Roland AC-90 Manuel utilisateur

Owner’s Manual

Bedienungsanleitung

Guide d’utilisation

Manuale dell'utente

Manual del usuario

Manual do proprietário

Gebruikershandleiding

202

the written permission of ROLAND CORPORATION.

Thank you, and congratulations on your choice of the Roland AC-90 Acoustic Chorus.

201b

These sections provide important information concerning the proper operation of the

unit. Additionally, in order to feel assured that you have gained a good grasp of every

feature provided by your new unit, Owner’s manual should be read in its entirety. The

manual should be saved and kept on hand as a convenient reference.

Before using this unit, carefully read the sections entitled:

• IMPORTANT SAFETY INSTRUCTIONS (page 2)

• USING THE UNIT SAFELY (page 3–4)

• IMPORTANT NOTES (page 5)

AC-90_egfispd.book Page 1 Tuesday, May 15, 2007 2:37 PM

2

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an

equilateral triangle, is intended to alert the user to the

presence of uninsulated “dangerous voltage” within the

product’s enclosure that may be of sufficient magnitude to

constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is

intended to alert the user to the presence of important

operating and maintenance (servicing) instructions in the

literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in

accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators,

heat registers, stoves, or other apparatus (including

amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or

grounding-type plug. A polarized plug has two blades with

one wider than the other. A grounding type plug has two

blades and a third grounding prong. The wide blade or the

third prong are provided for your safety. If the provided plug

does not fit into your outlet, consult an electrician for

replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched

particularly at plugs, convenience receptacles, and the

point where they exit from the apparatus.

11. Only use attachments/accessories specified by the

manufacturer.

12. Use only with the cart, stand, tripod, bracket,

or table specified by the manufacturer, or

sold with the apparatus. When a cart is used,

use caution when moving the cart/apparatus

combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when

unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing

is required when the apparatus has been damaged in any

way, such as power-supply cord or plug is damaged, liquid

has been spilled or objects have fallen into the apparatus,

the apparatus has been exposed to rain or moisture, does

not operate normally, or has been dropped.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE:

BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

NEUTRAL

LIVE

For the U.K.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

AC-90_egfispd.book Page 2 Tuesday, May 15, 2007 2:37 PM

3

USING THE UNIT SAFELY

001

• Before using this unit, make sure to read the

instructions below, and the Owner’s Manual.

..........................................................................................................

002a

• Do not open or perform any internal modifica-

tions on the unit.

..........................................................................................................

003

• Do not attempt to repair the unit, or replace parts

within it (except when this manual provides

specific instructions directing you to do so). Refer

all servicing to your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as listed on

the “Information” page.

..........................................................................................................

004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating

duct, on top of heat-generating equipment); or

are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

..........................................................................................................

008a

• The unit should be connected to a power supply

only of the type described in the operating

instructions, or as marked on the rear side of unit.

..........................................................................................................

009

• Do not excessively twist or bend the power cord,

nor place heavy objects on it. Doing so can

damage the cord, producing severed elements

and short circuits. Damaged cords are fire and shock

hazards!

..........................................................................................................

010

• This unit, either alone or in combination with an

amplifier and headphones or speakers, may be

capable of producing sound levels that could

cause permanent hearing loss. Do not operate for

a long period of time at a high volume level, or at

a level that is uncomfortable. If you experience

any hearing loss or ringing in the ears, you should

immediately stop using the unit, and consult an

audiologist.

...........................................................................................................

011

• Do not allow any objects (e.g., flammable material,

coins, pins); or liquids of any kind (water, soft

drinks, etc.) to penetrate the unit.

...........................................................................................................

012a

• Immediately turn the power off, remove the

power cord from the outlet, and request servicing

by your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as listed on

the “Information” page when:

• The power-supply cord or the plug has been damaged;

or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto

the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

...........................................................................................................

013

• In households with small children, an adult

should provide supervision until the child is

capable of following all the rules essential for the

safe operation of the unit.

...........................................................................................................

014

• Protect the unit from strong impact.

(Do not drop it!)

...........................................................................................................

Used for instructions intended to alert

the user to the risk of injury or material

damage should the unit be used

improperly.

* Material damage refers to damage or

other adverse effects caused with

respect to the home and all its

furnishings, as well to domestic

animals or pets.

Used for instructions intended to alert

the user to the risk of death or severe

injury should the unit be used

improperly.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is

indicated by the design contained within the circle. In

the case of the symbol at left, it means that the power-

cord plug must be unplugged from the outlet.

The symbol alerts the user to important instructions

or warnings.The specific meaning of the symbol is

determined by the design contained within the

triangle. In the case of the symbol at left, it is used for

general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never

be carried out (are forbidden). The specific thing that

must not be done is indicated by the design contained

within the circle. In the case of the symbol at left, it

means that the unit must never be disassembled.

AC-90_egfispd.book Page 3 Tuesday, May 15, 2007 2:37 PM

4

015

• Do not force the unit’s power-supply cord to

share an outlet with an unreasonable number of

other devices. Be especially careful when using

extension cords—the total power used by all

devices you have connected to the extension

cord’s outlet must never exceed the power rating

(watts/amperes) for the extension cord. Excessive

loads can cause the insulation on the cord to heat

up and eventually melt through.

..........................................................................................................

016

• Before using the unit in a foreign country, consult

with your retailer, the nearest Roland Service

Center, or an authorized Roland distributor, as

listed on the “Information” page.

..........................................................................................................

026

• Do not put anything that contains water (e.g.,

flower vases) on this unit. Also, avoid the use of

insecticides, perfumes, alcohol, nail polish, spray

cans, etc., near the unit. Swiftly wipe away any

liquid that spills on the unit using a dry, soft

cloth.

..........................................................................................................

101a

• The unit should be located so that its location or

position does not interfere with its proper venti-

lation.

...........................................................................................................

102a

• Always grasp only the plug on the power-supply

cord when plugging into, or unplugging from an

outlet.

...........................................................................................................

103a

• At regular intervals, you should unplug the

power plug and clean it by using a dry cloth to

wipe all dust and other accumulations away from

its prongs. Also, disconnect the power plug from

the power outlet whenever the unit is to remain

unused for an extended period of time. Any

accumulation of dust between the power plug and

the power outlet can result in poor insulation and

lead to fire.

...........................................................................................................

104

• Try to prevent cords and cables from becoming

entangled. Also, all cords and cables should be

placed so they are out of the reach of children.

...........................................................................................................

106

• Never climb on top of, nor place heavy objects on

the unit.

...........................................................................................................

107a

• Never handle the power cord or its plug with wet

hands when plugging into, or unplugging from,

an outlet.

...........................................................................................................

108a

• Before moving the unit, disconnect the power

plug from the outlet, and pull out all cords from

external devices.

...........................................................................................................

109a

• Before cleaning the unit, turn off the power and

unplug the power cord from the outlet.

...........................................................................................................

110a

• Whenever you suspect the possibility of lightning

in your area, pull the plug on the power cord out

of the outlet.

...........................................................................................................

120

• Always turn the phantom power off when

connecting any device other than condenser

microphones that require phantom power. You

risk causing damage if you mistakenly supply

phantom power to dynamic microphones, audio

playback devices, or other devices that don’t

require such power. Be sure to check the specifica-

tions of any microphone you intend to use by

referring to the manual that came with it.

