© 1997 by Sony Corporation
3-860-721-12(1)
SDP-E800
Digital Surround
Processor
Operating Instructions
Mode d’emploi
EN
F
2
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CAUTION
You are cautioned that any change or
modifications not expressly approved in
this manual could void your authority
to operate this equipment.
Owner’s record
The model and serial numbers are
located on the rear of the unit. Record
the serial number in the space provided
below. Refer to them whenever you call
upon your Sony dealer regarding this
product.
Model No. SDP-E800
Serial No.
For the customers in Canada
CAUTION
TO PREVENT ELECTRIC SHOCK, DO
NOT USE THIS POLARIZED AC PLUG
WITH AN EXTENSION CORD,
RECEPTACLE OR OTHER OUTLET
UNLESS THE BLADES CAN BE FULLY
INSERTED TO PREVENT BLADE
EXPOSURE.
Precautions
On safety
• Should any solid object or liquid fall
into the cabinet, unplug the processor
and have it checked by qualified
personnel before operating it any
further.
On power sources
• Before operating the processor, check
that the operating voltage is identical
with your local power supply. The
operating voltage is indicated on the
nameplate at the rear of the processor.
• This unit is not disconnected from the
AC power source (mains) as long as it
is connected to the wall outlet, even if
the unit itself has been turned off.
• If you are not going to use the
processor for a long time, be sure to
disconnect the processor from the wall
outlet. To disconnect the AC power
cord, grasp the plug itself; never pull
the cord.
• One blade of the plug is wider than
the other for the purpose of safety and
will fit into the wall outlet only one
way. If you are unable to insert the
plug fully into the outlet, contact your
dealer.
• AC power cord must be changed only
at the qualified service shop.
On placement
• Do not install the appliance in a
confined space, such as a bookcase or
built-in cabinet.
• Place the processor in a location with
adequate ventilation to prevent heat
buildup and prolong the life of the
processor.
• Do not place the processor near heat
sources, or in a place subject to direct
sunlight, excessive dust or mechanical
shock.
• Do not place anything on top of the
cabinet that might block the
ventilation holes and cause
malfunctions.
On operation
• Before connecting other components,
be sure to turn off and unplug the
processor.
WARNING
To prevent fire or shock
hazard, do not expose
the unit to rain or
moisture.
This symbol is intended to alert the user
to the presence of uninsulated
“dangerous voltage” within the
product’s enclosure that may be of
sufficient magnitude to constitute a risk
of electric shock to persons.
This symbol is intended to alert the user
to the presence of important operating
and maintenance (servicing) instructions
in the literature accompanying the
appliance.
IMPORTANT
This equipment has been tested and
found to comply with the limits for a
Class B digital device, pursuant to Part
15 of the FCC Rules.
These limits are designed to provide
reasonable protection against harmful
interference in a residential installation.
This equipment generates, uses, and can
radiate radio frequency energy and, if
not installed and used in accordance
with the instructions, may cause harmful
interference to radio communications.
However, there is no guarantee that
interference will not occur in a particular
installation. If this equipment does cause
harmful interference to radio or
television reception, which can be
determined by turning the equipment
off and on, the user is encouraged to try
to correct the interference by one or
more of the following measures:
- Reorient or relocate the receiving
antenna.
- Increase the separation between the
equipment and receiver.
- Connect the equipment into an outlet
on a circuit different from that to
which the receiver is connected.
- Consult the dealer or an experienced
radio/TV technician for help.
3
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TABLE OF CONTENTS
Getting Started
Unpacking 4
Source Component Hookups 4
Amplifier Hookups 6
Speaker Placement 6
Before You Use Your Processor 7
Speaker Set Up 8
Processor Operations
Selecting a Component 11
Selecting a Sound Field 12
Customizing the Sound Fields 14
Digital Recording 18
Additional Information
Troubleshooting 19
Specifications 20
Glossary 20
Front Panel Descriptions 21
Rear Panel Descriptions 21
Index 22
On cleaning
• Clean the cabinet, panel and controls
with a soft cloth slightly moistened
with a mild detergent solution. Do
not use any type of abrasive pad,
scouring powder or solvent such as
alcohol or benzine.
For customers in the USA
For detailed safety precautions, see the
“IMPORTANT SAFEGUARDS” leaflet.
If you have any question or problem
concerning your processor, please
consult your nearest Sony dealer.
About This Manual
Conventions
• The instructions in this manual
describe the controls on the processor.
You can also use the controls on the
remote if they have the same or
similar names as those on the
processor.
• The following icons are used in this
manual:
Indicates that you can use only
the remote to do the task.
Indicates hints and tips for
making the task easier.
This processor incorporates the Dolby
Pro Logic Surround system.
Manufactured under license from Dolby
Laboratories Licensing Corporation.
DOLBY, the double-D symbol a,
“AC-3” and “PRO LOGIC” are
trademarks of Dolby Laboratories
Licensing Corporation.
z
Z
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4
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Getting Started
Unpacking
Check that you received the following items with the
processor:
• Remote commander (remote) (1)
• Size AA (R6) batteries (2)
• Connecting cords (3)
Inserting batteries into the remote
Insert two size AA (R6) batteries with the + and – on
the battery compartment. When using the remote,
point it at the remote sensor g on the processor.
zWhen to replace batteries
Under normal use, the batteries should last for about 6
months. When the remote no longer operates the
processor, replace both batteries with new ones.
Notes
• Do not leave the remote in an extremely hot or humid
place.
• Do not use a new battery with an old one.
• Do not expose the remote sensor to direct sunlight or
lighting apparatuses. Doing so may cause a malfunction.
