Cloud CX163 Manuel utilisateur

Cloud
Marque
Cloud
Modèle
CX163
Catégorie
Équipement musical supplémentaire
Taper
Manuel utilisateur
CX163 Installation and User Guide v1.2
CX163
ZONE MIXER
Installation and User Guide
CX163 Installation and User Guide v1.2
2
Contents
Safety Information ......................................................................................................................... 4
Important Safety Instructions
..................................................................................................................................... 4
Conformities ................................................................................................................................................................... 4
Safety Considerations and Information .................................................................................................................... 5
OVERVIEW
..................................................................................................................................... 6
Introduction
.................................................................................................................................................................... 6
What’s in the box .......................................................................................................................................................... 6
Main Features .................................................................................................................................................................. 6
Block Diagram
................................................................................................................................ 7
Description of front panel
............................................................................................................. 7
Description of rear panel
............................................................................................................... 8
INSTALLATION
............................................................................................................................. 9
Hardware Considerations
........................................................................................................................................... 9
Power Supply .................................................................................................................................................................. 9
Fuses and ratings ......................................................................................................................................................... 9
System Connections ..................................................................................................................................................... 9
Music Sources .............................................................................................................................................................. 9
Microphone inputs ...................................................................................................................................................10
Zone Outputs ...........................................................................................................................................................10
Utility Output ............................................................................................................................................................10
Music Control ...........................................................................................................................................................11
Music Mute .................................................................................................................................................................11
SETTING UP & OPERATION
.................................................................................................... 12
Music Inputs
..................................................................................................................................................................12
Gain & level ................................................................................................................................................................12
Local/remote control
...............................................................................................................................................12
Music EQ .................................................................................................................................................................... 12
Microphone Input ........................................................................................................................................................12
Phantom Power
.........................................................................................................................................................12
Gain & level ................................................................................................................................................................12
Paging Access Control
............................................................................................................................................. 12
Mic EQ ........................................................................................................................................................................13
High-pass lter
..........................................................................................................................................................13
Zone Outputs
...............................................................................................................................................................13
Stereo and mono operation
...................................................................................................................................13
Zone EQ
.....................................................................................................................................................................13
Utility Output ............................................................................................................................................................14
Music source selection
............................................................................................................................................ 14
Mic level
...................................................................................................................................................................... 14
Priorities
........................................................................................................................................................................14
Line 6 priority
............................................................................................................................................................14
Microphone priority .................................................................................................................................................14
CX163 Installation and User Guide v1.2
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OPTIONS AND ADDITIONAL INFORMATION..................................................................... 15
RL-1 Series remote control plates – general considerations
............................................................................15
Control of music source and level via external DC
......................................................................................... 15
Fitting loudspeaker EQ cards .................................................................................................................................... 15
APPENDIX
................................................................................................................................... 16
Application example
....................................................................................................................................................16
PCB jumper location and settings ............................................................................................................................17
Ground loops ...............................................................................................................................................................18
EMC considerations .................................................................................................................................................... 18
Technical Specications ..............................................................................................................................................19
CX163 Installation and User Guide v1.2
4
Safety Information
Important Safety Instructions
Read these instructions.
• Keep these instructions.
• Heed all warnings.
• Follow all instructions.
• Do not use this apparatus near water.
• Clean only with dry cloth.
• Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
• Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
ampliers) that produce heat.
• Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong are provided for your safety. If
the provided plug does not t into your outlet, consult
an electrician for replacement of the obsolete outlet.
• Protect the power cord from being walked on or
pinched particularly at plugs, convenience receptacles,
and the point where they exit from the apparatus.
• Only use attachments/accessories specied by the
manufacturer.
• Use only with the cart, stand, tripod, bracket, or
table specied by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when moving
the cart/apparatus combination to avoid injury from tip-
over.
• Unplug this apparatus during lightning storms or when
unused for long periods of time.
• Refer all servicing to qualied service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or plug
is damaged, liquid has been spilled or objects have fallen
into the apparatus, the apparatus has been exposed to
rain or moisture, does not operate normally, or has
been dropped.
WARNING:
To reduce the risk of re or electric shock, do not expose this
appliance to rain or moisture.
CAUTION:
Use of controls or adjustments or performance of procedures
other than those specied may result in hazardous radiation
exposure.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING: SHOCK HAZARD - DO NOT OPEN
AVIS: RISQUE DE CHOQUE ÉLECTRIQUE - NE PAS OUVRIR
The lightning ash with the arrowhead symbol within
an equilateral triangle, is intended to alert you to the
presence of uninsulated dangerous voltages within the
product’s enclosure that may be of sufcient magnitude to
constitute a risk of electric shock.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the appliance.
Un point d’exclamation dans un triangle équilatéral est destiné
à alerter l’utilisateur de la présence d’instructions importantes
sur le fonctionnement et l’entretien (la réparation) dans la
documentation accompagnant l’appareil.
The mains plug is used as the disconnect device and it
should remain readily accessible during intended use. In
order to electrically isolate the apparatus from the mains, the
mains plug should be completely removed from the mains
outlet socket.
La prise du secteur ne doit pas être obstruée ou doit être
facilement accessible pendant son utilisation. Pour être
complètement déconnecté de l’alimentation d’entrée, la prise
doit être débranchée du secteur.
Meaning of the label: Evaluation for apparatus only
based on temperate climate condition, therefore it’s
the only operating condition applied for the
equipment .There may be some potential safety hazard if the
equipment is used in tropical climate region.
L’évaluation pour les appareils est basée dans une condition
climatique tempérée, donc c’est la seule condition de
fonctionnement à appliquer pour l’appareil. Il peut y avoir un
risque potentiel pour la sécurité si l’équipement est utilisé
dans une région climatique tropical.
