this case,
immediately save the data to an external media using MIDI Bulk Dump, then
have qualified Yamaha service personnel replace the backup battery.
Using a mobile telephone near this unit may induce noise. If noise occurs, use the telephone away from the unit.
The digital circuits of this unit may induce a slight noise into nearby radios and TVs. If noise occurs, relocate the affected equipment.
When you change the wordclock settings on any device in your digital audio system, some devices may output noise, so turn down your power amps beforehand,
otherwise your speakers may be damaged.
XLR-type connectors are wired as follows (IEC60268 standard): pin 1: ground, pin 2: hot (+), and pin 3: cold (-).
Insert TRS phone jacks are wired as follows: sleeve: ground, tip: send, and ring: return.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the device, or data that is lost or destroyed.
Always turn the power off when the device is not in use.
The performance of components with moving contacts, such as switches, volume controls, and connectors, deteriorates over time. Consult qualified Yamaha service
personnel about replacing defective components.
* The illustrations and screen displays as shown in this Owner’s Manual are for instructional purposes only, and may be different from the ones on your device.
* The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.
Handling caution Backup battery
6
Yamaha Pro Audio global website
01V96 Version 2—Owner’s Manual
Yamaha Pro Audio global website
http://www.yamahaproaudio.com/
Package Contents
01V96 Digital Mixing Console
CD-ROM
•Power cord
•This manual
•Studio Manager Installation Guide
Optional Extras
RK1 Rack Mount Kit
mini YGDAI I/O cards
About this Owner’s Manual
This
Owner’s Manual
explains how to operate the 01V96 Digital Mixing Console.
The Table of Contents can help you to familiarize yourself with the manual’s organization
and to locate tasks and topics. The index can help you locate specific information.
Before diving in, it’s recommend that you read the “Operating Basics” chapter, starting on
page 27.
Each chapter in this manual discusses a specific section or function of the 01V96. The Input
and Output Channels are explained in the following chapters: “Input Channels, “Bus
Outs, and Aux Outs. Where possible, these chapters have been organized in order of sig-
nal flow, from input to output.
Conventions Used in this Manual
The 01V96 features two types of buttons: physical buttons that you can press (e.g., ENTER
and DISPLAY) and buttons that appear on the display pages. References to physical buttons
are enclosed in square brackets, for example, “press the [ENTER] button.
References to display page buttons are not emphasized, for example, “move the cursor to the
ON button.
You can select display pages by using the [DISPLAY] buttons or the Left Tab Scroll, Right
Tab Scroll, and F1–4 buttons below the display. In order to simplify explanations, the pro-
cedures reference only the [DISPLAY] button method.
See “Selecting Display Pages on page 28 for details on all the ways in which you can select
pages.
New Functions in 01V96 Version 2 7
01V96 Version 2—Owner’s Manual
New Functions in 01V96 Version 2
The following functions have been added to the 01V96 as part of the upgrade of the firm-
ware from version 1.0 to version 2.0.
Aux Sends
•If an Aux Send is set to pre-fader, you can set the Pre point before or after channel mute.
page 114
Monitor
•You can select whether the Input Channel’s Pan setting is used when the Input Channel Solo
signal is set to Pre Fader. page 132
•Raising the channel faders for soloed Channels from – can unsolo the Channels.
page 132
Surround Pan
•The on/off status of the Follow Pan button is reflected in the pan and Surround Pan
settings. page 135
Group/Link
•The Fader Group Master function enables you to control the overall level of the Fader group
channels simultaneously while maintaining the relative level balance of each channel.
page 152
•The Mute Group Master function enables you to mute all channels in a Mute group
simultaneously. page 153
Internal Effects
•You can add optional Add-On Effects to the preset effects. page 162
Scene Memory
•Any channel or parameter settings in the current scene can be copied and pasted into other
scenes. page 173
•You can select additional parameters for the Recall Safe function. page 172
Remote Control
•Cubase SX has been added as a target of the Remote layer. page 189
•Yamahas proprietary Advanced DAW protocol has been added to Nuendo, Cubase SX, and
General DAW. This enables you to control these devices using the 01V96’s SELECTED
CHANNEL section. (Controllable functions vary depending on the DAW software and ver-
sion you are using.)
