PEDAL
I, Subbas 16'
2. Principal 8'
3, Gedackt 8'
4, Octave 4'
5, Contra TruMpet 16'
6. TruMpet 8
7, Great to Pedal
GREAT
8, Principal
9, Galba
10, Stopped Flute
11, Dc tave
12, Open Flute
13, Twelfth
U.
Ochve
15. Nazard
16. Sifflute
17, "ixture
18, TruMpet
19, TreMulant
20, Swell to Great
21, Chorus
8'
8'
8'
4'
4'
2 2/3'
2'
1/3'
I'
V
8'
Explanation of the nUlbers:
1. Pedal
2. Presets
3, Serial nUlberplate
4, Headphones jack
5. Cathedral control
6, Pedal stops
7, 6reat stops
8. "usic rack
9. Swe 11 stops
10. Swell
11, On / off swi tch
12. Great
13. Expression pedal
SWELL
22, Bourdon 16'
23, Octave 8'
24, Celeste 8'
25, Rohrflute 8'
26, Coppelflute 4'
27, Nazard 2 2/3'
28, Waldflute 2'
29, Rauschpfeife II
30, Fagotto 16'
31. Crolorne 8'
32. Schallei 4'
33, Trelulant
PianissiMo
Piano
"ezzo Forte
Forte
Fortissilo
Tutti
1 10 25
PP
+
3 12 26
P
+
2 8 11 23
"F +9 13 14 28
F
+
4 17 22 27 29 31
FF
+
5 6 7 15 18 20 30 32
RO Reeds off switch
HR Hand-registration switch
HR+ Allows you to join your own registrations to the Presets
INTRODUCTION
You are now the proud owner of an original JOHANNUS organ, an instrument
with a well chosen and splendidly balanced selection of stops, making a
great variety of sound combinations possible,
This manual will assist you to make use of the almost unlimited
possibilities offered by this JOHANNUS OPlJS 200, The manual provides
technical specifications, together with a brief discussion of registration,
Please spend a few minutes reading this important information, then
experience the wonderful potential of your new JOHA~JS organ,
ON
I
OFF SWITCH
It is important that you check first the current Voltage with the voltage
of the organ, The Voltage of the organ is printed on the serial number
plate, The switch lights up when the organ is switched on, after
approximately 2 seconds the amplifiers will be switched on automaticly.
HAND REGISTRATION
The manually set stops can be played after you have pressed the
'HR' pist,:>n.
PRESETS
JOHANNUS organs are equipped with the possibility to change registrations
rapidly by adding or omitting several stops in one K~ent. The factory has
pre-selected six very useful 1 registrations, which can be called by
pressing one of the presets ( PP P HF F FF T ), These pistons are located
directly below the Great, The presets can help you to get acquainted with
your new organ. They are set from left to right with registrations from
soft to full organ, These registrations are beautiful and offer t"any
possibilities; however, do not let the temptation of these six handy
pistons keep you frot" discovering new combinations, Develop your own
registration style and try to registrate as diversified as possible,
HR+
This piston allows you to add stops to the stops activated by the presets.
For instance if you play on preset combination 'PP'
(=
stop no,
1, 10
and
25), you can add the Principal 8' (8) by pressing 'HR+' and stop no, 8.
REEDS-OFF
With the reeds-off (RO> piston you are able at any time to switch the
reeds off. the 'RO' piston effects also the presets. If you press it again
the silenced reeds are activated.
Note:lf you should set the Trumpet and there is no result, switch off the
'RO' piston.
Couples the upper manual (Swell) to the lower
manual (Great), so that Swell can be played
,:>nGreat.
Couples Great to Pedal, so that Great can be
played on Pedal.
Each manual has an independant tremulant circuit,
switchable by the two tremulant switches near the
stops. The tremulants are working on the stops of the
applying manuals even if they are coupled,
CATHEDRAL CONTROL
The reverberation system is especially designed by JOHANNUS for this
organ.The systeM recreates acoustic properties associated with the
resonance of large buildings and aims to give as wide a level and range of
resonance as possible to enhance the tonal quality of sound produced froM
the organ. To operate, turn the knob marked "Cathedral" and adjust the
rotary control to the desired level. The control effects not only the
length of the reverb. but also the volume of the reverb.