(This instrument’s phantom power: 48 V DC, 10 mA Max)

...........................................................................................................

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5

IMPORTANT NOTES

291b

In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2

and 4, please read and observe the following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is being

used by an electrical appliance that is controlled by an inverter

(such as a refrigerator, washing machine, microwave oven, or air

conditioner), or that contains a motor. Depending on the way in

which the electrical appliance is used, power supply noise may

cause this unit to malfunction or may produce audible noise. If it

is not practical to use a separate electrical outlet, connect a power

supply noise filter between this unit and the electrical outlet.

307

• Before connecting this unit to other devices, turn off the power to

all units. This will help prevent malfunctions and/or damage to

speakers or other devices.

308

• Although the LEDs are switched off when the POWER switch is

switched off, this does not mean that the unit has been completely

disconnected from the source of power. If you need to turn off the

power completely, first turn off the POWER switch, then unplug

the power cord from the power outlet. For this reason, the outlet

into which you choose to connect the power cord’s plug should

be one that is within easy reach and readily accessible.

Placement

351

• Using the unit near power amplifiers (or other equipment

containing large power transformers) may induce hum. To

alleviate the problem, change the orientation of this unit; or move

it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do

not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such

as cell phones, are operated in the vicinity of this unit. Such noise

could occur when receiving or initiating a call, or while

conversing. Should you experience such problems, you should

relocate such wireless devices so they are at a greater distance

from this unit, or switch them off.

354b

• Do not expose the unit to direct sunlight, place it near devices

that radiate heat, leave it inside an enclosed vehicle, or otherwise

subject it to temperature extremes. Also, do not allow lighting

devices that normally are used while their light source is very

close to the unit (such as a piano light), or powerful spotlights to

shine upon the same area of the unit for extended periods of time.

Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature

and/or humidity is very different, water droplets (condensation)

may form inside the unit. Damage or malfunction may result if

you attempt to use the unit in this condition. Therefore, before

using the unit, you must allow it to stand for several hours, until

the condensation has completely evaporated.

356

• Do not allow rubber, vinyl, or similar materials to remain on the

unit for long periods of time. Such objects can discolor or

otherwise harmfully affect the finish.

359

• Do not paste stickers, decals, or the like to this instrument.

Peeling such matter off the instrument may damage the exterior

finish.

360

• Depending on the material and temperature of the surface on

which you place the unit, its rubber feet may discolor or mar the

surface.

You can place a piece of felt or cloth under the rubber feet to

prevent this from happening. If you do so, please make sure that

the unit will not slip or move accidentally.

Add

• Do not allow objects to remain on top of the unit while it is in

operation.

• Do not sit or lean on top of the unit.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one

that has been slightly dampened with water. To remove stubborn

dirt, use a cloth impregnated with a mild, non-abrasive detergent.

Afterwards, be sure to wipe the unit thoroughly with a soft, dry

cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to

avoid the possibility of discoloration and/or deformation.

Additional Precautions

553

• Use a reasonable amount of care when using the unit’s buttons,

sliders, or other controls; and when using its jacks and

connectors. Rough handling can lead to malfunctions.

556

• When connecting / disconnecting all cables, grasp the connector

itself—never pull on the cable. This way you will avoid causing

shorts, or damage to the cable’s internal elements.

557

• A small amount of heat will radiate from the unit during normal

operation.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume

at reasonable levels. You may prefer to use headphones, so you

do not need to be concerned about those around you (especially

when it is late at night).

559a

• When you need to transport the unit, package it in the box

(including padding) that it came in, if possible. Otherwise, you

will need to use equivalent packaging materials.

562

• Some connection cables contain resistors. Do not use cables that

incorporate resistors for connecting to this unit. The use of such

cables can cause the sound level to be extremely low, or impos-

sible to hear. For information on cable specifications, contact the

manufacturer of the cable.

921

• To prevent malfunction and/or damage to speakers or other

devices, always turn down the volume, and turn off the power on

all devices before making any connections.

922

• This instrument is equipped with balanced XLR/TRS type jacks.

Wiring diagrams for these jacks are shown below. Make connec-

tions after first checking the wiring diagrams of other equipment

you intend to connect.

fig.XLR/TRSJack.eps

941

• Once the connections have been completed (p. 11), turn on power

to your various devices in the order specified. By turning on

devices in the wrong order, you risk causing malfunction and/or

damage to speakers and other devices.

When powering up:

Turn on the power to the AC-90 last.

When powering down:

Turn off the power to the AC-90 first.

Add

• Wrap the AC cord around the cord hook when trans-porting or

storing the unit.

AC-90_egfispd.book Page 5 Tuesday, May 15, 2007 2:37 PM

6

Contents

USING THE UNIT SAFELY ............................................3

IMPORTANT NOTES ......................................................5

Contents..............................................................................6

English

Main Features.........................................................7

Names of Things and What They Do .................8

Control Panel...............................................8

Rear Panel..................................................12

Example of Using Two Channels Combined...14

How to Use the Folding Stand...........................15

Using a Speaker Stand ........................................16

Deutsch

Hauptmerkmale...................................................17

Bezeichnungen und Funktionen der

Bedienelemente....................................................18

Bedienfeld..................................................18

Rückseite....................................................22

Beispiel für die kombinierte Verwendung

zweier Kanäle.......................................................24

Verwendung des ausklappbaren Bügels..........25

Verwenden eines Lautsprecherstativs..............26

Français

Caractéristiques principales...............................27

Noms et fonctions des éléments ........................28

Panneau de commande ...........................28

Panneau arrière.........................................32

Exemple d’utilisation de deux canaux

ensemble................................................................34

Utilisation du pied pliant....................................35

Utilisation d’un pied pour haut-parleur ..........36

Italiano

Caratteristiche principali ....................................37

Denominazione e utilizzo delle funzioni .........38

Pannello di controllo................................38

Pannello posteriore ..................................42

Esempio di utilizzo di due canali combinati ...44

Modalità di utilizzo del supporto pieghevole.45

Utilizzo di un supporto casse.............................46

Español

Principales características...................................47

Nombres de componentes y sus funciones......48

Panel de control ........................................48

Panel trasero..............................................52

Ejemplo de uso de dos canales combinados....54

Cómo utilizar el soporte plegable .....................55

Utilización de un soporte de altavoz ................56

Português

Principais características.....................................57

Nomes das partes e suas funções ......................58

Painel de controle .....................................58

Painel traseiro............................................62

Exemplo de uso de dois canais combinados....64

Como utilizar o suporte dobrável .....................65

Utilizando um suporte para alto-falante..........66

Nederlands

Belangrijkste kenmerken.....................................67

Namen van onderdelen en hun functies ..........68

Voorpaneel ................................................68

Achterpaneel .............................................72

Voorbeeld van gecombineerd gebruik van

twee kanalen.........................................................74

De vouwstandaard gebruiken ...........................75

Een luidsprekerstandaard gebruiken ...............76

Block Diagram .................................................................77

How to Use the Carrying Case......................................77

Specifications ...................................................................78

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7

Main Features

The AC-90 is a high-performance monitor amp developed exclusively for use with acoustic instruments. It is capable of faithfully

expressing all the harmonic richness of an acoustic instrument’s sound.

