Sony MDM-X4 Manuel utilisateur

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© 1996 by Sony Corporation
3-858-580-12(1)
MD Multi-Track
Recorder
EN
F
D
Operating Instructions
Mode d’emploi
Bedienungsanleitung
MDM-X4
T
2
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WARNING
To prevent fire or shock
hazard, do not expose the
unit to rain or moisture.
This symbol is intended to alert the user
to the presence of uninsulated
“dangerous voltage” within the
product’s enclosure that may be of
sufficient magnitude to constitute a risk
of electric shock to persons.
This symbol is intended to alert the user
to the presence of important operating
and maintenance (servicing)
instructions in the literature
accompanying the appliance.
To avoid electrical shock, do
not open the cabinet. Refer
servicing to qualified
personnel only.
Do not install the appliance in a
confined space, such as a bookcase
or built-in cabinet because the mains
power switch (MAIN POWER) is
located on the rear panel.
This appliance is classified as a
CLASS 1 LASER product. The
CLASS 1 LASER PRODUCT
MARKING is located on the rear
exterior.
INFORMATION
This equipment has been tested and
found to comply with the limits for a
Class B digital device, pursuant to Part
15 of the FCC Rules.
These limits are designed to provide
reasonable protection against harmful
interference in a residential installation.
This equipment generates, uses, and can
radiate radio frequency energy and, if
not installed and used in accordance
with the instructions, may cause
harmful interference to radio
communications. However, there is no
guarantee that interference will not
occur in a particular installation. If this
equipment does cause harmful
interference to radio or television
reception, which can be determined by
turning the equipment off and on, the
user is encouraged to try to correct the
interference by one or more of the
following measures:
- Reorient or relocate the receiving
antenna.
- Increase the separation between the
equipment and receiver.
- Connect the equipment into an outlet
on a circuit different from that to
which the receiver is connected.
- Consult the dealer or an experienced
radio/TV technician for help.
CAUTION
You are cautioned that any change or
modifications not expressly approved in
this manual could void your authority
to operate this equipment.
Owner’s record
The model and serial numbers (name
plate) are located on the bottom of the
unit. Record the serial number in the
space provided below. Refer to them
whenever you call upon your Sony
dealer regarding this product.
Model No. MDM-X4
Serial No.
For the customers in Canada
This Class B digital apparatus meets all
requirements of the Canadian
Interference-Causing Equipment
Regulations.
Cet appareil numérique de la classe B
respecte toutes les exigences du
Réglement sur le matériel brouilleur du
Canada.
CAUTION
TO PREVENT ELECTRIC SHOCK, DO
NOT USE THIS POLARIZED AC PLUG
WITH AN EXTENSION CORD,
RECEPTACLE OR OTHER OUTLET
UNLESS THE BLADES CAN BE FULLY
INSERTED TO PREVENT BLADE
EXPOSURE.
Precautions
On safety
Caution - The use of optical
instruments with this product will
increase eye hazard.
Should any liquid or solid object fall
into the unit, unplug the unit and
have the unit checked by qualified
personnel before operating it any
further.
On power sources
Before operating the unit, be sure that
the operating voltage of your unit is
identical with that of your local
power supply.
Unplug the unit from the wall outlet
if it is not to be used for an extended
period of time. To disconnect the
cord, pull it out by grasping the plug.
Never pull the cord itself.
AC power cord must be changed only
at the qualified service shop.
The unit is not disconnected from the
AC power source (mains) as long as it
is connected to the wall outlet, even if
the unit itself has been turned off.
On placement
Place the multi track recorder in a
location with adequate ventilation to
prevent heat buildup in the multi
track recorder.
Do not place the unit in an inclined
position.
Do not place the unit in locations
where it is:
– Extremely hot or cold
– Dusty or dirty
– Very humid
– Vibrating
– Subject to direct sunlight.
On cleaning the cabinet
Clean the cabinet, panels and controls
with a soft cloth lightly moistened with
a mild detergent solution. Do not use
any type of abrasive pad, scouring
powder or solvent such as alcohol or
benzine.
3
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On repacking
Do not throw away the carton and the
packing material. This makes an ideal
container when transporting the unit.
When shipping the unit, repack it as it
was packed at the factory.
On operation
• If the multi track recorder is brought
directly from a cold to a warm
location , or is placed in a very damp
room, moisture may condense on the
lens inside the MD deck. Should this
occur, the system will not operate
properly. Remove the MD and leave
the system turned on for about an
hour until the moisture evaporates.
When you move the system, take out
the disc.
