Yamaha MU80 Manuel utilisateur

Catégorie
Groupes électrogènes
Taper
Manuel utilisateur
ii
WELCOME TO THE MU80
Welcome to the MU80
Congratulations and thank you for purchasing the Yamaha MU80 Tone
Generator!
The MU80 is an advanced tone generator providing 729 high-quality
Voices, full General MIDI compatibility — including Yamaha’s new XG-
MIDI (Extended General MIDI) — plus flexible computer interfacing
in a highly compact and portable package.
With the convenient built-in host computer interface and MIDI ter-
minals, the MU80 is ideal for any computer music system — from connec-
tion to a simple laptop to integration in a complete MIDI studio. With its
large LCD and the intuitive graphic controls on the display, the MU80 is
remarkably easy to use.
The MU80 also features completely independent dual MIDI inputs,
32 Part multi-timbral capacity and full 64-note polyphony for playback
of even the most sophisticated song data. A special Performance mode
gives you flexible four-Voice operation, for live performance applications.
Built-in digital multi-effects give you enormous versatility in “sweeten-
ing” the sound. Plus, the convenient A/D inputs allow you to connect a mi-
crophone, electric guitar or other instrument, and mix those signals with the
MU80’s Voices. What’s more, the MU80 provides a host of comprehensive,
yet easy-to-use editing tools for getting just the sound you need.
UNPACKING
iii
MU80 Serial No.:
PA-1207 AC Power Adaptor
Owner’s Manual
Unpacking
Your MU80 package should include the items listed below. Make sure that
you have them all. Also, write down the serial number of your MU80 in the
box below, for future reference.
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TABLE OF CONTENTS
Table of Contents
Welcome to the MU80 ............................................................................................................ ii
Unpacking ..............................................................................................................................iii
Table of Contents................................................................................................................... iv
How to Use This Manual ...................................................................................................... vi
Precautions............................................................................................................................ vii
The Controls of the MU80 ..................................................................................................... 1
The MU80 — What It Is and What It Can Do .................................................................... 4
What It Is....................................................................................................................... 4
About General MIDI..................................................................................................... 4
What It Can Do…............................................................................................................. 5
Using With MIDI Keyboard ......................................................................................... 5
Using With a Computer or Sequencer .......................................................................... 5
About the Modes of the MU80 ........................................................................................ 6
Play Modes and the Part Controls................................................................................. 6
Utility Mode................................................................................................................ 10
Part Edit Mode ............................................................................................................ 10
GUIDED TOUR
Setting Up Your MU80 ................................................................................................... 12
What You’ll Need .................................................................................................. 12
Making the Connections ....................................................................................... 12
Powering Up and Playing the Demo Song.................................................................... 14
Playing the Demo Song .............................................................................................. 15
Selecting Voices ............................................................................................................... 17
Changing the Voice Bank............................................................................................ 18
Selecting Voices From Your MIDI Keyboard ............................................................. 19
Changing Some of the Settings — Part Controls......................................................... 20
Selecting another Part and changing its MIDI channel .............................................. 20
Changing the Volume and Pan settings of a Part ........................................................ 22
Using Mute/Solo.............................................................................................................. 23
Using the A/D Input........................................................................................................ 24
Setting Up the MU80 in Your Music System................................................................ 26
Connecting With a Computer ..................................................................................... 26
Macintosh .............................................................................................................. 26
IBM PC and Clones .............................................................................................. 27
Connecting to Other MIDI Devices ............................................................................ 28
Using the MU80 with a MIDI Data Storage Device .................................................... 30
Data Flow Block Diagram.............................................................................................. 31
MIDI/Computer Connecting Cables............................................................................. 32
REFERENCE
Multi Mode...................................................................................................................... 34
Multi Play Mode ......................................................................................................... 35
Play Displays .............................................................................................................. 35
Part Controls ............................................................................................................... 36
Single Part Control...................................................................................................... 37
TABLE OF CONTENTS
v
GUIDED TOUR
REFERENCE
APPENDIX
Selecting Single Part Control ................................................................................ 37
Editing in Single Part ............................................................................................ 37
All Part Control........................................................................................................... 41
Editing in All Part.................................................................................................. 41
Multi Edit Mode.......................................................................................................... 44
Filter ...................................................................................................................... 44
EG (Envelope Generator) ...................................................................................... 46
