Yamaha SU700 Manuel utilisateur

Catégorie
Matériel d'enregistrement
Taper
Manuel utilisateur
Owner's Manual
SAMPLING UNIT
WARNING- When using any electrical or electronic
product, basic precautions should always be followed. These
precautions include, but are not limited to, the following:
1. Read all Safety Instructions, Installation Instructions,
Special Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, in-
cluding connection to the main supply.
2. Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact
your dealer for supply voltage verification and (if applicable)
instructions. The required supply voltage is printed on the
name plate. For name plate location, please refer to the graphic
found in the Special Message Section of this manual.
3. This product may be equipped with a polarized plug
(one blade wider than the other). If you are unable to insert the
plug into the outlet, turn the plug over and try again. If the
problem persists, contact an electrician to have the obsolete
outlet replaced. Do NOT defeat the safety purpose of the plug.
4. Some electronic products utilize external power sup-
plies or adapters. Do NOT connect this type of product to any
power supply or adapter other than one described in the owners
manual, on the name plate, or specifically recommended by
Yamaha.
5. WARNING: Do not place this product or any other
objects on the power cord or place it in a position where any-
one could walk on, trip over, or roll anything over power or
connecting cords of any kind. The use of an extension cord is
not recommended! If you must use an extension cord, the
minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:
The smaller the AWG number, the larger the current handling
capacity. For longer extension cords, consult a local electri-
cian.
6. Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in loca-
tions that do not interfere with proper ventilation. If instruc-
tions for enclosed installations are not provided, it must be
assumed that unobstructed ventilation is required.
7. Temperature considerations: Electronic products
should be installed in locations that do not significantly con-
tribute to their operating temperature. Placement of this prod-
uct close to heat sources such as; radiators, heat registers and
other devices that produce heat should be avoided.
8. This product was NOT designed for use in wet/damp loca-
tions and should not be used near water or exposed to rain. Exam-
ples of wet/damp locations are; near a swimming pool, spa, tub,
sink, or wet basement.
9. This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10. The power supply cord (plug) should be disconnected from
the outlet when electronic products are to be left unused for ex-
tended periods of time. Cords should also be disconnected when
there is a high probability of lightening and/or electrical storm
activity.
11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12. Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13. Do not attempt to service this product beyond that de-
scribed in the user-maintenance instructions. All other servicing
should be referred to qualified service personnel.
14. This product, either alone or in combination with an ampli-
fier and headphones or speaker/s, may be capable of producing
sound levels that could cause permanent hearing loss. DO NOT
operate for a long period of time at a high volume level or at a
level that is uncomfortable. If you experience any hearing loss or
ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15. Some Yamaha products may have benches and/or acces-
sory mounting fixtures that are either supplied as a part of the
product or as optional accessories. Some of these items are de-
signed to be dealer assembled or installed. Please make sure that
benches are stable and any optional fixtures (where applicable) are
well secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
IMPORTANT SAFETY INSTRUCTIONS
PLEASE KEEP THIS MANUAL
92-469-2
92-469- (rear)
ENVIRONMENTAL ISSUES: Yamaha strives to
produce products that are both user safe and environmen-
tally friendly. We sincerely believe that our products and
the production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small
non-rechargable battery which (if applicable) is soldered
in place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is consid-
ered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowl-
edge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and con-
sult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indi-
cates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
PRODUCT SAFETY MARKINGS: Yamaha elec-
tronic products may have either labels similar to the
graphics shown below or molded/stamped facsimiles of
these graphics on the enclosure. The explanation of these
graphics appears on this page. Please observe all cautions
indicated on this page and those indicated in the safety
instruction section.
The exclamation point within the equi-
lateral triangle is intended to alert the
user to the presence of important oper-
ating and maintenance (servicing) in-
structions in the literature accompany-
ing the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle,
is intended to alert the user to the pres-
ence of uninsulated “dangerous volt-
age” within the product’s enclosure that
may be of sufficient magnitude to con-
stitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic prod-
ucts are tested and approved by an independent safety
testing laboratory in order that you may be sure that when
it is properly installed and used in its normal and custom-
ary manner, all foreseeable risks have been eliminated.