Other Functions
•You can set the Routing ST Pair Link so that the routing from paired channels to the Stereo
Bus is linked. page 232
•You can assign the selected channels to a Fader or Mute group using the USER DEFINED
KEYS. page 247
•You can switch the windows of the included Studio Manager software application using the
USER DEFINED KEYS. page 247
8
Contents
01V96 Version 2—Owner’s Manual
Contents
1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . . . . . . . 13
Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Installing an Optional Card . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
About the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Selecting Display Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Display Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Selecting Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Selecting Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Selecting Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
4 Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Wordclock Connections and Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Input and Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
5 Tutorial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Connections and Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Initial Track Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Overdubbing to Other Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Mixing Recorded Tracks into Stereo (Mixdown) . . . . . . . . . . . . . . . . . . . . . . . . . 63
6 Analog I/O & Digital I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Analog Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Digital Inputs & Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71
Converting Sampling Rates of Signals Received at I/O Card Inputs . . . . . . . . . . 72
Monitoring Digital Input Channel Status . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Dithering Digital Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Setting the Transfer Format for Higher Sampling Rates . . . . . . . . . . . . . . . . . . . . 75
7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
About Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Setting the Input Channels from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Setting the Input Channels from the Control Surface . . . . . . . . . . . . . . . . . . . . . . 90
Pairing Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Naming Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
8 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
About Stereo Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Bus Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Setting the Stereo Out and Bus Out 1–8 from the Display . . . . . . . . . . . . . . . . . . 99
Setting the Stereo Out and Bus Out 1–8 from the Control Surface . . . . . . . . . . . 104
Pairing Buses or Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Attenuating Output Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Naming the Stereo Out and Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
9 Aux Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Aux Out 1–8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Setting Aux Out 1–8 from the Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Viewing Aux Out Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
Setting Aux Out 1–8 from the Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Contents
9
01V96 Version 2—Owner’s Manual
Setting Aux Send Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Viewing Aux Send Settings for Multiple Channels . . . . . . . . . . . . . . . . . . . . . . . . 117
Panning Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
Copying Channel Fader Positions to Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . 120
10 Input & Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Input Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Output Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Patching Direct Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Insert Patching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
11 Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Monitor and Solo Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Using the Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Using the Solo Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
12 Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
About Surround Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Setting Up and Selecting Surround Pan Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Surround Panning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 142
13 Grouping Channels & Linking Parameters . . . . . . . . . . . . . 149
Grouping & Linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Using Fader Groups and Mute Groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150
Using Fader Group Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Using Mute Group Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153
Linking EQ and Compressor Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
14 Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
About the Internal Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Using Effects Processors via Aux Sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Inserting the Internal Effects into Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160
Editing Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
About Add-On Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
About Plug-Ins . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
15 Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
About Scene Memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
What is Stored in a Scene? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
About Scene Numbers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Storing and Recalling Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Auto Scene Memory Update . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Fading Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Recalling Scenes Safely . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Sorting Scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Copying and Pasting a Scene (Global Paste) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
16 Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
About the Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
General Library Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Using Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
17 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
About Remote Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Pro Tools Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Nuendo/Cubase SX Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Other DAW Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
MIDI Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
Machine Control Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 212
10
Contents
01V96 Version 2—Owner’s Manual
18 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
MIDI & the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
MIDI Port Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Assigning Scenes to Program Changes for Remote Recall . . . . . . . . . . . . . . . . . . 219
Assigning Parameters to Control Changes for Real-time Control . . . . . . . . . . . . 220
Controlling Parameters by Using Parameter Changes . . . . . . . . . . . . . . . . . . . . . 225
Transmitting Parameter Settings via MIDI (Bulk Dump) . . . . . . . . . . . . . . . . . . 226
19 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
Changing the Input and Output Channel Names . . . . . . . . . . . . . . . . . . . . . . . . . 229
Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
Creating a Custom Layer by Combining Channels (User Assignable Layer) . . . 233
Using the Oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 234
Using the User Defined Keys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235
Using Operation Lock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Cascading Consoles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Checking the Battery and the System Version . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242
Initializing the 01V96 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Calibrating the Faders . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244
Appendix A: Parameter Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
USER DEFINED KEYS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
USER DEFINED KEYS Initial Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
Input Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 249
Initial Input Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Output Patch Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253
Initial Output Patch Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
User Defined Remote Layer Initial Bank Settings . . . . . . . . . . . . . . . . . . . . . . . . . 256
Effects Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260
Effects and tempo synchronization . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Preset EQ Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 271
Preset Gate Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272
Preset Compressor Parameters (fs = 44.1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . 273
Dynamics Parameters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Appendix B: Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
General Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Analog Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Analog Output Specs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
Digital Input Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
Digital Output Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
I/O SLOT Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 287
CONTROL I/O Spec . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288
Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288
Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 289
Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 306
Appendix D: Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319
MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . End of Manual
01V96 Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . End of Manual
01V96 Level Diagram . . . . . . . . . . . . . . . . . . . . . . . . . End of Manual
Welcome
11
01V96 Version 2—Owner’s Manual
1
Welcome
1 Welcome
Thank you for choosing the Yamaha 01V96 Digital Mixing Console.
