Yamaha D24 Manuel utilisateur

Catégorie
Matériel musical
Taper
Manuel utilisateur
Owner’s Manual
DIGITAL MULTITRACK RECORDER
00 00 00 00
YAMAHA D24
OVER
READY
0
2
6
10 12
14 20
18 30
20
42
26 60
–dB
OVER
ABS H
LOCK
TIME DISPLAY
CAPTURE ABS/REL
REMAIN
VAR I
SPEED
UTILITY
SETUP
PROJECT
SELECT
LOC MEM
RECALL
LOC MEM
STORE
LOCATEENTERCANCEL
0/-
1
4
7
8
R
7654321
RECORD
READY
SOLO/
SELECT
MONITOR SELECT
PEAK
HOLD
AUTO
INPUT
ALL
INPUT
FORMAT CHASE
L
2
5
8
3
6
9
UNDO/
REDO
EDIT
JOG ON
JOG/DATA SHUTTLE/
CURSOR
PROJECT SEARCH
RTN TO
ZERO
REW FF
STOP PLAY REC
ROLL
BACK
LAST REC
SET
DIGITAL MULTITRACK RECORDER
REPEAT
REHE
PHONES
LEVEL
010
ON
POWER
OFF
PHONES
BA
B
A
AUTO
PUNCH
IN
OUT
INT
24
48K
MASTER
WC
BIT
FS
TC
MSF
READY
0
2
6
12
20
30
42
60
–dB
V. T R A C K
SELECT
E
Keep This Manual For Future Reference.
ADVARSEL!
Lithiumbatteri—Eksplosionsfare ved fejlagtig
håndtering. Udskiftning må kun ske med batteri
af samme fabrikat og type. Levér det brugte
batteri tilbage til leverandoren.
VARNING
Explosionsfara vid felaktigt batteribyte. Använd
samma batterityp eller en ekvivalent typ som
rekommenderas av apparattillverkaren.
Kassera använt batteri enligt fabrikantens
instruktion.
VAROITUS
Paristo voi räjähtää, jos se on virheellisesti
asennettu. Vaihda paristo ainoastaan
laitevalmistajan suosittelemaan tyyppiin. Hävitä
käytetty paristo valmistajan ohjeiden
mukaisesti.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
GREEN-AND-YELLOW : EARTH
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured markings identifying the terminals in
your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be
connected to the terminal in the plug which is marked by the letter E
or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE
MUSIC (U.K.) LTD.
NEDERLAND THE NETHERLANDS
Dit apparaat bevat een lithium batterij voor geheugen
back-up.
Raadpleeg uw leverancier over de verwijdering van de
batterij op het moment dat u het apparaat ann het einde
van de levensduur afdankt of de volgende Yamaha Service
Afdeiing:
Yamaha Music Nederland Service Afdeiing
Kanaalweg 18-G, 3526 KL UTRECHT
Tel. 030-2828425
Gooi de batterij niet weg, maar lever hem in als KCA.
This apparatus contains a lithium battery for memory
back-up.
For the removal of the battery at the moment of the
disposal at the end of the service life please consult your
retailer or Yamaha Service Center as follows:
Yamaha Music Nederland Service Center
Address: Kanaalweg 18-G, 3526 KL
UTRECHT
Tel: 030-2828425
Do not throw away the battery. Instead, hand it in as small
chemical waste.
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC
requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST
be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may
cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all
installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the
problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on
different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in
is 300 ohm ribbon lead, change the lead-in to coaxial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer
authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service
Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
Laser Diode Properties
* Material : AlGaInP
* Wavelength : 675695 nm
* Emission Duration : Continuous
* Laser Output Power : Less than 44.6 µW
Laser output is measured at a
distance of 20 cm from the object
lens on the optical pick-up head.
(Note)
These labels are
located on the interior.
Varningsanvisning för
laserstrålning. Placerad
i apparaten.
This unit is classified as a
Class 1 laser product.
This label is located on the
exterior.
CLASS 1 LASER PRODUCT
LUOKAN 1 LASERLAITE
KLASS 1 LASERAPPARAT
Klassmärkning för Finland.
CAUTION
USE OF CONTROLS OR ADJUSTMENTS OR
PERFORMANCE OF PROCEDURES OTHER
THAN THOSE SPECIFIED HEREIN MAY RESULT
IN HAZARDOUS RADIATION EXPOSURE.
ADVARSEL
Usynlig laserstråling ved åbning. Undgå udsaettelse
for stråling.