On handling MDs
Do not open the shutter to expose the
MD. Close the shutter immediately if
the shutter opens.
Wipe the disc cartridge with a dry
cloth to remove dirt.
Do not expose the MD to direct
sunlight or heat sources such as hot
air ducts, nor leave it in a car parked
in direct sunlight.
Protecting a recorded MD
To record-protect an MD, slide open the
tab at the side of the MD so the tab is
concealed.
In this position, the MD cannot be
recorded. To record on the MD, slide
close the tab.
On requesting repairs
The nameplate is located on the bottom
exterior.
If you have any question or problem
concerning your unit that is not covered
in this manual, please consult your
nearest Sony dealer.
About This Manual
The following icon is used in this
manual:
Indicates hints and tips for
making the task easier.
Welcome!
Thank you for purchasing the Sony MD
Multi-Track Recorder. Before operating
the unit, please read this manual
thoroughly and retain it for future
reference.
TABLE OF CONTENTS
Overview of MDM-X4
Standard Recording Procedures.................................................................................. 4
Names and Functions of Parts
The Mixer......................................................................................................................... 6
The Recorder ................................................................................................................... 8
The Display ................................................................................................................... 10
Input and Output Jacks ............................................................................................... 11
Connections and Signal Flow
Connections for Recording .........................................................................................13
Connecting MIDI Equipment .................................................................................... 14
MDM-X4 Signal Flow Diagram ................................................................................. 14
Monitoring
Monitoring Preparations ............................................................................................15
Monitoring Example .................................................................................................... 15
Setting Up the Operating Environment
System Settings ............................................................................................................. 17
Changing the Settings ................................................................................................. 18
Recording
Initial Recording ........................................................................................................... 19
Overdub Recording ..................................................................................................... 20
Auto Punch-In/Out Recording ................................................................................. 22
Manual Punch-In/Out Recording ............................................................................ 25
Mix Write Recording (Basics) ....................................................................................27
Mix Write Recording (Applied Operations) ........................................................... 28
Editing Part of a Song (Track Edit)
Track Edit Overview ...................................................................................................31
Specifying the Locate Points ...................................................................................... 31
Copying a Part (Track Copy) ..................................................................................... 33
Moving a Part (Track Move) ...................................................................................... 34
Switching the Location of 2 Parts (Track Exchange) ............................................. 35
Erasing a Part (Track Erase) ....................................................................................... 36
Changing the Construction of a Song (Section Edit)
Section Edit Overview.................................................................................................38
Specifying the Locate Points ...................................................................................... 38
Moving a Section (Section Move).............................................................................. 39
Switching the Location of 2 Sections (Section Exchange) ..................................... 40
Inserting Another Section (Section Insert) .............................................................. 41
Deleting a Section (Section Delete) ........................................................................... 42
Editing Entire Songs (Song Edit)
Song Edit Overview .....................................................................................................43
Copying a Song (Song Copy) ..................................................................................... 43
Moving a Song (Song Move) ...................................................................................... 44
Changing the Song Order (Song Exchange)............................................................ 45
Dividing a Song (Song Divide) ..................................................................................46
Connecting 2 Songs (Song Combine) ....................................................................... 47
Deleting a Song (Song Delete) ...................................................................................48
Naming a Song (Song Name) .................................................................................... 49
Editing the Entire Disc (Disc Edit)
Overview .......................................................................................................................50
Erasing the Disc Contents (Disc Erase) ....................................................................50
Naming the Disc (Disc Name) ................................................................................... 51
Synchronization with MIDI Equipment
Advantages of Using MIDI ........................................................................................52
MIDI Synchronization Using MTC ........................................................................... 52
MIDI Synchronization Using the MIDI Clock ........................................................ 53
Controlling This Unit from Other MIDI Components Using MMC ................... 55
Example of a MIDI System ......................................................................................... 56
Mixdown
Mixdown (Basics) ......................................................................................................... 57
Mixdown (Applied Operations) ................................................................................58
Additional Information
Troubleshooting ........................................................................................................... 60
Display Message List ................................................................................................... 60
System Limitations of MDs ........................................................................................ 61
Specifications ................................................................................................................ 61
Glossary ......................................................................................................................... 63
Block Diagram .............................................................................................................. 64
MIDI Implementation Chart ...................................................................................... 65
Track Sheet ................................................................................................... Back Cover
4
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Overview of MDM-X4
Standard Recording
Procedures
The MDM-X4 is an integrated multichannel recorder/
mixer that can record up to 4 tracks using MD-DATA
discs. In addition to 4 track recording and playback,
this unit can also perform a variety of editing
operations.