• If you don’t use the remote for an extended period of time,
remove the batteries to avoid possible damage from
battery leakage and corrosion.
Before you get started
• Do not connect the power cord to an AC outlet or
press the POWER switch before completing all
connections.
• The cable connectors should be fully inserted into the
jacks. Loose connection may cause hum and noise.
Source Component Hookups
The surround processor allows you to connect up to 3
digital audio (video) source components, such as a
DVD player, LD player (with AC-3 RF output) and CD
player (etc.). You can also connect 1 analog source
component, such as a VCR.
What cords will I need?
• Optical digital connecting cord (not supplied)
• Coaxial digital connecting cord (not supplied)
• Video cable (not supplied)
• Audio/video cable (not supplied)
Make sure to match the color of the plugs and the jacks:
• Yellow jacks and plugs: Video signal
• Red jacks and plugs: Right audio channel
• White jacks and plugs: Left audio channel
a DIGITAL 1
b DIGITAL 2c DIGITAL 3
d ANALOG
White (L)
White (L)
Red (R)
Red (R)
Yellow Yellow
Yellow Yellow
]
}
]
}
5
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Getting Started
Ç : signal flow
a DIGITAL 1 (to a LD or DVD player)
Notes for LD players
• Be sure to connect the LD player’s AC-3 RF output to the
surround processor’s AC-3 RF input jack.
• If your LD player has an optical digital output, connect it
to the DIGITAL 1 OPTICAL IN jack on this unit.
This connection can be used together with the AC-3 RF
connection.
b DIGITAL 2 (to a DVD player or DBS tuner)
Note
If your DVD player has a coaxial digital output, we
recommend connecting the DVD player’s COAXIAL
DIGITAL OUTPUT to the this unit’s DIGITAL 1 COAX IN
instead of making the optical connection to DIGITAL 2.
DVD player/
DBS Tuner
Surround
processor
LD player
Surround processor
CD player
Surround
processor
DAT/MD deck
Surround
processor
DVD playerSurround processor
c DIGITAL 3 (to a CD player or DAT/MD deck)
Note
This unit is only compatible with digital components using
32 kHz/44.1 kHz/48 kHz sampling frequencies. It is not
compatible with 96 kHz.
d ANALOG (to a VCR, etc.)
VCR (etc.)
Surround
processor
DIGITAL 1
OPTICAL
IN
COAX
IN
AC-3
RF
VIDEO
IN
DIGITAL
OUT
VIDEO
OUT
AC-3
RF
OUT
DIGITAL 1
OPTICAL
IN
COAX
IN
AC-3
RF
VIDEO
IN
DIGITAL
OUT
VIDEO
OUT
DIGITAL
OUT
DIGITAL 2
OPTICAL
IN
VIDEO
IN
DIGITAL
OUT
VIDEO
OUT
DIGITAL
OUT
DIGITAL 3
OPTICAL
OUT
OPTICAL
IN
DIGITAL
OUT IN
DIGITAL 3
OPTICAL
OUT
OPTICAL
IN
OUTPUT
VIDEO
ANALOG
IN
L
VIDEO
IN
R
AUDIO
L
R
Warning regarding the playback of DAT/MD sources
When playing DAT/MD sources through this unit, do
not play a DAT/MD that contains digital recordings
made from a DVD player whose digital output was set to
“DOLBY DIGITAL”. High volume noise will be output
which may damage this unit or your speakers.
6
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Getting Started
Speaker Placement
Normally, to obtain the best possible surround sound
all speakers should be placed the same distance from
your listening position (A).
This unit, however, allows you to place the center
speaker closer (B), so that it lines up with the front
speakers. The rear speakers can also be placed closer
(C), according to the shape of your room.
If you feel that this placement reduces the surround
effects, you can adjust the center and rear delay
parameters to obtain the effect you desire (see page 9).
Note
To take full advantage of Dolby Digital (AC-3) surround
effects we reccommend using high quality speakers. We also
reccommend using front, center, and rear speakers that are
of the same size and quality.
Notes
• Do not place the center or rear speakers farther away from
the listening position than the front speakers.
• When mounting the rear speakers on side walls
perpendicular to the listening position they should be
placed 60 - 90 cm (2 - 3 feet) above the listening position.
Rear speaker
60 - 90 cm
(2 - 3 feet)
Front speaker
Amplifier Hookups
Connect the audio and video signals output from the
surround processor to a multi-channel amplifier with
5.1 ch input and video input capability.
What cords will I need?
• Video cable (not supplied)
• Audio cable (supplied)
• Audio cable (not supplied)
Make sure to match the color of the plugs and the jacks:
• Yellow jacks and plugs: Video signal
• Red jacks and plugs: Right audio channel
• White jacks and plugs: Left audio channel
• You can use either red or white cables for the center and
sub woofer audio channels.
a OUTPUT (to 5.1 ch audio input)
b MONITOR (to 5.1 ch video input*)
* If the 5.1 ch input does not have a corresponding video
input jack, connect MONITOR to the video input jack of
the function that is selected when the 5.1 input is
activated. (Refer to the operating instructions supplied
with your amplifier for details regarding its operation.)
b MONITORa OUTPUT
White (L)
White (L)
Red (R)
Red (R)
White
(or Red)
White
(or Red)
Yellow Yellow
Surround
processor
5-1 INPUT
REAR FRONT
OUTPUT
LL
RR
CENTER
WOOFER
L
R
CENTER
FRONT
WOOFER
REAR
INPUT
MONITOR
OUT
VIDEO
Surround
processor
45°
90°
20°
A A
B
CC
Multi-channel
amplifier
Multi-channel
amplifier
7
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Getting StartedGetting Started
Depending on the shape of your room (etc.), you may
wish to place the rear speakers behind you instead of
on the side walls. One advantage of this placement is
that you can use a pair of large floor standing speakers
matching your front speakers.