Compact, High-Performance Stereo

Amp

• The finely tuned design of the cabinet is meant to

enhance the sound of acoustic instruments. Within this

cabinet, there are two 8 inch woofers, two tweeters, and

a 45 W + 45 W stereo amp—all of which were newly

designed just for the AC-90. As a result, the unit is

capable of delivering a more natural, acoustic instrument

sound across a broad range of frequencies.

• Thanks to a power amp that was designed to be as light

as possible, and the use of new materials for the woofers,

an overall reduction in the weight of the unit has been

achieved.

Features Two Independent Channels,

GUITAR and MIC/LINE

• Each channel includes a 3-band equalizer.

• GUITAR channel handles both piezo and magnetic

pickups.

• The MIC/LINE channel offers phantom power,

produced by highly reliable, dedicated 48 V output

phantom circuitry.

• Using the MIC/LINE channel for LINE input allows you

to connect guitars with magnetic pickups. You can also

use a piezo pickup (GUITAR channel) and a magnetic

pickup (MIC/LINE channel) at the same time, and mix

(blend) the sounds together.

High-Quality Digital Effects

• Three kinds of stereo chorus effects are provided. There

is the spatially synthesized “SPACE” chorus, the “RICH”

chorus (which is divided into frequency bands), and the

“WIDE” chorus (which is also divided into frequency

bands while offering even greater expansiveness).

• Includes stereo reverb developed especially for acoustic

instruments. This allows you to add a sense of

spaciousness and natural body to the sound.

• Equipped with delay effects that can produce sound

with a tonal quality that is soft and tuned specifically for

acoustic instruments.

• An optional foot switch can also be used to turn the

effects on and off.

Anti-Feedback Suppresses Feedback

• Anti-feedback features two ways to detect the feedback

point. You can use the “Manual settings,” or you can use

the “Auto settings,” which provide for the automatic

detection of the feedback point.

• You can connect an optional foot switch and use your

foot to operate this feature.

Mute Function

• The provided Mute switch makes it easy for you to mute

the sounds for the AC-90’s own speakers as well as the

sounds from LINE OUT. By using the Mute function,

you can plug in and out noiselessly at the guitar.

Furthermore, when you have a tuner connected to

TUNER OUT, the Mute function lets you tune your

instrument without outputting any sound.

• You can connect an optional foot switch and use your

foot to turn this on and off.

External Input Jacks (AUX IN)

• Includes external input jacks, allowing you to connect a

CD player, backing machine, or other device in stereo.

•These include both RCA phono jacks and 1/4” phone

jacks, making it possible to connect just about any kind

of device.

Multiple Output Connectors

• Features DI Out, which allow you to directly output the

signals input from connected instruments and mics. You

can also connect a tuner. TRS balanced output is

supported.

• Line outs feature 1/4” phone mono-output jacks in

addition to XLR connectors for stereo output. You can

use a single AC-90 for all applications.

• It also features a Subwoofer Out. Connecting a powered

subwoofer allows you to play with an even punchier,

more powerful low end.

• The amp also provides a headphones jack, which you

can use when playing during nighttime hours and when

making sound checks.

Convenient Placement Features

• Equipped with a “folding stand,” which allows you to

change the angle of the amp when using it for

monitoring purposes.

• Includes a “speaker stand adapter,” which allows you to

attach the AC-90 to a speaker stand. This makes using

the AC-90 easier when you are performing standing up,

and allows you to use the amp as a simple PA.

• Also included is a carrying case for greater portability.

AC-90_egfispd.book Page 7 Tuesday, May 15, 2007 2:37 PM

8

Names of Things and What They Do

Control Panel

fig.010

1. INPUT

(GUITAR CHANNEL)

Connect guitars here.

(MIC/LINE CHANNEL)

Connect mics and line-level devices here. You can also

connect guitars with pickups equipped with preamps.

This handles balanced input, so you can connect 1/4” phone

TRS jacks and XLR-type connectors.

fig.030

You can use the two channels in combination.

Refer to “Example of Using Two Channels Combined” (p. 14).

983

* Feedback could be produced depending on the location of

microphones relative to speakers. This can be remedied by:

•Changing the orientation of the microphone(s).

•Relocating microphone(s) at a greater distance from speakers.

•Lowering volume levels.

2. PICKUP Button

This switches the input circuitry for either piezo or magnetic

pickups, according to the type of pickup on the connected

guitar. Press down the button for magnetic pickups.

* Set this to “MAGNETIC” if your guitar has an active pickup

equipped with a preamp.

3. SHAPE Button

Setting this to ON modifies the midrange to create a bright

tone suitable for strumming chords.

This emphasizes brushing sounds, allowing you to strum

with a more edgy feeling.

4. PHANTOM Switch

This turns the phantom power on and off.

Set this to “ON” when connecting mics that require phantom

power (condenser mic, etc.).

Set this to “OFF” when connecting mics that do not require

phantom power or other devices.

• Use the following sequence when connecting mics that

require phantom power:

1.Turn the PHANTOM switch off.

2.Connect the mic.

3.Turn the PHANTOM switch on.

• Supplying phantom power to mics that do not require it

or supplying it to other devices may cause such

equipment to malfunction. Always be sure to turn the

switch off before connecting.

* To protect the circuitry, all output is muted momentarily after

the PHANTOM switch is turned on or off.

* Phantom power is supplied only to the XLR connectors for the

MIC/LINE channel INPUT.

* Noise may be produced if connectors are connected or

disconnected while the phantom power is turned on.

12 3

10 11 16 17

9678

45

12 13 14 15 18

XLRTRS

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9

Names of Things and What They Do

Phantom Power

Because they have a comparatively wider range and better

sound quality than dynamic mics, condenser mics are often

used for miking acoustic guitars. However, they require a

power source to operate. Although some condenser mics run

off batteries placed within the mic housing, in many cases a

type of power supply known as “phantom power” is

required. This power supply uses the existing mic cable to

feed power.

The AC-90’s phantom power is output at a constant 48 V, so

it conforms to professional specifications required at

recording studios.

5. SELECT Button

This switches the input level to match that of the connected

device (mic or line).

You can connect guitars with magnetic pickups when LINE

is selected with the SELECT button.

* Note that the volume is increased if the switch is set to “MIC”

when you have a line-level device connected.

6. VOLUME Knobs

(GUITAR CHANNEL)

Adjusts the volume of the GUITAR channel.

* To accommodate the lower output of piezo pickups, the volume

level when the VOLUME knob is between the 7 and 10

positions is set somewhat higher when the PICKUP button is

set to PIEZO in comparison with the MAGNETIC setting.

(MIC/LINE CHANNEL)

Adjusts the volume of the MIC/LINE channel.

* When using the AC-90 with the GUITAR channel and MIC/

LINE channel mixed, adjust the volume balance between the

two channels with the VOLUME knob.

7. BASS Knobs

Adjust the level of the low-frequency range.

8. MIDDLE Knobs

Adjust the level of the midrange.

9. TREBLE Knobs

Adjust the level of the high-frequency range.

