512 AUDIO 512-LLT Mode d'emploi
- Catégorie
- Microphones
- Taper
- Mode d'emploi
LIMELIGHT USER GUIDE
DYNAMIC BROADCAST MICROPHONE
EN | FR | DE | ES | 中文 | 日本語
TABLE OF CONTENTS
English ............................................................................... 3
French ............................................................................. 15
Deutsch ............................................................................ 27
Español ............................................................................ 39
中文 ............................................................................... 51
日本語 ............................................................................ 63
EN | 3
WELCOME TO LIMELIGHT
A DYNAMIC MICROPHONE FROM 512 AUDIO
Whether you’re Podcasting, Broadcasting, Streaming, Gaming or Recording,
the new Limelight dynamic microphone is your key to studio quality sound – no
engineering degree needed.
Designed by engineers with a deep passion for audio, Limelight is easy to use,
built like a tank, and ready to help you bring your voice to the world.
So let’s get started.
4 | EN
HAVE YOU MET MIC?
Limelight is an end-address microphone, which simply means
that you’ll point the business end of the microphone at the
sound you’re looking to capture.
At the other end, you’ll find the XLR connector which allows
you to use a standard 3-pin microphone cable to connect
Limelight to your audio mixer, interface or portable recorder.
EN | 5
HAVE YOU MET MIC?
You’ll also find a small switch to control the built-in High
Pass Filter on the bottom of the mic. This clever little toggle
will allow you to cut out unwanted boominess and rumble (if
needed) without having to “Fix It In the Mix” later with EQ.
6 | EN
IS THIS A SETUP?
Limelight includes an adjustable swivel mount to easily
position the microphone exactly where you want it. Simply
attach the mount to your microphone stand or boom arm, slip
Limelight into the mount and use the tightening knob to get
everything nice and snug. Be sure not to over-tighten! Use an
XLR microphone cable to connect to your mixer, interface or
portable recorder and you’re good to go.
EN | 7
Limelight is a Dynamic Microphone with a Hypercardioid
pickup pattern – that means it will primarily “listen” to what
it’s pointed at and will largely ignore sounds off to one side
or the other. This is a great feature for Podcasters working
in the same room with a co-host where each microphone
should ideally only pick up one voice. In this case, we
suggest placing the microphone 6 – 8 inches from the
speaker, pointed at his or her mouth.
CHECK ONE. CHECK TWO.
Now that you’re up and running, let’s take a few moments to talk about how to get the
best out of your new microphone. Here are a few tips to help you sound your best:
LOCATION, LOCATION, LOCATION
8 | EN
CHECK ONE. CHECK TWO. (CONTINUED)
EX-ING YOUR PLOSIVES
Are you worried about popping Ps and tapping Ts? Voiceover pros often use a
pop filter in front of the microphone to take care of unwanted popping sounds,
and it remains the most foolproof way to handle these noises. 512 Audio makes
an affordable pop filter for just that purpose, which is available wherever 512
products are sold.
EN | 9
CHECK ONE. CHECK TWO. (CONTINUED)
Pro Tip
If you don’t have a pop filter available, you can still minimize popping
sounds with a little bit of experimentation. As an exercise, place your hand
in front of your face and say the word “pop” over and over. Now move your
hand slowly side to side as you speak. While your dog may think you’re
losing your mind, you’ll quickly notice that you only feel the puffs of air when
your hand is directly in front of your mouth. Simply move the microphone up
or to the side - while still pointing it at your mouth - and you’re good to go.
10 | EN
CHECK ONE. CHECK TWO. (CONTINUED)
A wonderful bonus of dynamic microphone design is
known as the “Proximity Effect.” Not to be confused with a
restraining order, the Proximity Effect describes a pleasing
boost in the bass or low end of the sound as you move closer
to the microphone. This can add a sense of intimacy to a
voice and it’s a great way to release your inner FM Disc
Jockey.
I’M READY FOR MY CLOSEUP
EN | 11
CHECK ONE. CHECK TWO. (CONTINUED)
Not to be confused with volume, the Gain setting on your
mixer, interface or portable recorder can ensure that you’re
creating the absolute best – and noise free – signal possible.
This magical knob controls how sensitive the microphone
is and has a dramatic effect on the quality of the sound
that you’ll get. Set it too low, and no one will ever hear a
word you’re saying. Set it too high and the microphone will
pick up everything from the echo in your room to the air
conditioning, your noisy chair, your loud neighbors and the
voices in your head. Either way, it’s not ideal. So grab the
gain knob, speak and listen. As you turn the gain down,
GAIN THE ADVANTAGE
12 | EN
CHECK ONE. CHECK TWO. (CONTINUED)
move the microphone closer to your mouth – the volume will stay the same but the
sound will dramatically improve. Once you find your happy medium you’ll be on
your way.
So take a few minutes and experiment with microphone Direction, Distance and
Gain. You are your voice and Limelight can help you sound your best.