The compact 01V96 Digital Console features 24-bit/96 kHz digital audio processing with-
out compromise, as well as 40-channel simultaneous mixing. The 01V96 covers a broad
range of needs and applications, including multi-track recording, 2-channel mixdown, and
cutting-edge surround sound production. This integrated, comprehensive audio system
features remote control function for DAWs (Digital Audio Workstations) as popularized by
the DM2000 and 02R96 Digital Mixing Consoles.
The 01V96 offers the following features:
Hardware Features
100-mm motorized faders x 17
•Faders can set levels for Input Channels, Aux send levels, and Bus Outs.
•Four selectable software layers determine the function of channel faders.
320 x 240 dot LCD display
•Buttons and controls in the SELECTED CHANNEL section enable direct editing of
channel EQ parameters.
•8 USER-DEFINED KEYS enable you to assign functions to control 01V96 internal
parameters.
•ADAT optical connectors
•Expansion slot for optional digital I/O, AD, and DA cards.
Sonic Specifications
Linear 24-bit, 128-times oversampling A/D converters
Linear 24-bit, 128-times oversampling D/A converters
20 Hz through 40 kHz frequency response at 96 kHz sampling rate.
106 dB typical dynamic range
32-bit internal signal processing (58-bit accumulator)
Inputs and Outputs
12 mic/line inputs with switchable +48 V phantom power and 4 line inputs
12 analog inserts
•Any Bus Outs or Channel Inserts can be routed to four Omni Outs.
•Individual outputs for Stereo Out and Monitor Out
•Analog 2TR In and Out for use with Tape In and Out signals
•An optional card installed in the slot permits a maximum of 16 inputs/outputs.
•Digital 2TR In and Out for consumer-format digital audio signals
•Double Channel support for recording and playing at 88.2/96 kHz on 44.1/48 kHz leg-
acy multi-track digital recorders.
•You can cascade two 01V96s while remaining in the digital domain.
•Input patches enable assignment of input signals to desired signal paths.
•Output patches enable assignment of Bus Out signals and Input Channel Direct Outs to
desired output jacks.
12
Chapter 1—Welcome
01V96 Version 2—Owner’s Manual
Channel Configuration
32 Input Channels and four ST IN channels can be mixed at a time. Group multiple
channels and pair channels for stereo.
•Eight Bus Outs and eight Aux Sends. Bus Outs 1-8 can be routed to Stereo Buses for use
as Group Buses.
•Channel library for storing and recalling the channel settings for each Input Channel
and Output Channel
•Four-band EQ on each channel
•Dynamics processors on all channels (excluding ST IN channels)
•Dynamics processor settings and EQ settings can be stored in libraries and recalled.
Effects
•Four high-quality multi-channel effects (Apply effects via Aux Sends or Channel
Inserts)
Effect library for storing and recalling effect settings.
•Optional Add-On Effects packages for adding effects that utilize a variety of new algo-
rithms.
Scene Memory
•Scene memories for storing and recalling mix settings as Scenes
Surround Sound
•Supports 3-1, 5.1, and 6.1 channel surround sound production
•Surround channel outputs can be assigned to suit connected devices.
Remote Control
•Control and manage your 01V96 from your Mac or PC using bundled Studio Manager
software.
•Remote Layer for remote control of Pro Tools, Nuendo, Cubase SX, and other DAWs
that support the Pro Tools protocol
•Control an external recorder via MMC commands.
