Roland AC-90 Manuel utilisateur

Catégorie
Équipement musical supplémentaire
Taper
Manuel utilisateur
Owner’s Manual
Bedienungsanleitung
Guide d’utilisation
Manuale dell'utente
Manual del usuario
Manual do proprietário
Gebruikershandleiding
202
Copyright © 2007 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without
the written permission of ROLAND CORPORATION.
Thank you, and congratulations on your choice of the Roland AC-90 Acoustic Chorus.
201b
These sections provide important information concerning the proper operation of the
unit. Additionally, in order to feel assured that you have gained a good grasp of every
feature provided by your new unit, Owner’s manual should be read in its entirety. The
manual should be saved and kept on hand as a convenient reference.
Before using this unit, carefully read the sections entitled:
IMPORTANT SAFETY INSTRUCTIONS (page 2)
USING THE UNIT SAFELY (page 3–4)
IMPORTANT NOTES (page 5)
AC-90_egfispd.book Page 1 Tuesday, May 15, 2007 2:37 PM
2
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
NEUTRAL
LIVE
For the U.K.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
AC-90_egfispd.book Page 2 Tuesday, May 15, 2007 2:37 PM
3
USING THE UNIT SAFELY
001
Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
..........................................................................................................
002a
Do not open or perform any internal modifica-
tions on the unit.
..........................................................................................................
003
Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as listed on
the “Information” page.
..........................................................................................................
004
Never use or store the unit in places that are:
Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
Damp (e.g., baths, washrooms, on wet floors); or are
Humid; or are
Exposed to rain; or are
Dusty; or are
Subject to high levels of vibration.
..........................................................................................................
008a
The unit should be connected to a power supply
only of the type described in the operating
instructions, or as marked on the rear side of unit.
..........................................................................................................
009
Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements
and short circuits. Damaged cords are fire and shock
hazards!
..........................................................................................................
010
This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
...........................................................................................................
011
Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
...........................................................................................................
012a
Immediately turn the power off, remove the
power cord from the outlet, and request servicing
by your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as listed on
the “Information” page when:
The power-supply cord or the plug has been damaged;
or
If smoke or unusual odor occurs
Objects have fallen into, or liquid has been spilled onto
the unit; or
The unit has been exposed to rain (or otherwise has
become wet); or
The unit does not appear to operate normally or
exhibits a marked change in performance.
...........................................................................................................
013
In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
...........................................................................................................
014
Protect the unit from strong impact.
(Do not drop it!)
...........................................................................................................
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
AC-90_egfispd.book Page 3 Tuesday, May 15, 2007 2:37 PM
4
015
Do not force the unit’s power-supply cord to
share an outlet with an unreasonable number of
other devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
..........................................................................................................
016
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
..........................................................................................................
026
Do not put anything that contains water (e.g.,
flower vases) on this unit. Also, avoid the use of
insecticides, perfumes, alcohol, nail polish, spray
cans, etc., near the unit. Swiftly wipe away any
liquid that spills on the unit using a dry, soft
cloth.
..........................................................................................................
101a
The unit should be located so that its location or
position does not interfere with its proper venti-
lation.
...........................................................................................................
102a
Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from an
outlet.
...........................................................................................................
103a
At regular intervals, you should unplug the
power plug and clean it by using a dry cloth to
wipe all dust and other accumulations away from
its prongs. Also, disconnect the power plug from
the power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug and
the power outlet can result in poor insulation and
lead to fire.
...........................................................................................................
104
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
...........................................................................................................
106
Never climb on top of, nor place heavy objects on
the unit.
...........................................................................................................
107a
Never handle the power cord or its plug with wet
hands when plugging into, or unplugging from,
an outlet.
...........................................................................................................
108a
Before moving the unit, disconnect the power
plug from the outlet, and pull out all cords from
external devices.
...........................................................................................................
109a
Before cleaning the unit, turn off the power and
unplug the power cord from the outlet.
...........................................................................................................
110a
Whenever you suspect the possibility of lightning
in your area, pull the plug on the power cord out
of the outlet.
...........................................................................................................
120
Always turn the phantom power off when
connecting any device other than condenser
microphones that require phantom power. You
risk causing damage if you mistakenly supply
phantom power to dynamic microphones, audio
playback devices, or other devices that don’t
require such power. Be sure to check the specifica-
tions of any microphone you intend to use by
referring to the manual that came with it.
(This instrument’s phantom power: 48 V DC, 10 mA Max)
...........................................................................................................
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5
IMPORTANT NOTES
291b
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2
and 4, please read and observe the following:
Power Supply
301
Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an inverter
(such as a refrigerator, washing machine, microwave oven, or air
conditioner), or that contains a motor. Depending on the way in
which the electrical appliance is used, power supply noise may
cause this unit to malfunction or may produce audible noise. If it
is not practical to use a separate electrical outlet, connect a power
supply noise filter between this unit and the electrical outlet.
307
Before connecting this unit to other devices, turn off the power to
all units. This will help prevent malfunctions and/or damage to
speakers or other devices.
308
Although the LEDs are switched off when the POWER switch is
switched off, this does not mean that the unit has been completely
disconnected from the source of power. If you need to turn off the
power completely, first turn off the POWER switch, then unplug
the power cord from the power outlet. For this reason, the outlet
into which you choose to connect the power cord’s plug should
be one that is within easy reach and readily accessible.
Placement
351
Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or move
it farther away from the source of interference.
352a
This device may interfere with radio and television reception. Do
not use this device in the vicinity of such receivers.
352b
Noise may be produced if wireless communications devices, such
as cell phones, are operated in the vicinity of this unit. Such noise
could occur when receiving or initiating a call, or while
conversing. Should you experience such problems, you should
relocate such wireless devices so they are at a greater distance
from this unit, or switch them off.
354b
Do not expose the unit to direct sunlight, place it near devices
that radiate heat, leave it inside an enclosed vehicle, or otherwise
subject it to temperature extremes. Also, do not allow lighting
devices that normally are used while their light source is very
close to the unit (such as a piano light), or powerful spotlights to
shine upon the same area of the unit for extended periods of time.
Excessive heat can deform or discolor the unit.
355b
When moved from one location to another where the temperature
and/or humidity is very different, water droplets (condensation)
may form inside the unit. Damage or malfunction may result if
you attempt to use the unit in this condition. Therefore, before
using the unit, you must allow it to stand for several hours, until
the condensation has completely evaporated.
356
Do not allow rubber, vinyl, or similar materials to remain on the
unit for long periods of time. Such objects can discolor or
otherwise harmfully affect the finish.
359
Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the exterior
finish.
360
Depending on the material and temperature of the surface on
which you place the unit, its rubber feet may discolor or mar the
surface.
You can place a piece of felt or cloth under the rubber feet to
prevent this from happening. If you do so, please make sure that
the unit will not slip or move accidentally.