VAROITUS
Laitteen käyttäminen muulla kuin tässä käyttöohjeesa
mainitulla tavalla saattaa altistaa käyttäjän
turvallisuusluokan 1 ylittävälle näkymättömälle
lasersäteilylle.
VARNING
Om apparaten används på annat sätt än i denna
bruksanvisning specificerats, kan användaren utsättas
för osynlig laserstrålning, som överskrider gränsen för
laserklass 1.
DANGER
INVISIBLE LASER RADIATION WHEN OPEN.
AVOID DIRECT EXPOSURE TO BEAM.
DANGER
RADIATIONS INVISIBLES DU LASER EN CAS D' OUVERTURE.
EVITER TOUTE EXPOSITION DIRECTE AU FAISCEAU.
VORSICHT
LASERSTRAHLUNG. WENN ABDECKUNG GEÖFFNET
NICHT DEM STRAHL AUSSETZEN.
ADVARSEL
USYNLIG LASERSTRÅLING VED ÅBNING NÅR
SIKKERHEDSAFBRYDERE ER UDE AF FUNKTION.
UNDGÅ UDSAETTELSE FOR STRÅLING.
VARNING
OSYNLIG LASERSTRÅLNING NÄR
DENNA DEL ÄR ÖPPEND. STRÅLEN
ÄR FARLIG.
APL
i
D24—Owner’s Manual
Important Information
Read the Following Before Operating the D24
Warnings
Do not subject the D24 to extreme temperatures, humidity, direct sunlight, or dust,
which could be a potential fire or electrical shock hazard.
Connect the D24 power cord to an AC outlet of the type stated in this
Owner’s Manual
or as indicated on the D24. Failure to do so is a fire and electrical shock hazard.
Do not plug several devices into the same AC outlet. This may overload the AC outlet,
and could be a fire or electrical shock hazard. It may also affect the performance of some
devices.
Do not place heavy objects on the power cord. A damaged power cord is a potential fire
and electrical shock hazard.
If the power cord is damaged (e.g., cut or a bare wire is exposed), ask your dealer for a
replacement. Using the D24 with a damaged power cord is a fire and shock hazard.
Hold the power cord plug when disconnecting from an AC outlet. Never pull the cord.
A power cord damaged through pulling is a potential fire and electrical shock hazard.
Do not place small metal objects on top of the D24. Metal objects falling inside the D24
is a fire and electrical shock hazard.
Do not block the D24 ventilation slots. The D24 has ventilation slots at the side and a
cooling fan at the rear to keep the internal components cool. Blocking the ventilation
slots or obstructing the fans airflow is a potential fire hazard.
Do not attempt to modify the D24. This is a potential fire and electrical shock hazard.
The D24 operating temperature is between 5˚C and 35˚C (41˚F and 95˚F).
Cautions
Allow enough free space around the unit for normal ventilation. This should be: 10 cm
behind and 20 cm above.
These distances should also be adopted when rack-mounting the unit. For normal ven-
tilation during use, remove the rear of the rack or open a ventilation hole.
If the airflow is not adequate, the unit will heat up inside and may cause a fire.
Turn off audio devices when connecting them to the D24, and use only the cables spec-
ified in the relevant owner’s manuals.
If you notice any abnormality—such as smoke, odor, or noise—turn off the D24 imme-
diately. Remove the power cord from the AC outlet. Confirm that the abnormality is no
longer present. Using the D24 in this condition is a potential fire and shock hazard.
Consult your dealer for repair.
If a foreign object or water gets inside the D24, turn it off immediately. Remove the
power cord from the AC outlet. Using the D24 in this condition is a potential fire and
electrical shock hazard. Consult your dealer for repair.
If you plan not to use the D24 for a long period of time, remove the power cord from
the AC outlet. Leaving the D24 connected is a potential fire hazard.
Do not use benzene, thinner, cleaning detergent, or a chemical cloth to clean the D24.
Use only a soft, dry cloth.
ii
D24—Owner’s Manual
MO Disks
Use only MO disks of the type specified in this manual.
Store MO disks in a place free from extreme temperatures, humidity, dust, and dirt.
Do not slide open the MO disk shutter, and never touch the actual disk.
If an MO disk is stored in a cold place (e.g., overnight in a car), and then moved to a
warmer environment, condensation may form on the disk. In this case, the disk should
be left to acclimatize for about 30 minutes before use.
Interference
The D24 uses high-frequency digital circuits that may cause interference on radio and
television equipment located nearby. If interference is a problem, relocate the affected
equipment.