Meaning of the label: Evaluation for apparatus only
based on altitude not exceeding 2000 m, therefore
it’s the only operating condition applied for the
equipment .There may be some potential safety hazard if the
equipment is used at altitude above 2000 m.
L’évaluation pour les appareils est basée uniquement sur une
altitude inférieure à 2000 m, donc c’est la seule condition de
fonctionnement à appliquer pour l’appareil. Il peut y avoir un
risque potentiel pour la sécurité si l’équipement est utilisé
avec une altitude au-dessus de 2000 m.
Conformities
This product conforms to the following European EMC
Standards: BS EN 55103-1:2009, BS EN 55103-2:2009
This product has been tested for use in commercial
and light industrial environments. If the unit is used
in controlled EMC environments, the urban
outdoors, heavy industrial environments or close to railways,
transmitters, overhead power lines, etc., the performance of
the unit may be degraded.
The product conforms to the following European electrical
safety standard: BS EN 60065:2012
CX163 Installation and User Guide v1.2
5
Safety Considerations and
Information
The unit must be earthed. Ensure that the mains power
supply provides an effective earth connection using a three-
wire termination.
CAUTION – High Voltages
Do not touch any part or terminal carrying the hazardous live
symbol
while power is supplied to the unit.
Terminals to which the hazardous live symbol refers require
installation by a qualied person.
CAUTION - Mains Fuse
Replace the mains fuse only with the same type and rating as
marked on the rear panel.
Fuse type: T1AH 250 V
Fuse rating: 1 A
Fuse Size: 20 mm x 5 mm.
CAUTION – Servicing
The unit contains no user serviceable parts. Refer servicing to
qualied service personnel. Do not perform servicing unless
you are qualied to do so.
Disconnect the power cable from the unit before removing
the top panel and do not make any internal adjustments with
the unit switched on.
Only reassemble the unit using bolts/screws identical to the
original parts.
CX163 Installation and User Guide v1.2
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OVERVIEW
Introduction
The Cloud CX163 is a 1U rack-mounting audio mixer
suitable for use in leisure sector venues - such as licensed
premises - where easy control of stereo background music in
two separate areas needs to be combined with a microphone
or paging system.
The CX163 independently mixes any one of six stereo line
inputs with a microphone input for each stereo zone output.
Separate controls for music and mic levels in each zone
are provided, and music level may be controlled remotely if
wished, either using standard Cloud remote control plates,
or from an AV control system (e.g., Crestron, AMX, etc.) The
zones may be congured for mono operation if wished.
In addition to the two primary zone outputs there is also
a Utility Output, suitable for secondary areas such as
corridors and toilets. The music source for the Utility Output
is determined by internal jumper settings; the mic input is
mixed with the music signal in a similar manner to the other
zone outputs. There are no front panel controls for the Utility
Output.
The mixer may be congured to operate with most paging
systems: the mic input may be activated by voice (VOX)
or short-to-ground access connections. Additionally, in
Zone 1, Line Input 6 may be set to have priority over any
other selected to facilitate connection of a juke box, digital
sound store or similar device.
A Music Mute input is provided to allow external systems
such as re alarm panels to disable background music in the
event of an emergency. This is a function that may be required
by Local Authority regulations.
Optional plug-in EQ cards may be tted to any or all zone
outputs to optimise the CX163 for use with various installed-
audio loudspeakers.
What’s in the box
Unpack the CX163 and its accessories with care. It is always a
good idea to store all packaging (if practical), in case you ever
need to return the unit to your Cloud dealer for any reason.
As well as this manual, the shipping carton should contain
the items listed below. Please contact your Cloud dealer
immediately if any of them are missing or damaged.
• Cloud CX163 Zone Mixer
• Anti-tamper cover for front panel Mic EQ controls
• IEC mains lead (AC cord) with moulded plug appropriate
to the territory
• Set of mating connectors for all rear panel screw-terminal
connectors
Main Features
• Provides mixed music and paging in two primary zones
and a separate Utility Output
• Front panel controls for music source, music level and
mic level in each primary zone
• Six (unbalanced) stereo line inputs with individual gain
controls
• Balanced mic input; 12 V phantom power available
• 100 Hz hi-pass lter on mic input
• Sensitivity and HF/LF EQ adjustment (rear panel) for mic
input
• Two stereo, electronically-balanced zone outputs
(Zones 1 and 2)
• Mono, electronically-balanced Utility Output
• HF/LF music EQ adjustment for Zones 1 and 2
• Paging priority control on mic input via short-to-ground
access connection or VOX triggering
• Selectable Line Input 6 priority in Zone 1, with choice of
release times
• Music Mute control input (N/O or N/C) for interface to
emergency system
• Compatible with standard Cloud RL-1 Series remote
control panels (music level)
• Optional Loudspeaker EQ cards per-zone (including the
Utility Output)
• 1U 19” rack mounting unit
CX163 Installation and User Guide v1.2
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Block Diagram
Description of front panel
4 25 3 1 7 1 2 3
6 6
1. SOURCE – selects one of the Music Inputs (Line 1 to Line 6) for each Zone. See “Music Inputs” on page 12.
2. MUSIC LEVEL – adjusts the level of the selected Music input in each Zone. See “Gain & level” on page 12.
3. MICROPHONE LEVEL – adjusts level of the mic input in each Zone. See “Gain & level” on page 12.
4. MUSIC MUTE – indicates (red) when external Music Mute is active. See “Music Mute” on page 11.
5. POWER – green LED, conrms power is applied to the unit.
6. Rack mounting ears – the unit may be rack-mounted in a standard 19” equipment rack. It requires 1U of rack height.
See “Hardware Considerations” on page 9.