1 Connect instruments, microphones,
effectors, (etc.) and prepare for
recording.
See “Connections and Signal Flow” (page 13)
for details.
2 Record the first track.
Example : Record the drums to track 1.
See “Initial Recording” (page 19) for details.
3 Record another instrument on a
different track while listening to the
previously recorded track.
Example: Record the bass to track 2, the guitar
to track 3 and the vocals on track 4.
See “Overdub Recording” (page 20) for details.
Drums n
Vocal n
Guitar n
Bass n
µ
4 You want to add a harmony chorus,
but there’s no more tracks left!
No problem! If you've already used all 4 tracks,
you can record on top of a previously recorded
track.
See “Mix Write Recording” (page 27) for details.
5 You realize that a certain drum fill
would sound better in a different
place.
You can move, copy, or delete part of the song.
For example, if the first and second chorus were
reversed, they can easily be switched.
See “Editing Part of a Song (Track Edit)” (page
31) for details.
Drums
Drums
Bass
Guitar
Vocal N Chorus
5
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Overview of MDM-X4
6 You decide you want to change the
structure of the song.
The edit functions let you add (or remove) an
extra chorus or repeat the introduction in the
middle of the song (etc.) without having to
rerecord.
See “Changing the Construction of a Song
(Section Edit)” (page 38) for details.
7 Dub the tracks onto an external MD or
DAT deck while using the mixer to
adjust the balance.
See “Mixdown” (page 57) for details.
Done !
µ
Other convenient functions
Equipped with an easy to use Jog/Shuttle dial.
The
Auto Punch-In/Out function lets you rerecord
part of a song by enabling the record mode
automatically only during the part which you have
specified.
See “Auto Punch-In/Out Recording” (page 22) for
details.
The
Undo function lets you revert to the previous
state when an edit operation doesn’t produce the
desired effect.
Synchronization with other MIDI equipment is also
possible. In addition to the ability to synchronize this
unit with an external sequencer at start-up, you can
also remote control this unit from the sequencer
(with MMC compatible equipment only).
The synchronization functions also let you make
recordings by using a computer or sequencer to
mediate sounds from acoustic instruments, like
vocals or guitar, recorded on this unit with sounds
from other MIDI equipment and sound modules
(etc.).
See “Synchronization with MIDI Equipment” (page
52) for details.
The
Pitch Control function enables precise speed
control.
See the “SYSTEM key” explanation in “Names and
Functions of Parts” (page 9) for details.
•A
10 INPUT/4 BUS analog mixer with exceptional
sound quality.
6
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Names and Functions of Parts
The Mixer
Also refer to the “Block Diagram” on page 64.
The Channel 1~4 Section
The functions described are the same for each channel
(1~4).
1 TRIM knobs
Allow you to adjust the level of the signals input into
the INPUT CH1~CH4 jacks approximately 40 dB. Turn
to the right to increase the input level.
Normally, if you connect an instrument, turn to LINE;
if you connect a microphone, turn to MIC.
For the best sound characteristics, adjust the TRIM knob
so that the proper level is obtained when the fader is set
between 7 and 8.
2 INPUT selector keys
Allow you to select either LINE/MIC (sound from the
INPUT CH jacks) or TRACK 1~4 (sound from the
recorder) for input to mixer channels 1~4.
LINE/MIC : Use to input external sounds from an
instrument or microphone (etc.).
TRACK 1~4 : Use to input sounds played back from
the recorder.
3 HIGH knobs
Adjust the treble of the respective channel. Provide a
shelving type equalization.
4 MID knobs
Adjust the middle frequencies of the respective
channel. Provide a peak type equalization.
5 LOW knobs
Adjust the bass of the respective channel. Provide a
shelving type equalization.
6 AUX knobs
Adjust the level of the sound sent to the AUX bus (1~2)
from the respective channel. Turn to “1” to output the
sound from the respective channel to AUX bus 1. Turn
to “2” to output the sound from the respective channel
to AUX bus 2.
When set to the center position, no sound is output
from either AUX bus.
7 ASSIGN keys
Determine which group bus the channels will be
assigned to (which track on the recorder they will be
recorded to).
The channel signal is always connected to the stereo
bus
Example: To assign the sounds from channels 2 and 3
to group bus 1. (To record them to track 1 of
the recorder).
.