Vibrato ................................................................................................................... 51
Others .................................................................................................................... 53
Drum Setup Controls............................................................................................. 61
Calling Up the Drum Setup Menu................................................................... 61
Drum Setup Parameters ................................................................................... 62
Performance Mode ......................................................................................................... 66
Performance Play Mode.............................................................................................. 66
Selecting a Performance and its Individual Parts .................................................. 67
Performance Part Control ........................................................................................... 69
Single Part ............................................................................................................. 69
All Part .................................................................................................................. 72
Performance Edit Mode .............................................................................................. 75
Common ................................................................................................................ 75
Part ........................................................................................................................ 78
Filter ...................................................................................................................... 79
EG ......................................................................................................................... 79
Vibrato ................................................................................................................... 80
Others .................................................................................................................... 80
Copy and Store Operations ......................................................................................... 83
Copy ...................................................................................................................... 83
Store ...................................................................................................................... 84
Effect Edit Mode............................................................................................................. 86
Reverb (REV) ............................................................................................................. 86
Chorus ......................................................................................................................... 88
Variation...................................................................................................................... 89
Distortion .................................................................................................................... 91
About the Effect Connections — System and Insertion ............................................. 93
Equalizer (EQ) Edit........................................................................................................ 96
Utility Mode .................................................................................................................... 98
System Functions ........................................................................................................ 98
Dump Out Functions................................................................................................. 102
Saving and Restoring Data via MIDI .................................................................. 102
Saving and Restoring Data via TO HOST .......................................................... 102
Initialize Functions ................................................................................................... 105
Demo Song Play (DEMO) ........................................................................................ 108
Sound Module Mode (MODE) ................................................................................. 109
APPENDIX
XG .................................................................................................................................. 112
Troubleshooting ............................................................................................................ 127
Error Messages ............................................................................................................. 128
Specifications................................................................................................................. 129
Glossary ......................................................................................................................... 131
Index .............................................................................................................................. 133
vi
HOW TO USE THIS MANUAL
How to Use This Manual
You are probably eager to try out your new MU80 Tone Generator right
away and hear what it can do, rather than have to read through a lot of in-
structions before you can even get a sound out of it.
However, to get the most out of your MU80, we strongly suggest that
you read the following sections in the order given:
1) Precautions
This gives you important information on how to care for your new
MU80, how to avoid damaging, and how to ensure long-term, reliable
operation.
2) The Controls of the MU80
This section introduces you to the panel controls and connectors.
3) The MU80 What It Is and What It Can Do
This briefly provides an overview of the functions and features of the
MU80 and offers some important hints on how you can use it effectively.
4) Guided Tour
This very important section gets you started using your new MU80. It
helps you set up the instrument, play it, and use some of the more im-
portant functions and features. The hands-on experience you gain in
this section will help you navigate through the other sections of the
manual.
5) Setting Up the MU80 in Your Music System;
Using the MU80 with a Computer
These sections (within the Guided Tour) provide all you need to know
to effectively integrate the MU80 into your present computer music
system.
6) Reference
Once you’re familiar with everything above, lightly go over this com-
prehensive guide to all editing functions. You won’t need (or want) to
read everything at once, but it is there for you to refer to when you need
information about a certain feature or function.
7) Appendix
Finally, use the sections in the Appendix as necessary. For example, the
Index will come in handy when you need to quickly find information
on a specific topic. Other sections, such as the Glossary, Trouble-
shooting and Error Messages provide additional useful information.
PRECAUTIONS
vii
Precautions
Your MU80 will give you years of reliable service if you follow the simple
precautions below:
LOCATION
Keep the instrument away from locations where it is likely to be exposed to
high temperatures (such as direct sunlight) or humidity. Also avoid loca-
tions which are subject to excessive dust accumulation or vibration which
could cause mechanical damage.
USE THE CORRECT POWER ADAPTOR
Use only the recommended PA-1207 Power Adaptor for supplying power
to the instrument. Use of another adaptor may cause serious damage to the
instrument or the adaptor itself.