7. Ident area for listing music sources.
CX163 Installation and User Guide v1.2
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Description of rear panel
1
6
7
8 10 8
2
5 77
3 4 9 11 12 14 13
1. LINE 1 to LINE 6 – six pairs of RCA (phono) sockets for connection of stereo music sources with unbalanced
outputs. See “Music Sources” on page 9.
2. GAIN – gain trim adjustments for Line Inputs 1 to 6.
3. MIC 1 – balanced mic input. Mic 1 can be used for connection of paging microphones. See “Paging Access Control”
on page 12.
4. GAIN – gain trim adjustment for the mic input. See “Gain & level” on page 12.
5. LF and HF – preset EQ controls for the mic Input. See “Mic EQ” on page 13.
6. OUTPUTS Z1 and Z2 – balanced Left and Right Zone outputs for Zone 1 and Zone 2. See “Zone Outputs” on page
10.
7. ZONE LF and HF – preset controls for EQ adjustment in Zone 1 and Zone 2. See “Zone EQ” on page 13.
8. REMOTE LEVEL CONTROL – for connection of RL-1 remote control plates to allow remote control of music level
in Zone 1 and Zone 2. See “Music Control” on page 11.
9. UTILITY – balanced mono Utility Output. See “Utility Output” on page 10.
10. MIC 1 LEVEL – preset control adjusting microphone level at the Utility Output.
11. MIC 1 ACCESS – external paging control input for the mic input. See “Paging Access Control” on page 12.
12. MUSIC MUTE – Emergency control input for muting music source. See “Music Mute” on page 11.
13. IEC mains input
14. Mains fuse
CX163 Installation and User Guide v1.2
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INSTALLATION
Hardware Considerations
The CX163 Zone Mixer is built in a 1U-high 19” rack mount
enclosure. It is recommended that the Zone Mixer is installed
in a 19” rack wherever possible. The unit is approx. 150 mm
deep, but 250 mm of rack depth should be available to allow
for rear connectors and cabling.
The CX163 has low power consumption and there should
be no thermal problems. Other equipment may be installed
above or below the CX163.
The choice of location will be dictated by the specics of the
system and building layout. It is recommended that wherever
possible, the CX163 should be mounted in an equipment rack
along with as many of the music sources (CD players, music
servers, TV receiver boxes, etc.) and audio power ampliers
(driving the zone loudspeakers) as practical.
Power Supply
The CX163 is tted with a Universal power supply which can
operate on mains voltages from 85 to 253 V. An IEC mains
cable with a plug appropriate for your country is supplied. The
unit’s power consumption is 4.18 W.
Fuses and ratings
The only user-accessible fuse is an AC mains fuse on the
rear panel. Only replace a fuse with one of exactly the
same type. The fuse rating is 1 A; the type is a T1A, size
20 x 5 mm, with high breaking capacity.
System Connections
Music Sources
Connect the system’s various music sources to inputs
LINE 1 to LINE 6. The inputs are unbalanced, on standard
RCA jacks (phono sockets). All six inputs are stereo, with
separate L and R connectors. The music inputs remain in
stereo throughout the Zone Mixer for Zone Outputs 1 and
2, but are summed internally to mono for the Utility Output.
If any music sources are mono, with only a single output, they
can be connected to either the left or right input, but the
primary Zones should be recongured for mono operation.
(see “Stereo and mono operation” on page 13). The
sensitivity range available should allow most standard items
of audio equipment such as computers/tablets, music servers
and media receivers, etc., to operate at a satisfactory level.
Provided the music source is adjacent to the Zone Mixer,
normal phono-phono (or 3.5 mm jack-to-phono leads can be
used. Always avoid using pre-made leads of an unnecessary
length.
If it is necessary to connect an item of source equipment
with a balanced output, the ideal method is to use a balancing
transformer between the source and the unbalanced input.
Suitable audio transformers, which should have a ratio of 1:1,
are readily available from major audio component suppliers.
The transformer(s) should be mounted as close to the Zone
Mixer as practical, and housed in a screened enclosure if
they are not individually screened. The preferred connection
method is shown below.
LEFT
+
-
SCN
Unbalanced
inputs
SCN
LEFT
+
-
SCN
Audio balancing transformers
RIGHT
+
-
SCN
Unbalanced
inputs
SCN
RIGHT
+
-
SCN
pi
n1ground
pi
n2hot
pi
n3cold
Balanced outputs (XLRs):
12
3
12
3
If transformers are not available, a balanced source may feed
an unbalanced input directly as long as care is taken over how
the connections are made. A variety of design techniques are
in use to implement balanced outputs in audio equipment,
and some designs require different wiring protocols to others.
Installers are advised to check the manuals with each item
for guidance on how the outputs should be connected to an
unbalanced input.
However, the wiring methods shown below will work in a
large number of cases:
Unbalanced
inputs
LEFT
RIGHT
+
+
-
-
SCN
SCN
+
+
-
-
SCN
SCN
When using twin-and-screen
cable, join ‘cold’ to screen at
CX163 end
LEFT
RIGHT
pin 1 ground
pin 2 hot
pin 3 cold
Balanced outputs (XLRs):
1
2
3
1
2
3
CX163 Installation and User Guide v1.2
10
Microphone inputs
MIC 1 input is intended for the direct connection of a
microphone. It is electronically balanced and transformerless
with an input impedance of greater than 2 kohms and
optimised for use with microphones of 200 to 600 ohms
impedance. The screw terminal input connector should be
wired thus:
PIN CONNECTION
1 Screen
2 Signal ‘-’ (cold)
3 Signal ‘+’ (hot)
Unbalanced microphones may be used by connecting pin 2
to pin 1 (cable screen) in the mating (male) screw-terminal
connector. 12 V phantom power is available, see “Phantom
Power” on page 12.