Add
Do not allow objects to remain on top of the unit while it is in
operation.
Do not sit or lean on top of the unit.
Maintenance
401a
For everyday cleaning wipe the unit with a soft, dry cloth or one
that has been slightly dampened with water. To remove stubborn
dirt, use a cloth impregnated with a mild, non-abrasive detergent.
Afterwards, be sure to wipe the unit thoroughly with a soft, dry
cloth.
402
Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
Additional Precautions
553
Use a reasonable amount of care when using the unit’s buttons,
sliders, or other controls; and when using its jacks and
connectors. Rough handling can lead to malfunctions.
556
When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
557
A small amount of heat will radiate from the unit during normal
operation.
558a
To avoid disturbing your neighbors, try to keep the unit’s volume
at reasonable levels. You may prefer to use headphones, so you
do not need to be concerned about those around you (especially
when it is late at night).
559a
When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise, you
will need to use equivalent packaging materials.
562
Some connection cables contain resistors. Do not use cables that
incorporate resistors for connecting to this unit. The use of such
cables can cause the sound level to be extremely low, or impos-
sible to hear. For information on cable specifications, contact the
manufacturer of the cable.
921
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power on
all devices before making any connections.
922
This instrument is equipped with balanced XLR/TRS type jacks.
Wiring diagrams for these jacks are shown below. Make connec-
tions after first checking the wiring diagrams of other equipment
you intend to connect.
fig.XLR/TRSJack.eps
941
Once the connections have been completed (p. 11), turn on power
to your various devices in the order specified. By turning on
devices in the wrong order, you risk causing malfunction and/or
damage to speakers and other devices.
When powering up:
Turn on the power to the AC-90 last.
When powering down:
Turn off the power to the AC-90 first.
Add
Wrap the AC cord around the cord hook when trans-porting or
storing the unit.
AC-90_egfispd.book Page 5 Tuesday, May 15, 2007 2:37 PM
6
Contents
USING THE UNIT SAFELY ............................................3
IMPORTANT NOTES ......................................................5
Contents..............................................................................6
English
Main Features.........................................................7
Names of Things and What They Do .................8
Control Panel...............................................8
Rear Panel..................................................12
Example of Using Two Channels Combined...14
How to Use the Folding Stand...........................15
Using a Speaker Stand ........................................16
Deutsch
Hauptmerkmale...................................................17
Bezeichnungen und Funktionen der
Bedienelemente....................................................18
Bedienfeld..................................................18
Rückseite....................................................22
Beispiel für die kombinierte Verwendung
zweier Kanäle.......................................................24
Verwendung des ausklappbaren Bügels..........25
Verwenden eines Lautsprecherstativs..............26
Français
Caractéristiques principales...............................27
Noms et fonctions des éléments ........................28
Panneau de commande ...........................28
Panneau arrière.........................................32
Exemple d’utilisation de deux canaux
ensemble................................................................34
Utilisation du pied pliant....................................35
Utilisation d’un pied pour haut-parleur ..........36
Italiano
Caratteristiche principali ....................................37
Denominazione e utilizzo delle funzioni .........38
Pannello di controllo................................38
Pannello posteriore ..................................42
Esempio di utilizzo di due canali combinati ...44
Modalità di utilizzo del supporto pieghevole.45
Utilizzo di un supporto casse.............................46
Español
Principales características...................................47
Nombres de componentes y sus funciones......48
Panel de control ........................................48
Panel trasero..............................................52
Ejemplo de uso de dos canales combinados....54
Cómo utilizar el soporte plegable .....................55
Utilización de un soporte de altavoz ................56
Português
Principais características.....................................57
Nomes das partes e suas funções ......................58
Painel de controle .....................................58
Painel traseiro............................................62
Exemplo de uso de dois canais combinados....64
Como utilizar o suporte dobrável .....................65
Utilizando um suporte para alto-falante..........66
Nederlands
Belangrijkste kenmerken.....................................67
Namen van onderdelen en hun functies ..........68
Voorpaneel ................................................68
Achterpaneel .............................................72
Voorbeeld van gecombineerd gebruik van
twee kanalen.........................................................74
De vouwstandaard gebruiken ...........................75
Een luidsprekerstandaard gebruiken ...............76
Block Diagram .................................................................77
How to Use the Carrying Case......................................77
Specifications ...................................................................78
AC-90_egfispd.book Page 6 Tuesday, May 15, 2007 2:37 PM
Español Italiano Français Deutsch EnglishPortuguêsNederlands
7
Main Features
The AC-90 is a high-performance monitor amp developed exclusively for use with acoustic instruments. It is capable of faithfully
expressing all the harmonic richness of an acoustic instrument’s sound.
Compact, High-Performance Stereo
Amp
The finely tuned design of the cabinet is meant to
enhance the sound of acoustic instruments. Within this
cabinet, there are two 8 inch woofers, two tweeters, and
a 45 W + 45 W stereo amp—all of which were newly
designed just for the AC-90. As a result, the unit is
capable of delivering a more natural, acoustic instrument
sound across a broad range of frequencies.
Thanks to a power amp that was designed to be as light
as possible, and the use of new materials for the woofers,
an overall reduction in the weight of the unit has been
achieved.
Features Two Independent Channels,
GUITAR and MIC/LINE
Each channel includes a 3-band equalizer.
GUITAR channel handles both piezo and magnetic
pickups.
The MIC/LINE channel offers phantom power,
produced by highly reliable, dedicated 48 V output
phantom circuitry.
Using the MIC/LINE channel for LINE input allows you
to connect guitars with magnetic pickups. You can also
use a piezo pickup (GUITAR channel) and a magnetic
pickup (MIC/LINE channel) at the same time, and mix
(blend) the sounds together.
High-Quality Digital Effects
Three kinds of stereo chorus effects are provided. There
is the spatially synthesized “SPACE” chorus, the “RICH”
chorus (which is divided into frequency bands), and the
“WIDE” chorus (which is also divided into frequency
bands while offering even greater expansiveness).
Includes stereo reverb developed especially for acoustic
instruments. This allows you to add a sense of
spaciousness and natural body to the sound.
Equipped with delay effects that can produce sound
with a tonal quality that is soft and tuned specifically for
acoustic instruments.
An optional foot switch can also be used to turn the
effects on and off.
Anti-Feedback Suppresses Feedback
Anti-feedback features two ways to detect the feedback
point. You can use the “Manual settings,” or you can use
the “Auto settings,” which provide for the automatic
detection of the feedback point.
You can connect an optional foot switch and use your
foot to operate this feature.
Mute Function
The provided Mute switch makes it easy for you to mute
the sounds for the AC-90’s own speakers as well as the
sounds from LINE OUT. By using the Mute function,
you can plug in and out noiselessly at the guitar.