DO NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product per-
formance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
SPECIAL MESSAGE SECTION
Model _____________________________________
Serial No. __________________________________
Purchase Date ______________________________
Do not rest your weight on, or place heavy objects on the instrument, and do
not use excessive force on the buttons, switches or connectors.
Do not operate the instrument for a long period of time at a high or
uncomfortable volume level, since this can cause permanent hearing loss. If
you experience any hearing loss or ringing in the ears, consult a physician.
SAVING USER DATA
Always save data to a floppy disk frequently, in order to help prevent the loss
of important data due to a malfunction or user operating error.
Yamaha cannot be held responsible for damage caused by improper use or
modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,
short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
• This instrument contains no user-serviceable parts. Do not attempt to
disassemble or modify the internal components in any way.
Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill
into any openings.
If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power
switch, disconnect the electric plug from the outlet, and have the instrument
inspected by qualified Yamaha service personnel.
Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
Before cleaning the instrument, always remove the electric plug from the
outlet. Never insert or remove an electric plug with wet hands.
Check the electric plug periodically and remove any dirt or dust which may
have accumulated on it.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the
instrument or other property. These precautions include, but are not limited to, the following:
Do not place the power cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy
objects on it, or place it in a position where anyone could walk on, trip over,
or roll anything over it.
When removing the electric plug from the instrument or an outlet, always
hold the plug itself and not the cord. Pulling by the cord can damage it.
• Do not connect the instrument to an electrical outlet using a multiple-
connector. Doing so can result in lower sound quality, or possibly cause
overheating in the outlet.
• Remove the electric plug from the outlet when the instrument is not to be
used for extended periods of time, or during electrical storms.
Before connecting the instrument to other electronic components, turn off
the power for all components. Before turning the power on or off for all
components, set all volume levels to minimum.
Do not expose the instrument to excessive dust or vibrations, or extreme
cold or heat (such as in direct sunlight, near a heater, or in a car during the
day) to prevent the possibility of panel disfiguration or damage to the internal
components.
Do not use the instrument near other electrical products such as televisions,
radios, or speakers, since this might cause interference which can affect
proper operation of the other products.
Do not place the instrument in an unstable position where it might accidentally
fall over.
Before moving the instrument, remove all connected cables.
When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do
not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
Intro 5
INTRO
Thank you for your purchase of the Yamaha SU700 sampling unit. The
SU700 is a combination sampler, sequencer, mixer, and multi-effector—
a powerful new tool for a wide range of performance and recording
environments.
This manual will help you learn what you need to know to make effec-
tive use of all of the SU700’s many features. Please read through the
essential parts of the manual carefully before beginning work with the
SU700, and refer back to the manual for additional information as
necessary. Please keep the manual in a safe and handy location so that
you can refer to it as necessary.
Intro Yamaha SU700 Sampling Unit
Owners Manual
Intro
6 Intro
Features
The SU700 is an ideal tool for artists in need of sampling and sequencing capabilities
for their recording and performance work. Here is just an abbreviated list of what’s
included.
Forty-two tracks. With 40 sample tracks plus 2 special tracks, you can make your
songs as complex as you wish.
Three different sample track types. LOOP tracks that generate automatic con-
tinuous loops; COMPOSED LOOP tracks that let you build your own custom loop
phrases; and FREE tracks that are ideal for adding fills and playing along in real
time.
AUDIO IN track lets you mix realtime vocals into your songs. You can control
the sound of the realtime audio using both the knob functions and the effects.
Intuitive, playable controls. Use pads and knobs to control an astonishing num-
ber of functions on each track. You can record all control actions as sequence data,
or you can apply controls on the fly during realtime performance. Special ribbon
controller can be set to “scratch out” samples, or can be set to control level, pitch,
or virtually any other parameter.
Powerful sampling capability. Provides high-quality sampling at any of five dif-
ferent sampling frequencies.