The tone of an acoustic instrument can vary immensely from

one instrument to the next. The kind of sound required also

varies according to how an instrument is being used in a

particular ensemble. Actively use the BASS, MIDDLE, and

TREBLE knobs to adjust the tone to suit the instrument you

are using and the conditions in which it is being used.

(Example)

• When using the AC-90 with the speaker stand attached,

you may want to turn up the BASS knob so the lower

range is perceived better.

• If the sound seems too harsh, such as immediately after

changing strings, you may want to turn down the

TREBLE knob to cut back on the high frequencies.

10. CHORUS Buttons

Switch chorus on and off.

When on, the indicator is lit.

You can use a foot switch (the optional BOSS FS-5U) to

switch chorus on and off. Turning chorus on and off with the

foot switch works on both channels.

11. CHORUS Knob

Turn this knob to select among the three types of chorus

(SPACE, RICH, and WIDE).

You can adjust the amount of effect applied by changing the

position of the knob.

* This is enabled when the CHORUS button is in the ON

position.

* The markings indicating the SPACE and RICH positions are

approximate. Listen to the sound to confirm the effect as you

make adjustments.

SPACE

This is a spacially synthesized chorus. With spacially

synthesized chorus, a method available only in stereo, the

chorus effect is created by taking the sound from the right

speaker (from which the effect sound is output), and the

sound from the left speaker (which outputs the direct sound),

and then mixing them in the actual space. This creates a

greater lateral spread than that produced when the sounds

are mixed electronically, providing a more natural sense of

breadth.

AC-90_egfispd.book Page 9 Tuesday, May 15, 2007 2:37 PM

10

Names of Things and What They Do

RICH

This is a stereo chorus that is divided into three frequency

ranges.

Here, the effect is separated into three bands, low-frequency,

midrange, and high-frequency, and by applying the most

suitable amount of chorus effect in each range, it provides a

sense of fullness and breadth that is perfectly suited to the

acoustic guitar.

The low end is firmly in the center, and sound spreads out

more and more as the sound rises from the midrange up

through the higher frequencies.

WIDE

While also relying on the division of sound into separate

bands, this chorus offers even greater expansiveness than

RICH.

The sound image spreads beyond the AC-90’s speakers,

producing an effect that seems to envelope the listener in

sound.

12. REVERB/DELAY Knob

You can adjust this knob to switch between the reverb and

delay effects.

You can adjust the amount of effect applied by changing the

position of the knob.

* Turn the knob to “OFF” if you are not using the reverb or

delay effect.

* The markings indicating the reverb and delay positions are

approximate. Listen to the sound to confirm the effect as you

make adjustments.

REVERB

This stereo reverb, developed especially for acoustic

instruments, gives a sense of spaciousness and natural sonic

quality.

Turn the knob to adjust the volume of the reverb effect.

DELAY

This delay, developed especially for acoustic instruments,

adds soft reflections to the original sound.

Turn the knob to change the delay time.

* You can use a foot switch (the optional BOSS FS-5U) to

switch the reverb and delay on and off.

13. FREQUENCY Knob

This selects the frequency at which the anti-feedback

function operates.

Also, the position of the knob determines whether Auto or

Manual settings are selected.

fig.031

* Turn the knob to “OFF” if you are not using anti-feedback.

14. START Button

This is used for Auto settings (p. 11). Pressing the button

performs automatic detection of feedback-whine frequencies.

The indicators show the operating status of the automatic

detection function.

Standby: Flashes slowly

During Detection: Flashes rapidly

After Detection: Remains lit

* Holding down the START button for one second or longer

returns the unit to standby for automatic detection.

How to Use ANTI-FEEDBACK

fig.32

Anti-feedback is a function that controls feedback that arises

between the guitar or mic and the amp.

The feedback is suppressed by attenuating the frequency at

which the feedback occurs.

* This is not designed to work with respect to the high-frequency

feedback that can occur when using microphones.

Anti-feedback can be used in two different ways; you can

make use of either the “Auto settings” or the “Manual

settings.”

* Use either when feedback whine occurs.

Feedback

This is a phenomenon whereby signals output from the

speakers are picked up again by the mic or pickup, and the

sound is further amplified and output from the speakers,

resulting in an unpleasant oscillating sound.

* If the anti-feedback alone does not control the feedback, adjust

your settings, for example by lowering the volume or cutting

the low frequencies.

* To prevent feedback during a performance, we recommend

making the anti-feedback setting before the performance.

MANUAL

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11

Names of Things and What They Do

Setting the Feedback Point Automatically

This automatically detects the frequency at which feedback

occurs and suppresses feedback.

* Use in conditions where feedback occurs.

1. Cause feedback whine to occur.

2. Turn the FREQUENCY knob to the “AUTO” position.

fig.033

The ANTI-FEEDBACK indicator flashes slowly, and

automatic detection goes into standby.

3. Press the START button.

Automatic detection of the feedback point starts. The indicator

flashes rapidly when detection is in progress, and when the

feedback point is found, the indicator lights steadily. If no

feedback point is detected, the indicator flashes slowly, and

the automatic detection function returns to standby.

4. Press the START button once more to conduct the

automatic detection again.

Setting the Feedback Point Manually

1. Cause feedback whine to occur.

2. Turn the knob, moving through the range of L through

H (the ANTI-FEEDBACK indicator lights up) to search

for the frequency at which the feedback is to be

suppressed.

fig.34

Turning the knob clockwise suppresses progressively more

treble feedback, and turning it counterclockwise suppresses

progressively more bass feedback.

You can use a foot switch (the optional BOSS FS-5U, FS-6) to

run automatic detection of the feedback frequency or to turn

the anti-feedback function on and off.

You can use anti-feedback even when feedback is not a

problem. For example, you can use it to remove undesirable

resonance in the low to midrange, as well as correct other

problems with the sound quality.

15. MUTE Button

This switches the Mute function on and off.

When you press the button, the MUTE indicator flashes,

muting is turned on, and the speaker output and sounds

from SUB WOOFER OUT and LINE OUT are muted.

With the mute function activated, you do not need to turn

down the VOLUME knob or MASTER knob to mute the

noise when plugging into, or unplugging from your guitar.

* Sounds from the DI OUT/TUNER OUT and PHONES jacks

are not muted.

By connecting a tuner (optional) to DI OUT/TUNER OUT

and then pressing the MUTE button, you can tune your

instrument without the sound being output from the

speakers.

You can use a foot switch (optional BOSS FS-5U or FS-6) to

switch muting on and off. (p. 13)

16. MASTER Knob

Adjusts the overall volume level.

* LINE OUT cannot be adjusted.

17. PHONES Jack

Headphones are connected here. No sounds are output from

the speakers or from SUB WOOFER OUT when headphones

are connected.

18. POWER Switch

This turns the AC-90’s power on and off.

The POWER indicator lights up when the power is on.

945

* If you need to turn off the power completely, first turn off the

POWER switch, then unplug the power cord from the power

outlet. Refer to Power Supply (p. 5)

942

* Due to a circuitry protection feature, this unit requires a few

moments after it has been turned on before it is ready for

normal operation.

943

* Always make sure to have the volume level turned down before

switching on power. Even with the volume all the way down,

you may still hear some sound when the power is switched on,

but this is normal, and does not indicate a malfunction.