D24 Exclusion of Certain Responsibility
Manufacturer, importer, or dealer shall not be liable for any incidental damages includ-
ing personal injury or any other damages caused by improper use or operation of the
D24.
Package Contents
The D24 package should contain the following items. Contact your Yamaha dealer if
you are missing an item.
D24 Digital Multitrack Recorder
This manual
•Power cord
MO disk
Disk eject tool
Trademarks
ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are
registered trademarks of Alesis Corporation. Apple and Macintosh are registered trade-
marks of Apple Computer, Inc. Digidesign and OMF are registered trademarks and
Sound Designer II is a trademark of Avid Technology, Inc. Tascam Digital Interface is a
trademark and Tascam and Teac are registered trademarks of Teac Corporation.
MS-DOS is a registered trademark and Windows is a trademark of Microsoft Corpora-
tion. Yamaha is a trademark of Yamaha Corporation. All other trademarks are the prop-
erty of their respective holders and are hereby acknowledged.
Copyright
No part of the D24 software or this
Owner’s Manual
may be reproduced or distributed
in any form or by any means without the prior written authorization of Yamaha Cor-
poration.
© 1999 Yamaha Corporation. All rights reserved.
Contents
iii
D24—Owner’s Manual
Contents
1 Welcome to the D24 . . . . . . . . . . . . . . . . . . . . . . . . 1
Welcome to the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
About this Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Installing the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
D24 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Choosing MO Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
2 Touring the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Transport Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Power Switch & Phones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Jog/Data & Shuttle/Cursor Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Function Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Peak, Monitor, Format & Chase Buttons . . . . . . . . . . . . . . . . . . . . . . . 17
Keypad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Track Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
3 The Basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Connecting the Power Cord . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Turning On & Off the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Write Protecting Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Inserting & Ejecting Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Formatting MO Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Transport Operation Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Indicator Status Tables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
4 Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
About Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Preparing to Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Setting the Recording Resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Conserving Disk Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Undoing a Recording or Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Rehearsing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Extending the Top of a Project . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Checking the Time Remaining . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Using Normal & Fine Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Using Peak Hold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Monitoring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
5 General Operation . . . . . . . . . . . . . . . . . . . . . . . . . 45
Using Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Using Fast Forward & Rewind . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
A–B Repeat Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
iv
Contents
D24—Owner’s Manual
Soloing Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Selecting the Solo Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Using Absolute & Relative Zero . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Using Roll-back . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Setting the Roll-back Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Using Virtual Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
Shuttling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Nudging the Current Position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Setting the Nudge Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Using Varispeed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
6 Quick Locate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Searching for Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Project Search Confirmation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Selecting Projects Directly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Returning to Zero . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Using the A & B Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Locating the LAST REC IN & OUT Points . . . . . . . . . . . . . . . . . . . . . . 62
Locating Positions Directly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Storing Locate Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Storing Locate Points Automatically . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Recalling Locate Points . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
7 Punch In/Out Recording . . . . . . . . . . . . . . . . . . . . 67
About Punch In/Out Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Manual Punch In/Out Rehearsal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Manual Punch In/Out Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Setting the LAST REC IN & OUT Points . . . . . . . . . . . . . . . . . . . . . . . . 71
Auto Punch In/Out Rehearsal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Auto Punch In/Out Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Setting the Pre-roll Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Setting the Post-roll Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
8 Editing Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Copying Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Erasing Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79
Deleting Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Titling Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81
Protecting Projects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Modifying a Project’s Start Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
9 Editing Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Copying Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Moving Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88
Erasing Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
Swapping Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Slipping Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
10 Editing Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Copying Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Moving Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Contents
v
D24—Owner’s Manual
Deleting Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Erasing Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104
Inserting Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Insert Copying Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108
Time Compression . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Pitch Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
11 Wordclocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Wordclocks & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
Wordclock Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Dual AES/EBU Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Selecting a Wordclock Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Wordclock System Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Terminating BNC Wordclock Distribution . . . . . . . . . . . . . . . . . . . . . 131