Furthermore, when you have a tuner connected to
TUNER OUT, the Mute function lets you tune your
instrument without outputting any sound.
You can connect an optional foot switch and use your
foot to turn this on and off.
External Input Jacks (AUX IN)
Includes external input jacks, allowing you to connect a
CD player, backing machine, or other device in stereo.
•These include both RCA phono jacks and 1/4” phone
jacks, making it possible to connect just about any kind
of device.
Multiple Output Connectors
Features DI Out, which allow you to directly output the
signals input from connected instruments and mics. You
can also connect a tuner. TRS balanced output is
supported.
Line outs feature 1/4” phone mono-output jacks in
addition to XLR connectors for stereo output. You can
use a single AC-90 for all applications.
It also features a Subwoofer Out. Connecting a powered
subwoofer allows you to play with an even punchier,
more powerful low end.
The amp also provides a headphones jack, which you
can use when playing during nighttime hours and when
making sound checks.
Convenient Placement Features
Equipped with a “folding stand,” which allows you to
change the angle of the amp when using it for
monitoring purposes.
Includes a “speaker stand adapter,” which allows you to
attach the AC-90 to a speaker stand. This makes using
the AC-90 easier when you are performing standing up,
and allows you to use the amp as a simple PA.
Also included is a carrying case for greater portability.
AC-90_egfispd.book Page 7 Tuesday, May 15, 2007 2:37 PM
8
Names of Things and What They Do
Control Panel
fig.010
1. INPUT
(GUITAR CHANNEL)
Connect guitars here.
(MIC/LINE CHANNEL)
Connect mics and line-level devices here. You can also
connect guitars with pickups equipped with preamps.
This handles balanced input, so you can connect 1/4” phone
TRS jacks and XLR-type connectors.
fig.030
You can use the two channels in combination.
Refer to “Example of Using Two Channels Combined” (p. 14).
983
* Feedback could be produced depending on the location of
microphones relative to speakers. This can be remedied by:
Changing the orientation of the microphone(s).
Relocating microphone(s) at a greater distance from speakers.
Lowering volume levels.
2. PICKUP Button
This switches the input circuitry for either piezo or magnetic
pickups, according to the type of pickup on the connected
guitar. Press down the button for magnetic pickups.
* Set this to “MAGNETIC” if your guitar has an active pickup
equipped with a preamp.
3. SHAPE Button
Setting this to ON modifies the midrange to create a bright
tone suitable for strumming chords.
This emphasizes brushing sounds, allowing you to strum
with a more edgy feeling.
4. PHANTOM Switch
This turns the phantom power on and off.
Set this to “ON” when connecting mics that require phantom
power (condenser mic, etc.).
Set this to “OFF” when connecting mics that do not require
phantom power or other devices.
Use the following sequence when connecting mics that
require phantom power:
1.Turn the PHANTOM switch off.
2.Connect the mic.
3.Turn the PHANTOM switch on.
Supplying phantom power to mics that do not require it
or supplying it to other devices may cause such
equipment to malfunction. Always be sure to turn the
switch off before connecting.
* To protect the circuitry, all output is muted momentarily after
the PHANTOM switch is turned on or off.
* Phantom power is supplied only to the XLR connectors for the
MIC/LINE channel INPUT.
* Noise may be produced if connectors are connected or
disconnected while the phantom power is turned on.
12 3
10 11 16 17
9678
45
12 13 14 15 18
XLRTRS
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Español Italiano Français Deutsch EnglishPortuguêsNederlands
9
Names of Things and What They Do
Phantom Power
Because they have a comparatively wider range and better
sound quality than dynamic mics, condenser mics are often
used for miking acoustic guitars. However, they require a
power source to operate. Although some condenser mics run
off batteries placed within the mic housing, in many cases a
type of power supply known as “phantom power” is
required. This power supply uses the existing mic cable to
feed power.
The AC-90’s phantom power is output at a constant 48 V, so
it conforms to professional specifications required at
recording studios.
5. SELECT Button
This switches the input level to match that of the connected
device (mic or line).
You can connect guitars with magnetic pickups when LINE
is selected with the SELECT button.
* Note that the volume is increased if the switch is set to “MIC”
when you have a line-level device connected.
6. VOLUME Knobs
(GUITAR CHANNEL)
Adjusts the volume of the GUITAR channel.
* To accommodate the lower output of piezo pickups, the volume
level when the VOLUME knob is between the 7 and 10
positions is set somewhat higher when the PICKUP button is
set to PIEZO in comparison with the MAGNETIC setting.
(MIC/LINE CHANNEL)
Adjusts the volume of the MIC/LINE channel.
* When using the AC-90 with the GUITAR channel and MIC/
LINE channel mixed, adjust the volume balance between the
two channels with the VOLUME knob.
7. BASS Knobs
Adjust the level of the low-frequency range.
8. MIDDLE Knobs
Adjust the level of the midrange.
9. TREBLE Knobs
Adjust the level of the high-frequency range.
The tone of an acoustic instrument can vary immensely from
one instrument to the next. The kind of sound required also
varies according to how an instrument is being used in a
particular ensemble. Actively use the BASS, MIDDLE, and
TREBLE knobs to adjust the tone to suit the instrument you
are using and the conditions in which it is being used.
(Example)
When using the AC-90 with the speaker stand attached,
you may want to turn up the BASS knob so the lower
range is perceived better.
If the sound seems too harsh, such as immediately after
changing strings, you may want to turn down the
TREBLE knob to cut back on the high frequencies.
10. CHORUS Buttons
Switch chorus on and off.
When on, the indicator is lit.
You can use a foot switch (the optional BOSS FS-5U) to
switch chorus on and off. Turning chorus on and off with the
foot switch works on both channels.
11. CHORUS Knob
Turn this knob to select among the three types of chorus
(SPACE, RICH, and WIDE).
You can adjust the amount of effect applied by changing the
position of the knob.
* This is enabled when the CHORUS button is in the ON
position.
* The markings indicating the SPACE and RICH positions are
approximate. Listen to the sound to confirm the effect as you
make adjustments.
SPACE
This is a spacially synthesized chorus. With spacially
synthesized chorus, a method available only in stereo, the
chorus effect is created by taking the sound from the right
speaker (from which the effect sound is output), and the
sound from the left speaker (which outputs the direct sound),
and then mixing them in the actual space. This creates a
greater lateral spread than that produced when the sounds
are mixed electronically, providing a more natural sense of
breadth.
AC-90_egfispd.book Page 9 Tuesday, May 15, 2007 2:37 PM
10
Names of Things and What They Do
RICH
This is a stereo chorus that is divided into three frequency
ranges.
Here, the effect is separated into three bands, low-frequency,
midrange, and high-frequency, and by applying the most
suitable amount of chorus effect in each range, it provides a
sense of fullness and breadth that is perfectly suited to the
acoustic guitar.