6
7
8
9
1
2
3
4
5
(dB)
15.0
10.0
5.0
0
–5.0
–10.0
–15.0
–20.0
20.0
20k (Hz)10k1k10020
HIGH/MID/LOW equalizer
characteristic curves
ASSIGN ASSIGN ASSIGN ASSIGN
1 2 1 2 1 2 1 2
3 43 43 43 4
Press down
7
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Names and Functions of Parts
8 PAN knobs
Adjust the sound balance of the stereo or group bus.
Turn towards␣ “L” to move the sounds toward group
bus 1 or 3 and the “L” side of the stereo bus. Turn
towards “R” to move the sounds toward group bus 2
or 4 and the “R” side of the stereo bus.
9 Faders 1~4
Adjust the volume of each channel.
Channel 5,6 and MASTER
1 MASTER AUX 1~2 knobs
Adjust the master level of the AUX bus sound output
from the AUX OUTPUT 1~2 jacks.
2 HIGH knob
Adjusts the treble of the sound input to the INPUT 5/6
jacks at the top of the unit. Provides a shelving type
equalization.
3 LOW knob
Adjusts the bass of the sound input to the INPUT 5/6
jacks at the top of the unit. Provides a shelving type
equalization.
4 ASSIGN keys
Determines which group bus the sounds input to the
INPUT 5/6 jacks at the top of the unit will be assigned
to (which track on the recorder they will be recorded
to).
Channel 5 can only be assigned to group bus 1 or 3.
Channel 6 can only be assigned to group bus 2 or 4.
EXAMPLE: To assign the sounds from channels 5 and 6
to group bus 1 and 2 respectively. (To
record them to track 1 and 2 of the
recorder).
5 BALANCE knob
Adjusts the relative balance of channels 5 and 6.
Rotate toward “L” to increase the volume of channel 5.
Rotate toward “R” to increase the volume of channel 6.
6 Fader 5/6
Simultaneously adjusts the volume of both channels 5
and 6.
7 RETURN knobs (1 and 2)
Adjust the volume of the sound input into the
RETURN 1 and 2 jacks at the top of the unit. (Return
sound is generally used for adding external effects.)
8 ASSIGN keys
Determine which group bus (1~4) the return sounds
will be assigned to (which track on the recorder they
will be recorded to).
Example: To assign the sounds from return 1 and 2 to
group bus 1 and 2. (To record them to tracks
1 and 2 on the recorder).
.
7
8
0
9
1
4
2
3
5
!™
6
ASSIGN
1 2
3 4
Press down
ASSIGN ASSIGN
1 2 1 2
3 43 4
Press down
(continued)
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Names and Functions of Parts
9 TRACK 1~4 knobs
Use to adjust the overall sound balance when
monitoring playback from the recorder (CUE monitor)
by turning the knob for each track as desired. When
using the CUE monitor function, be sure to press down
the monitor track setting CUE key (0 below).
0 Monitor Track Setting keys
Select the sound to be monitored.
1–2 : Press down to monitor the sound from group bus
1 and 2.
3–4 : Press down to monitor the sound from group bus
3 and 4.
CUE : Press down to monitor playback from the
recorder. Use the TRACK 1~4 knobs to adjust
volume of the individual tracks.
STEREO : Press down to monitor the sound from the
stereo bus.
MONITOR knob
Adjusts the volume of the sound output from the
MONITOR OUT jacks (on the rear panel) and the
HEADPHONES jack (on the front panel).
!™ MASTER fader
Adjusts the volume of the stereo bus sound output
from the STEREO OUT jacks on the rear panel.
The Recorder
Control Panel
1 REC SELECT 1~4 keys
Press to light the corresponding track indicator(s) and
select the track(s) to be recorded. These keys also
function as in/out keys during manual punch-in/out
recording.
2 SHIFT key
Holding down this key when you press another key
lets you carry out the function written below the
respective key.
EXAMPLE: The REPEAT key
When pressed alone, it
functions as the REPEAT key
When pressed while holding
down SHIFT, it functions as
the DISPLAY key.
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Names and Functions of Parts
3 OUT key
Sets the out point (edit end point).
4 IN/DEST key
Sets the in point (edit start point).
Press while holding down SHIFT to set the destination
point (edit destination point).
5 MARK key
Press to set a mark point (and the key starts blinking).
Press IN, OUT, DEST, or A~H while the MARK key is
blinking to set the mark point to the respective key.
This unit lets you assign up to 11 mark points using IN,
OUT, DEST, and A~H.
6 Locate point keys
Press to recall mark points. To specify points E~H,
press the respective key while holding down SHIFT.
7 REC key
Press to enter record mode. The key blinks, to indicate
record pause mode. The key lights steadily when
recording.