AC-90_egfispd.book Page 11 Tuesday, May 15, 2007 2:37 PM

12

Names of Things and What They Do

Rear Panel

fig.040

1. LINE OUT Jacks

You can connect a mixer, recording device, or other device

here. The output level is +4 dBu.

Included here are XLR connectors (L/R: stereo output) and a

1/4” phone jack (mono output).

fig.090

* You cannot adjust the volume for LINE OUT with the

MASTER knob.

* The chorus effects are designed so they exhibit the greatest

effectiveness when you use the unit’s built-in speakers.

Effectiveness may differ when LINE OUT is used instead of

the built-in speakers.

2. SUB WOOFER OUT Jack

You can connect a powered subwoofer to play back sounds

with an even punchier, more powerful low end.

The volume is adjusted with the MASTER knob.

3. AUX IN Jacks

You can connect a CD player, drum machine, or other device

and play back sounds in stereo. Both RCA phono jacks and

1/4” phone jacks are provided. When connected to only the

left 1/4” phone jack, playback is in mono.

Although the input from AUX IN is output from the

speakers, PHONES, and SUB WOOFER OUT, it is not output

from LINE OUT. The volume is adjusted with the MASTER

knob, and muting on/off for these sounds is controlled with

5431 2

White Red

PCS-31

Anti-Feedbac

k

Mute On/Off

White Red

PCS-31

Reverb/Delay

On/Off

Chorus

On/Off

Tuner

Mixer

CD Player

Drum Machine

Powered

Sub Woofer

Mixer

Recorder

When connection cables with resistors are used, the volume level of equipment connected to the inputs may be low.

If this happens, use connection cables that do not contain resistors.

*

926a

*

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13

Names of Things and What They Do

the MUTE button.

If devices are connected to both the RCA phono jacks and the

1/4” phone jacks, the two inputs are mixed.

4. DI OUT/TUNER OUT Jack

The direct sound of the device or instrument connected to the

GUITAR or MIC/LINE channel is output here. This is a 1/4”

phone TRS jack with balanced output.

You can also use this jack to connect a tuner.

fig.070

* If balanced output is not required, use a 1/4” phone (mono)

plug to connect to this jack.

If balanced output is not required, you can use the special

connection cable (the optional PCS-31) to use the DI OUT and

TUNER OUT simultaneously.

fig.080

A phase-inverted signal is output from the COLD side (the

red side of the PCS-31). Connect the recording device to the

HOT side (the white side of the PCS-31)

5. FOOT SW Jacks

The AC-90 accepts the BOSS FS-5L (latch type), BOSS FS-5U

(momentary type), and BOSS FS-6 foot switch pedals.

* Set the polarity switch as shown below.

fig.071

(MUTE, ANTI-FEEDBACK)

Connecting a foot switch pedal (optional BOSS FS-5L, FS-5U,

or FS-6) using a connection cable (the optional PCS-31) makes

it possible to use a latch-type foot switch (the FS-5L or FS-6)

to switch muting on and off, or to use a momentary-type foot

switch (the FS-5U or FS-6) to control the anti-feedback

feature.

* For information on the settings for the FS-6, refer to the

owner’s manual for the FS-6.

fig.050

When a 1/4” phone (mono) plug is used to connect only one

foot switch, only the Mute on/off function is enabled. In such

cases, you should use a latch-type foot switch pedal (such as

the BOSS FS-5L)

* The MUTE button should be set to off when a foot switch is

connected for muting.

You cannot switch the muting off by pressing the foot switch

when the MUTE button is on (when the MUTE indicator is

lit).

* When using an FS-5U (momentary type) to switch muting on

and off, the muting is switched on only while the switch is held

down.

For anti-feedback, a foot switch will function as follows:

• When the FREQUENCY knob is positioned in the range

from L to H, the switch turns the anti-feedback function

on and off.

• When the FREQUENCY knob is positioned at AUTO, the

switch functions as the START switch for the automatic

detection. Holding the foot switch down for one second

or longer returns the automatic detection function to

standby mode.

(CHORUS, DELAY/REVERB)

Using a special connection cable (the optional PCS-31) to

connect two foot switches (the optional BOSS FS-5U), you

can use one FS-5U to switch the chorus on and off, and use

the other FS-5U to switch the delay or reverb on and off.

fig.060

When a 1/4” phone (mono) plug is used to connect only one

foot switch, only the chorus on/off function is enabled.

* The chorus on/off function works on both channels.

* You cannot switch the chorus on and off by pressing the foot

switch when the CHORUS button is off.

Tuner

White Red

PCS-31

Recoreder

AC-90_egfispd.book Page 13 Tuesday, May 15, 2007 2:37 PM

14

Example of Using Two Channels Combined

When Using a Mic and a Pickup

GUITAR CHANNEL:

Piezo or Magnetic Pickup

MIC/LINE CHANNEL:

Condenser or Dynamic mic (SELECT button = MIC)

This allows you to blend the fat midrange of the pickup with the

mic’s delicate high end.

Set the PHANTOM switch to ON if using a condenser mic.

When Using Two Guitars

GUITAR CHANNEL:

Guitar 1 Piezo or Magnetic Pickup

MIC/LINE CHANNEL:

Guitar 2 Magnetic Pickup (SELECT button = LINE)

You can switch guitars without having to readjust the volume

and tone.

When Using One Guitar with Two Types

of Pickups

GUITAR CHANNEL:

PiezoPickup (PICKUP button = PIEZO)

MIC/LINE CHANNEL:

Magnetic Pickup (SELECT button = LINE)

You can balance the volume levels using each channel’s

VOLUME knob, and adjust the tone for each pickup to attain the

optimal sound with the equalizer (BASS/MIDDLE/TREBLE)

knobs.

PIEZO

Condenser mic or Dynamic mic

MAGNETIC

or

MAGNETIC

PIEZO

MAGNETIC

or

Guitar 1

Guitar 2

PIEZO

MAGNETIC

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15

How to Use the Folding Stand

When using the AC-90 on floors, or in other low-lying positions, then setting up and using the folding stand can make it easier to

hear the sound from the speakers.

fig.100

• When using the folding stand, always be sure to place it so the AC-90 remains level.

• When not using the folding stand, fold it up.

• Never lift up and carry the AC-90 by holding the folding stand.

• Never place any objects on top of the AC-90 when using the folding stand. Also, never sit or lean on the folding stand.

• When folding the folding stand, be careful not to pinch your fingers.

Folding stand

AC-90_egfispd.book Page 15 Tuesday, May 15, 2007 2:37 PM

16

Using a Speaker Stand

By using a speaker stand, you can mount the AC-90 at the optimal height for use as a monitor speaker or simple PA device.

● The AC-90 is designed to be used only with speaker

stands whose dimensions meet the specifications

described below.

Do not use it with a speaker stand that does not meet the

following specifications.

fig.120

fig.130

● Before use, adjust the speaker stand to a height of 140 cm

(55-1/8”) or less and a leg spread of 120 cm (47-1/4”) or

more, as shown in the figure below.

fig.110\

● Using a speaker stand that does not meet the

specifications at left or that is adjusted to a height over

140 cm (55-1/8”), or a leg spread of less than 120 cm (47-

1/4”) may result in damage to equipment or injury due to

the stand tipping over.