MAKE SURE POWER IS OFF WHEN MAKING OR REMOVING
CONNECTIONS
To prevent damage to the instrument and other connected equipment, al-
ways turn off the power prior to connecting or disconnecting cables. Also,
turn the power off when the instrument is not in use, and disconnect the
power adaptor during electric storms.
HANDLE THE INSTRUMENT WITH CARE
Although the instrument has been constructed to withstand the rigors of
normal use for optimum sturdiness and reliability, avoid subjecting it to
strong physical shocks (such as dropping or hitting it). Since the MU80 is a
precision-made electronic device, also avoid applying excessive force to the
various controls. When moving the instrument, first unplug the power adap-
tor and all other cables to prevent damage to cords and jacks. Always un-
plug cables by gripping the plug firmly, not by pulling on the cable.
CLEAN WITH A SOFT, DRY CLOTH
Never use solvents such as benzine or thinner to clean the instrument, since
these will damage the cabinet finish or dull the keys. Wipe clean with a
soft, dry cloth. If necessary, use a soft, clean, slightly moistened cloth —
making sure to wipe the case off again with a dry cloth.
viii
PRECAUTIONS
ELECTROMAGNETIC INTERFERENCE
Avoid using the unit near televisions, radios or other equipment generating
electromagnetic fields. Proximity to such equipment may cause the unit to
malfunction, and may generate interference noise in the other appliance as
well.
DO NOT OPEN THE CASE OR TRY REPAIRING THE INSTRUMENT
YOURSELF
The instrument contains no user-serviceable parts. Never open the case or
tamper with the internal circuitry in any way, since doing so may result in
damage to the instrument. Refer all servicing to qualified Yamaha service
personnel.
MIDI CABLES
When connecting the instrument to other MIDI equipment, be sure to use
only high-quality cables made especially for MIDI data transmission. Also,
avoid using cables longer than 15 meters, since long cables can result in
data errors.
Yamaha is not responsible for damage caused by improper han-
dling or operation.
THE CONTROLS OF THE MU80
1
The Controls of the MU80
Front Panel
1
A/D INPUT jack
For connection of a microphone, electric guitar or other electronic instrument.
(Accepts either stereo or mono 1/4" plugs.)
2
A/D INPUT level control
For control of the A/D input level.
3
PHONES jack
For connection to a set of stereo headphones (mini-pin).
4
POWER/VOL control
Pressing this turns the power on and off. Turning it adjusts the overall volume
of the MU80.
5
PLAY button
For entering the Play mode and switching among the different Play displays.
(See page 34.)
6
UTIL (UTILITY) button
For entering the Utility mode. (See page 15.)
7
MODE button
For entering the Sound Module mode. (See page 34.)
8
EDIT button
For entering the Edit mode. (See page 44.)
13
1
2
3
4
58
6
7
10
9
11
12
14
15
16
2
THE CONTROLS OF THE MU80
9
EFFECT button
For entering the Effect Edit mode. (See page 86.)
10
EQ button
For entering the EQ Edit mode. (See page 96.)
11
MUTE/SOLO button
Pressing this alternately mutes or solos the selected Part. (See page 23.)
12
ENTER button
For calling up menu items in the display and for executing certain functions
and operations. Double-clicking this (pressing it twice quickly) calls up the
System Exclusive hexadecimal message for the current function and param-
eter value.
13
EXIT button
For leaving various display pages and returning to previous displays. Also for
canceling certain functions and operations.
14
PART -/+ buttons
For selecting different Parts. In the Effect Edit mode, these can be used to
switch among the different effects. Pressing these together enters and exits
from All Part control. (See page 17.)
15
SELECT </> buttons
For selecting the various menu items, parameters and controls on the display.
16
VALUE -/+ buttons
For changing the value of a selected parameter or control.
9
13
10
8
11
12
1
2
3
4
5
6
14
15
16
7
THE CONTROLS OF THE MU80
3
Rear Panel
1
MIDI THRU, MIDI OUT and MIDI IN A/B terminals
For connection to other MIDI devices, such as a MIDI keyboard, tone genera-
tor, sequencer, or to a computer that has a MIDI interface. MIDI IN A and B
are independent MIDI ports, allowing full 32-channel MIDI input. MIDI OUT
is for data dumps to another MIDI device, while MIDI THRU is for “daisy-
chain” connection of additional MU80s or other MIDI instruments. (See page
12 for more information on MIDI connections.)