The low end is firmly in the center, and sound spreads out
more and more as the sound rises from the midrange up
through the higher frequencies.
WIDE
While also relying on the division of sound into separate
bands, this chorus offers even greater expansiveness than
RICH.
The sound image spreads beyond the AC-90’s speakers,
producing an effect that seems to envelope the listener in
sound.
12. REVERB/DELAY Knob
You can adjust this knob to switch between the reverb and
delay effects.
You can adjust the amount of effect applied by changing the
position of the knob.
* Turn the knob to “OFF” if you are not using the reverb or
delay effect.
* The markings indicating the reverb and delay positions are
approximate. Listen to the sound to confirm the effect as you
make adjustments.
REVERB
This stereo reverb, developed especially for acoustic
instruments, gives a sense of spaciousness and natural sonic
quality.
Turn the knob to adjust the volume of the reverb effect.
DELAY
This delay, developed especially for acoustic instruments,
adds soft reflections to the original sound.
Turn the knob to change the delay time.
* You can use a foot switch (the optional BOSS FS-5U) to
switch the reverb and delay on and off.
13. FREQUENCY Knob
This selects the frequency at which the anti-feedback
function operates.
Also, the position of the knob determines whether Auto or
Manual settings are selected.
fig.031
* Turn the knob to “OFF” if you are not using anti-feedback.
14. START Button
This is used for Auto settings (p. 11). Pressing the button
performs automatic detection of feedback-whine frequencies.
The indicators show the operating status of the automatic
detection function.
Standby: Flashes slowly
During Detection: Flashes rapidly
After Detection: Remains lit
* Holding down the START button for one second or longer
returns the unit to standby for automatic detection.
How to Use ANTI-FEEDBACK
fig.32
Anti-feedback is a function that controls feedback that arises
between the guitar or mic and the amp.
The feedback is suppressed by attenuating the frequency at
which the feedback occurs.
* This is not designed to work with respect to the high-frequency
feedback that can occur when using microphones.
Anti-feedback can be used in two different ways; you can
make use of either the “Auto settings” or the “Manual
settings.”
* Use either when feedback whine occurs.
Feedback
This is a phenomenon whereby signals output from the
speakers are picked up again by the mic or pickup, and the
sound is further amplified and output from the speakers,
resulting in an unpleasant oscillating sound.
* If the anti-feedback alone does not control the feedback, adjust
your settings, for example by lowering the volume or cutting
the low frequencies.
* To prevent feedback during a performance, we recommend
making the anti-feedback setting before the performance.
MANUAL
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11
Names of Things and What They Do
Setting the Feedback Point Automatically
This automatically detects the frequency at which feedback
occurs and suppresses feedback.
* Use in conditions where feedback occurs.
1. Cause feedback whine to occur.
2. Turn the FREQUENCY knob to the “AUTO” position.
fig.033
The ANTI-FEEDBACK indicator flashes slowly, and
automatic detection goes into standby.
3. Press the START button.
Automatic detection of the feedback point starts. The indicator
flashes rapidly when detection is in progress, and when the
feedback point is found, the indicator lights steadily. If no
feedback point is detected, the indicator flashes slowly, and
the automatic detection function returns to standby.
4. Press the START button once more to conduct the
automatic detection again.
Setting the Feedback Point Manually
1. Cause feedback whine to occur.
2. Turn the knob, moving through the range of L through
H (the ANTI-FEEDBACK indicator lights up) to search
for the frequency at which the feedback is to be
suppressed.
fig.34
Turning the knob clockwise suppresses progressively more
treble feedback, and turning it counterclockwise suppresses
progressively more bass feedback.
You can use a foot switch (the optional BOSS FS-5U, FS-6) to
run automatic detection of the feedback frequency or to turn
the anti-feedback function on and off.
You can use anti-feedback even when feedback is not a
problem. For example, you can use it to remove undesirable
resonance in the low to midrange, as well as correct other
problems with the sound quality.
15. MUTE Button
This switches the Mute function on and off.
When you press the button, the MUTE indicator flashes,
muting is turned on, and the speaker output and sounds
from SUB WOOFER OUT and LINE OUT are muted.
With the mute function activated, you do not need to turn
down the VOLUME knob or MASTER knob to mute the
noise when plugging into, or unplugging from your guitar.
* Sounds from the DI OUT/TUNER OUT and PHONES jacks
are not muted.
By connecting a tuner (optional) to DI OUT/TUNER OUT
and then pressing the MUTE button, you can tune your
instrument without the sound being output from the
speakers.
You can use a foot switch (optional BOSS FS-5U or FS-6) to
switch muting on and off. (p. 13)
16. MASTER Knob
Adjusts the overall volume level.
* LINE OUT cannot be adjusted.
17. PHONES Jack
Headphones are connected here. No sounds are output from
the speakers or from SUB WOOFER OUT when headphones
are connected.
18. POWER Switch
This turns the AC-90’s power on and off.
The POWER indicator lights up when the power is on.
945
* If you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power
outlet. Refer to Power Supply (p. 5)
942
* Due to a circuitry protection feature, this unit requires a few
moments after it has been turned on before it is ready for
normal operation.
943
* Always make sure to have the volume level turned down before
switching on power. Even with the volume all the way down,
you may still hear some sound when the power is switched on,
but this is normal, and does not indicate a malfunction.
AC-90_egfispd.book Page 11 Tuesday, May 15, 2007 2:37 PM
12
Names of Things and What They Do
Rear Panel
fig.040
1. LINE OUT Jacks
You can connect a mixer, recording device, or other device
here. The output level is +4 dBu.
Included here are XLR connectors (L/R: stereo output) and a
1/4” phone jack (mono output).
fig.090
* You cannot adjust the volume for LINE OUT with the
MASTER knob.
* The chorus effects are designed so they exhibit the greatest
effectiveness when you use the unit’s built-in speakers.
Effectiveness may differ when LINE OUT is used instead of
the built-in speakers.
2. SUB WOOFER OUT Jack
You can connect a powered subwoofer to play back sounds
with an even punchier, more powerful low end.
The volume is adjusted with the MASTER knob.
3. AUX IN Jacks
You can connect a CD player, drum machine, or other device
and play back sounds in stereo. Both RCA phono jacks and
1/4” phone jacks are provided. When connected to only the
left 1/4” phone jack, playback is in mono.
Although the input from AUX IN is output from the
speakers, PHONES, and SUB WOOFER OUT, it is not output
from LINE OUT. The volume is adjusted with the MASTER
knob, and muting on/off for these sounds is controlled with
5431 2
White Red
PCS-31
Anti-Feedbac
k
Mute On/Off
White Red
PCS-31
Reverb/Delay
On/Off
Chorus
On/Off
Tuner
Mixer
CD Player
Drum Machine
Powered
Sub Woofer
Mixer
Recorder
When connection cables with resistors are used, the volume level of equipment connected to the inputs may be low.