Triple-block effect system applies up to three effects at any given time. Select
from a total of 43 great-sounding Yamaha effects. Set effect parameters for the
effect itself, for the effect block, and for each track.
Scene memory stores up to eight scenes. Each scene holds an entire set of knob
settings, mute settings, and effects. You can recall scenes instantly during perfor-
mance, and you can record scene changes directly into your song.
Ample MIDI support. Use an external sequencer to control and synchronize
SU700 track play; or use the SU700 to control playback from an external tone gen-
erator.
Easily expandable. Supports up to 64MB of expansion memory. Optional SCSI
board (ASIB1) enables connection to external SCSI storage device. Optional I/O ex-
pansion board (AIEB1) adds digital and optical input/out and six assignable analog
outputs.
Colorful, easy-to-read fluorescent display gives you all the feedback you need to
maintain full control of the SU700’s power.
Intro 7
INTRO
Accessories
Please check your SU700 package to confirm that all of the following accessories are
present. If any items are missing or damaged, please contact your Yamaha dealer for
assistance.
Sampling CD “SU700 Sampling Audio”
Demo floppy disk
Power cord
This Owners Manual
Flat 40-pin cable and round 3-pin cable (for use with optional AIEB1 board)
Using the Manual
Recommended Approach
Before switching on the machine you should read though Chapter 1 to familiarize
yourself with the SU700 arrangement, and the usage of each of the SU700 controls
and connectors. You may then want to jump into the comprehensive tutorial pro-
vided in Chapter 2, or instead read Chapters 3 and 4 first to familiarize yourself with
the underlying concepts of SU700 operation. Refer also to Chapter 5 for details about
samples and sampling.
Chapters 6 to 10 and various appendixes offer detailed reference information, and
should be referred to as necessary.
Chapter Arrangement
Chapter 1: SU700 Components, Connections, And Start-Up
Explains all of the SU700 controls and connectors, and shows you how to connect
up and start the SU700. Please read through this chapter before you begin working
the SU700.
Chapter 2: Tutorial
Takes you through a comprehensive tutorial, showing you step-by-step how to
build a complex song using samples provided on the accessory CD. Working
through the tutorial will help you gain rapid mastery of SU700 operation.
Intro
8 Intro
Chapter 3: Basic Concepts, Track Types, and Memory
Introduces basic concepts underlying SU700 operation. Also provides a detailed ex-
planation of the different track types, and explains how the SU700 memory is orga-
nized. You should read through this chapter before you begin serious work with
the SU700.
Chapter 4: SU700 Operating Modes
Describes the six operating modes. Shows you how you can immediately identify
the current mode by looking at the screen display; explains how you move from
one mode to another; and indicates the operations that are and are not available
from each mode.
Chapter 5: Samples and Sampling
Explains samples, sampling, and the various sampling parameters. Provides de-
tailed procedures for recording samples onto the SU700.
Chapter 6: Using the Features
Offers detailed, reference-level explanations about how to use each of the SU700’s
song-related features. Describes pad usage, knob usage, ribbon usage, scenes,
markers, quantizing, and more.
Chapter 7: Effects
Gives a detailed explanation of the SU700’s effects implementation. Describes the
relation between tracks, effects, and the three effect blocks; explains how to set up
the effects and record your setups into scenes; and explains the difference between
system effects and insertion effects.
Chapter 8: Knob Functions
Gives detailed information about the 22 parameters controlled by the track knobs.
Chapter 9: Editing Functions
Describes the functions provided by the SU700’s Editing Function panel. You use
these features to clear or set up the effects, to delete note events, to reset knob set-
tings to their defaults, and to assist in name-editing.
Chapter 10: Jobs
Provides detailed explanations and procedures for all of the SU700 jobs. You use
these jobs for a wide variety of purposes—to configure your system, to save and
load data, to edit or delete song data, to set the track characteristics, and much
more.