12 Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Timecode & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Timecode Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134
Selecting a Timecode Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Setting the Timecode Frame Rate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
Setting a Timecode Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Chasing External Timecode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Setting the Chase Speed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Transmitting MTC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139
Timecode Hookup Examples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140
13 Multiple D24s & Video Sync . . . . . . . . . . . . . . . . . 143
Multiple D24s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Expanding the Number of Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145
Extending the Recording Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147
Setting the Serial Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Using Video Sync . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Terminating BNC Video Sync Distribution . . . . . . . . . . . . . . . . . . . . . 150
Connecting a Video Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Video Hookup Example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
14 SCSI & External Disk Drives . . . . . . . . . . . . . . . . . . 153
SCSI & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Using External Disk Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Certified Disk Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Available Recording Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Connecting Disk Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Assigning SCSI IDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
Terminating the SCSI Bus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
Formatting External Disk Drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158
Selecting the Work Disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 161
Duplicating MO Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162
Copying Projects Between Disk Drives . . . . . . . . . . . . . . . . . . . . . . . . . 164
Mounting D24 Disks on a Personal Computer . . . . . . . . . . . . . . . . . . . 165
Connecting the D24 to a Personal Computer . . . . . . . . . . . . . . . . . . . . 166
vi
Contents
D24—Owner’s Manual
15 Other Functions . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Setting the Peak Hold Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Setting the Fade In/Out Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 170
Setting the Display Brightness . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Setting the Remote ID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171
Recovering Disk Space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Physical Formatting for MO Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 173
Ejecting Troublesome Disks (emergency use) . . . . . . . . . . . . . . . . . . . 174
Initializing the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Checking the Version Number . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
Updating the System Software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 175
16 MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 177
MIDI & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
MIDI Ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Using MMC (MIDI Machine Control) . . . . . . . . . . . . . . . . . . . . . . . . . 178
17 Digital Audio I/O . . . . . . . . . . . . . . . . . . . . . . . . . 181
About mini YGDAI Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 182
Card Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Choosing Digital I/O Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Choosing D24 Slots . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Selecting Slot Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Installing Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Using Dual AES/EBU Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Using the Coaxial Digital Input & Output . . . . . . . . . . . . . . . . . . . . . . 187
Assigning the Coaxial Input & Output . . . . . . . . . . . . . . . . . . . . . . . . . 188
Emphasis & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
SCMS & the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Digital I/O & Wordlength . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191
Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193
Setting the SCSI ID of the Internal MO Drive . . . . . . . . . . . . . . . . . . . 193
Error Messages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
Connector Pin Assignments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
D24 Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205
MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . 211
Welcome to the D24
1
D24—Owner’s Manual
Welcome to the D24
1
In this chapter...
Welcome to the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
About this Manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Installing the D24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
D24 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Choosing MO Disks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
2
Chapter 1—Welcome to the D24
D24—Owner’s Manual
Welcome to the D24
Thank you for choosing the Yamaha D24 Digital Multitrack Recorder.
The D24 uses standard 3.5-inch removable MO (Magneto Optical) disks for digital
audio recording and playback. By employing a removable media, backup downtime in
between sessions is eliminated. When one session is complete, simply insert a new disk
and begin recording right away. Random access capability provides instant access to up
to 99 projects per disk, 99 locate memories per project, all without unproductive
rewinding and fast forwarding. Audio data is not compressed, and superb sonic perfor-
mance is achieved using 16-, 20-, or 24-bit recording resolutions and 44.1 kHz, 48 kHz,
88.2 kHz, or 96 kHz sampling rates, all of which can be set on a project-by-project basis.
Overwrite-type 640 MB MO disks offer 8-track simultaneous recording, with a 24-bit
recording resolution and 44.1 kHz or 48 kHz sampling rates, and 4-track simultaneous
recording at the higher sampling rates of 88.2 kHz or 96 kHz. A single 640 MB MO disk
provides a total recording time of 120 track minutes, or 30 minutes for 4 tracks, 15 min-
utes for 8 tracks. In addition to the eight main tracks, each track features up to eight vir-
tual tracks, for a grand total of 64 tracks. Auto punch in/out recording, with multiple
take capability, allows you to choose the best from up to 99 takes. Both manual and auto
punch in/out recording can be rehearsed with automatic playback and input monitor
switching.
Video machine-like shuttle playback makes it easy to locate material, and the current
position can be nudged in sub-frame steps while listening to a small section of the sur-
rounding material. Tracks can be soloed for individual track monitoring. Other fea-
tures include ±6% varispeed, A-B repeat playback, and fast forward or rewind at 8x or
16x normal playback speed.
In addition to the 99 locate memories, the A, B, Last Rec In, and Last Rec Out points
offer additional ways locate specific positions quickly, repeatedly, and accurately. Other
quick locate functions include Project Search, Return to Zero, and Roll Back. Location
points can be specified with sub-frame accuracy.
Additional recording space can be made available, and projects backed up by connect-
ing optional, external hard disk drives or removable media disk drives to the D24’s SCSI
port. The number of tracks available for simultaneous recording and playback can be
expanded in multiples of eight by combining up to eight D24s. The total continuous
recording time can be extended by using two D24s in Serial mode. The D24’s 3U rack
size makes it a drop-in alternative to modular digital multitrack recorders.