The mic input may be routed to Zone 1, Zone 2 and the
Utility Output, at any level in each zone. All microphone
announcements automatically reduce the music level in that
zone while the announcement is in progress (see “Microphone
priority” on page 14 for full details.)
Zone Outputs
Connect the inputs of the power ampliers feeding the
loudspeakers for each zone to the Z1 OUTPUTS (L & R)
and Z2 OUTPUTS (L & R) connectors. Note that these
outputs are stereo but may be recongured to operate in
mono by moving internal PCB jumpers J7 (Zone 2) and/or
J8 (Zone 1); see “PCB jumper location and settings” on page
17 for locations). The outputs are balanced and will drive
input impedances down to 600 ohms. The connector pinout
is as follows:
PIN CONNECTION
1 Screen
2 Signal ‘-’ (cold)
3 Signal ‘+’ (hot)
Nominal output level is 0 dBu (775 mV). The output is
designed to drive professional/industrial power ampliers
with balanced inputs (typically on XLRs). In this case, wire
as the diagram in the next column. Note that the screen can
be left unconnected at the source end if earth loops are a
problem.
1
3
+
-
+
-
SCN
pin1ground
pin2hot
pin3cold
Balanced inputs (XLRs):
12
3
2
SCSCN
CX163 Balanced output:
pin 1 gr
ound
pin 2 cold
pin 3 hot
The scr
een connection at the
zone end ma
y be omitted if it
helps r
educe earth loops
Ampliers with unbalanced inputs:
If audio ampliers with unbalanced inputs are being used
(e.g., hi- ampliers), the following wiring should be adopted:
1
3
+
+
2
SCSCN
CX163 Balanced output:
pin 1 ground
pin 2 cold
pin 3 hot
When using single-core cable,
don’t connect ‘cold’ at the
CX163
Unbalanced input (e.g., phono)
1
3
+
+
-
2
SCSCN
CX163 Balanced output:
pin 1 ground
pin 2 cold
pin 3 hot
Unbalanced input (e.g., phono)
When using twin-and-screen
cable, don’t connect the screen
at the amplifier end.
-
Utility Output
The mono Utility Output provides most of the functionality
of Zones 1 and 2, but has no front panel controls and the
output level cannot be controlled remotely. It is however
useful for, e.g., routing background music to secondary areas
such as corridors and circulatory areas, or toilets, etc.
The Utility Output is balanced, uses the same connector
type and pinout as Zones 1 and 2, and has the same electrical
characteristics. The music source at the Utility Output may be
congured by moving internal jumper J6; see “Utility Output”
on page 10 for full details and “PCB jumper location and
settings” on page 17 for jumper locations.
CX163 Installation and User Guide v1.2
11
Music Control
Like other Cloud products, the CX163 allows remote control
of music level in Zone 1 and Zone 2. Cloud remote control
plates from the RL-1 Series provide an elegant solution,
though control via a DC voltage from third-party systems
is also possible (see “Control of music source and level via
external DC” on page 15).
NOTE: Cloud RSL-6 Series remote control plates
are NOT compatible with the CX163.
RL-1 Series remote control plates connect via the REMOTE
LEVEL CONTROL port for the relevant zone (see [8] on
“Description of rear panel” on page 8). These connectors
are 4-pin 5 mm-pitch screw terminal types, which permit
separate level control of the left and right Zone outputs, if
desired.
Connecting an RL-1 remote control plate
In most installations, it will be desirable to control both
the left and right channels of the stereo Zone output
together. In this case, wire the remote control plate as
shown below, using twin-and-screen cable. Maximum
reliable cable run is 100 m.
1
2
3 4
REMOTE MUSIC
CONTROL
CONNECTOR
1
2
3
RL-1 REMOTE LEVEL CONTROL WIRING
USE TWO-CORE SCREENED CABLE
PLATE
RL-1 remote control plates will operate once connected;
however, it may then be desirable to disable the front
panel MUSIC LEVEL controls. This can be accomplished
by moving the internal PCB jumpers J13 (Zone 1) and/or
J12 (Zone 2) from NRM to DEF. See “PCB jumper location
and settings” on page 17 for location of internal jumpers.
Music Mute
External muting of music is available at the MUSIC MUTE
connector. National or Local Authority regulations governing
such systems may require that normal programme material
(i.e., music) should be muted in an emergency, to ensure that
any emergency messages are clearly audible.
The Music Mute input is on a 2-pin 5 mm-pitch screw-terminal
connector. It should be connected to the appropriate alarm
output on whichever building management system registers
the alarm (typically the Fire System). The alarm output must
be volt-free; if no such output is available, an intermediate
relay or other isolation device must be installed between the
alarm output and the Music Mute input.
The Mute input can be set to operate on either normally
open (N/O) or normally closed (N/C) contacts via an internal
jumper (see “PCB jumper location and settings” on page 17).
The factory default setting is N/O, thus requiring a short-
circuit to be applied across the two pins of the connector for
muting to occur.
Visual indication of muting being activated is given by the
MUSIC MUTE LED on the front panel.