Intro 9
INTRO
Appendixes
Appendix 1 provides detailed instructions for installing each of the SU700’s sup-
ported options. Appendix 2 gives the SU700 specifications. Appendix 3 offers a
number of helpful usage tips. Appendix 4 explains the SU700 error messages. Ap-
pendix 5 lists and describes the 43 built-in effects and their associated parameters.
Appendix 6 explains the MIDI implementation.
Notations
This manual employs the following notational conventions.
Button names are capitalized printed in uppercase bold and enclosed in brackets.
Examples: [CANCEL] and [OK].
Words that appear directly on the screen are printed in a distinctive font.
Examples: SONG01 and SELECT TRACK.
Jobs are identified by the job-group selector and job selector that you must press to
access them. The group-selector appears first, followed by a bar, followed by the
job selector.
Examples: SONG | NAME and RESAMPLE | TRACK
In cases where you must then select from multiple jobs by turning the dial, the job
name is appended as shown below.
Example: SAMPLE | PROCESS/TRIM
Buttons on the Knob Function panel and Editing Function panel are indicated by
the group name, then a slash, then the button name.
Examples: SOUND/[LEVEL] and NAME/[INSERT]
SU700 operating modes are written in uppercase.
Examples: REC STANDBY and PLAY
The following icons and symbols are also used.
NOTE
. Indicates reference information indirectly related to the con-
tent of the main text. May contain practical advice or general supple-
mentary information.
Procedure. Step-by-step instructions for carrying out a particular op-
eration. Note that a mark within a procedure indicates the result
produced by carrying out the immediately preceding instruction.
number Page reference. Directs to another page for related information.
Intro
10 Intro
Finally, please note that screen illustrations and other drawings presented in this
manual are for explanatory purposes only, and in some cases may differ from actual
displays and configurations.
Table of Contents 11
TABLE OF CONTENTS
Table of Contents
Intro Yamaha SU700 Sampling Unit Owner’s Manual
Features ............................................................................................................. 6
Accessories ........................................................................................................ 7
Using the Manual .............................................................................................. 7
Notations ........................................................................................................... 9
Chapter 1 SU700 Components, Connections, and Startup
1.1 SU700 Layout ........................................................................................ 14
1.2 SU700 Display Configuration............................................................... 23
1.3 Connecting Up....................................................................................... 29
1.4 Starting Up ............................................................................................ 33
Chapter 2 Tutorial
2.1 Setting Up .............................................................................................. 36
2.2 Listening to the Demo Song ................................................................. 37
2.3 Building Your Own Song ...................................................................... 47
2.4 Modifying sampled sounds................................................................... 95
Chapter 3 Basic Concepts, Track Types, and Memory
3.1 Basics ................................................................................................... 132
3.2 Sample-Track Types ............................................................................ 135
3.3 Memory Implementation.................................................................... 137
Chapter 4 SU700 Operating Modes
4.1 Introduction ........................................................................................ 140
4.2 Sequencer Modes ................................................................................ 141
4.3 Other Modes ........................................................................................ 146
Chapter 5 Samples and Sampling
5.1 All about Samples ............................................................................... 150
5.2 Sample Recording Procedure............................................................. 156
Chapter 6 Using the Features
Chapter 7 Effects
7.1 Introduction ........................................................................................ 186
7.2 Using the Effects ................................................................................. 186
7.3 Effect Blocks ....................................................................................... 188
7.4 System Effects ..................................................................................... 189
7.5 Insertion Effects .................................................................................. 190
7.6 Usage Tips............................................................................................ 191
7.7 Changing the Effect Resolution ......................................................... 192
Table of Contents
12 Table of Contents
Chapter 8 Knob Functions
8.1 Overview .............................................................................................. 194
8.2 Knob Settings for Each Track ............................................................ 195
8.3 Quantize and Resolution .................................................................... 196
8.4 Parameter Descriptions ...................................................................... 197
Chapter 9 Editing Functions
9.1 Overview .............................................................................................. 214
9.2 EFFECT SETUP Group ...................................................................... 214
9.3 JOB Group ........................................................................................... 220
9.4 NAME Group ...................................................................................... 221
Chapter 10 Jobs
10.1 Overview and Job List......................................................................... 224
10.2 General Procedure .............................................................................. 225
10.3 Job Explanations ................................................................................. 227
Appendix
Installing the Options ................................................................................... 312
Specifications ................................................................................................ 326
SU700 Usage Hints ....................................................................................... 328
Error Messages ............................................................................................. 331
Effect Type List ............................................................................................. 333
Effect Parameter List .................................................................................... 335
MIDI Data Format ........................................................................................ 345
MIDI Implementation Chart ........................................................................ 348
Chapter 1 SU700 Components, Connections, and Startup 13
CHAPTER 1
Chapter 1
SU700 Components,
Connections, and Startup
CONTENTS
1.1 SU700 Layout 14
1.2 SU700 Display Configuration 23
1.3 Connecting Up 29
1.4 Starting Up 33
This chapter describes the SU700’s layout and screen displays, shows
you how you can connect the SU700 to other devices, and takes you
through the SU700 startup procedure.