Optional mini YGDAI (Yamaha General Digital Audio Interface) cards offer a variety
of analog and digital I/O configurations, with support for all the popular digital audio
interconnect formats: AES/EBU, ADAT, and Tascam TDIF-1. S/PDIF Coaxial I/O
allows digital stereo transfer between 2-channel digital audio equipment, CD players,
DAT decks, and mastering equipment. A front panel phones jack provides convenient
monitoring.
Once recorded, projects, tracks, and parts can be edited using non-destructive editing
functions, such as 50% to 200% time compression and expansion, ideal for
audio-fit-video applications, and pitch change without speed change. Project editing
functions include Copy, Delete, Erase, Title, Protect, and Timecode Modify. Track edit-
ing functions include Copy, Move, Erase, Swap, and Slip. Part editing functions include
Copy, Move, Erase, Insert Space, Insert Copy, and Delete, with single-step undo and
redo. Edit points can be specified with sub-frame accuracy.
About this Manual
3
D24—Owner’s Manual
Tape recorder-like transport controls, and the Large vacuum fluorescent display, with
large, easy to read counter, make operation a breeze. Visual level monitoring is provided
by eight 16-segment track level meters. Selectable normal and fine scales make it easy
to set precise levels when recording reference tones. Also, projects can be titled for easy
identification.
The D24 can generate, or synchronize to either SMPTE/EBU or MTC (MIDI Time-
code) timecode. Timecode synchronization is to 1/10-frame accuracy, and an offset can
be set relative to an external timecode source.
Remote control is possible using MMC (MIDI Machine Control), or video editing
equipment that supports 9-pin protocols.
Other features include Absolute (ABS) and Relative (REL) counter modes, disk dupli-
cation with two D24s, and the ability to mount D24 MO disks on personal computers.
See “D24 Features” on page 4 for a concise rundown of D24 features.
About this Manual
This
Owner’s Manual
contains all the information you need in order to operate your
D24 Digital Multitrack Recorder. Use the table of contents to familiarize yourself with
the organization of this manual and locate topics, and use the index to locate specific
information. A glossary of D24-related jargon is provided on page 201.
The following format is used throughout this
Owner’s Manual
for display messages:
“FORMAT DISK—ARE YOU SURE”. The message before the dash appears on the 1st
line of the display, and the message after the dash appears on the 2nd line.
Installing the D24
The D24 can be used freestanding on a stable surface, somewhere that complies with
the important information at the beginning of this manual, or mounted in a rack.
When mounting the D24 in a rack, remove the D24’s feet and leave adequate ventilation
space around the D24 (at least 10 cm of free space behind). If the D24 is mounted in a
portable rack case, keep the rear of the case open when using the D24, so as not to
obstruct the flow of air from the cooling fan. Do not mount the D24 next to equipment
that produces a lot of heat, such as a power amplifier.
4
Chapter 1—Welcome to the D24
D24—Owner’s Manual
D24 Features
Recording Media
Standard 3.5-inch MO (Magneto Optical) disks.
Convenient removable media for quick access to recorded material and sound libraries.
No backup downtime, loading, or winding.
Up to 99 projects per disk.
Sonic Performance
16/20/24-bit linear recording for superb sonic quality.
44.1/48/88.2/96 kHz sampling rates.
Sampling rate and recording resolution can be set on a project-by-project basis.
Recording
8-track simultaneous recording on 640 MB Overwrite-type MO disks, with a 24-bit
recording resolution and 44.1 kHz or 48 kHz sampling rate.
4-track simultaneous recording on 640 MB Overwrite-type MO disks, with a 24-bit
recording resolution and 88.2 kHz or 96 kHz sampling rate.
120 track minutes (15 minutes for 8 tracks) using 640 MB MO disks (16-bit, 44.1 kHz).
8 virtual tracks per main track, for a total of 64 tracks.
Auto punch in/out recording with multiple take capability—record and choose the best
from up to 99 takes.
Manual and auto punch in/out recording, with rehearsal.
Playback
Video machine-like shuttle playback.
Position nudge, with audio listen.
Solo function for individual track monitoring.
±6% varispeed.
A-B repeat playback.
Quick Locate
Up to 99 locate points per project, plus A, B, Last Rec In, and Last Rec Out points.
Project Search, Return to Zero, and Roll Back functions.
Location points can be specified with sub-frame accuracy.
Fast forward or rewind at 8x or 16x normal playback speed.