Note
If you place the rear speakers behind you, be sure to check
the speaker location setting in the SP. SETUP menu when
using VIRTUAL MULTI REAR and VIRTUAL REAR SHIFT
sound fields (see pages 8 and 13 for details).
Before You Use Your Processor
Before you start using your processor, make sure that
you have:
• Turned MASTER VOLUME to near the center
position.
Turn on the processor and check the following
indicator.
• Press MUTING on the remote if “MUTING”
appears in the display.
45°
90°
20°
A A
B
CC
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Getting Started
Speaker Set Up
To obtain the best possible surround sound, first
specify the type of speakers you have connected. Then
use the test tone to adjust the speaker volumes to the
same level.
Specifying the speaker type
1 Press POWER on the front panel to turn on the
processor.
2 Press DPC MODE repeatedly until “SP.SETUP”
appears in the display.
3 Use digital processing control buttons ( / ) to
select the parameter you want.
Front speaker
Initial setting is : FRONT SP. [LARGE]
• If you connect large speakers that will effectively
reproduce bass frequencies, select “LARGE”.
• If you cannot obtain sufficient surround effects when
playing a Dolby Digital (AC-3) source (a source for
which the DISCRETE indicator lights), select
“SMALL”. The bass frequencies for the front speakers
will be output from the sub woofer or other
“LARGE” speakers.
Center speaker
Initial setting is : CENTER SP. [LARGE]
• If you connect large speakers that will effectively
reproduce bass frequencies, select “LARGE”.
• If you cannot obtain sufficient surround effects when
playing a Dolby Digital (AC-3) source (a source for
which the DISCRETE indicator lights), select
“SMALL”. The bass frequencies for the center speaker
will be output from the sub woofer or other
“LARGE” speakers.
• If you do not connect the center speaker, select “NO”.
Rear speaker
Initial setting is : REAR SP. [LARGE]
• If you connect large speakers that will effectively
reproduce bass frequencies, select “LARGE”.
• If you cannot obtain sufficient surround effects when
playing a Dolby Digital (AC-3) source (a source for
which the DISCRETE indicator lights), select
“SMALL”. The bass frequencies for the rear speakers
will be output from the sub woofer or other
“LARGE” speakers.
• If you do not connect rear speakers, select “NO”.
Rear speaker place
Initial setting is : REAR SP. [ SIDE ]
This parameter lets you specify the location of your rear
speakers for proper implementation of the Digital
Cinema Sound VIRTUAL REAR SHIFT and VIRTUAL
MULTI REAR modes. Refer to the illustration below.
• Set to SIDE if the location of your rear speakers
corresponds to section A.
• Set to BEHIND if the location of your rear speakers
corresponds to section B.
This setting effects only the VIRTUAL REAR SHIFT and
VIRTUAL MULTI REAR modes.
This parameter does not appear when the rear speaker
parameter is set to “NO”.
POWER
DPC MODE
90°
20°
A
B
45°
B
A
Digital Processing Control
DPC MODE
Digital
Processing
Control
9
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Getting StartedGetting Started
Sub woofer
Initial setting is : SUB WOOFER [YES]
• If you connect a sub woofer, select “YES” to output
the LFE (low frequency extension) channel from the
sub woofer.
• If you do not connect a sub woofer, select “NO”. This
activates the Dolby Digital (AC-3) bass redirection
circuitry and outputs the LFE signals from other
speakers.
• In order to take full advantage of the Dolby Digital
(AC-3) bass redirection circuitry, we recommend
setting the sub woofer’s cut off frequency as high as
possible. (However, when using an amplifier with 5.1
ch inputs, set the sub woofer’s cut off frequency to
match the characteristics of the amplifier.)
4 Use digital processing control buttons ( / ) to
adjust the level of the parameter.
Adjusting the delay time
The delay time allows you create a more effective
surround effect by adding a sense of depth to the
center or rear channels. Longer delay times create a
greater sense of depth.
1 Press POWER on the front panel to turn on the
processor.
2 Press DPC MODE repeatedly until “OTHER
SETUP” appears in the display
3 Use digital processing control buttons ( / ) to
select the parameter you want.
Center speaker delay
Initial setting is : CENTER DELAY 0ms
Use this parameter to add a sense of depth to the center
channel.
• Center speaker delay time can be set in 1 ms steps
from 0 to 5 ms.
Rear speaker delay
Initial setting is : REAR DELAY 5ms
Use this parameter to add a sense of depth to the rear
channels.
When “PRO LOGIC” is displayed, the actual delay time
is 15ms longer than the time shown in the display.
• Rear speaker delay time can be set in 5 ms steps from
0 to 15 ms.
4 Use digital processing control buttons ( / ) to
adjust the level of the parameter.
Adjusting the speaker volume
Use the remote while seated in your listening position
to adjust the volume of each speaker.
Note
This unit incorporates a new test tone with a frequency
centered at 800 Hz for easier speaker volume adjustment.
1 Press TEST.
You will hear the test tone from each speaker in
sequence.
2 From your listening position, use the remote to
adjust the volume of each speaker so that the test
tone can be heard at the same level from all
speakers.
A
Press FRONT BAL L or R to adjust the balance
between the front left and right speakers (±8
dB, 0.5 dB/steps).
During this adjustment, the test tone is emitted
from both speakers simultaneously.