Chapter 1
SU700 Components, Connections, and Startup
14 Chapter 1 SU700 Components, Connections, and Startup
1 Display
The display provides all the information you need to work effectively at the
SU700. For a detailed explanation of common screen displays and indications, see
page 23.
1.1 SU700 Layout
This section explains all of the SU700 components.
1.1.1 Main Panel
2
3
4
56
7
8
9
0
A
B
C
D
E
F
G
1
N
O
P
MKJIH
L
Chapter 1 SU700 Components, Connections, and Startup 15
CHAPTER 1
2 TRACK BANK Selectors
You use the track bank selectors in combination with the sample track pads to se-
lect tracks for playback, recording, editing, and control.
The SU700 provides four track banks, each with ten sample tracks. This gives you
a total of 40 sample tracks. This means that each song can utilize anywhere from
1 to 40 samples.
3 Sample Track Pads
You use these 10 pads to control play on the sample tracks, and to select tracks for
sample recording, track editing, and track setup.
Each pad can be used to control a variety of operations. At any given time, each
pad controls a single operation only. You can switch the pad operation using the
PAD FUNCTION selectors (see item 5 below).
The pads for COMPOSED LOOP and FREE tracks include velocity sensors that
are effective for PLAY and LOOP RESTART pad functions. ( p.167, 301)
4 AUDIO IN Track Pad
You use this pad to set or release the mute for the AUDIO IN track, or to select the
AUDIO IN track during setup work.
5 MASTER Track Pad
Use this pad to set or release the mute on all other tracks, to restart looping on the
LOOP and COMPOSED LOOP tracks, or to select the MASTER track during setup
work.
6 PAD FUNCTION Selectors
The pad function selectors select the operation to be controlled by the pad.
Each track has a default pad function that is effective whenever you are working
at the main screen. You can set these defaults using the TRACK SET | MAIN job
( p. 231).
You can override the defaults by pressing any of these selectors during song re-
cording, playback, or standby. This will switch you to a function screen and will
cause all pads to switch to the selected function.
For detailed information about pad functions and their selection, see page 166.
For information about the difference between the main screen and the function
screens, see page 144.
Chapter 1
SU700 Components, Connections, and Startup
16 Chapter 1 SU700 Components, Connections, and Startup
7 Knobs
You use these knobs to control the values of multiple parameters (or knob settings)
on each track. At any given time each knob controls a single parameter only. You
use the KNOB FUNCTION panel (see item 9 below) to switch the parameter con-
trolled by the knobs.
When you are working the main screen, each knob controls its default parameter.
You can set these default separately for each track using the TRACK SET | MAIN
job ( p.231).
8 [RIBBON TRACK] Button
You use this button when you want to change the track(s) controlled by the rib-
bon. You select the track(s) by holding down the button and pressing the appro-
priate pad.