2
HOST SELECT switch
For electing the type of host computer. (See page 12.)
3
TO HOST terminal
For connection to a host computer that does not have a MIDI interface. (See
page 26.)
4
DC IN jack
For connection to the PA-1207 AC power adaptor.
5
OUTPUT R, L/MONO jacks (Right, Left/Mono)
For connection to a stereo amplifier/speaker system. When using a mono sys-
tem, connect it to the L/MONO jack.
1
2
34 5
4
THE MU80 — WHAT IT IS AND WHAT IT CAN DO
The MU80 — What It Is and What It Can Do
What It Is…
The MU80 is a compact, highly portable and easy-to-use tone generator. It
features full General MIDI Level 1 compatibility with 128 General MIDI
Voices and 9 drum kits. It also provides new XG-MIDI (Extended General
MIDI) compatibility, with a total of 537 Voices and 11 drum kits. The
MU80 has 64-note polyphony and is 32-Part multi-timbral. In other words,
the MU80 has 32 different Parts, each with its own Voice, so that up to 32
different Voices can be sounded simultaneously. Since the MU80 features
dual MIDI input ports (A and B), 16 Parts can be played from one MIDI
port and the remaining 16 from the other port.
The MU80 also has a TO HOST terminal for easy interfacing with a
computer, allowing you to play the Voices using your favorite music soft-
ware. This is where the advanced multi-timbral capabilities come in, letting
you playing sophisticated arrangements using up to 32 different Voices at
the same time.
The MU80 also features a special Performance mode, in which four Parts
are played simultaneously over a single MIDI channel. Connected to a MIDI
keyboard, this effectively gives you four tone generators in one. The MU80
gives you two sets of 64 factory-programmed Preset Performances plus 128
Internal Performance locations for your own original Performances.
About General MIDI
General MIDI is a new addition to the worldwide MIDI standard. MIDI, as
you know, stands for Musical Instrument Digital Interface, and makes it
possible for various electronic musical instruments and other devices to
“communicate” with each other. For example, by connecting a sequencer
to the MU80’s MIDI IN terminal, you could play back a song on the
sequencer using the Voices of the MU80.
So, where does General MIDI fit in all of this? One of the most impor-
tant features of General MIDI is in the standardization of Voices. This
means that a song recorded in the General MIDI format can be played back
on any General MIDI compatible tone generator and sound just as the com-
poser intended. For example, if there is an alto sax solo in the song, it will
be played by an alto sax Voice on the General MIDI tone generator (and
not by a tuba or harpsichord!). Since the MU80 is fully compatible with
General MIDI, you can take advantage of the vast wealth of musical mate-
rial recorded in that format.
THE MU80 — WHAT IT IS AND WHAT IT CAN DO
5
What It Can Do…
Here are a few ideas on how you can use the MU80. The list below is not
comprehensive, but is meant to be a general guide to the possibilities and
provide a starting point or springboard for your own creative ideas and ex-
plorations.
Using With MIDI Keyboard
Use the MU80 as supplementary tone generator with your MIDI keyboard
and play the Voices of both instruments in a layer together. Or, use the con-
venient Performance mode, and play four Voices on the MU80 at once. You
can split the four Voices across the keyboard, playing each from a different
register. Or you can create sophisticated velocity splits, in which a different
Voice is heard depending on how strongly you play the keyboard. Or use
keyboard and velocity splits together for even greater flexibility.
Using With a Computer or Sequencer
Home Studio Setup
The MU80 integrates instantly and easily into any existing setup. If you
have a MIDI keyboard, computer and sequencing software, the MU80 with
its high-quality Voices and multi-timbral capabilities can expand your home
studio system.
Carry It With You
If you have a laptop computer (and sequencing software), simply connect
the MU80, plug in some headphones and you’ve got a complete, high-pow-
ered music making system that’s ready to go wherever you go. Use it for
composing, arranging, practicing or making/playing demos for your band.
Multimedia
Since it’s portable and compatible with General MIDI, the MU80 is a natu-
ral for multimedia applications. Bring it with you to a presentation — since
the computer interface is built-in to the MU80, it hooks up instantly and
easily to the computers serial port or printer port, without the need for any
other equipment.