● When using the AC-90 with a speaker stand, the speaker

stand must be carefully placed so it is level and sure to

remain stable.

● Cables connected to the AC-90 should be given enough

slack to prevent accidents that might result from someone

tripping over them.

● To prevent accidents due to falls, do not place any object

on the AC-90 when it’s mounted on a speaker stand.

● Always have at least one other person assist you when

mounting the AC-90 on a speaker stand, or when

adjusting the height of the stand while the AC-90 remains

mounted on it.

Leg spread: 120 cm or more

Diameter: 3.8 cm

(

1-1/2”

)

(

47-1/4”

)

Diameter:

136 cm or more

Leg spread: 120 cm or more

(

47-1/4”

)

(

53-9/16”

)

140 cm or less

120 cm or more

(55-1/8

”

)

(

47-1/4”

)

AC-90_egfispd.book Page 16 Tuesday, May 15, 2007 2:37 PM

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17

English

Hauptmerkmale

Der AC-90 ist ein speziell zur Verwendung mit akustischen Instrumenten entwickelter Hochleistungs-Monitorverstärker.

Er ist in der Lage, den gesamten harmonischen Klangreichtum eines akustischen Instruments originalgetreu auszudrücken.

Kompakter Hochleistungs-

Stereoverstärker

• Das fein abgestimmte Gehäusedesign ist dazu ausgelegt, den

Klang akustischer Instrumente zu bereichern. In diesem

Gehäuse befinden sich zwei 20-cm-Woofer, zwei Tweeter

und ein 2 x 45 W-Stereoverstärker – die alle speziell für den

AC-90 neu entwickelt werden. Als Resultat ist das Gerät in

der Lage, in einem breiten Frequenzspektrum einen

natürlicheren Akustikinstrumentenklang zu erzeugen.

• Durch den so leicht wie möglich konstruierten

Aktivverstärker und den Einsatz neuer Materialien

für die Woofer wurde eine Verringerung des

Gesamtgewichts des Geräts erreicht.

Zwei unabhängige Kanäle: GUITAR

und MIC/LINE

• Zu jedem Kanal gehört ein 3-Band-Equalizer.

• Der GUITAR-Kanal kann sowohl für piezoelektrische als

auch magnetische Tonabnehmer verwendet werden.

• Der MIC/LINE-Kanal bietet eine Phantomspeisung,

die durch eine äußerst zuverlässige, dezidierte

Phantomspeisungsschaltung mit einer

Ausgangsspannung von 48 V erzeugt wird.

• Mit Hilfe des MIC/LINE-Kanals für LINE-Eingänge

können Sie Gitarren mit magnetischen Tonabnehmern

anschließen. Sie können auch einen piezoelektrischen

(GUITAR-Kanal) und einen magnetischen Tonabnehmer

(MIC/LINE-Kanal) gleichzeitig verwenden und die

Klänge zusammenmischen.

Hochwertige Digitaleffekte

• Es stehen drei Arten von Stereo-Choruseffekten zur

Verfügung. Dies sind der räumlich synthetisierte

Chorus-Effekt „SPACE“, der Chorus-Effekt „RICH“ (der

in Frequenzbänder unterteilt ist) und der Chorus-Effekt

„WIDE“ (der ebenfalls in Frequenzbänder unterteilt ist,

dabei aber eine noch größere Tragweite bietet).

• Speziell für akustische Instrumente entwickelter Stereo-

Halleffekt (Reverb). Dieser ermöglicht Ihnen, dem Klang

Raumwirkung und natürliche Substanz zu verleihen.

• Echoeffekte (Delay), die Klänge mit einer weichen und

speziell auf akustische Instrumente abgestimmten

Tonqualität erzeugen können.

• Ein optionaler Fußschalter zum Ein- und Ausschalten

der Effekte verwendet werden.

Anti-Feedback-Funktion unterdrückt

Rückkopplungen

• Die Anti-Feedback-Funktion bietet zwei Erkennungsarten für

den Rückkopplungspunkt. Sie können die „Manual Settings“

(manuellen Einstellungen) verwenden, oder Sie können die

„Auto Settings“ (automatischen Einstellungen) nutzen, mit

denen der Rückkopplungspunkt automatisch erkannt wird.

• Sie können einen optionalen Fußschalter anschließen

und diese Funktion mit dem Fuß steuern.

Stummschaltungsfunktion (Mute)

• Der Mute-Schalter macht es Ihnen leicht, den Klang der

eigenen Lautsprecher des AC-90 sowie den Klang über

LINE OUT stumm zu schalten. Mit Hilfe der Mute-

Funktion können Sie die Gitarre geräuschlos anschließen

und trennen. Außerdem können Sie, wenn Sie an TUNER

OUT ein Stimmgerät anschließen, Ihr Instrument mit der

Mute-Funktion stimmen, ohne dass Ton ausgegeben wird.

• Sie können einen optionalen Fußschalter anschließen

und diese Funktion mit dem Fuß ein- und ausschalten.

Externe Eingangsbuchsen (AUX IN)

• Der Verstärker besitzt externe Eingangsbuchsen, an die

Sie Stereosignale von einem CD-Spieler, einer

Begleitungsmaschine oder einem anderen Gerät

anschließen können.

• Die Eingänge verfügen sowohl über Cinch-Buchsen als

auch 6,3-mm-Klinkenbuchsen, sodass praktisch jedes

beliebige Gerät angeschlossen werden kann.

Mehrere Ausgangsanschlüsse

•Über den Ausgang DI OUT werden die von

angeschlossenen Instrumenten und Mikrofonen

eingehenden Signale direkt ausgegeben. Zudem können

Sie ein Stimmgerät anschließen. Die Ausgabe über

symmetrische Klinkenbuchsen wird unterstützt.

• Zu den Line-Ausgängen gehören neben den XLR-

Anschlüssen für den Stereo-Ausgang auch 6,3-mm-Mono-

Ausgangsbuchsen. Sie können einen einzigen AC-90 für

alle Zwecke einsetzen.

• Zusätzlich besitzt der Verstärker einen Subwoofer-

Ausgang. Wenn Sie einen Aktiv-Subwoofer anschließen,

können Sie mit einem noch kraftvolleren, stärkeren

unteren Frequenzbereich spielen.

• Der Verstärker ist darüber hinaus mit einer

Kopfhörerbuchse ausgestattet, die Sie zum Spielen

während der Nacht oder für Soundchecks nutzen können.

Praktische Aufstellmöglichkeiten

• Der Verstärker besitzt einen ausklappbaren Bügel, durch

den der Winkel des Verstärkers bei Verwendung als

Monitor verstellt werden kann.

• Mit dem Lautsprecherstativ-Adapter können Sie den

AC-90 auf einem Lautsprecherstativ aufstellen. Dies

erleichtert Ihnen die Verwendung des AC-90 bei

Auftritten im Stehen und ermöglicht Ihnen, den

Verstärker als einfache PA-Anlage zu verwenden.

• Im Lieferumfang ist auch ein Tragekoffer enthalten,

damit das Gerät besser transportiert werden kann.