If this happens, use connection cables that do not contain resistors.
*
926a
*
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13
Names of Things and What They Do
the MUTE button.
If devices are connected to both the RCA phono jacks and the
1/4” phone jacks, the two inputs are mixed.
4. DI OUT/TUNER OUT Jack
The direct sound of the device or instrument connected to the
GUITAR or MIC/LINE channel is output here. This is a 1/4”
phone TRS jack with balanced output.
You can also use this jack to connect a tuner.
fig.070
* If balanced output is not required, use a 1/4” phone (mono)
plug to connect to this jack.
If balanced output is not required, you can use the special
connection cable (the optional PCS-31) to use the DI OUT and
TUNER OUT simultaneously.
fig.080
A phase-inverted signal is output from the COLD side (the
red side of the PCS-31). Connect the recording device to the
HOT side (the white side of the PCS-31)
5. FOOT SW Jacks
The AC-90 accepts the BOSS FS-5L (latch type), BOSS FS-5U
(momentary type), and BOSS FS-6 foot switch pedals.
* Set the polarity switch as shown below.
fig.071
(MUTE, ANTI-FEEDBACK)
Connecting a foot switch pedal (optional BOSS FS-5L, FS-5U,
or FS-6) using a connection cable (the optional PCS-31) makes
it possible to use a latch-type foot switch (the FS-5L or FS-6)
to switch muting on and off, or to use a momentary-type foot
switch (the FS-5U or FS-6) to control the anti-feedback
feature.
* For information on the settings for the FS-6, refer to the
owner’s manual for the FS-6.
fig.050
When a 1/4” phone (mono) plug is used to connect only one
foot switch, only the Mute on/off function is enabled. In such
cases, you should use a latch-type foot switch pedal (such as
the BOSS FS-5L)
* The MUTE button should be set to off when a foot switch is
connected for muting.
You cannot switch the muting off by pressing the foot switch
when the MUTE button is on (when the MUTE indicator is
lit).
* When using an FS-5U (momentary type) to switch muting on
and off, the muting is switched on only while the switch is held
down.
For anti-feedback, a foot switch will function as follows:
When the FREQUENCY knob is positioned in the range
from L to H, the switch turns the anti-feedback function
on and off.
When the FREQUENCY knob is positioned at AUTO, the
switch functions as the START switch for the automatic
detection. Holding the foot switch down for one second
or longer returns the automatic detection function to
standby mode.
(CHORUS, DELAY/REVERB)
Using a special connection cable (the optional PCS-31) to
connect two foot switches (the optional BOSS FS-5U), you
can use one FS-5U to switch the chorus on and off, and use
the other FS-5U to switch the delay or reverb on and off.
fig.060
When a 1/4” phone (mono) plug is used to connect only one
foot switch, only the chorus on/off function is enabled.
* The chorus on/off function works on both channels.
* You cannot switch the chorus on and off by pressing the foot
switch when the CHORUS button is off.
Tuner
White Red
PCS-31
Recoreder
AC-90_egfispd.book Page 13 Tuesday, May 15, 2007 2:37 PM
14
Example of Using Two Channels Combined
When Using a Mic and a Pickup
GUITAR CHANNEL:
Piezo or Magnetic Pickup
MIC/LINE CHANNEL:
Condenser or Dynamic mic (SELECT button = MIC)
This allows you to blend the fat midrange of the pickup with the
mic’s delicate high end.
Set the PHANTOM switch to ON if using a condenser mic.
When Using Two Guitars
GUITAR CHANNEL:
Guitar 1 Piezo or Magnetic Pickup
MIC/LINE CHANNEL:
Guitar 2 Magnetic Pickup (SELECT button = LINE)
You can switch guitars without having to readjust the volume
and tone.
When Using One Guitar with Two Types
of Pickups
GUITAR CHANNEL:
PiezoPickup (PICKUP button = PIEZO)
MIC/LINE CHANNEL:
Magnetic Pickup (SELECT button = LINE)
You can balance the volume levels using each channel’s
VOLUME knob, and adjust the tone for each pickup to attain the
optimal sound with the equalizer (BASS/MIDDLE/TREBLE)
knobs.
PIEZO
Condenser mic or Dynamic mic
MAGNETIC
or
MAGNETIC
PIEZO
MAGNETIC
or
Guitar 1
Guitar 2
PIEZO
MAGNETIC
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15
How to Use the Folding Stand
When using the AC-90 on floors, or in other low-lying positions, then setting up and using the folding stand can make it easier to
hear the sound from the speakers.
fig.100
When using the folding stand, always be sure to place it so the AC-90 remains level.
When not using the folding stand, fold it up.
Never lift up and carry the AC-90 by holding the folding stand.
Never place any objects on top of the AC-90 when using the folding stand. Also, never sit or lean on the folding stand.
When folding the folding stand, be careful not to pinch your fingers.
Folding stand
AC-90_egfispd.book Page 15 Tuesday, May 15, 2007 2:37 PM
16
Using a Speaker Stand
By using a speaker stand, you can mount the AC-90 at the optimal height for use as a monitor speaker or simple PA device.
The AC-90 is designed to be used only with speaker
stands whose dimensions meet the specifications
described below.
Do not use it with a speaker stand that does not meet the
following specifications.
fig.120
fig.130
Before use, adjust the speaker stand to a height of 140 cm
(55-1/8”) or less and a leg spread of 120 cm (47-1/4”) or
more, as shown in the figure below.
fig.110\
Using a speaker stand that does not meet the
specifications at left or that is adjusted to a height over
140 cm (55-1/8”), or a leg spread of less than 120 cm (47-
1/4”) may result in damage to equipment or injury due to
the stand tipping over.
When using the AC-90 with a speaker stand, the speaker
stand must be carefully placed so it is level and sure to
remain stable.
Cables connected to the AC-90 should be given enough
slack to prevent accidents that might result from someone
tripping over them.
To prevent accidents due to falls, do not place any object
on the AC-90 when it’s mounted on a speaker stand.
Always have at least one other person assist you when
mounting the AC-90 on a speaker stand, or when
adjusting the height of the stand while the AC-90 remains
mounted on it.
Leg spread: 120 cm or more
Diameter: 3.8 cm
(
1-1/2”
)
(
47-1/4”
)
Diameter:
136 cm or more
Leg spread: 120 cm or more
(
47-1/4”
)
(
53-9/16”
)
140 cm or less
120 cm or more
(55-1/8
)
(
47-1/4”
)
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17
English
Hauptmerkmale
Der AC-90 ist ein speziell zur Verwendung mit akustischen Instrumenten entwickelter Hochleistungs-Monitorverstärker.