EN | 13
SPECS AND TECH
Capsule Type Dynamic
Capsule Size 28mm
Polar Pattern Hypercardioid
Frequency Range 50Hz – 15kHz
High Pass Filter 100Hz (12dB per octave)
Sensitivity -54dB 13dB (0dB =1V/Pa at 1kHz)
Impedance 600 ohm
Max SPL 138dB
Weight 350g
Dimensions 167.5 x 60.8mm
Included Accessories Adjustable swivel mount & Protective carry bag
14 | EN
WARRANTY STATEMENT
512 Audio warranties this product to be free from defect in materials and workmanship for one year from the date of
purchase, for the original purchaser to whom this equipment is registered. This warranty is non-transferable.
This warranty is void in the event of damage incurred from unauthorized service to this unit, or from electrical or
mechanical modification. This warranty does not cover damage resulting from abuse, accidental damage, misuse,
improper electrical conditions such as mis-wiring, incorrect voltage or frequency, unstable power, disconnection
from earth ground (for products requiring a 3 pin, grounded power cable), or from exposure to hostile environmental
conditions such as moisture, humidity, smoke, fire, sand or other debris, and extreme temperatures.
512 Audio will, at its sole discretion, repair or replace this product in a timely manner. This limited warranty extends
only to products determined to be defective and does not cover incidental costs such as equipment rental, loss of
revenue, etc. Please visit us at www.512audio.com for more information on your warranty, or to request warranty
service.
This warranty applies to products sold in the United States of America. For warranty information in any other country,
please refer to your local 512 Audio distributor. This warranty provides specific legal rights, which may vary from
state to state. Depending on the state in which you live, you may have rights in addition to those covered in this
statement. Please refer to your state laws or see your local 512 Audio retailer for more information.
FR | 15
DÉCOUVREZ LE LIMELIGHT
UN MICROPHONE DYNAMIQUE DE 512 AUDIO
Que ce soit pour des podcasts, de la radio, du streaming, du gaming ou de
l'enregistrement, le nouveau micro dynamique Limelight vous fera profiter d'un son
de qualité studio sans devoir passer un diplôme d'ingénieur!
Conçu par des ingénieurs passionnés par l'audio, le Limelight est facile à utiliser,
construit comme un char d'assaut et prêt à vous aider à faire entendre votre voix
dans le monde.
Nous pouvons commencer.
16 | FR
VOUS AVEZ FAIT CONNAISSANCE AVEC VOTRE MICRO?
Le Limelight est un microphone à prise frontale, ce qui signifie
simplement que vous pointerez l'extrémité fonctionnelle du
microphone vers le son que vous cherchez à capter.
À l'autre extrémité, vous trouverez le connecteur XLR qui vous
permet d'utiliser un câble microphone standard à 3-broches
pour connecter le Limelight à votre table de mixage, votre
interface audio ou votre enregistreur portable.
FR | 17
VOUS AVEZ FAIT CONNAISSANCE AVEC VOTRE MICRO?
Vous trouverez également un petit interrupteur dans le
bas du micro pour contrôler le filtre passe-haut intégré.
Ce petit interrupteur pratique vous permettra d'éliminer
les grondements et les bourdonnements indésirables (si
nécessaire) sans avoir à régler le problème au mixage plus
tard avec un égaliseur.
18 | FR
BIEN INSTALLÉ?
Le Limelight comprend un support pivotant réglable qui
permet de positionner facilement le microphone exactement
comme vous le souhaitez. Il suffit de fixer le support à votre
pied ou perche de micro, de glisser le Limelight dans le
support et d'utiliser le bouton de serrage pour que tout soit
bien ajusté. Veillez à ne pas trop serrer! Utilisez un câble
de microphone XLR pour vous connecter à votre table de
mixage, votre interface ou votre enregistreur portable et vous
pouvez y aller.
FR | 19
Le Limelight est un microphone dynamique doté d'une
directivité hypercardioïde*, ce qui signifie qu'il «écoute»
principalement ce vers quoi il est pointé, et ignore en grande
partie les sons provenant d'un côté ou de l'autre. C'est une
fonction très utile pour les podcasteurs travaillant dans la
même pièce avec un co-animateur, où chaque microphone
ne devrait idéalement capter qu'une seule voix. Dans ce cas,
nous suggérons de placer le microphone à une distance de
15 à 20centimètres de l'animateur, pointé vers sa bouche.
TEST, UN, DEUX. TEST MICRO.
Maintenant que vous êtes opérationnel, prenons quelques instants pour parler
de la manière de profiter au mieux de votre nouveau microphone. Voici quelques
conseils pour vous aider à obtenir le meilleur son possible:
L'EMPLACEMENT AVANT TOUT
20 | FR
TEST, UN, DEUX. TEST MICRO.
DÉBARRASSEZ-VOUS DE VOS PLOSIVES
Vous avez peur de faire des P et des T? Les professionnels de la voix-off utilisent
souvent un filtre anti-pop devant le microphone pour éliminer les bruits de
«pop» indésirables, et cela reste le moyen le plus infaillible de gérer ces bruits.
512 Audio propose un filtre anti-pop abordable à cet effet et qui est disponible
partout où sont vendus les produits 512.
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512 AUDIO 512-LLT Mode d'emploi
- Catégorie
- Microphones
- Taper
- Mode d'emploi
dans d''autres langues
- español: 512 AUDIO 512-LLT Guía del usuario
- Deutsch: 512 AUDIO 512-LLT Benutzerhandbuch
- 日本語: 512 AUDIO 512-LLT ユーザーガイド