B
Press REAR BAL L or R to adjust the balance
between the rear left and right speakers (±8 dB,
0.5 dB/steps).
During this adjustment, the test tone is emitted
from both speakers simultaneously.
C
Press CENTER + or – to adjust the level of
center speaker (+10 to –20 dB, 0.5 dB/steps).
During this adjustment, the test tone is emitted
from the center speaker.
D
Press REAR + or – to adjust the level of rear
speakers (+10 to –20 dB, 0.5 dB/steps).
During this adjustment, the test tone is emitted
from both speakers simultaneously.
E
Press SUB WOOFER + or – to adjust the level
of the sub woofer (+10 to –20 dB, 0.5 dB/steps).
During this adjustment, the test tone is emitted
from the sub woofer.
3 Press TEST to turn off the test tone.
(continued)
1, 3
MASTER
VOLUME
2
A
2
B
2
C
2
D
2
E
Getting Started
10
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zTo adjust the volume of all the speakers at one time
Use MASTER VOLUME on the processor, remote, or
your multichannel processor.
When using an amplifier with 5.1 ch inputs, set this
unit’s MASTER VOLUME to near the center position
and adjust the amplifier’s volume control.
Notes
• The test tone will not be emitted if the sound field is set to
VIRTUAL ENHANCED A/B, ACOUSTIC or KARAOKE.
• The front balance, rear balance, center level, rear level, and
sub woofer level are shown in the display during
adjustment.
• Although these adjustments can also be made with the
LEVEL ADJUST menu using the digital processing control
buttons on the front panel, we recommend you follow the
procedure described above and adjust the speaker levels
from your listening position using the remote control.
11
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Processor Operations
Selecting a Component
To listen to or watch a connected component, first
select the function on the processor or with the remote.
Before you begin, make sure you have:
• Connected all components securely and correctly as
indicated on pages 4 to 7.
• Turned MASTER VOLUME to near the center
position (when using an amplifier with 5.1 ch
inputs).
• Turned MASTER VOLUME to the leftmost position
(when using separate amplifiers for each speaker).
1 Press POWER to turn on the processor.
2 Select the component you want to use:
To listen or watch Press
An LD or DVD player connected DIGITAL 1
to the DIGITAL 1 input jacks.*
1
repeatedly*
2
Digital components connected to DIGITAL 2 or 3
the DIGITAL 2 or 3 input jacks.
An analog component connected ANALOG
to the ANALOG input jacks.
*
1
This unit’s digital inputs detect Dolby Digital (AC-3)
or PCM signals automatically. (The AC-3 RF input
terminal for use with LD players is for Dolby Digital
(AC-3) signals only.)
*
2
Press repeatedly to choose the appropriate input
jack for the DIGITAL 1 audio signals (AC-3 RF),
(OPTICAL) or (COAXIAL).
3 Select the 5.1 ch input on your multi-channel
amplifier and make sure the amplifier’s video
selector is set appropriately (see page 6).
EXAMPLE: Turn FUNCTION to select “LD”, then press
5.1 INPUT (for Sony TA-VA8ES). At this time, set the
MASTER VOLUME control on your amplifier to “0”.
4 Turn on the source component, the LD player for
example, and start playback.
5 Use the MASTER VOLUME on your multi-
channel amplifier to adjust the volume.
To Do This
Mute the sound Press MUTING on the remote.
Press again to restore the
sound.
Reinforce the bass Press BASS BOOST to turn
on the BASS BOOST
indicator.
Turn off the display Press DISPLAY on the remote.
Adjust the level of the Press SUB WOOFER +/–
sub woofer on the remote.
Using the remote Z
1 Press POWER on the front panel to turn on the
processor.
2 Press INPUT SELECT < or > repeatedly to display
the input for the component you want to use.
The inputs change as folllows each time you press
INPUT SELECT.
.
DIGITAL 1 (AC-3 RF)
<
DIGITAL 1 (OPTICAL)
<
DIGITAL 1 (COAXIAL)
<
DIGITAL 2
<
DIGITAL 3
<
ANALOG
>
INPUT
SELECT
< >
POWER MASTER VOLUME
DIGITAL 1~3 and
ANALOG buttons
12
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Processor Operations
Selecting a Sound Field
You can select a sound field according to the type of
source you are playing.
When playing program sources recorded in the Dolby
Digital (AC-3) format, you can enjoy surround sound
simply by selecting “DOLBY”.
This unit also incorporates several pre-programmed
“Digital Cinema Sound” modes. Select from these
surround modes according to your preference to enjoy
powerful sound effects from a wide variety of program
sources.
1 Press GENRE repeatedly to display the sound
field genre (The previously selected mode also
appears).
2 Press MODE repeatedly to display the sound field
mode.
For the list of sound fields, see page 13.
To turn off the sound fields (2 channel stereo playback)
Press SOUND FIELD ON/OFF. At this time, the input
signals are automatically downmixed to 2 ch (L, R) stereo
signals.
GENRE MODE SOUND FIELD
ON/OFF
GENRE
MODE
SOUND FIELD
ON/OFF
Notes on the output of Dolby Digital (AC-3) source
signals
When Dolby Digital (AC-3) encoded sources are played back
through this unit, the output method changes automatically
according to the information recorded on the source and the
settings of this unit.
• When playing a source encoded with discrete
information
If the “DOLBY” sound field is set to ON: The
DISCRETE indicator lights up and the number of
channels recorded in the source are decoded and output
directly.
If a sound field (other than “ACOUSTIC” or
“KARAOKE”) is set to ON: The DISCRETE indicator
lights up and the number of channels recorded in the
source are decoded. The effects provided by each sound
field are then added to each channel before the sound is
output.