AC-90_egfispd.book Page 17 Tuesday, May 15, 2007 2:37 PM

18

Bezeichnungen und Funktionen der

Bedienelemente

Bedienfeld

Abb. 010

1. INPUT (Eingänge)

(GUITAR CHANNEL)

Schließen Sie hier Gitarren an.

(MIC/LINE CHANNEL)

Schließen Sie hier Mikrofone und Geräte mit Line-Pegel an.

Sie können auch Gitarren anschließen, deren Tonabnehmer

Vorverstärker besitzen.

Es werden symmetrische Eingänge verwendet, sodass Sie

6,3-mm-Klinken- und XLR-Stecker anschließen können.

Abb. 030

Sie können die beiden Kanäle in Kombination verwenden.

Siehe hierzu „Beispiel für die kombinierte Verwendung

zweier Kanäle“ (S. 24).

983

* Je nach dem Aufstellort von Mikrofonen im Verhältnis zu den

Lautsprechern könnten Rückkopplungen erzeugt werden. Dies

können Sie beheben, indem Sie:

• Die Richtung des Mikrofons/der Mikrofone ändern.

• Das Mikrofon/die Mikrofone in größerer Entfernung von

den Lautsprechern aufstellen.

• Die Lautstärkepegel herunterregeln.

2. Taste PICKUP (Tonabnehmer)

Hiermit schalten Sie die Eingangsschaltungen entweder für

piezoelektrische oder für magnetische Tonabnehmer um, je

nachdem, welche Tonabnehmerart die angeschlossene Gitarre

besitzt. Drücken Sie die Taste für magnetische Tonabnehmer.

* Bringen Sie die Taste in die Stellung „MAGNETIC“, wenn Ihre

Gitarre einen Aktivtonabnehmer mit Vorverstärker besitzt.

3. Taste SHAPE (Form)

Wenn Sie diese Taste einschalten (ON), wird der mittlere

Frequenzbereich so modifiziert, dass ein strahlender Klang

erzeugt wird, der sich zum Schlagen von Akkorden eignet.

Dies betont die Saitenanschlagsklänge, so dass Sie die Saiten

mit schärferen Ausdruck anschlagen können.

4. Schalter PHANTOM

Schaltet die Phantomspeisung ein und aus.

Schalten Sie diesen Schalter ein (ON), wenn Sie Mikrofone

anschließen, die eine Phantomspeisung benötigen

(Kondensatormikrofon usw.).

Schalten Sie ihn aus (OFF), wenn Sie Mikrofone, die keine

Phantomspeisung benötigen, oder andere Geräte anschließen.

• Gehen Sie in folgender Reihenfolge vor, wenn Sie Mikrofone

anschließen, die eine Phantomspeisung benötigen:

1. Schalten Sie den PHANTOM-Schalter aus.

2. Schließen Sie das Mikrofon an.

3. Schalten Sie den PHANTOM-Schalter ein.

• Wenn Mikrofone, die keine Phantomspeisung benötigen,

oder andere Geräte mit eingeschalteter

Phantomspeisung betrieben werden, kann dies zu

Fehlfunktionen der Mikrofone bzw.Geräte führen.

Achten Sie immer darauf, den Schalter auszuschalten,

bevor Sie den Anschluss vornehmen.

* Um die Schaltungen zu schützen, werden alle Ausgänge nach

dem Ein- oder Ausschalten des PHANTOM-Schalters

vorübergehend stumm geschaltet.

* Die Phantomspeisung erfolgt nur über die XLR-Anschlüsse

für den Eingang des MIC/LINE-Kanals.

* Wenn Anschlüsse bei eingeschalteter Phantomspeisung

vorgenommen oder getrennt werden, kann es zu

Störgeräuschen kommen.

12 3

10 11 16 17

9678

45

12 13 14 15 18

XLRTRS

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19

Bezeichnungen und Funktionen der Bedienelemente

English

Phantomspeisung

Da sie verglichen mit dynamischen Mikrofonen ein breiteres

Frequenzspektrum und eine bessere Klangqualität besitzen,

werden für akustische Gitarren häufig Kondensatormikrofone

verwendet. Für ihren Betrieb wird jedoch eine Stromquelle

benötigt. Einige Kondensatormikrofone arbeiten zwar mit

Batterien, die sich im Mikrofongehäuse befinden, doch in vielen

Fällen wird die als „Phantomspeisung“ bezeichnete Art der

Stromversorgung benötigt. Diese Stromversorgung nutzt das

vorhandene Mikrofonkabel, um das Mikrofon mit Strom zu

versorgen.

Die Phantomspeisung des AC-90 besitzt eine konstante

Spannung von 48 V und entspricht somit den in

Aufnahmestudios erforderlichen professionellen

Spezifikationen.

5. Taste SELECT (Auswahl)

Schaltet den Eingangspegel passend für das angeschlossene

Gerät um (Mikrofon oder Line-Pegel-Gerät).

Wenn mit der SELECT-Taste die Einstellung LINE

ausgewählt wird, können Sie Gitarren mit magnetischen

Tonabnehmern anschließen.

* Beachten Sie, dass die Lautstärke zunimmt, wenn der Schalter

auf „MIC“ gestellt wird, während ein Gerät mit Line-Pegel-

Ausgang angeschlossen ist.

6. Regler VOLUME (Lautstärke)

(GUITAR CHANNEL)

Reguliert die Lautstärke des GUITAR-Kanals.

* Um dem geringeren Ausgangspegel von piezoelektrischen

Tonabnehmern Rechnung zu tragen, ist der Lautstärkepegel,

wenn sich der VOLUME-Regler zwischen den Stellungen 7

und 10 befindet, bei auf PIEZO gestellter PICKUP-Taste

verglichen mit der MAGNETIC-Einstellung etwas höher.

(MIC/LINE CHANNEL)

Reguliert die Lautstärke des MIC/LINE-Kanals.

* Wenn Sie den AC-90 mit gemischtem GUITAR- und MIC/

LINE-Kanal verwenden, stellen Sie mit dem VOLUME-

Regler die Lautstärkebalance zwischen den beiden Kanälen ein.

7. Regler BASS

Regeln den Pegel des tiefen Frequenzbereichs.

8. Regler MIDDLE (Mitten)

Regeln den Pegel des mittleren Frequenzbereichs.

9. Regler TREBLE (Höhen)

Regeln den Pegel des hohen Frequenzbereichs.

Die Klangfarbe akustischer Instrumente kann von einem

Instrument zum nächsten enorm variieren. Die gewünschte

Art des Klangs variiert ebenfalls je nachdem, wie ein

Instrument in einem bestimmten Ensemble eingesetzt wird.

Verwenden Sie aktiv die Regler BASS, MIDDLE und

TREBLE, um die Klangfarbe so einzustellen, dass sie zu dem

von Ihnen verwendeten Instrument und den Umständen

passt, in denen es verwendet wird.

(Beispiel)

• Wenn Sie den AC-90 mit Lautsprecherstativ aufgestellt

verwenden, möchten Sie vielleicht den BASS-Regler

hochdrehen, damit der Tiefenbereich besser

wahrgenommen wird.