System Expansion
SCSI port for connecting external disk drives (hard disks, removable media drives, etc).
Tracks can be expanded by combining up to eight D24s, for a total of 64-tracks.
Continuous recording time can be extended by using two D24s in Serial mode.
3U rack size for drop-in alternative to tape-based modular digital multitrack recorders.
D24 Features
5
D24—Owner’s Manual
Flexible I/O
Optional mini YGDAI (Yamaha General Digital Audio Interface) cards offer a variety
of analog and digital I/O configurations, with support for all the popular digital audio
interconnect formats: AES/EBU, ADAT, and Tascam TDIF-1.
S/PDIF Coaxial I/O.
Phones.
Editing
Project editing functions include Copy, Delete, Erase, Title, Protect, and Timecode
Modify.
Track editing functions include Copy, Move, Erase, Swap, and Slip.
Part editing functions include Copy, Move, Erase, Insert Space, Insert Copy, and Delete.
Edit Undo/Redo function.
Edit points can be specified with sub-frame accuracy.
50% to 200% time compression and expansion, for audio-fit-video applications.
Pitch Change function provides pitch change without speed change.
Easy Operation
Tape recorder-like transport controls.
Large vacuum fluorescent display, with large, easy to read counter.
16-segment track level meters, with selectable normal and fine scales.
Projects can be titled for easy identification.
Synchronization
SMPTE/EBU or MTC (MIDI Timecode) synchronization, with timecode offset.
Timecode synchronization to 1/10-frame accuracy.
Wordclock I/O for master/slave operation.
Remote Control
MMC (MIDI Machine Control).
9-pin video editor protocols with video sync.
Optional RC-D24 Remote Controller.
Others
Absolute (ABS) and Relative (REL) counter modes.
Project backup.
Disk duplication with two D24s.
Mount D24 MO disks on personal computers.
6
Chapter 1—Welcome to the D24
D24—Owner’s Manual
Choosing MO Disks
The D24’s internal MO disk drive uses removable 3.5-inch MO (Magneto Optical)
disks for recording and playback. Normal or Overwrite-type MO disks in a variety of
sizes can be used, but only 640 MB Overwrite-type disks support 8-track simultaneous
recording with a 24-bit recording resolution. The number of tracks available for simul-
taneous recording depends on the type of MO disk used, its capacity, the selected
recording resolution, and sampling rate. See the following section for more informa-
tion.
Both normal and Overwrite-type MO disks support 8-track simultaneous playback at
sampling rates of 44.1 kHz and 48 kHz, and 4-track simultaneous playback at 88.2 kHz
and 96 kHz.
Overwrite-type disks feature the Overwrite logo shown here.
Tracks Available for Simultaneous Recording
The following table lists the number of tracks available for simultaneous recording with
a variety of normal and Overwrite-type MO disks at each recording resolution and
sampling rate.
For performance reasons, it’s recommended that you do not use 128 MB MO disks.
When tracks that have already been recorded are playing back, depending on the num-
ber and performance of those tracks (i.e., how heavily they’ve been edited), the number
of tracks available for simultaneous recording is reduced. Use the Optimize function to
arrange the recorded sound files for optimum performance. See “Recovering Disk
Space on page 172 for more information.
Recording Time
The total recording time depends on the disk capacity, recording resolution, and sam-
pling rate. A 640 MB Overwrite-type MO disk, for example, offers a total recording
time of 120 track minutes with a 16-bit recording resolution and 44.1 kHz sampling
rate.
The following table lists the approximate recording times offered by a variety of MO
disk capacities, with a 16-bit recording resolution and 44.1 kHz sampling rate.
Disk Type
44.1, 48 kHz 88.2, 96 kHz
16-bit 20-bit 24-bit 16-bit 20-bit 24-bit
Overwrite
640 MB
888444
230 MB
866433
Normal
640 MB
866433
230 MB
532211
Disk Capacity
Recording Time (16-bit, 44.1 kHz)
Track minutes
(mono)
2 tracks 4 tracks 8 tracks
640 MB
120 min 60 min 30 min 15 min
230 MB
43 min 21 min 10 min 5 min
Choosing MO Disks
7
D24—Owner’s Manual
The following table lists the approximate recording times available using 640 MB MO
disks at a variety of recording resolutions and sampling rates.
Higher recording resolutions and sampling rates offer higher quality, but produce more
data, which reduces the total available recording time. Use the Remain function to
check the available recording time. See “Checking the Time Remaining” on page 38 for
more information.
The number of tracks available for simultaneous recording can be expanded using mul-
tiple D24s. See “Multiple D24s” on page 144 for more information.