If the “ACOUSTIC” soundfield is selected or the
sound field is set to OFF: The source signal is
downmixed to 2 ch (Left and Right) stereo before
output. When “ACOUSTIC” is selected equalizer (EQ)
adjustments can be performed.
• When playing a source encoded with Dolby Pro Logic
information
If the “DOLBY” sound field is set to ON: “PRO
LOGIC” appears in the display, the sound is decoded
using Pro Logic formula and output.
If a sound field (other than “ACOUSTIC”) is set to
ON: The effects provided by each sound field are added
to each channel before the sound is output.
When the sound field genre is MOVIE (except for
MONO MOVIE) or 3D the sound is decoded using the
Pro Logic formula and “PRO LOGIC” appears in the
display.
If the “ACOUSTIC” sound field is selected or the
sound field is set to OFF: The source signal is
downmixed to 2 ch (Left and Right) stereo before
output. When “ACOUSTIC” is selected equalizer (EQ)
adjustments can be performed.
Note on the “KARAOKE” mode
The KARAOKE mode is designed to reduce vocal tracks
positioned in the center of 2 channel sources. Therefore,
5.1 channel Dolby Digital (AC-3) sources must be
downmixed to 2 channels before the KARAOKE effect can
be applied. Consequently, the “DISCRETE” indicator does
not light when you select KARAOKE while inputting 5.1
channel Dolby Digital (AC-3) sources.
zYou can find Dolby Surround-encoded software by
looking at the packaging
Use discs with the logo. In order to enjoy Dolby
Digital (AC-3) playback you must use discs bearing this
logo.
13
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Getting StartedProcessor Operations
Sound fields
Genre Mode Surround effect
DOLBY NORMAL Decodes programs processed with Dolby Surround.
ENHANCED Additional output from rear speakers when decoding Dolby Surround programs.
MOVIE CINEMA STUDIO A Reproduces the sound characteristics of the Sony Pictures Entertainment “Cary
Grant Theater” cinema production studio.
CINEMA STUDIO B Reproduces the sound characteristics of the Sony Pictures Entertainment “Kim
Novak Theater” cinema production studio.
CINEMA STUDIO C Reproduces the sound characteristics of the Sony Pictures Entertainment scoring
stage.
SMALL THEATER
MEDIUM THEATER Adds acoustic reflections of a theaters to decoded Dolby Surround signals.
LARGE THEATER
NIGHT THEATER Provides surround effects for listening at low volume levels.
MONO MOVIE Creates a theater-like environment from movies with 2-channel monaural
soundtracks.
3D VIRTUAL ENHANCED A Uses 3D sound imaging to create virtual rear speakers from the sound of the front
speakers without using actual rear speakers. The virtual speakers are reproduced as
shown in Ill. A.
VIRTUAL ENHANCED B Uses 3D sound imaging to create virtual rear speakers from the sound of the front
speakers without using actual rear speakers. The virtual speakers are reproduced as
shown in Ill. B.
VIRTUAL REAR SHIFT Uses 3D sound imaging to shift the sound of the rear speakers away from the actual
speaker position (Ill. C). The shift position differs according to the setting of the
rear speaker position (see page 8).
VIRTUAL MULTI REAR Uses 3D sound imaging to create an array of virtual rear speakers from a single pair
of actual rear speakers (Ill. D). The position of the virtual rear speakers differs
according to the setting of the rear speaker position (see page 8).
MUSIC SMALL HALL Reproduces the acoustics of a rectangular concert hall. Ideal for soft acoustic sounds.
LARGE HALL
SMALL OPERA HOUSE Reproduces the acoustics of an opera house. Ideal for musicals and operas.
LARGE OPERA HOUSE
SMALL JAZZ CLUB Reproduces the acoustics of a jazz club.
LARGE JAZZ CLUB
CHURCH Reproduces the acoustics of a church.
LIVE HOUSE Reproduces the acoustics of a rock and roll club.
ACOUSTIC Reproduces normal 2-channel stereo with equalization (EQ).
KARAOKE Reduces the vocal tracks of normal 2-channel stereo music sources.
SPORTS ARENA Reproduces the feeling of a large concert arena. Great for rock and roll.
STADIUM Reproduces the feeling of a large open-air stadium. Great for electric sounds.
GAME GAME Obtains maximum audio impact from video game software.
14
EN
Processor Operations
Customizing the Sound Fields
Each sound field is composed of equalizer parameters
(bass/treble) and surround sound parameters —
variables of sound that create the sound image. You
can customize the sound fields by adjusting some of
the sound parameters (equalizer and/or surround
sound parameters) to suit your listening situation.
Once you customize the sound fields, they are stored in
memory unless the processor is unplugged for about 1
week. To change a customized sound field, make new
adjustments to the respective sound field.
1 Start playing a component, then select the sound
field you want to adjust.
2 Press DPC MODE repeatedly to display on of the
following menus:
SP. SETUP
LEVEL ADJUST
SURROUND
EQUALIZER
OTHER SETUP
3 Use digital processing control buttons ( / ) to
select the parameter you want.
4 Use digital processing control buttons ( / ) to
adjust the parameter.
zCompressing the dynamic range (except for
ACOUSTIC)
When inputting a Dolby Digital (AC-3) signal you can
compress the dynamic range of the sound track by
using the dynamic range compression ratio (D. RANGE
COMP) parameter in the surround menu. This may be
useful when you want to watch movies at low volumes
late at night. See page 16 for details on the dynamic
range compression parameter.
Note
Certain parameters may not be available for adjustment
depending on the current settings and menu modes.