MIDI
•Equipped with MIDI ports and a USB port for computer connection
•Scene recall and mix parameter changes via MIDI
Control Surface & Rear Panel 13
01V96 Version 2—Owner’s Manual
2
Control Surface & Rear Panel
2 Control Surface & Rear Panel
Control Surface
Note: Screw holes for attaching a cover are located at both sides of the AD input section of the
01V96. (Size M3, horizontal spacing 417 mm, vertical spacing 36 mm.) You may wish to fab-
ricate your own cover and attach it to the front panel to prevent the controls from being oper-
ated inadvertently. Yamaha does not sell such a cover. If you fabricate and attach your own
cover, make sure that the mounting screws do not extend more than 10 mm into the front panel.
Yo u will need to allow approximately 15–20 mm between the top panel and the cover in order
to clear the control knobs and buttons.
SOLO SOLO
ON ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ON
SOLO
ONON
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
1-16 17-32 MASTER REMOTE
LAYER
SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SELSEL
ST IN
ENTER
EQUALIZER
HIGH
HIGH-MID
LOW-MID
LOW
Q
FREQUENCY
GAIN
STEREO
SELECTED CHANNEL
PA N
DEC INC
SOLO CLEAR
RECALL
STORE
SCENE MEMORY
PHONES
MONITOR
OUT
MONITOR
2TR IN
CH15
/
16
2TR IN
LEVEL
PHONES
LEVEL
0
10
0
10
+4
-26
GAIN
+4
-26
GAIN
+4
-26
GAIN
GAIN
+4
-26
GAIN
20dB
-16
-60
GAIN
20dB
-16
-60
GAIN
20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
PA D
FADER MODE
DISPLAY ACCESS
AUX 1
AUX 1 AUX 2 AUX 3 AUX 4 AUX 5 AUX 6 AUX 7 AUX 8 BUS 1 BUS 2 BUS 3 BUS 4 BUS 5 BUS 6 BUS 7 BUS 8
AUX 2 AUX 3 AUX 4
AUX 8AUX 7AUX 6AUX 5
HOME (METER)
DYNAMICS
EQ EFFECT VIEW
PATCH
UTILITYMIDISCENE
DIO/SETUP
/ INSERT/
DELAY
PAN/
ROUTING
PAIR/
GROUP
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
16
1513
121110987643215
14
INSERT I
/
OINSERT I
/
OINSERT I
/
OINSERT I
/
OINSERT I
/
OINSERT I
/
OINSERT I
/
OINSERT I
/
OINSERT I
/
OINSERT I
/
OINSERT I
/
OINSERT I
/
O
L
R
IN OUT
2TR
-10dBV (UNBAL)
PHANTOM +48V
CH9-12CH5-8CH1-4
INPUT
(BAL)
INSERT
OUT IN
(UNBAL)
ST IN 1 ST IN 2
USER DEFINED
KEYS
12
34
56
78
55
5
+10
5
1010
10
1515
15
2020
20
303030
30
4040
40
5050
50
6060
7070
20
30
40
40
50
50
60
70
00
5
10
15
20
0
0
5
+10
5
10
15
30
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
20
30
40
40
50
50
60
70
15
0
5
10
15
20
0
5
+10
5
10
0
30
15
5
10
15
20
0
5
+10
5
10
0
30
15
5
10
15
20
0
5
+10
5
10
0
30
15
5
10
15
20
0
5
+10
5
10
0
30
15
20
30
40
40
50
50
60
70
30
15
20
30
40
40
20
30
40
20
30
40
20
30
40
50
50505050
20
30
40
50
20
30
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
40
50
60
70
30
15
5
10
15
20
0
5
+10
5
10
0
5
10
15
20
0
5
+10
5
10
0
5
10
15
20
0
30
5
10
15
20
0
30
5
10
15
20
0
30
5
10
15
20
0
30
5
10
15
20
0
303030
5
10
15
20
0
5
10
15
20
0
5
10
15
20
0
5
+10
5
10
0
15
5
+10
5
10
0
15
5
+10
5
10
0
15
5
+10
5
10
0
15
20
30
40
50
15 15
20
30
40
50
15
5
+10
5
10
0
5
+10
5
10
0
5
+10
5
10
0
5
+10
5
10
0
123456
123456
7
891011 12
7
891011 12
13 14 15 16
13 14 15 16
32313029282726252423222120191817
STEREO
13 14 15 16
OVER
0
-3
-6
-9
-12
-15
-18
-24
-30
-36
-48
AD Input Section (p. 14)
SELECTED
CHANNEL
Section (p. 20)
Monitor Out
& Head-
phones Sec-
tion (p. 15)
SOLO Section
(p. 22)
Channel Strip Section (p. 16) STEREO Section (p. 16) USER DEFINED KEYS
Section (p. 21)
Data Entry
Section (p. 22)
LAYER Section
(p. 19)
SCENE MEMORY Section (p. 21)
Display Section
(p. 19)
DISPLAY ACCESS
Section (p. 18)
ST IN Section
(p. 17)
FADER MODE
Section (p. 17)
14 Chapter 2—Control Surface & Rear Panel
01V96 Version 2—Owner’s Manual
AD Input Section
A INPUT connectors A/B
INPUT A connectors are balanced XLR-3-31-type connectors that accept line-level and
microphone signals. Each of the phantom [+48V] switches on the rear panel turns on or off
the +48V phantom power feed to the corresponding input. INPUT B connectors are bal-
anced TRS phone-type connectors that accept line-level and microphone signals. The nom-
inal signal level of both types of connectors ranges from –60 dB to +4 dB. Phantom power
is not supplied to these connectors.