6
THE MU80 — WHAT IT IS AND WHAT IT CAN DO
About the Modes of the MU80
The MU80 has two main operating modes: Multi and Performance. In
Multi mode, the MU80 is a 32-Part multi-timbral tone generator; in Per-
formance mode, the MU80 effectively functions as four tone generators
controlled over a single MIDI channel.
Which mode the MU80 is in depends on the selected Sound Module
mode. If XG, TG300B or C/M are selected, the MU80 automatically sets
itself to the Multi mode. When PFM is selected, the MU80 is in the Per-
formance mode.
The bottom right of the display indicates the currently selected Sound Mod-
ule mode.
Selected Sound Module mode.
Play Modes and the Part Controls
Once the operating mode of the MU80 is set (Multi or Performance), there
are two main ways you can use the MU80: playing and editing. In the Play
modes, you play the Voices; in the various Edit modes, you change their
settings.
Within the Play modes are the Part controls. These let you make basic
settings for the Parts. The Single Part controls allow you to make independ-
ent settings for each Part, while the All Part controls allow you to change
the overall settings of all Parts. (See page 36 for more information.)
Sound Module Mode
XG
TG300B
C/M
Performance
THE MU80 — WHAT IT IS AND WHAT IT CAN DO
7
The MU80 has several different Edit modes, each with various menus and
operations:
Part Edit Mode
Filter
Cutoff Frequency
Resonance
EG
EG Attack Time
EG Decay Time
EG Release Time
Pitch EG Initial Level
Pitch EG Attack Time
Pitch EG Release Level
Pitch EG Release Time
Play Mode
Part 1 … 32 All Part A/D
Receive Channel Device Number Receive Channel
Bank Number Source Variation
Program Number A/D Source
Volume Master Volume Volume
Expression Master Attenuator Expression
Pan Pan
Reverb Send Reverb Return Reverb Send
Chorus Send Chorus Return Chorus Send
Variation Send Variation Return Variation Send
Note Shift Transpose
8
THE MU80 — WHAT IT IS AND WHAT IT CAN DO
Vibrato
Vibrato Rate
Vibrato Depth
Vibrato Delay
Others
Detune
Part Mode
Mono/Poly Mode
Velocity Sensitivity Depth
Velocity Sensitivity Offset
Note Limit Low
Note Limit High
Portamento Switch
Portamento Time
Velocity Limit Low
Velocity Limit High
Dry Level (VarConnect=SYS)
Pitch Bend Control
MW LFO Pitch Moduration Depth
THE MU80 — WHAT IT IS AND WHAT IT CAN DO
9
Performance Edit Mode
Part
Filter
Cutoff Frequency
Resonance
EG
EG Attack Time
EG Decay Time
EG Release Time
Pitch EG Initial Level
Pitch EG Attack Time
Pitch EG Release Level
Pitch EG Release Time
Vibrato
Vibrato Rate
Vibrato Depth
Vibrato Delay
Others
Detune
Mono/Poly Mode
Velocity Sensitivity Depth
Velocity Sensitivity Offset
Note Limit Low
Note Limit High
Portamento Switch
10
THE MU80 — WHAT IT IS AND WHAT IT CAN DO
Portamento Time
Velocity Limit Low
Velocity Limit High
Dry Level (VarConnect=SYS)
MW LFO Pitch Moduration Depth
MW LFO Filter Moduration Depth
Pitch Bend Control
Assignable Control 1 Filter Control
Assignable Control 1 Amplitude Control
For more information on each of these modes and their menus, see the re-
spective sections in the Reference section.
Utility Mode
The Utility mode lets you set functions related to the overall operation of
the MU80, such as Master Tune, display Contrast and reception of certain
MIDI messages that affect the entire instrument. Included also are miscel-
laneous operations, such as sending bulk data to a data storage device, ini-
tializing of the MU80 settings, and playing the special Demo song.
Part Edit Mode
The Part Edit mode allows you to change certain settings for each indi-
vidual Part, such as those of the Filter, EG (Envelope Generator), and many
other settings. The internal Voices can be sounded during editing, allowing
you to hear the effects of your edits.
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Yamaha MU80 Manuel utilisateur

Catégorie
Groupes électrogènes
Taper
Manuel utilisateur