CHORUS TAP
The Chorus Control expands the Multi-generator-system incorporated in the
JOHANNUS organ, which gives the unique rich and varied tone associated.The
effect is best heard if you play on the Great with couplers.
REGISTRATIONS
Registrating is essential to the art of organ playing. You are able to make
countless combinations with the 33 stops of this organ. This is a vital
part of the exciteMent that owing and playing a JOHANNUS will bring you.
Sometimes selecting registrations is not as easy as it May appear; however,
practice and experimentation will provide you with many exciting options.
As there is no unification in the JOHANNUS, t~~ independent sound structure
of each stop enables you to choose the desired combination of stops for
each piece you play. You may use the basic rule; that footages which are
Multiples of each other blend very well together. For example, an 8' with a
4'. You may also wish to choose so called "mutation stops" , such as
Twelfth or Mixture, which are intended to be used in combination with other
stops in order to achieve well-balanced sounds.
TONE GENERATORS
There are three sets of tone generators in
your
organ; one is used for
Great, one for Swell, and one for t~~ Pedal. When you play Great using the
couplers, and select stops frOBlboth manuals and the pedal, you are using
all the generator sets and experience the full potential of sound, your
organ can produce . For instance, an 8' from Great with a 4' from Swell,
sounds better than the combination of an 8' and a 4' frOll\Swell. In other
words, you are making the maximum use of the generator sets. When you find
a combination of stops that particularly appeals to you, make a note of the
stops used.
EXTENSIONS
Your JOHANNUS organ can be enhanced with a JOHANNUS 4-channel acoustic
systell\.You wi11 find a standard output plug connection (DIN) located at
the back of the organ. This plug is meant only for connecting the 4-channel
acoustic system. Your dealer will be happy to give you additional
inforff~tionor den~nstrations.
HEADPHONE SOCKET
This is stereo connection socket and is suitable for use with any low
impedance stereo headphones. When the headphones are plugged in, the
speakers are shut off automaticly.
EXPRESSION PEDAL
This pedal effects not only the total volume of the organ, but also the
sound-colour. When the expression pedal is closed the organ sounds soft and
warm, when you open the expression pedal the organ gets brighter.
CARE OF YOUR JOHANNUS ORGAN
Cabinet work, and pedalboard s~~ld be cleaned with a soft polishi~~ cloth,
wet or sprayed with a little bit of spray polish. The bench is only to be
cleaned with a dry duster. 00 not use wax, abrasive, caustic or corrosive
cleaning compounds. The keyboards, registration tabs and name plates should
be cleaned with a soft duster or chamois leather. NEVER spray water or
cleaning compound directly on the organ or parts of it
!
TECHNICAL SPECIFICATIONS:
- Manual compass: C - g'" (4~ octaves).
Pedalboard: C - c (13-notes).
Touch: Church organ touch.
Couplers: 1 Manual- and 1 Pedal coupler.
Tremulants: Independant tremulant-generator per Manual.
Tone generation: Multi-generator system (3 generators)
AMplification: 2 output aMPlifiers, 28 Watts each with
separate loudspeakers.
Attack: The attack varies within the registers of the manuals.
Chorus: The JOHANNtJS Chorus consist of a fixed undulation of
the generators.
Cathedral: The JOHANNUS cathedral effect is an overall
reverberation of several channels,externally adjustable.
Fixed combinations: PP-P-MF-F-FF-T.
Piston RO.
=
Reeds Off.
Piston HR.
=
Hand Registration.
Piston HR+
=
Allows you to join your own registrations to the
fixed combinations.
Expression pedal: Volun~ control for the entire organ.
Connections for:
*
Stereo headphones.
*
JOHANNtJS 4-channel acoustic system.
Standard design: dark oak or light oak.