If you connect cables to INPUT A and INPUT B connectors of the same number, only the
signal from INPUT B is effective.
B INPUT connectors 13–16
These balanced TRS phone-type connectors accept line-level signals. The nominal signal
level ranges from –26 dB to +4 dB. INPUT 15 & 16 connectors are available only when the
AD 15/16 button is turned off (page 15).
C INSERT I/O connectors
These unbalanced TRS phone-type connectors are used for channel insert ins and outs. Use
a split cable to insert an external effects processor to AD input channels.
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
CH15
/
16
2TR IN
+4
-26
GAIN
+4
-26
GAIN
+4
-26
GAIN
GAIN
+4
-26
GAIN
20dB
-16
-60
GAIN
20dB
-16
-60
GAIN
20dB20dB20dB20dB20dB20dB20dB
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
GAIN
-16
-60
PAD
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
A
B
16
1513
121110943215
14
INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O INSERT I
/
O
CH1-4
INPUT
(BAL)
INSERT
OUT IN
(UNBAL)
13 14 15 16
8
1
2
3
4
5
6
7
1/4" TRS phone plug
Ring (cold)
Sleeve (ground)
Tip (hot)
Male XLR plug
1 (ground)
2 (hot)
3 (cold)
1/4" phone plug
1/4" phone plug
Sleeve
(ground)
Tip (send)
Sleeve (ground)
Connect to INSERT jack
Tip (return)
1/4" phone plug
Tip (send)
Ring (return)
Sleeve (ground)
From processor’s output
To processor’s input
Control Surface 15
01V96 Version 2—Owner’s Manual
2
Control Surface & Rear Panel
D PAD switches
These switches turn on or off the 20 dB pad (attenuator) for each AD Input.
E GAIN controls
These controls adjust input sensitivity for each AD Input. Input sensitivity is –16 dB to
–60 dB when the Pad is off, and +4 dB to –40 dB when the Pad is on.
F PEAK indicators
These indicators light up when the input signal level is 3 dB below clipping. Adjust the Pad
switch and GAIN control so that the indicator rarely lights up at signal peak.
G SIGNAL indicators
These indicators light up when the input signal level exceeds –34 dB.
H AD15/16 selector
This button selects AD Input Channel 15 and 16 signals. When the button is turned on
(pushed in), the 2TR IN signals (page 24) are selected. When the button is turned off
(raised), the INPUT 15 and 16 signals are selected.
Monitor Out & Headphones Section
A 2TR IN/OUT connectors
These unbalanced RCA phono connectors input and output line-level signals, and are typ-
ically used to connect a master recorder.
When the AD15/16 selector in the AD Input section (
8) is turned on (pushed in), the sig-
nals input at the 2TR IN connectors are routed to AD Input Channels 15 and 16. When the
Monitor Source selector (
2) is turned on (pushed in), you can monitor the 2TR IN signals
from the MONITOR OUT connectors.
The 2TR OUT signals are always the same as the STEREO OUT signals.
B Monitor Source selector
This button selects the signals output from the MONITOR OUT connectors on the rear
panel. When this button is turned on (pushed in), you can monitor the signals input from
the 2TR IN connectors. When the button is turned off (raised), you can monitor the Stereo
Out signals or soloed channel signals.