If you press the pad for a sample track, then the ribbon will work on all four
tracks associated with that pad (the tracks in Banks 1, 2, 3, and 4 for that pad). If
you press the pad for the AUDIO IN or MASTER track, then the ribbon will oper-
ate on that track only.
9 NOTE Display and Button
The bottom right corner of the display indicates relevant Quantize or Resolution
interval. If necessary, you can adjust the setting by pressing the [NOTE] button
(so that the indication starts blinking) and then turning the dial. Intervals are in-
dicated using note images (
, , etc.).
Exception: To set the resolution for the ROLL pad function, you must first press the
[NOTE] button, and then hold down the [ROLL] button while turning the dial.
0 BPM Display and Button
The center right line of the screen indicates the song’s current tempo, in BPM
(beats per minute). You can change the tempo by pressing the [BPM] button (so
that the BPM indication starts blinking) and then turning the dial.
A MEASURE Display and Button
The top right corner of the screen indicates the current song location, by measure
and beat. One way to change the location is to use the
, , and buttons, as
described above. Another way is to press the [MEASURE] button (so that the mea-
sure indication starts blinking) and then turn the dial.
B Ribbon Controller
You can set the ribbon up to control a single selected function with respect to a
single pad. You select the track set using the [RIBBON TRACK] button; see be-
low.
Chapter 1 SU700 Components, Connections, and Startup 17
CHAPTER 1
Once you have set this up, you can rub your finger along the ribbon to control the
selected function on the corresponding track. For example, if you set the function
to LEVEL then you use the ribbon to adjust the level on the track.
Available functions include most of the knob functions, and a special scratch func-
tion that lets you scratch out the sound of a selected track—the same kind of
sound that you would get by manually turning a vinyl record forward or back-
ward. For more information about ribbon use, see page 172.
C [CANCEL] and [OK] Buttons
Use these buttons to confirm or cancel various operations, or to move forward or
backward through the various job screens. Actual operation varies according to
the SU700’s current state.
D Dial
Use this dial to enter and adjust various values. Actual operation varies according
to the SU700’s current state. The value that can be adjusted by the dial is usually
shown in blinking format on the display.
E [BPM COUNTER] button
This button makes it easy to set the tempo to match the tempo of external play-
back that you may be preparing to record or play along with. To get a tempo read-
ing, simply tap on the counter along with the beat (hitting the counter once at
each beat). The SU700 detects a BPM value from your taps, and flashes this value
in the BPM area on the screen. If you wish to keep the new tempo, press [OK]. (If
you do not press [OK], the SU700 will restore the previous setting.)
F Cursor Buttons (
and )
Use these buttons to move the cursor position when editing names on the screen,
or to move from one parameter to another when working at setup screens con-
taining multiple parameters.
G MASTER VOLUME Knob
Turn the knob to adjust the output level to the STEREO OUT jacks. Note that this
adjustment does not affect the output level to any of the outputs on the optional
AIEB1 board.
H SAMPLING: STANDBY/START/STOP Button ([SAMPLING] button)
Use this button to begin and end sample recording. For details about how to
record samples, see the explanation beginning on page 156.
I SAMPLING: ANALOG LEVEL Knob
Turn this knob to adjust the input level when recording a sample from analog in-
put. The screen displays a level meter that will help you set an appropriate level.
Chapter 1
SU700 Components, Connections, and Startup
18 Chapter 1 SU700 Components, Connections, and Startup
J [UNDO/REDO] Button
You use this button to undo or redo all changes that you recorded into your song
during your previous recording pass. This feature is useful for undoing poor re-
sults, or for comparing “before” and “after” versions to determine which you want
to keep. The [UNDO/REDO] button operates only while the sequencer is in PLAY
STANDBY mode. ( p.183)
K Sequencer Controls
Use these buttons to control the sequencer. Button usage is outlined below. For
detailed information, refer to “Using the Sequencer,” ( p.162). Also refer to
Chapter 4, “SU700 Operating Modes,” for an overview of the different sequencer
modes ( p.139).
RECORD
Press to enter recording standby.
TOP OF SONG
Press to jump back to the top of the song (first beat of first measure).