The D24’s internal MO disk drive supports 230 MB, 540 MB, and 640 MB MO disks.
See the Yamaha Professional Audio Web site at the address below for up-to-date news
on MO disks.
<http://www.yamaha.co.jp/product/proaudio/homeenglish/>
Preformatted MO Disks
MO disks preformatted for use with PC or Macintosh computers can be used with the
D24, but require formatting before use. See “Formatting MO Disks on page 26 for
more information.
Calculating the approximate Recording Time
You can calculate the approximate recording time for a given recording resolution,
sampling rate, and disk capacity as follows. First multiple the recording resolution by
the sampling rate to get the number of bits produced per second (e.g., 16
×
44100 =
705,600 bits per second). Then divide that by eight to get the number of bytes per sec-
ond (e.g., 705,600
÷
8 = 88,200 bytes per second). Multiply that by 60 to get the number
of bytes required per minute (e.g., 88,200
×
60 = 5,292,000 bytes per minute, or 5.292
MB/min). Now you know the number of megabytes required to store one minute of
audio data, simply divide the capacity of the disk by that number to get the approximate
number of track minutes (e.g., 640,000,000
÷ 5,292,000 = 120 minutes). Finally, divide
the number of track minutes by two, four, or eight to get the approximate recording
time available for several tracks (e.g., 120 ÷ 8 = 15 minutes for 8-track simultaneous
recording).
Bit
Sampling
Rate
Track minutes
(mono)
2 tracks 4 tracks 8 tracks
16
44.1 kHz
120 min 60 min 30 min 15 min
48 kHz
111 min 55 min 27 min 13 min
88.2 kHz
60 min 30 min 15 min
96 kHz
55 min 27 min 13 min
20
44.1 kHz
96 min 48 min 24 min 12 min
48 kHz
88 min 44 min 22 min 11 min
88.2 kHz
48 min 24 min 12 min
96 kHz
44 min 22 min 11 min
24
44.1 kHz
80 min 40 min 20 min 10 min
48 kHz
74 min 37 min 18 min 9 min
88.2 kHz
40 min 20 min 10 min
96 kHz
37 min 18 min 9 min
Touring the D24 9
D24—Owner’s Manual
Touring the D24
2
In this chapter...
Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Transport Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Power Switch & Phones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Jog/Data & Shuttle/Cursor Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Function Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Peak, Monitor, Format & Chase Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Keypad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Track Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
10 Chapter 2—Touring the D24
D24—Owner’s Manual
Front Panel
The D24 front panel is explained in the following sections.
Display
A Level meters
These 16-segment track meters, with Peak Hold function, show playback and input sig-
nal levels from –60 dB to 0 dB. In Fine mode, they display levels from –26 dB to 0 dB.
The OVER indicator lights up when several consecutive audio samples exceed the dig-
ital saturation point. See “Metering” on page 39 for more information.
When the Shuttle, Nudge, Time Compression, or Pitch Change function is used, track
meters 7 and 8 function as stereo meters, and meters 1 through 6 are turned off.
B ABS/REL indicators
These indicators show whether the counter is displaying absolute (ABS) time or relative
(REL) time. See “Using Absolute & Relative Zero on page 49 for more information.
00 00 00 00
YAMAHA D24
OVER
READY
0
2
6
10 12
14 20
18 30
20
42
26 60
–dB
OVER
ABS H
LOCK
TIME DISPLAY
CAPTURE ABS/REL
REMAIN
VARI
SPEED
UTILITY
SETUP
PROJECT
SELECT
LOC MEM
RECALL
LOC MEM
STORE
LOCATEENTERCANCEL
0/-
1
4
7
8
R
7654321
RECORD
READY
SOLO/
SELECT
MONITOR SELECT
PEAK
HOLD
AUTO
INPUT
ALL
INPUT
FORMAT CHASE
L
2
5
8
3
6
9
UNDO/
REDO
EDIT
JOG ON
JOG/DATA SHUTTLE/
CURSOR
PROJECT SEARCH
RTN TO
ZERO
REW FF
STOP PLAY REC
ROLL
BACK
LAST REC
SET
DIGITAL MULTITRACK RECORDER
REPEAT
REHE
PHONES
LEVEL
010
ON
POWER
OFF
PHONES
BA
B
A
AUTO
PUNCH
IN
OUT
INT
24
48K
MASTER
WC
BIT
FS
TC
MSF
READY
0
2
6
12
20
30
42
60
–dB
V. T R A C K
SELECT
1 2 3
4 9865 J7 K
00 00 00 00
OVER
READY 12345678
0
2
6
10 12
14 20
18 30
20
42
26 60
dB
OVER
ABS
REL
H
LOCK
R
L
INT EXT
16 20 24
44.1K48K96KVARI
MASTER SLAVE
WC
BIT
FS
TC
CHASE
MSF
READY
0
2
6
12
20
30
42
60
dB
000000000000
000000000000
Display 11
D24—Owner’s Manual
C Counter
The main counter shows the current position in
hours, minutes, seconds, and frames,
(00:00:00.00), and can display the absolute
(ABS) time or relative (REL) time. See “Using
Absolute & Relative Zero on page 49 for more
information.