C MONITOR LEVEL control
This control adjusts the monitoring level of the signals output from the MONITOR OUT
connectors.
D PHONES LEVEL control
This control sets the level of the PHONES. (See page 131 for more information on moni-
toring through the headphones.)
E PHONES jack
You can connect a set of stereo headphones to this stereo phone jack. The signals output
from the MONITOR OUT connectors are also output from this jack.
PHONES
MONITOR
OUT
MONITOR
2TR IN
LEVEL
PHONES
LEVEL
0
10
0
10
L
R
IN OUT
2TR
-10dBV (UNBAL)
PHANTOM +48V
CH9-12CH5-8
1
2
3
4
5
16 Chapter 2—Control Surface & Rear Panel
01V96 Version 2—Owner’s Manual
Channel Strip Section
A [SEL] buttons
These buttons enable you to select desired channels. The [SEL] button indicator for the cur-
rently-selected channel lights up. The channel selected by each [SEL] button depends on the
layer selected in the LAYER section (see page 19).
These buttons also allow you to create or cancel channel pairs, and add channels to (or
remove them from) Fader, Mute, EQ, and Compressor groups.
B [SOLO] buttons
These buttons solo the selected channels. The [SOLO] button indicator of the cur-
rently-soloed channel lights up.
C [ON] buttons
These buttons turn the selected channels on or off. The [ON] button indicators for On
channels light up.
D Channel faders
Depending on the button selected in the FADER MODE section (see page 17), these faders
adjust the selected channel input levels or the Bus Out or Aux Out levels.
STEREO Section
A [SEL] button
Selects the Stereo Out.
B [ON] button
Tur ns the Stereo Out on or off.
C [STEREO] fader
This 100mm motorized fader adjusts the final output level of the Stereo Out.
SOLO
ON
SEL
AUX 1
40
50
60
70
30
5
10
15
20
0
20
30
40
50
15
5
+10
5
10
0
1
1
17
1
2
3
4
ON
SEL
5
10
15
20
30
40
50
60
70
0
STEREO
1
2
3
Control Surface 17
01V96 Version 2—Owner’s Manual
2
Control Surface & Rear Panel
ST IN Section
A [ST IN] button
This button selects an ST IN channel pair (ST IN Channels 1 & 2 or 3 & 4) which you can
control using the buttons and controls in the ST IN section. The indicators to the right of
the button indicate the available ST IN channels.
B [SEL] buttons
These buttons select the ST IN channel you want to control.
C [SOLO] buttons
These buttons solo the selected ST IN channels.
D [ON] buttons
These buttons turn the ST IN channels on or off.
E Level controls
These controls adjust the ST IN channel levels.
FADER MODE Section
A [AUX 1]–[AUX 8] buttons
These buttons enable you to select the Aux Send you wish to control. Pressing one of these
buttons switches the Fader mode (see page 33), and displays the corresponding Aux page.
(The selected buttons indicator lights up.)
You can now adjust the send level of signals routed from Input Channels to the correspond-
ing Aux buses by using the faders.
B [HOME] button
This button recalls Meter pages that display Input Channel levels or Output Channel (Bus
Out, Aux Out, Stereo Out) levels (see page 34).
SOLO
ON
SOLO
ON
SEL SEL
ST IN
ST IN 1 ST IN 2
1
2
3
4
5
FADER MODE
AUX 1 AUX 2 AUX 3 AUX 4
AUX 8AUX 7AUX 6AUX 5
HOME (METER)
1
2
18 Chapter 2—Control Surface & Rear Panel
01V96 Version 2—Owner’s Manual
DISPLAY ACCESS Section
A [SCENE] button
This button displays a Scene page, enabling you to store and recall Scenes (see page 165).
B [DIO/SETUP] button
This button displays a DIO/Setup page, enabling you to set up the 01V96, including digital
input and output setup and remote control setup (see pgaes 72, 192).
C [MIDI] button
This button displays a MIDI page, enabling you to make MIDI settings (see page 219).
D [UTILITY] button
This button displays a Utility page, enabling you to use the internal oscillators and view
information about installed optional cards.
E [ /INSERT/DELAY] button
This button displays a /INS/DLY page, enabling you to switch the signal phase, set the
signal to be inserted, or set the delay parameters (see pages 79, 127).