12
MUSIC MUTE
INPUT
RELAY
NORMALLY OPEN (N/O)
CONNECTION
12
MUSIC MUTE
INPUT
RELAY
NORMALLY CLOSED (N/C)
CONNECTION
CX163 Installation and User Guide v1.2
12
SETTING UP & OPERATION
Music Inputs
Gain & level
To avoid dramatic changes in volume when switching between
sources, the CX163’s music inputs are provided with preset
gain trim controls ([2] on “Description of rear panel” on page
8). These vary the input sensitivity from -17.8 dBu to +6
dBu (approx. 100 mV to 1.5 V). When setting the system up,
play audio from all the sources in use and listen to them one
at a time in one of the zones (preferably the one in which the
mixer is located) at a reasonable volume. Taking a source of
“average” volume as the reference, the gain controls of the
others should be adjusted so that there is no appreciable
difference in volume between any of the sources. (With a
typical music source, setting the gain on its channel to mid-
way is a good starting point.) Note that consideration may
need to be given to the type of programme in use, particularly
if one or more sources are TV sound.
In normal operation, the music level in each zone is set
with the MUSIC LEVEL control on the front panel ([2]
on “Description of front panel” on page 7). This control
will not be operative if the corresponding internal jumper
J13 (Zone 1) or J12 (Zone 2) is set to DEF (see below).
When setting the audio system up, set the gain controls
(if any) on the power ampliers for each zone to minimum,
then turn the MUSIC LEVEL control on the mixer to
maximum. Then increase the zone volume by turning up the
power amplier gain until it is as loud as will be required in
normal use. This method ensures that excessive volumes will
not be possible with the mixer’s operational controls.
Note that the setting of the MUSIC LEVEL control has no
effect on microphone or paging volume.
Local/remote control
If a zone has an RL-1 Series remote control plate connected,
the corresponding internal jumper - J13 (Zone 1) or
J12 (Zone 2) - may be set to DEF for the corresponding front
panel controls to be disabled. Zones without such plates
should have the jumper left at the default position of NRM.
Music EQ
Treble and bass equalisation for the music signal in Zone 1
and Zone 2 is provided via rear panel pre-set controls ([7]
at “Description of rear panel” on page 8). This allows the
installer to tailor the response of the Zone Mixer’s music
channels to suit the acoustics and loudspeakers in each zone.
The EQ controls are marked HF and LF; the HF control has a
range of ±10 dB at 10 kHz and the LF control a range of ±10
dB at 50 Hz.
Note that a at frequency response is achieved by positioning
the slots on the controls in the horizontal plane.
Microphone Input
Phantom Power
The microphone input has 12 V phantom power available.
This will be adequate to power a wide range of condenser
microphones. (Some “studio quality” mics may require a
higher phantom voltage and thus necessitate an external
PSU.) To enable phantom power at the mic input, the internal
PCB jumper J5 should be moved to its ON position. See
“PCB jumper location and settings” on page 17 for jumper
locations.
Phantom power should NOT be enabled if dynamic
microphones are to be used.
Gain & level
The microphone input is provided with a rear panel preset
GAIN control ([4] at “Description of rear panel” on page
8). A wide range of gain is available (10 to 50 dB), and
there should be no problem in obtaining a satisfactory level
from any normal microphone.
The mic GAIN control should be adjusted by speaking
normally into a microphone of the correct type. Start with it
at minimum gain (fully anticlockwise), turn the corresponding
front panel MIC LEVEL control up to maximum and listen
in a convenient zone; the rear panel GAIN control should
then be carefully advanced until the mic volume is as loud
as it is ever likely to be needed, and then reduced slightly.
There should be no audible distortion. The use to which the
microphone is to be put should be borne in mind – karaoke
is more likely to overload the mic preamplier than spoken
announcements, if the gain is not set correctly.
In normal operation, the mic level in each zone is set with
the MICROPHONE LEVEL controls on the front panel
([3] on “Description of front panel” on page 7).
Paging Access Control
On the CX163, the microphone input may be used for paging
purposes. Paging microphones from the Cloud PM Series (and
also the older CDPM Series) are fully compatible; OEM paging
microphones using the “contact-closure” (short-to-ground)
method of zone selection will also be suitable.
It should be noted that Cloud PM Series paging microphones
will need to be connected using the “analogue” interface; the
CX163 does not support the Cloud Digital Paging Interface
also implemented on these models. Note also that PM or
CDPM Series microphones cannot be powered from the
CX163; an external PSU will be required. Full details can be
found in the PM Series Installation Guide.
CX163 Installation and User Guide v1.2
13
Zone selection is made using the MIC 1 ACCESS connector
([11] at “Description of rear panel” on page 8). This is a
4-pin 5 mm-pitch screw terminal connector with pinout as
follows:
PIN LABEL FUNCTION
1 0V 0 V
2 Z1 Enable Paging to Zone 1
3 Z2 Enable Paging to Zone 2
4 UTL Enable Paging to Utility Output
To enable the microphone input for paging, pin 2, 3 or 4
(or any combination thereof) should be connected to pin 1
(0 V). When the CX163 is shipped from the factory, the
access contacts are bypassed by internal PCB jumpers;
in order for the access port to operate correctly, these
jumpers need to be removed. The jumpers are: J1 (Zone 1),
J2 (Zone 2) and J3 (Utility Output); see “PCB jumper
location and settings” on page 17 for their locations. It is
recommended that when removed, the jumpers are stored
on one pin of the PCB header in case the unit needs to be
recongured in the future.
See also the manual section “Priorities” (page 14) for
further information regarding conguring the CX163 for use
with a paging microphone.
Mic EQ
Two-band equalisation adjustment is provided for the
microphone signal; these are pre-set controls on the rear
panel ([5] at “Description of rear panel” on page 8). The
equalisation is optimised for the tonal correction of speech
signals: the HF controls provide ±10 dB at 5 kHz whilst the LF
controls provide ±10 dB at 100 Hz.