Ill.A VIRTUAL ENHANCED (SURROUND) A
Ill.B VIRTUAL ENHANCED (SURROUND) B
Ill.C VIRTUAL REAR SHIFT
For REAR SP [SIDE]* For REAR SP [BEHIND]*
Ill.D VIRTUAL MULTI REAR
For REAR SP [SIDE]* For REAR SP [BEHIND]*
L : Front speaker (left) * See page 8 for details on
R : Front speaker (right) how to set the rear speaker
C : Center speaker position.
SL : Rear speaker (left)
SR : Rear speaker (right)
: Virtual speaker
LCR
LCR
LCR
SRSL
LCR
SR
SL
LCR
SRSL
LCR
SRSL
DPC MODE Digital processing control
15
EN
Getting StartedProcessor Operations
Adjustable sound parameters
Equalizer Surround sound parameters
parameter
R.LEV.* LFE MIX SEAT
Genre Mode EQ C.LEV.* (R.BAL.*)W.LEV.*(D.COMP) WALL (F-R/L-R) REVERB EFFECT
DOLBY NORMAL rrrrr
ENHANCED rrrrr
MOVIE CINEMA STUDIO A rrrrr r
CINEMA STUDIO B rrrrr r
CINEMA STUDIO C rrrrr r
SMALL THEATER r rrrrrrrr
MEDIUM THEATER r rrrrrrrr
LARGE THEATER r rrrrrrrr
NIGHT THEATER r rrrrrrrr
MONO MOVIE r rrrrrrrr
3D VIRTUAL ENHANCED A rrrrr r
VIRTUAL ENHANCED B rrrrr r
VIRTUAL REAR SHIFT rrrrr r
VIRTUAL MULTI REAR rrrrr r
MUSIC SMALL HALL r rrrrrrrr
LARGE HALL r rrrrrrrr
SMALL OPERA HOUSE r rrrrrrrr
LARGE OPERA HOUSE r rrrrrrrr
SMALL JAZZ CLUB r rrrrrrrr
LARGE JAZZ CLUB r rrrrrrrr
CHURCH r rrrrrrrr
LIVE HOUSE r rrrrrrrr
ACOUSTIC r
KARAOKE rrrr r
SPORTS ARENA r rrrrrrrr
STADIUM r rrrrrrrr
GAME GAME r rrrrrrrr
* These settings are not stored separately for each sound mode. They effects all of the sound modes simultaneously.
Notes
• All of the previous surround modes can be used with Dolby Digital (AC-3) sound sources (except for ACOUSTIC).
• C.LEV. = Center Level, R.LEV. (R.BAL) = Rear Level (Rear Balance), W.LEV. = Woofer Level, LFE MIX (D.COMP) = Low
Frequency Effect Mix (Dynamic Compression), WALL = Wall type, SEAT (F-R/L-R) = Seat (Front-Rear/Left-Right), REVERB =
Reverberation, EFFECT = Effect level
16
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Processor Operations
SURROUND menu
Surround effect level
Initial setting is : EFFECT [________]
This parameter can be adjusted directly using EFFECT +/–
on the remote. It lets you adjust the “presence” of the current
digital cinema sound surround effect.
• The effect level can be adjusted from 0% to 100%.
• In the KARAOKE mode, use the effect level to adjust the
amount of vocal cancellation. Greater effect levels produce
greater reduction of the vocals.
Wall Type
Initial setting is : WALL S___1___H
It lets you adjust the “brightness” of the current digital
cinema sound surround effect.
When sound is reflected off soft material, such as a curtain,
the high frequency elements are reduced. A hard wall is
highly reflective and does not significantly affect the
frequency response of the reflected sound.
The WALL parameter lets you control the level of the high
frequencies to alter the sonic character of your listening
environment by simulating a softer (S), or harder (H) wall.
The midpoint designates a neutral wall (made of wood).
Front to rear seat position
Initial setting is : SEAT F___1___R
It lets you control the balance of direct and reflected sound
to simulate your listening position. “F” signifies the front of
the room and “R” signifies the rear. The midpoint designates
the center.
Left to right seat position
Initial setting is : SEAT L___1___R
It lets you control the balance of direct and reflected sound
to simulate your listening position. “L” signifies the left side
of the room and “R” signifies the right side. The midpoint
designates the center.
Reverberation time
Initial setting is : REVERB S___1___L
It lets you adjust the amount of reverberation present in the
current digital cinema sound surround effect.
This parameter adjusts the length of time required for the
reverberation (echoes) generated from a given sound to
attenuate –60 dB.
You can choose shorter (S) or longer (L) reverberation times.
Low Frequency Extension (LFE) mix level (DISCRETE only)
Initial setting is : LFE MIX 0dB
This parameter lets you attenuate the level of the LFE (Low
Frequency Extension) channel output from the sub woofer
without effecting the level of the bass frequencies sent to the
sub woofer from the front, center or rear channels via the
bass redirection circuitry.
• The level can be adjusted in 0.5 dB steps from –20.0 dB to0
dB (line level). 0 dB outputs the full LFE signal at the mix
level determined by the recording engineer.
• Selecting MUTE mutes the sound of the LFE channel from
the sub woofer. However, the low frequency sounds of the
front, center, or rear speakers are output from the sub
woofer according to the settings made for each speaker in
the speaker setup (page 8).
Dynamic range compression ratio
Initial setting is : D.RANGE COMP OFF
Lets you compress the dynamic range of the sound track.
This may be useful when you want to watch movies at low
volumes late at night.
• OFF reproduces the sound track with no compression.
• STD reproduces the sound track with the full dynamic
range as intended by the recording engineer.