F [PAN/ROUTING] button
This button displays a Pan/Route page, enabling you to select a Bus to which the selected
channel signal is routed, adjust the selected channel pan settings, adjust the level of signals
routed from Buses 1–8 to the Stereo Bus, and adjust the stereo or surround pan settings (see
pages 85, 135).
G [PAIR/GROUP] button
This button displays a Pair/Grup page, enabling you to create or cancel channel pairs and
group multiple channel faders or [ON] buttons (see pages 93, 149).
H [PATCH] button
This button displays a Patch page, enabling you to patch input signals and Bus Out signals
to Input channels, or patch signals to the desired output connectors (see page 121).
I [DYNAMICS] button
This button displays a Dynamics page, enabling you to control channel gates and compres-
sors (see page 81).
J [EQ] button
This button displays an EQ page, enabling you to set the equalizer and attenuator of the
selected channel (see page 84).
K [EFFECT] button
This button displays an Effect page, enabling you to edit the internal effects processors and
use optional plug-in cards (see page 161).
L [VIEW] button
This button displays a View page, enabling you to view and set mix parameters for a specific
channel (see page 87).
DISPLAY ACCESS
DYNAMICS
EQ EFFECT VIEW
PATCH
UTILITYMIDISCENE
DIO/SETUP
/ INSERT/
DELAY
PAN/
ROUTING
PAIR/
GROUP
1 2 3
9
J K L
4
5
6
8
7
UTILITYMIDISCENE
DIO/SETUP
Control Surface 19
01V96 Version 2—Owner’s Manual
2
Control Surface & Rear Panel
LAYER Section
A [1–16]/[17–32] buttons
These buttons select an Input Channel layer as the layer controlled in the Channel Strip sec-
tion. When the [1–16] button is turned on, you can control Channels 1–16. When the
[17–32] button is turned on, you can control Channels 17–32. (See page 31 for more infor-
mation on the Input Channel layers.)
B [MASTER] button
This button selects the Master Layer as the layer controlled in the Channel Strip section. You
can use this layer to control Bus Outs and AUX Sends. (See page 31 for more information
on the Master layer.)
C [REMOTE] button
This button selects the Remote Layer as the layer controlled in the Channel Strip section.
You can use this layer to control external MIDI devices or computer-based DAWs. (See
page 189 for more information on the Remote layer.)
Display Section
A Display
This is a 320 x 240 dot LCD display with a backlight.
B Stereo meters
These 12-segment level meters display the final output level of the Stereo Bus.
C Contrast control
This control adjusts the display contrast.
D [F1]–[F4] buttons
These buttons select a page from a multi-page screen. Selecting a tab at the bottom of the
screen using one of these buttons displays the corresponding page. (See page 28 for more
information on displaying a page.)
Tip: The ST IN section is not affected by the layer settings.
1-16 17-32 MASTER REMOTE
LAYER
1 2 3
STEREO
OVER
0
-3
-6
-9
-12
-15
-18
-24
-30
-36
-48
4
1
5
2
3
6
20 Chapter 2—Control Surface & Rear Panel
01V96 Version 2—Owner’s Manual
E Left Tab Scroll [ ] button
F Right Tab Scroll [ ] button
If there are more pages available than the four whose tabs are currently displayed, use these
buttons to display the additional tabs. These buttons are available only when the left or right
Tab Scroll arrow appears.
SELECTED CHANNEL Section
A [PAN] control
This control adjusts the pan of the channel selected by the [SEL] button.
B [HIGH] button
C [HIGH-MID] button
D [LOW-MID] button
E [LOW] button
These buttons select the EQ band (HIGH, HIGH-MID, LOW-MID, LOW) of the channel
selected by the [SEL] button. The corresponding button indicator of the currently-selected
band lights up.
F [Q] control
This control adjusts the currently-selected band Q.
G [FREQUENCY] control
This control adjusts the currently-selected band frequency.
H [GAIN] control
This control adjusts the currently-selected band gain.
Tab Scroll arrow
EQUALIZER
HIGH
HIGH-MID
LOW-MID
LOW
Q
FREQUENCY
GAIN
SELECTED CHANNEL
PA N
1
2
3
4
5
6
7
8
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328

Yamaha 01V96 Version 2 Manuel utilisateur

Catégorie
Instruments de musique
Taper
Manuel utilisateur