FAST REVERSE
Hold down to move rapidly backward through the song.
STOP
Press to stop song playback or recording.
PLAY
Press to start song playback or recording.
FAST FORWARD
Hold down to move rapidly forward through the song.
L Job Grid
You use these buttons to access various SU700 jobs. These jobs let you carry out
a wide variety of editing, setup, and management tasks.
To select a job, you first press one of the job group selectors along the top of the
grid, and then press one of the job selectors along the left of the grid. You can then
carry out the job using the dial, cursor buttons, [CANCEL] or [OK] buttons, and
any other relevant controls.
For detailed explanations of all jobs, refer to Chapter 10, “Jobs,” on page 223.
M [SCENE/MARKER] Buttons
Operation depends on whether you have selected [SCENE] or [MARKER] with
the scene/marker switch.
If SCENE: The SU700 lets you store up to eight scenes per song. A scene is an
entire environment of knob settings, mute settings, and effect set-
tings. To store the current environment, hold down one of the scene
buttons (from [TOP] to [G]) for approximately 1.5 seconds, until
the screen says SCENE STORED. To recall a scene, press the corre-
sponding scene button briefly.
Chapter 1 SU700 Components, Connections, and Startup 19
CHAPTER 1
If you store a scene into the [TOP] button, this scene will automati-
cally be recalled when you return the song to its start position.
You can use the [INIT] scene button to initialize (clear) the content
of any scene. Simply hold down the [INIT] button and then press
the scene button that you want to initialize. ( p.180)
Note that you can store and initialize scenes only while the se-
quencer is in PLAY or PLAY STANDBY mode. You can recall scenes
at any time.
For more information about scenes, refer to page 176.
If MARKER: Use markers [1] to [8] to store song positions or to immediately
jump the song to a stored position. These buttons only work while
the sequencer is in PLAY or PLAY STANDBY mode.
To store the current position, hold down one of the marker buttons
for about 1.5 seconds, until the screen says MARKER STORED. To
jump to that position, press the same button briefly.
N SCENE/MARKER Switch
Use this switch to select the operating mode of the [SCENE/MARKER] buttons.
Set the switch to the left if you want the buttons to control scenes; set to the right
if you want the buttons to control markers.
O KNOB FUNCTION Panel
When you press one of these buttons during song standby, recording, or playback,
the display automatically switches to the corresponding function screen, and all
knobs automatically get control of the selected parameter. You can adjust the
value on each track by turning the corresponding knob (and using the bank selec-
tors as necessary to switch the bank).
You can also use these buttons to make selections within certain jobs; for ex-
ample, to select the default knob functions for the TRACK SET | MAIN job.
For detailed information, refer to Chapter 8, page 193.
P Edit Function Panel
You can use these buttons to perform various tasks: to set up each of the three ef-
fect blocks, to switch off any of the effects, to reset knob settings on selected
tracks, and to insert or delete characters within a name you are editing. For de-
tailed information, see Chapter 9, page 213.
Chapter 1
SU700 Components, Connections, and Startup
20 Chapter 1 SU700 Components, Connections, and Startup
1.1.2 Front Panel
3
1
2
4
1 Floppy-Drive Slot
The drive accepts 3.5" floppy disks (2HD or 2DD). You can use the disks to save
and reload all data, and to import commercially available sample or voice data.
2 Floppy Eject Button
Press this button to eject the floppy disk currently inserted in the slot. Remember:
Do not eject the disk while the access lamp is lit.
3 Floppy Access Lamp
This lamp lights up to indicate that the SU700 is currently accessing the disk.
CAUTION
Do not press the EJECT button or switch off the power while this lamp is lit, as doing so
may destroy data on the disk or cause damage to the disk drive.
4 Headphone Jack
Connects to standard stereo headphones. Outputs the same signal as the stereo
output jacks on the rear panel.
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354

Yamaha SU700 Manuel utilisateur

Catégorie
Matériel d'enregistrement
Taper
Manuel utilisateur