To achieve a “at” response for either microphone input, set
the controls for that input to 0 dB (the ‘12 o’clock’ position).
High-pass lter
The mic input has a xed 100 Hz high-pass lter to remove
the lowest frequencies. This helps to reduce the effects of
breath blasts and microphone handling noise. The lter is
always in circuit.
Zone Outputs
In normal operation, the music level in each zone will be set by
the front panel MUSIC LEVEL control ([2] at “Description
of front panel” on page 7), or by a corresponding control
on a remote plate. Follow the procedure described previously
(“Gain & level” on page 12) to adjust the music level in each
zone.
Stereo and mono operation
Zone 1 and Zone 2 in the CX163 are stereo, with separate left
and right channels and output connectors. Stereo programme
material from sources connected to the music inputs will be
reproduced in stereo in these Zones.
If a mono mix of stereo mix is required – as might be the
case if loudspeaker locations within the zones make effective
stereo imaging impractical – the outputs may be converted to
mono operation by moving internal PCB jumpers J8 (Zone 1)
and/or J7 (Zone 2) from the factory default STEREO position
to MONO. With mono mode selected in a zone, the left and
right outputs carry identical signals (but see “Connecting an
RL-1 Series remote control plate” on page 11 regarding the
use of dual RL-1 remote control plates)
Zone EQ
The various zones in a building often have different acoustic
properties, and may also have different models of loudspeaker
installed. The CX163 is tted with HF and LF EQ adjustments
([7] on “Description of rear panel” on page 8) for the
music signal at each zone output, to enable the audio
frequency response to be best matched to each zone. The
controls should be adjusted by listening; up to 10 dB of cut or
boost at 10 kHz (HF) and 50 Hz (LF) is available. Note that
these EQ adjustments do not affect the frequency response
of microphones or paging.
CX163 Installation and User Guide v1.2
14
Utility Output
In addition to Zones 1 and 2, the CX163 has an additional,
xed level, balanced output for use in utility areas such as
toilets and foyers, where it is often preferable to have
background music which remains constant whatever sources
and levels are set in Zones 1 and 2.
Music source selection
Music source selection for the Utility Output is determined
by the position of internal PCB jumper J6. The music feed
at the Utility Output can be a) the music source connected
to Line 1, b) the same music source currently selected for
Zone 1 or c) the same music source currently selected for
Zone 2. See “PCB jumper location and settings” on page 17
for locations of PCB jumpers.
Because the feeds from Zones 1 and 2 are taken from before
the MUSIC LEVEL controls in the signal path, the Utility
Output music level is unaffected by them. However, the
Zone 1 feed is taken from after the Line 6 priority circuitry.
Thus if the Utility Output source is set to Zone 1, the source
connected to Line Input 6 will be routed to the Utility Output
as well as to Zone 1 when Line 6 priority is active. See “Line 6
priority” in the next colum for more details of Line 6 Priority.
Mic level
The microphone signal is routed to the Utility Output by
a similar signal path to that in Zones 1 and 2, so that any
paging or other announcements will be heard in the areas
fed by this output. The level of the microphone signal at the
Utility Output can be adjusted by the rear panel pre-set
MIC 1 LEVEL control ([10] at “Description of rear panel”
on page 8). The front panel MICROPHONE LEVEL
controls have no effect on the mic level at the Utility Output.
Note that if the jumper J6 is removed altogether, the Utility
Output becomes a “mic-only” output.
Priorities
The CX163 offers several options for determining what
happens to music signals when announcements are made. The
options are selected via internal jumpers, and should be set
to suit the requirements of the installation when the system
is installed. See “PCB jumper location and settings” on page
17 for location of the internal jumpers.
Line 6 priority
It may sometimes be necessary for one music input to have
priority over all the others; for example, a jukebox in a bar,
or a digital sound store programmed to make automatic
announcements in a public space. Line Input 6 may be set to
have priority in Zone 1 over whichever source is selected for
the zone by its SOURCE control.
Line 6 priority can be enabled by moving internal PCB
jumpers J9a & J9b - note that there are two physical jumpers
which must be moved as a pair. The jumpers should be set to
the ON position for Line 6 priority; the default setting is OFF.
When Line 6 priority is enabled, a signal present at the
LINE 6 input will force Zone 1’s source selection to that
input; when the signal disappears, the previously-selected
source will be gradually restored over a period of 3, 6 or 12
seconds, as selected by internal PCB jumper J10.
Microphone priority
The microphone input on the CX163 is automatically
congured to take priority over the music signals. When the
priority circuit is triggered, music signals in the respective
zones are attenuated by 30 dB until the priority circuitry is
released.
Microphone priority can be triggered either by signal detection
(AVO) or the zone access contacts on the rear panel (ACC).
Access-triggered priority should only be selected when a
paging microphone is in use with the CX163. To congure
Microphone priority, internal PCB jumpers J14 (Zone 1),
J11 (Zone 2) and J15 (Utility Output) should be set as required.
(Note that J15 is on a sub-board at the rear of the chassis.)
Jumper positions:
• AVO: the priority action is triggered when the access
contact for that zone is shorted to ground and a signal is
detected at the microphone input.
• ACC: the priority action is triggered as soon as the
access contact for that zone is shorted to ground.
• OFF: This position is not marked, but can be achieved by
removing the jumper altogether.
NOTE: It is recommended that if removed, the jumpers are
stored on one pin of the PCB header in case the unit needs
to be recongured in the future.
Once priority has been released, the music signal will be
smoothly restored to its former level, over the time period
dened by the setting of J10 (see “Line 6 priority” on this
page). Note that J10 denes the time constant for both Line 6
priority and Microphone priority.