DIMENSIONS (CM)
Height 102
Width 117
Depth Organ 62
WEIGHT (KG)
Organ 77
Bench 10
A-a
Romantic celeste ~ string combinations
E-H
Using mutations to create solo colors
with various accQft~animents
I-L
Using reeds
H-P Foundations
A
B C
a
E
F G
H
I
J
KL
HN
0
P
l,Subbass 16'
000 0 0 0 0 00 0
Q
0
Q
0
P2.Principal 8'
0 0
E
3,Gedackt 8'
.::>
Q
0 0
Q
00
a
4 ,Octave 4'
0
'::>
A
5,Contra Trumpet 16'
0 0
L
6 ,Trumpet 8'
0 0 0
7.Great to Pedal
0
0
00 0 0
Q
00
A
B C
a
E
F G
H
I
J
KL
H N
0
P
8,Principal 8'
0
Q Q
9,Gamba 8'
0 0 0 0 000 000 0
10.Stopped Flute 8'
0 0 0 0
0
0 0 0
Q
11 ,Octave 4'
00 0 00 0
G12,Open Flute 4'
0 0000
R13 ,Twelfth 2
2/3'
0
Q
0
E
14,Octave 2'
0 0
A
l5,Nazard
1/3'
Q Q
T16,Sifflute 1'
0
17,Hixture
V
0
0 0
18,Trumpet 8'
0 0 00
19.Tremulant
000
0
20,Swell to Great Q
0
Q
00
21,ChQrus
000
Q
A
B C
a
E
F G
H
I
J
KL
1'1
N
0
P
22 ,Bourdon 16'
23.Octave 8'
0
Q Q
0
0
0
24.Celeste 8'
0 0
QQ
0
Q
S
25.Rohrflute 8' Q
00
QQ Q
0
0
W26 ,Coppelf lute 4'
0 0 0
Q
0
E27,Nazard
2 2/3'
0
0 0
0
L
28.Waldflute 2'
0
Q
L
29,Rauschpfeife
II
rks
0
3O,FagottQ 16' Q
0
Q
31 .Croll\Qrne 8'
0
0
0
0
32,Schalmei 4'
0
0
33. Trell'\Ulant Q
0
Q
00
A
B C
a
E
F G
H
I
J
KL
M
N
0
P
NOTE: Tremulants are always Qptional
Creation d'une acoustique dans une salle Iimitee.
SpecIfications techniques:
-.4
canaux avec un maximum de 25 Watt chaque.
- Le volume des canaux est indueUement reglable.
- RilgIage de signal direct.
- Connexion pour un amp/I.
- 2 connexions pour microphones.
- R8gIage de longueur.
- RilgIage de I'effet "Doppler".
- R6g1age de la vitesse.
- R6g1age du son.
Technische Gegevens:
- 4 kanalen van elk 25 Watt maximaal.
- Volume van elk kanaaJ afzonderlijk regelbaar.
- Direct signaal regeling.
- 1 ingang voor versterker aansluiting.
- 2 ingangen voor microfoons.
- "Length" regeling.
- "Chorus" regeling.
- "Clock" regeling.
- Toonregeling.
Creates Acoustic in a liVing room
Technical dates:
- 4 channels of maximum 25 Watts each.
- The volume of each channel can be adjusted individually.
- Direct volume control.
- 1 input for amplifier connection.
- 2 microphone inputs.
- Resonance time control.
- "Doppler effect" control.
- Speed control.
- Tone control.
Erzaugt Akustik in einem begrenzten Raum
Technische Einzelheiten:
- 4 Kanile von je 25 Watt maximal.
- Die Lautstirke der Kan8le ist individuell einstellbar.
- Dlrekte SignalregaJung.
- 1 Eingang fOr AnschluB von Verstirker.
- 2 Eing8nge fOr Mikrofone.
- Dauerregelung.
- "Doppler" -Effektregelung.
- Geschwindigheitsregelung.
- Tonregelung.
-
1
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dans d''autres langues
- English: Johannus Opus 200 User manual
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