• 0.1 ~ 0.9 allow you to compress the dynamic range in
small steps to achieve the sound you desire.
• MAX provides a dramatic compression of the dynamic
range.
EQUALIZER menu
The initial settings are different for each mode.
Front speaker bass adjustment
Level : F:BASS 0 dB
Frequency : F:BASS 250Hz
Use digital processing control buttons ( / ) to adjust the
level, then use ( / ) to select the frequency (Hz) and use
( / ) to adjust the frequency. Repeat until you achieve the
sound you desire.
• The level can be adjusted ±10 dB in 0.5 dB steps.
Front speaker treble adjustment
Level : F:TREBLE 0 dB
Frequency : F:TREBLE 2.5kHz
Adjust as described in “Front speaker bass adjustment”.
• The level can be adjusted ±10 dB in 0.5 dB steps.
Center speaker bass adjustment
Level : C:BASS 0 dB
Frequency : C:BASS 250Hz
Adjust as described in “Front speaker bass adjustment”.
• The level can be adjusted ±10 dB in 0.5 dB steps.
Center speaker treble adjustment
Level : C:TREBLE 0 dB
Frequency : C:TREBLE 2.5kHz
Adjust as described in “Front speaker bass adjustment”.
• The level can be adjusted ±10 dB in 0.5 dB steps.
17
EN
Getting StartedProcessor Operations
Rear speaker bass adjustment
Level : R:BASS 0 dB
Frequency : R:BASS 250Hz
Adjust as described in “Front speaker bass adjustment”.
• The level can be adjusted ±10 dB in 0.5 dB steps.
Rear speaker treble adjustment
Level : R:TREBLE 0 dB
Frequency : R:TREBLE 2.5kHz
Adjust as described in “Front speaker bass adjustment”.
• The level can be adjusted ±10 dB in 0.5 dB steps.
OTHER SETUP menu
Center speaker delay
Initial setting is : CENTER 0ms
See “Adjusting the delay time” on page 9 for details.
Rear speaker delay
Initial setting is : REAR 5ms
See “Adjusting the delay time” on page 9 for details.
Dimmer level
This setting lets you select the the brightness of the display
on the front panel.
• You can select between four different settings.
SP. SETUP menu
The speaker setup menu contains parameters that
allow you to set the type and size of the speakers in
your system. This information is essential for
production of realistic surround sound. For details
about the settings available in this menu see “Speaker
Set Up” on page 8.
Front speaker
Initial setting is : FRONT SP. [LARGE]
Center speaker
Initial setting is : CENTER SP. [LARGE]
Rear speaker
Initial setting is : REAR SP. [LARGE]
Rear speaker place
Initial setting is : REAR SP. [SIDE]
Sub woofer
Initial setting is : SUB WOOFER [ YES ]
LEVEL ADJUST menu
The LEVEL ADJUST menu contains speaker level
adjustment parameters that allow you to balance
output level to each speaker.
zThese settings can also be adjusted directly using
remote. See “Adjusting the speaker volume” (page
9).
Front speaker balance
Initial setting is : FRONT L ___1___ R
Lets you adjust the balance between the front left and right
speakers.
Rear speaker balance
Initial setting is : REAR L ___1___ R
Lets you adjust the balance between the rear left and right
speakers.
Rear speaker level
Initial setting is : REAR 0 dB
Lets you adjust level of the rear (left and right) speakers.
Center speaker level
Initial setting is : CENTER 0 dB
Lets you adjust the level of the center speaker.
Sub woofer level
Initial setting is : SUB WOOFER 0 dB
Lets you adjust the level of the sub woofer.
Processor Operations
18
EN
Digital Recording
This processor makes it easy to make digital recordings
from the components connected to the processor. You
don’t have to connect playback and recording
components directly.
Before you begin, make sure you’ve connected all
components properly.
ç: Signal flow
EXAMPLE: Recording a CD using a DAT deck.
See your DAT or CD player’s instruction manual if you
need help.
1 Press DIGITAL 2 (if a CD player is connected to
the DIGITAL 2 INPUT) to select the CD player.
2 Insert a blank digital audio tape into the DAT for
recording.
3 Start recording on the DAT and then start playing
the CD you want to record.
Notes
• You cannot record the digital signal from a Dolby Digital
(AC-3) program source.
• You cannot record the video signal from a connected
source component.
Playback component
(CD player, etc.)
ç
ç
Digital recording
component
(DAT deck, MD deck)
19
EN
Additional Information
Troubleshooting
If you experience any of the following difficulties while
using the processor, use this troubleshooting guide to
help you remedy the problem. Should any problem
persist, consult your nearest Sony dealer.
There’s no sound or only a very low-level sound is heard.
/ Check that the speakers and components are
connected securely.
/ Press MUTING if “MUTING” appears in the
display.
/ Make sure you select the correct component
on the processor.
/ Make sure you select the correct input on
your multichannel amplifier.
The left and right sounds are unbalanced or reversed.
/ Check that the speakers and components are
connected correctly and securely.
Severe hum or noise is heard.
/ Check that the speakers and components are
connected securely.
/ Check that the connecting cords are away
from a transformer or motor, and at least 10
feet (3 meters) away from a TV set or
fluorescent light.
/ Place your TV away from the audio
components.
/ The plugs and jacks are dirty. Wipe them
with a cloth slightly moistened with alcohol.
No sound or only a very low-level sound is heard from
the rear speakers.
/ Make sure the rear speaker size parameter in
the SP. SETUP menu is set to either small or
large (see page 8).
/ Adjust the speaker volume appropriately (see
page 9).
/ Make sure you turned on the surround mode
(see page 12).