CX163 Installation and User Guide v1.2
15
NOTE: If the control voltage source is not isolated from the
power earth, there is a small risk of creating a ‘ground loop’
by linking the mixer technical ground (0 V) to the ground (0 V)
of the equipment supplying the control voltages. To minimise
this risk, we suggest that all pieces of equipment be in close
proximity, and supplied from the same power outlet.
Fitting loudspeaker EQ cards
The CX163 is compatible with various popular installed-
sound loudspeakers; a single-channel loudspeaker equalisation
module may be tted to either zone output or to the Utility
Output, to optimise the frequency response of the channel to
the loudspeaker type being used.
Please check the Cloud website (www.cloud.co.uk/
accessories) for makes and models of loudspeakers for which
EQ cards are available.
To install equalisation modules, rst remove the top cover
from the CX163 (6 screws). The modules plug into the empty,
white 12-pin connectors on the main PCB. Note that as Zones
1 and 2 are stereo, they have two connectors each, while the
Utility Output has one.
CONNECTOR ZONE
CON5 Zone 1 Left
CON4 Zone 1 Right
CON7 Zone 2 Left
CON6 Zone 2 Right
CON3 Utility Output
The connectors on the main PCB have two notches on one
side only; these engage with lugs on the equalisation module’s
mating connector to ensure correct orientation. Note that
unlike certain other Cloud units, it is not necessary to remove
any “bypass” jumpers to enable the EQ cards.
See the Appendix section “PCB jumper locations and
settings” at “PCB jumper location and settings” on page 17
for further details. Replace the top cover with the original
screws after tting.
OPTIONS AND ADDITIONAL
INFORMATION
RL-1 Series remote control plates –
general considerations
Cloud RL-1 Series remote control plates are available in three
form factors: two t single-gang UK or American electrical
back boxes respectively, while the third is a 50 x 50 mm
“Media” module, suitable for “Euro-module” mounting frames
available in most European countries. Back boxes of either
the recessed type or surface-mounting type may be used,
providing they are at least 25 mm deep.
Each plate should be connected to the REMOTE LEVEL
CONTROL port of the relevant zone using twin-core
screened cable as described at “Music Control” on page 11.
The plate terminations are conventional screw terminals and
the REMOTE LEVEL CONTROL port on the mixer is
a 4-pin 5 mm-pitch screw terminal connector. A single plate
may be wired for conventional stereo operation, or two
plates may be wired to control the left and right channels of
a zone independently.
The remote control plates are passive and thus do not draw
any signicant current from the mixer.
Control of music source and level via
external DC
It may be necessary in some installations to adjust the
music level in one or more zones from an external control
system (e.g., Crestron, AMX, etc.). If the REMOTE LEVEL
CONTROL ports are not required for RL-1 Series remote
control plates, they may be used to receive DC voltages from
the external system to effect these adjustments.
Music level can be controlled over its full range with a DC
voltage of 0 to +10 V. The pinout of the REMOTE LEVEL
CONTROL port is as follows:
PIN USE
1 0 V ref.
2 Music level control – Left channel
3 Music level control – Right channel
4 +12 V ref.
To control music level in a zone, apply a DC voltage of
between 0 and +10 V to pins 2 and/or 3, with the 0 V reference
connected to Pin 1. 0 V on pins 2 or 3 corresponds to full
level and +10 V will produce maximum attenuation. Between
these two voltages, the rate of attenuation is approximately
165 mV/dB.
CX163 Installation and User Guide v1.2
16
APPENDIX
Application example
MIC IN
LINE 1
LINE 2
LINE 3
LINE 4
LINE 5
LINE 6
ZONE 1
ZONE 2
UTILITY OUT
L
R
L
R
REMOTE
REMOTE
ACCESS
MUSIC MUTE
GENERAL AREA
ZONE 1 ZONE 2
AMPLIFIERS
CD
PLAYER
MUSIC
SERVER
DTV BOX
SAT BOX
JUKEBOX
iPOD
DOCK
FROM FIRE
CONTROL PANEL
PAGING MIC
MUSIC SOURCES
(all stereo)
2
2
2
2
2
2
RL-1
RL-1
The example shows a CX163 used to provide music and paging in two separate areas of a pub or bar. Each area can set its own
volume by means of the local RL-1 remote control panels (optional). Alternatively, it can be set from the front panel of the mixer
itself. Music at a lower level could be made available to a third area, such as the lobby or toilets.
Paging to either or both zones is achieved using a paging mic (such as the Cloud PM4), which would typically be located
somewhere other than either of the two zones.
Note that the jukebox is shown connected to Line input 6; If Line 6 Priority is enabled in the mixer, then whenever the jukebox
is in use it will always be heard in Zone 1, regardless of the music source setting.
CX163 Installation and User Guide v1.2
17
PCB jumper location and settings
The CX163 has various internal jumpers, the setting of which may require alteration during installation. The table below lists
each switch and jumper and its purpose, together with the factory default setting.