The 2nd line of the message area displays time
information in hours, minutes, seconds, frames,
and sub-frames (00:00:00.00.0). Each sub-frame
is one tenth of a frame, making 10 sub-frames
per frame.
The 2nd line is also used to display the remaining recording time. See “Checking the
Time Remaining” on page 38 for more information.
D READY indicators
These indicators show which tracks are selected for recording. When a track is selected
for recording, the corresponding READY indicator flashes. During recording or
rehearsal, the corresponding indicator lights up continuously. See “Recording” on page
33 for more information.
E Message area
The message area consists of two lines that can each display up to 12 characters, which
typically show the status and operating mode of the D24, function and parameter
names and values, project titles and numbers, locate memory numbers, editing infor-
mation, time values, and so on.
F LOCK indicator
This indicator shows whether or not the D24 is locked to the selected wordclock source.
See “Selecting a Wordclock Source on page 124 for more information.
G CHASE indicator
This indicator shows whether or not the D24 is synchronized to the external timecode
source. It flashes when the D24 is chasing, and lights up continuously when its fully
synchronized. See “Chasing External Timecode on page 138 for more information.
H WC window
This window shows the selected wordclock source: internal (INT) or external (EXT).
See “Selecting a Wordclock Source on page 124 for more information.
I BIT window
This window shows the selected recording resolution: 16, 20, or 24. See “Setting the
Recording Resolution on page 32 for more information.
J FS window
This window shows the selected sampling rate: 44.1 kHz, 48 kHz, 88.2 kHz, or 96 kHz.
When 88.2 kHz is selected, both the 44.1 kHz and 96 kHz indicators light up. See
“Selecting a Wordclock Source on page 124 for more information.
The “VARI” indicator lights up when the Varispeed function is turned on. See “Using
Varispeed” on page 55 for more information.
K TC window
This window shows the selected timecode source: master or slave. When set to master,
the D24 uses internal timecode, and when set to slave, an external timecode source. See
“Selecting a Timecode Source” on page 135 for more information.
HMSF
STOP
000000000
00 00 00 00
Hour Min Sec fr sub-fr
Hour Min Sec fr
12 Chapter 2Touring the D24
D24—Owner’s Manual
Transport Controls
The “Transport Operation Table” on page 27 and the “Indicator Status Tables” on
page 28 list how the transport buttons and indicators function in each transport mode.
A A & B buttons & indicators
These buttons are used to set and locate the A and B points. The A and B indicators light
up when the respective A or B point is set. See “Using the A & B Points” on page 61 for
more information.
B ROLL BACK button
This button is used to roll back from the current position in steps of between 1 and 30
seconds, the default being 5 seconds. See “Using Roll-back” on page 50 for more infor-
mation.
C RTN TO ZERO button
This button is used to locate the zero position. See “Returning to Zero on page 60 for
more information.
D LAST REC IN & OUT buttons & indicators
These buttons are used to set and locate the LAST REC IN and LAST REC OUT points.
The IN and OUT indicators light up when the respective IN or OUT point is set. See
“Setting the LAST REC IN & OUT Points” on page 71 and “Locating the LAST REC IN
& OUT Points” on page 62 for more information.
E PROJECT SEARCH buttons
These buttons are used to search for projects. Pressing the [ ] button selects the top
of the current project. Pressing the [ ] button selects the top of the next project. See
“Searching for Projects on page 58 for more information.
PROJECT SEARCH
RTN TO
ZERO
REW FF
STOP PLAY REC
ROLL
BACK
LAST REC
REHE
B
A
AUTO
PUNCH
IN
OUT
6 7
3
1
K
L
9
J
8
M N O P Q
4
2
5
REPEAT
BA
SET
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211

Yamaha D24 Manuel utilisateur

Catégorie
Matériel musical
Taper
Manuel utilisateur