Er ist in der Lage, den gesamten harmonischen Klangreichtum eines akustischen Instruments originalgetreu auszudrücken.
Kompakter Hochleistungs-
Stereoverstärker
Das fein abgestimmte Gehäusedesign ist dazu ausgelegt, den
Klang akustischer Instrumente zu bereichern. In diesem
Gehäuse befinden sich zwei 20-cm-Woofer, zwei Tweeter
und ein 2 x 45 W-Stereoverstärker – die alle speziell für den
AC-90 neu entwickelt werden. Als Resultat ist das Gerät in
der Lage, in einem breiten Frequenzspektrum einen
natürlicheren Akustikinstrumentenklang zu erzeugen.
Durch den so leicht wie möglich konstruierten
Aktivverstärker und den Einsatz neuer Materialien
für die Woofer wurde eine Verringerung des
Gesamtgewichts des Geräts erreicht.
Zwei unabhängige Kanäle: GUITAR
und MIC/LINE
Zu jedem Kanal gehört ein 3-Band-Equalizer.
Der GUITAR-Kanal kann sowohl für piezoelektrische als
auch magnetische Tonabnehmer verwendet werden.
Der MIC/LINE-Kanal bietet eine Phantomspeisung,
die durch eine äußerst zuverlässige, dezidierte
Phantomspeisungsschaltung mit einer
Ausgangsspannung von 48 V erzeugt wird.
Mit Hilfe des MIC/LINE-Kanals für LINE-Eingänge
können Sie Gitarren mit magnetischen Tonabnehmern
anschließen. Sie können auch einen piezoelektrischen
(GUITAR-Kanal) und einen magnetischen Tonabnehmer
(MIC/LINE-Kanal) gleichzeitig verwenden und die
Klänge zusammenmischen.
Hochwertige Digitaleffekte
Es stehen drei Arten von Stereo-Choruseffekten zur
Verfügung. Dies sind der räumlich synthetisierte
Chorus-Effekt „SPACE“, der Chorus-Effekt „RICH“ (der
in Frequenzbänder unterteilt ist) und der Chorus-Effekt
„WIDE“ (der ebenfalls in Frequenzbänder unterteilt ist,
dabei aber eine noch größere Tragweite bietet).
Speziell für akustische Instrumente entwickelter Stereo-
Halleffekt (Reverb). Dieser ermöglicht Ihnen, dem Klang
Raumwirkung und natürliche Substanz zu verleihen.
Echoeffekte (Delay), die Klänge mit einer weichen und
speziell auf akustische Instrumente abgestimmten
Tonqualität erzeugen können.
Ein optionaler Fußschalter zum Ein- und Ausschalten
der Effekte verwendet werden.
Anti-Feedback-Funktion unterdrückt
Rückkopplungen
Die Anti-Feedback-Funktion bietet zwei Erkennungsarten für
den Rückkopplungspunkt. Sie können die „Manual Settings“
(manuellen Einstellungen) verwenden, oder Sie können die
„Auto Settings“ (automatischen Einstellungen) nutzen, mit
denen der Rückkopplungspunkt automatisch erkannt wird.
Sie können einen optionalen Fußschalter anschließen
und diese Funktion mit dem Fuß steuern.
Stummschaltungsfunktion (Mute)
Der Mute-Schalter macht es Ihnen leicht, den Klang der
eigenen Lautsprecher des AC-90 sowie den Klang über
LINE OUT stumm zu schalten. Mit Hilfe der Mute-
Funktion können Sie die Gitarre geräuschlos anschließen
und trennen. Außerdem können Sie, wenn Sie an TUNER
OUT ein Stimmgerät anschließen, Ihr Instrument mit der
Mute-Funktion stimmen, ohne dass Ton ausgegeben wird.
Sie können einen optionalen Fußschalter anschließen
und diese Funktion mit dem Fuß ein- und ausschalten.
Externe Eingangsbuchsen (AUX IN)
Der Verstärker besitzt externe Eingangsbuchsen, an die
Sie Stereosignale von einem CD-Spieler, einer
Begleitungsmaschine oder einem anderen Gerät
anschließen können.
Die Eingänge verfügen sowohl über Cinch-Buchsen als
auch 6,3-mm-Klinkenbuchsen, sodass praktisch jedes
beliebige Gerät angeschlossen werden kann.
Mehrere Ausgangsanschlüsse
•Über den Ausgang DI OUT werden die von
angeschlossenen Instrumenten und Mikrofonen
eingehenden Signale direkt ausgegeben. Zudem können
Sie ein Stimmgerät anschließen. Die Ausgabe über
symmetrische Klinkenbuchsen wird unterstützt.
Zu den Line-Ausgängen gehören neben den XLR-
Anschlüssen für den Stereo-Ausgang auch 6,3-mm-Mono-
Ausgangsbuchsen. Sie können einen einzigen AC-90 für
alle Zwecke einsetzen.
Zusätzlich besitzt der Verstärker einen Subwoofer-
Ausgang. Wenn Sie einen Aktiv-Subwoofer anschließen,
können Sie mit einem noch kraftvolleren, stärkeren
unteren Frequenzbereich spielen.
Der Verstärker ist darüber hinaus mit einer
Kopfhörerbuchse ausgestattet, die Sie zum Spielen
während der Nacht oder für Soundchecks nutzen können.
Praktische Aufstellmöglichkeiten
Der Verstärker besitzt einen ausklappbaren Bügel, durch
den der Winkel des Verstärkers bei Verwendung als
Monitor verstellt werden kann.
Mit dem Lautsprecherstativ-Adapter können Sie den
AC-90 auf einem Lautsprecherstativ aufstellen. Dies
erleichtert Ihnen die Verwendung des AC-90 bei
Auftritten im Stehen und ermöglicht Ihnen, den
Verstärker als einfache PA-Anlage zu verwenden.
Im Lieferumfang ist auch ein Tragekoffer enthalten,
damit das Gerät besser transportiert werden kann.
AC-90_egfispd.book Page 17 Tuesday, May 15, 2007 2:37 PM
18
Bezeichnungen und Funktionen der
Bedienelemente
Bedienfeld
Abb. 010
1. INPUT (Eingänge)
(GUITAR CHANNEL)
Schließen Sie hier Gitarren an.
(MIC/LINE CHANNEL)
Schließen Sie hier Mikrofone und Geräte mit Line-Pegel an.
Sie können auch Gitarren anschließen, deren Tonabnehmer
Vorverstärker besitzen.
Es werden symmetrische Eingänge verwendet, sodass Sie
6,3-mm-Klinken- und XLR-Stecker anschließen können.
Abb. 030
Sie können die beiden Kanäle in Kombination verwenden.
Siehe hierzu „Beispiel für die kombinierte Verwendung
zweier Kanäle“ (S. 24).