• Wenn der Klang zu scharf wirkt, beispielsweise

unmittelbar nach dem Wechseln der Saiten, möchten Sie

vielleicht den TREBLE-Regler herunterdrehen, um die

hohen Frequenzen zu dämpfen.

10. Tasten CHORUS

Schalten den Chorus-Effekt ein und aus.

Wenn er eingeschaltet ist, leuchtet die Anzeigelampe.

Sie können den Chorus-Effekt mit einem Fußschalter (dem

optionalen BOSS FS-5U) ein- und ausschalten. Das Ein- und

Ausschalten des Chorus-Effekts mit dem Fußschalter

funktioniert auf beiden Kanälen.

11. Regler CHORUS

Drehen Sie diesen Regler, um unter den drei Typen des

Chorus-Effekts zu wählen (SPACE, RICH und WIDE).

Durch Verstellen des Reglers können Sie einstellen, mit

welcher Intensität der Effekt angewendet wird.

* Diese Funktion ist aktiviert, wenn sich die CHORUS-Taste in

der Stellung ON befindet.

* Die Stellungsmarkierungen der Effektarten SPACE und

RICH sind Näherungsangaben. Hören Sie sich den Klang an,

während Sie die Einstellungen vornehmen, um die

Effektwirkung zu überprüfen.

SPACE (Raum)

Dies ist ein räumlich synthetisierter Chorus-Effekt. Beim

räumlich synthetisierten Chorus-Effekt, einer nur in Stereo

verfügbaren Methode, wird der Chorus-Effekt erzeugt, indem

der Klang vom rechten Lautsprecher (von dem der Effektklang

ausgegeben wird) und der Klang vom linken Lautsprecher (der

den direkten Klang ausgibt) im tatsächlichen Raum gemischt

werden. Dadurch entsteht eine größere seitliche Streuung, als

wenn die Klänge elektronisch gemischt werden, was einen

natürlicheren Eindruck von Breite hervorruft.

AC-90_egfispd.book Page 19 Tuesday, May 15, 2007 2:37 PM

20

Bezeichnungen und Funktionen der Bedienelemente

RICH (Voll)

Dies ist ein in drei Frequenzbereiche unterteilter Stereo-

Chorus-Effekt.

Hier ist der Effekt in drei Bänder getrennt, tiefe, mittlere

und hohe Frequenzen, und die Anwendung der am besten

geeigneten Intensität des Chorus-Effekts in jedem Bereich

erzeugt einen Eindruck von Klangfülle und -breite, der

perfekt zur akustischen Gitarre passt.

Der untere Frequenzbereich befindet sich stabil in der Mitte, und

der Klang breitet sich mehr und mehr aus, während der Klang

vom mittleren Bereich in die höheren Frequenzen hinaufsteigt.

WIDE (Breit)

Dieser Chorus-Effekt stützt sich ebenfalls auf die

Unterteilung des Klangs in getrennte Frequenzbänder, bietet

aber ein noch größeres Ausdehnungsvermögen als RICH.

Das Klangbild breitet sich über die Lautsprecher des AC-90

hinaus aus und erzeugt einen Effekt, der den Zuhörer in den

Klang einzuhüllen scheint.

12. Regler REVERB/DELAY (Hall/Echo)

Durch Verstellen dieses Reglers können Sie zwischen dem

Hall- und dem Echo-Effekt umschalten.

Durch Verstellen des Reglers können Sie einstellen, mit

welcher Intensität der Effekt angewendet wird.

* Drehen Sie den Regler auf „OFF“ (Aus), wenn Sie den Hall-

oder Echo-Effekt nicht verwenden möchten.

* Die Stellungsmarkierungen der Typen REVERB und DELAY

sind Näherungsangaben. Hören Sie sich den Klang an,

während Sie die Einstellungen vornehmen, um die

Effektwirkung zu überprüfen.

REVERB (Hall)

Dieser speziell für akustische Instrumente entwickelte

Stereo-Halleffekt erzeugt den Eindruck von Räumlichkeit

und natürlicher Klangqualität.

Drehen Sie den Regler, um die Lautstärke des Hall-Effekts

einzustellen.

DELAY (Echo)

Dieser speziell für akustische Instrumente entwickelte Echo-

Effekt fügt dem ursprünglichen Klang weiche Reflexionen hinzu.

Drehen Sie den Regler, um die Verzögerungszeit zu ändern.

* Sie können den Hall- und den Echo-Effekt mit einem Fußschalter

(dem optionalen BOSS FS-5U) ein- und ausschalten.

13. Regler FEQUENCY (Frequenz)

Wählt die Frequenz aus, bei der die Anti-Feedback-Funktion

arbeitet.

Außerdem bestimmt die Stellung des Reglers, ob die

automatischen oder die manuellen Einstellungen ausgewählt sind.

Abb. 031

* Drehen Sie den Regler auf „OFF“ (Aus), wenn Sie den Anti-

Feedback-Effekt nicht verwenden möchten.

14. Taste START

Wird für Auto-Einstellungen verwendet (S. 21). Beim

Drücken der Taste wird die automatische Erkennung

pfeifender Rückkopplungsfrequenzen durchgeführt.

Die Anzeigeleuchten zeigen den Betriebszustand der

automatischen Erkennungsfunktion an.

Bereitschaftszustand: Langsames Blinken

Während der Erkennung: Schnelles Blinkten

Nach der Erkennung: Dauerhaftes Leuchten

* Wenn die START-Taste mindestens eine Sekunde lang

gedrückt wird, kehrt das Gerät in den Bereitschaftszustand für

die automatische Erkennung zurück.

Verwendung der ANTI-FEEDBACK-Funktion

Abb. 32

Mit der Anti-Feedback-Funktion werden Rückkopplungen

eingedämmt, die zwischen Gitarre bzw. Mikrofon und dem

Verstärker entstehen.

Die Rückkopplung wird unterdrückt, indem die Frequenz,

bei der sie auftritt, abgeschwächt wird.

* Diese Funktion ist nicht für die Unterdrückung von Hochfrequenz-

Rückkopplungen ausgelegt, die beim Verwenden von Mikrofonen

auftreten können.

Die Anti-Feedback-Funktion kann auf zwei verschiedene Arten

verwendet werden; Sie können entweder die automatischen

Einstellungen oder die manuellen Einstellungen nutzen.

* Verwenden Sie eine dieser Einstellungsarten, wenn pfeifende

Rückkopplungen auftreten.

Rückkopplung

Dies ist ein Phänomen, bei dem von den Lautsprechern ausge-

gebene Signale wieder vom Mikrofon oder Tonabnehmer aufge-

nommen werden und der Klang weiter verstärkt und von den

Lautsprechern ausgegeben wird, was zu einem unangenehmen

oszillierenden Klang führt.

* Wenn die Anti-Feedback-Funktion allein die Rückkopplung nicht

eindämmt, passen Sie Ihre Einstellungen an, in dem Sie beispielsweise

die Lautstärke verringern oder die tiefen Frequenzen reduzieren.

* Um Rückkopplungen bei einem Auftritt zu verhindern, empfehlen wir

Ihnen, die Anti-Feedback-Einstellung vor dem Auftritt vorzunehmen.

MANUELL

AC-90_egfispd.book Page 20 Tuesday, May 15, 2007 2:37 PM

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