No sound is heard from the center speaker.
/ Make sure the center speaker size parameter
in the SP. SETUP menu is set to either small
or large (see page 8).
/ Adjust the speaker volume appropriately (see
page 9).
Surround effect cannot be obtained.
/ Make sure you turn on the surround mode
(see page 12).
/ Press EFFECT + on the remote when using a
digital cinema sound mode to increase the
presence of the surround effect (see page 16).
No picture or an unclear picture is seen on the TV screen.
/ Select the appropriate function on your
multichannel amplifier.
/ Place your TV away from the audio
components.
Digital recording is not possible.
/ Check that the components are connected
correctly.
/ Dolby Digital (AC-3) sources cannot be
recorded digitally onto DAT or MD.
The remote does not function.
/ Point the remote at the remote sensor g on
the processor.
/ Remove the obstacles in the path of the
remote and the processor.
/ Replace both batteries in the remote with new
ones if they are weak.
The KARAOKE sound field does not produce a reduction
in the level of the vocals.
/ Increase the level of the EFFECT parameter.
However, with certain sources it may be
difficult to reduce the level of the vocals.
20
EN
Additional Information
Specifications
Digital inputs
Digital outputs
Analog outputs
BASS BOOST
Video inputs
Video output
Optical: 3
Coaxial: 1
AC-3 RF: 1
Optical: 1
FRONT (L R), REAR (L
R), CENTER, WOOFER:
Output level: 1V
Output impedance:
1 kilohms
+5 dB at 60 Hz
3 (ANALOG VIDEO IN,
DIGITAL 1 VIDEO IN,
DIGITAL 2 VIDEO IN)
1 (MONITOR OUT)
Power
requirements
Power
consumption
Dimensions
Mass (Approx.)
Supplied
accessories
U.S.A. and Canada
120 V AC, 60 Hz
Singapore
230 V AC, 50/60 Hz
China
220 - 230 V AC,
50/60 Hz
Australia
240 V AC, 50 Hz
35 W
430 x 98 x 355.5 mm
(17 x 3
7
/
8
x 14 in)
3.5 kg
(7 lb 11 oz)
See page 4.
Glossary
Center mode
A setting used by the Dolby Pro Logic
Surround mode to determine the kind of
signal processing required to produce the
surround effect with the speakers you have
connected. The center mode is determined
automatically according to the setting of the
speaker size parameters in the SP. SETUP
menu.
This processor’s Dolby Digital (AC-3)
circuitry provides a more versatile range of
speaker settings than the standard Dolby Pro
Logic center mode setting. For your reference,
the following chart shows the relationship
between the Dolby Digital (AC-3) speaker
size parameters and the Dolby Pro Logic
center mode.
FS = Front speaker size
CS = Center speaker size
RS = Rear speaker size
C.Mode = Dolby Pro Logic center mode
FS CS RS C.Mode
SMALL SMALL SMALL —
LARGE SMALL SMALL NORMAL
SMALL SMALL LARGE —
LARGE SMALL LARGE NORMAL
LARGE LARGE SMALL WIDE
LARGE LARGE LARGE WIDE
SMALL LARGE SMALL —
SMALL LARGE LARGE —
SMALL NO SMALL —
LARGE NO SMALL PHANTOM
LARGE NO LARGE PHANTOM
SMALL NO LARGE —
LARGE SMALL NO —
LARGE LARGE NO 3CH
SMALL SMALL NO —
SMALL LARGE NO —
Dolby Digital (AC-3)
This is a new digital surround system
proposed to reproduce Dolby SR-D (the 3
dimensional sound system developed for use
in movie theaters) in the home. This
technology allows you to enjoy the full 5.1 ch
soundtrack intended by the filmmaker, in the
comfort of your own home.
Digital Cinema Sound
The application of Sony digital signal
processing technology to shift sound away
from the actual speaker position and simulate
the sound direction information produced by
several speakers positioned in places around
or behind the listening position.
The number and angle of the simulated
(virtual) speakers were developed to simulate
the sound of the actual speaker arrangement
in the editing rooms of Sony Pictures
Entertainment, Hollywood.
These sound modes allow you to enjoy a
truthful reproduction of the sound
environment intended by the filmmaker, in
the comfort of your own home.
Dolby Pro Logic Surround
Decoding system of Dolby Surround sound
standardized in TV programs and movies.
Compared with the former Dolby Surround
system, Dolby Pro Logic Surround improves
sound image by using four separate channels:
off-screen audio effects, on-screen dialog, left-
to-right panning, and music. These channels
manipulate the sound to be heard and
enhance the action as it happens on the
screen. To take advantage of Dolby Pro Logic,
you should have at least one pair of rear
speakers and/or one center speaker.
You also need to select the appropriate center
mode to enjoy a full effect.
Dolby Surround
Encoding and decoding system of Dolby
Surround sound for consumer use. Dolby
Surround decodes the extra channels on the
Dolby Surround-encoded sound tracks of
movie videos and TV programmed and
produces sound effects and echoes that make
the action seem to envelop you.
Surround sound
Sound that consists of three elements: direct
sound, early reflected sound (early
reflections) and reverberative sound
(reverberation). The acoustics where you hear
the sound affect the way these three sound
elements are heard. These sound elements are
combined in such a way that you can actually
feel the size and the type of a concert hall.
• Types of sound
• Transition of sound from rear speakers
Early reflections
Reverberation
Direct sound
Direct sound
Early
reflections
Reverberation
Level
Early reflection time
Time
Design and specifications are subject to
change without notice.
Values for the Chinese model measured at
230 V AC, 50/60 Hz.
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