983
* Je nach dem Aufstellort von Mikrofonen im Verhältnis zu den
Lautsprechern könnten Rückkopplungen erzeugt werden. Dies
können Sie beheben, indem Sie:
Die Richtung des Mikrofons/der Mikrofone ändern.
Das Mikrofon/die Mikrofone in größerer Entfernung von
den Lautsprechern aufstellen.
Die Lautstärkepegel herunterregeln.
2. Taste PICKUP (Tonabnehmer)
Hiermit schalten Sie die Eingangsschaltungen entweder für
piezoelektrische oder für magnetische Tonabnehmer um, je
nachdem, welche Tonabnehmerart die angeschlossene Gitarre
besitzt. Drücken Sie die Taste für magnetische Tonabnehmer.
* Bringen Sie die Taste in die Stellung „MAGNETIC“, wenn Ihre
Gitarre einen Aktivtonabnehmer mit Vorverstärker besitzt.
3. Taste SHAPE (Form)
Wenn Sie diese Taste einschalten (ON), wird der mittlere
Frequenzbereich so modifiziert, dass ein strahlender Klang
erzeugt wird, der sich zum Schlagen von Akkorden eignet.
Dies betont die Saitenanschlagsklänge, so dass Sie die Saiten
mit schärferen Ausdruck anschlagen können.
4. Schalter PHANTOM
Schaltet die Phantomspeisung ein und aus.
Schalten Sie diesen Schalter ein (ON), wenn Sie Mikrofone
anschließen, die eine Phantomspeisung benötigen
(Kondensatormikrofon usw.).
Schalten Sie ihn aus (OFF), wenn Sie Mikrofone, die keine
Phantomspeisung benötigen, oder andere Geräte anschließen.
Gehen Sie in folgender Reihenfolge vor, wenn Sie Mikrofone
anschließen, die eine Phantomspeisung benötigen:
1. Schalten Sie den PHANTOM-Schalter aus.
2. Schließen Sie das Mikrofon an.
3. Schalten Sie den PHANTOM-Schalter ein.
Wenn Mikrofone, die keine Phantomspeisung benötigen,
oder andere Geräte mit eingeschalteter
Phantomspeisung betrieben werden, kann dies zu
Fehlfunktionen der Mikrofone bzw.Geräte führen.
Achten Sie immer darauf, den Schalter auszuschalten,
bevor Sie den Anschluss vornehmen.
* Um die Schaltungen zu schützen, werden alle Ausgänge nach
dem Ein- oder Ausschalten des PHANTOM-Schalters
vorübergehend stumm geschaltet.
* Die Phantomspeisung erfolgt nur über die XLR-Anschlüsse
für den Eingang des MIC/LINE-Kanals.
* Wenn Anschlüsse bei eingeschalteter Phantomspeisung
vorgenommen oder getrennt werden, kann es zu
Störgeräuschen kommen.
12 3
10 11 16 17
9678
45
12 13 14 15 18
XLRTRS
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19
Bezeichnungen und Funktionen der Bedienelemente
English
Phantomspeisung
Da sie verglichen mit dynamischen Mikrofonen ein breiteres
Frequenzspektrum und eine bessere Klangqualität besitzen,
werden für akustische Gitarren häufig Kondensatormikrofone
verwendet. Für ihren Betrieb wird jedoch eine Stromquelle
benötigt. Einige Kondensatormikrofone arbeiten zwar mit
Batterien, die sich im Mikrofongehäuse befinden, doch in vielen
Fällen wird die als „Phantomspeisung“ bezeichnete Art der
Stromversorgung benötigt. Diese Stromversorgung nutzt das
vorhandene Mikrofonkabel, um das Mikrofon mit Strom zu
versorgen.
Die Phantomspeisung des AC-90 besitzt eine konstante
Spannung von 48 V und entspricht somit den in
Aufnahmestudios erforderlichen professionellen
Spezifikationen.
5. Taste SELECT (Auswahl)
Schaltet den Eingangspegel passend für das angeschlossene
Gerät um (Mikrofon oder Line-Pegel-Gerät).
Wenn mit der SELECT-Taste die Einstellung LINE
ausgewählt wird, können Sie Gitarren mit magnetischen
Tonabnehmern anschließen.
* Beachten Sie, dass die Lautstärke zunimmt, wenn der Schalter
auf „MIC“ gestellt wird, während ein Gerät mit Line-Pegel-
Ausgang angeschlossen ist.
6. Regler VOLUME (Lautstärke)
(GUITAR CHANNEL)
Reguliert die Lautstärke des GUITAR-Kanals.
* Um dem geringeren Ausgangspegel von piezoelektrischen
Tonabnehmern Rechnung zu tragen, ist der Lautstärkepegel,
wenn sich der VOLUME-Regler zwischen den Stellungen 7
und 10 befindet, bei auf PIEZO gestellter PICKUP-Taste
verglichen mit der MAGNETIC-Einstellung etwas höher.
(MIC/LINE CHANNEL)
Reguliert die Lautstärke des MIC/LINE-Kanals.
* Wenn Sie den AC-90 mit gemischtem GUITAR- und MIC/
LINE-Kanal verwenden, stellen Sie mit dem VOLUME-
Regler die Lautstärkebalance zwischen den beiden Kanälen ein.
7. Regler BASS
Regeln den Pegel des tiefen Frequenzbereichs.
8. Regler MIDDLE (Mitten)
Regeln den Pegel des mittleren Frequenzbereichs.
9. Regler TREBLE (Höhen)
Regeln den Pegel des hohen Frequenzbereichs.
Die Klangfarbe akustischer Instrumente kann von einem
Instrument zum nächsten enorm variieren. Die gewünschte
Art des Klangs variiert ebenfalls je nachdem, wie ein
Instrument in einem bestimmten Ensemble eingesetzt wird.
Verwenden Sie aktiv die Regler BASS, MIDDLE und
TREBLE, um die Klangfarbe so einzustellen, dass sie zu dem
von Ihnen verwendeten Instrument und den Umständen
passt, in denen es verwendet wird.
(Beispiel)
Wenn Sie den AC-90 mit Lautsprecherstativ aufgestellt
verwenden, möchten Sie vielleicht den BASS-Regler
hochdrehen, damit der Tiefenbereich besser
wahrgenommen wird.
Wenn der Klang zu scharf wirkt, beispielsweise
unmittelbar nach dem Wechseln der Saiten, möchten Sie
vielleicht den TREBLE-Regler herunterdrehen, um die
hohen Frequenzen zu dämpfen.
10. Tasten CHORUS
Schalten den Chorus-Effekt ein und aus.
Wenn er eingeschaltet ist, leuchtet die Anzeigelampe.
Sie können den Chorus-Effekt mit einem Fußschalter (dem
optionalen BOSS FS-5U) ein- und ausschalten. Das Ein- und
Ausschalten des Chorus-Effekts mit dem Fußschalter
funktioniert auf beiden Kanälen.