JUMPER NAME EFFECT DEFAULT
Main PCB:
J1 Bypass Zone 1 Access
PRESENT: Access port disabled for relevant zone
ABSENT: Access port enabled for relevant zone
PRESENTJ2 Bypass Zone 2 Access
J3 Bypass Utility Output Access
J4 Music Mute conguration
N/O: contact closure required for muting
N/C: contact opening required for muting
N/O
J5 Mic 1 phantom power
OFF: Mic phantom power OFF
ON: Mic phantom power ON
OFF
J6 Utility Output music source
LINE 1 : Utility Output music source always Line 1
ZONE 1: Utility Output music source follows Zone 1 music source selection
ZONE 2: Utility Output music source follows Zone 2 music source selection
ZONE 1
J7 Zone 2 mono/stereo operation
STEREO: Zone 2 stereo operation
MONO: Zone 2 L & R channels summed
STEREO
J8 Zone 1 mono/stereo operation
STEREO: Zone 1 stereo operation
MONO: Zone 1 L & R channels summed
STEREO
J9* Line 6 priority – Zone 1
OFF: No priority in Zone 1
ON: Line 6 has VOX-triggered priority in Zone 1 over other sources
OFF
J10 Music ducking release time
3S: 3 seconds. release time
6S: 6 seconds release time
ABSENT: 12 seconds release time
3S
J11 Mic 1 priority trigger - Zone 2
VOX: Paging mic signal triggers priority in Zone 2
SW: Contact closure at Access Port enables paging mic priority in Zone 2
ABSENT: Priority function disabled in Zone 2
VOX
J12 Music level defeat – Zone 2
NRM: Front panel MUSIC LEVEL control operative
DEF: Front panel MUSIC LEVEL control disabled
NRM
J13 Music level defeat – Zone 1
J14 Mic 1 priority trigger - Zone 1
VOX: Paging mic signal triggers priority in Zone 1
SW: Contact closure at Access Port enables paging mic priority in Zone 1
ABSENT: Priority function disabled in Zone 1
VOX
Rear sub-board:
J15 Mic 1 priority trigger – Utility Output
VOX: Paging mic signal triggers priority at Utility Output
SW: Contact closure at Access Port enables paging mic priority at Utility Output
ABSENT: Priority function disabled at Utility Output
VOX
* J9 consists of two jumpers; they should be moved as a pair
CX163 Installation and User Guide v1.2
18
The diagram below shows the locations of the CX163’s internal PCB jumpers (not to scale).
If any jumpers need to be changed, turn the Zone Mixer off and disconnect it from the mains. Undo the 6 screws securing
the top cover of the unit and remove it. Use a pair of small pliers to gently remove the jumpers from the PCB headers and
reposition them as required.
The diagram also shows the locations of the socket for the optional loudspeaker EQ cards.
FRONT OF UNIT
CON 3J3
Denotes 2-pin header: jumper may be present or absent
Denotes 3-pin header: jumper may in one of two positions;
black end indicates default setting
J2
J1
J4
J5
J6
J7
J8
J9a
J9b
J10
J11
J12
J13
J14
CON 7
CON 6
CON 5
CON 4
PCB LAYOUT DIAGRAM.
ONLY PRIMARY COMPONENTS SHOWN.
NOT TO SCALE.
Motherboard jumper locations
Ground loops
If, despite your best efforts, the completed sound system ‘hums’ you probably have a ‘groundloop’. The offending signal source
can often be identied by setting the volume control to minimum, then disconnecting the input leads (both left & right channels)
on each line input until the ‘hum’ disappears. This problem is often caused by terminating a screened input cable into a signal
source positioned a signicant distance from the mixer. A good way of avoiding this potential problem is to use signal sources
(CD players and the like) that are double insulated with no connection to the mains supply earth. If a signal feed were derived
from a second mixer (a club or microphone mixer for example) it would be perfectly normal to expect this to be earthed; we
suggest that a transformer be used to isolate the signal and prevent a noisy loop (see “Music Sources” on page 9).
EMC considerations
The Cloud CX163 fully conforms to the relevant electromagnetic compatibility (EMC) standards and is technically well behaved;
you should experience no operational problems and under normal circumstances, no special precautions need to be taken.
If the unit is to be used within close proximity to potential sources of HF disturbance such as high power communications
transmitters, radar stations and the like, the performance of the mixer may be reduced; we suggest that the microphone cable
screen be connected to the equipment chassis and the line input leads are kept as short as possible.
CX163 Installation and User Guide v1.2
19
Technical Specications
Line Inputs:
Frequency response 20 Hz to 22 kHz, +0/-0.5 dB
Distortion <0.05% typical, 20 Hz to 22 kHz
Sensitivity 100 mV (-17.8 dBu) to 1.5 V (+6 dBu)
Input gain control range 24 dB
Input impedance 48 kohms
Headroom >20 dB
Noise <-84 dB, 20 Hz to 22 kHz @ 0 dB gain
Equalisation LF: +/-10 dB @ 50 Hz; HF: +/-10 dB @ 10 kHz
Microphone Input:
Frequency response -3 dB @ 100 Hz (lter) to 20 kHz, +/-0.5 dB
Distortion <0.05%, 20 Hz to 22 kHz
Gain range 10 dB to 50 dB
Input impedance >2 kohms
Common mode rejection >70 dB @ 1 kHz
Headroom >20 dB
Noise -128 dB EIN, 20 Hz to 22 kHz @ 0dB gain
Equalisation LF: +/-10 dB @ 150 Hz; HF: +/-10 dB @ 5 kHz
Outputs:
Output level (nominal) 0 dBu
Output level (max.) +20 dBu
Minimum load impedance 1.2 kohms
General:
Power input 85 V to 253 V AC, 50/60 Hz
Current consumption 42.9 mA at 240 V
Fuse rating 1 A
Fuse type T1A, 20 x 5 mm
Dimensions (WxHxD)
482.6 mm x 44 mm (1U) x 152.5 mm
19” x 1.73” (1U) x 6”
Weight
2.10 kg
4.63 lbs
www.cloud.co.uk www.cloudusa.pro
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Cloud CX163 Manuel utilisateur

Cloud
Marque
Cloud
Modèle
CX163
Catégorie
Équipement musical supplémentaire
Taper
Manuel utilisateur
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