11. Regler CHORUS
Drehen Sie diesen Regler, um unter den drei Typen des
Chorus-Effekts zu wählen (SPACE, RICH und WIDE).
Durch Verstellen des Reglers können Sie einstellen, mit
welcher Intensität der Effekt angewendet wird.
* Diese Funktion ist aktiviert, wenn sich die CHORUS-Taste in
der Stellung ON befindet.
* Die Stellungsmarkierungen der Effektarten SPACE und
RICH sind Näherungsangaben. Hören Sie sich den Klang an,
während Sie die Einstellungen vornehmen, um die
Effektwirkung zu überprüfen.
SPACE (Raum)
Dies ist ein räumlich synthetisierter Chorus-Effekt. Beim
räumlich synthetisierten Chorus-Effekt, einer nur in Stereo
verfügbaren Methode, wird der Chorus-Effekt erzeugt, indem
der Klang vom rechten Lautsprecher (von dem der Effektklang
ausgegeben wird) und der Klang vom linken Lautsprecher (der
den direkten Klang ausgibt) im tatsächlichen Raum gemischt
werden. Dadurch entsteht eine größere seitliche Streuung, als
wenn die Klänge elektronisch gemischt werden, was einen
natürlicheren Eindruck von Breite hervorruft.
AC-90_egfispd.book Page 19 Tuesday, May 15, 2007 2:37 PM
20
Bezeichnungen und Funktionen der Bedienelemente
RICH (Voll)
Dies ist ein in drei Frequenzbereiche unterteilter Stereo-
Chorus-Effekt.
Hier ist der Effekt in drei Bänder getrennt, tiefe, mittlere
und hohe Frequenzen, und die Anwendung der am besten
geeigneten Intensität des Chorus-Effekts in jedem Bereich
erzeugt einen Eindruck von Klangfülle und -breite, der
perfekt zur akustischen Gitarre passt.
Der untere Frequenzbereich befindet sich stabil in der Mitte, und
der Klang breitet sich mehr und mehr aus, während der Klang
vom mittleren Bereich in die höheren Frequenzen hinaufsteigt.
WIDE (Breit)
Dieser Chorus-Effekt stützt sich ebenfalls auf die
Unterteilung des Klangs in getrennte Frequenzbänder, bietet
aber ein noch größeres Ausdehnungsvermögen als RICH.
Das Klangbild breitet sich über die Lautsprecher des AC-90
hinaus aus und erzeugt einen Effekt, der den Zuhörer in den
Klang einzuhüllen scheint.
12. Regler REVERB/DELAY (Hall/Echo)
Durch Verstellen dieses Reglers können Sie zwischen dem
Hall- und dem Echo-Effekt umschalten.
Durch Verstellen des Reglers können Sie einstellen, mit
welcher Intensität der Effekt angewendet wird.
* Drehen Sie den Regler auf „OFF“ (Aus), wenn Sie den Hall-
oder Echo-Effekt nicht verwenden möchten.
* Die Stellungsmarkierungen der Typen REVERB und DELAY
sind Näherungsangaben. Hören Sie sich den Klang an,
während Sie die Einstellungen vornehmen, um die
Effektwirkung zu überprüfen.
REVERB (Hall)
Dieser speziell für akustische Instrumente entwickelte
Stereo-Halleffekt erzeugt den Eindruck von Räumlichkeit
und natürlicher Klangqualität.
Drehen Sie den Regler, um die Lautstärke des Hall-Effekts
einzustellen.
DELAY (Echo)
Dieser speziell für akustische Instrumente entwickelte Echo-
Effekt fügt dem ursprünglichen Klang weiche Reflexionen hinzu.
Drehen Sie den Regler, um die Verzögerungszeit zu ändern.
* Sie können den Hall- und den Echo-Effekt mit einem Fußschalter
(dem optionalen BOSS FS-5U) ein- und ausschalten.
13. Regler FEQUENCY (Frequenz)
Wählt die Frequenz aus, bei der die Anti-Feedback-Funktion
arbeitet.
Außerdem bestimmt die Stellung des Reglers, ob die
automatischen oder die manuellen Einstellungen ausgewählt sind.
Abb. 031
* Drehen Sie den Regler auf „OFF“ (Aus), wenn Sie den Anti-
Feedback-Effekt nicht verwenden möchten.
14. Taste START
Wird für Auto-Einstellungen verwendet (S. 21). Beim
Drücken der Taste wird die automatische Erkennung
pfeifender Rückkopplungsfrequenzen durchgeführt.
Die Anzeigeleuchten zeigen den Betriebszustand der
automatischen Erkennungsfunktion an.
Bereitschaftszustand: Langsames Blinken
Während der Erkennung: Schnelles Blinkten
Nach der Erkennung: Dauerhaftes Leuchten
* Wenn die START-Taste mindestens eine Sekunde lang
gedrückt wird, kehrt das Gerät in den Bereitschaftszustand für
die automatische Erkennung zurück.
Verwendung der ANTI-FEEDBACK-Funktion
Abb. 32
Mit der Anti-Feedback-Funktion werden Rückkopplungen
eingedämmt, die zwischen Gitarre bzw. Mikrofon und dem
Verstärker entstehen.
Die Rückkopplung wird unterdrückt, indem die Frequenz,
bei der sie auftritt, abgeschwächt wird.
* Diese Funktion ist nicht für die Unterdrückung von Hochfrequenz-
Rückkopplungen ausgelegt, die beim Verwenden von Mikrofonen
auftreten können.
Die Anti-Feedback-Funktion kann auf zwei verschiedene Arten
verwendet werden; Sie können entweder die automatischen
Einstellungen oder die manuellen Einstellungen nutzen.
* Verwenden Sie eine dieser Einstellungsarten, wenn pfeifende
Rückkopplungen auftreten.
Rückkopplung
Dies ist ein Phänomen, bei dem von den Lautsprechern ausge-
gebene Signale wieder vom Mikrofon oder Tonabnehmer aufge-
nommen werden und der Klang weiter verstärkt und von den
Lautsprechern ausgegeben wird, was zu einem unangenehmen
oszillierenden Klang führt.
* Wenn die Anti-Feedback-Funktion allein die Rückkopplung nicht
eindämmt, passen Sie Ihre Einstellungen an, in dem Sie beispielsweise
die Lautstärke verringern oder die tiefen Frequenzen reduzieren.
* Um Rückkopplungen bei einem Auftritt zu verhindern, empfehlen wir
Ihnen, die Anti-Feedback-Einstellung vor dem Auftritt vorzunehmen.
MANUELL
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Roland AC-90 Manuel utilisateur

Catégorie
Équipement musical supplémentaire
Taper
Manuel utilisateur