8 =/+ keys
Press to locate the beginning of the previous or next
song. When adjusting a mark point, they can also be
used with the rehearsal function to switch between a
volume increase or decrease after the mark point.
9 TOP key
Press once to locate the beginning of the first song on
the disc. Press again during stop mode to locate the
beginning of the unrecorded (blank) part of the disc.
0 ( PLAY key
Starts playback. Lights during playback.
p STOP key
Stops recording or playback.
Hold down this key and press the ( PLAY key to
activate the IN-OUT playback mode and play back the
section between the IN and OUT points repeatedly.
Pressing this key during stop mode to write the TOC
data* to the disc.
!™ § EJECT key
Press to remove the disc.
If the TOC data* has not been written to the disc, it will
be written automatically before the disc is ejected.
* You must write the TOC data to disc after a
SECTION edit, SONG edit, or DISC edit. See pages
38 and 44 for details.
Disc insertion slot
Insert the disc into this slot.
REPEAT/DISPLAY key
Press to activate the repeat playback mode. The repeat
mode changes as follows each time you press the key:
REPEAT : Repeats all the songs on the disc.
REPEAT 1 : Repeats the current song.
1 : Plays the current song once. After playback, the
unit locates the beginning of the song.
(no indicator) : Off. Plays all of the songs on the disc.
Press while holding down SHIFT to change the display
mode as follows:
Time Mode : Shows the counter display in time.
Bar Mode : Shows the counter display in bars.
Remaining Mode : Shows the amount time which
can be recorded remaining on the disc.
Note
Numbers will not be displayed in bar mode, if no tempo
information is input.
!∞ EDIT key
Press to enter Edit mode. Edit mode can only be
entered when the disc is in stop mode.
SYSTEM key
This key has two functions.
System setting
Press when making system settings to enter the
system settings. See “Changing a Setting” (page 18)
for details.
Pitch Control
Press while holding down SHIFT to turn the
recording/playback pitch control “on”. Press again
while holding down SHIFT to turn the recording/
playback pitch control “off”.
Pitch control “on” : Recording or playback is
conducted in the preset pitch. (“Vari Pitch” is
displayed.)
Pitch control “off” : Recording or playback is
conducted in the normal pitch. (“Fixed Pitch” is
displayed.)
See “System Settings” (page 17) for details on the
pitch setting.
(continued)
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Names and Functions of Parts
RHSL (Rehearsal) key
This key has two functions:
Record rehearsal (rehearsal function)
Press during record pause mode to cause the
indicator to blink and set this unit to operate as if it
were recording, without actually recording. This is
called rehearsal mode. (Rehearsal mode can also be
activated by pressing RHSL when the AUTO
PUNCH key is lit.)
During record rehearsal, all other operations will
function as if the unit was recording. This provides a
convenient way to practice without actually
recording.
Press p STOP to cancel the rehearsal mode.
Rehearsal mode, however, is not activated when
recording a new song.
Locate point adjustment (locate adjust function)
Press to light the indicator and repeat the section just
before and after the current locate point. The repeat
time is specified in the roll time setting. Turning the
JOG dial during rehearsal lets you adjust the position
of the locate point.
Press p STOP to cancel the locate adjust mode.
See “Correcting the position of the locate point”
(page 32) for details.
Note
During locate adjust mode the counter value does not
change to reflect the position of the playback sound.
Use JOG or SHUTTLE to adjust the counter value/position
of the respective locate point. However, if you do not
register the new value as a mark point it will be erased after
the adjustment.
!• UNDO key
Erases the previous edit or auto punch-in/out
operation and returns the data to its original status.
See “Using the Undo Function” (pages 24, 31, 38, 43)
for details.
ENTER key
Press to carry out the selected operation (etc.).
EXIT key
Press to cancel the selected operation or to exit the edit
mode.
AUTO PUNCH key
Use to select the auto punch-in/out function.
@™ Jog dial (Jog/Shuttle dial)
Use to search (find a specific point within a song),
select items from menus, set parameters, and adjust
locate point positions (etc.).
The smallest increment in which a locate point can be
adjusted is one click of the jog dial (approx. 11.6 msec).
The Display
1 Level meters
1~4
During playback : Display the output levels of each
track on the disc.
During recording : Display the input levels of the
track(s) being recorded.
During stop mode or when no disc is inserted :
Displays the volume of group bus 1~4.
L, R
Displays the volume of the stereo bus.
2 Counter display
Displays the time (minute/second/frame) or bar (bar/
beat/clock).
3 MMC indicator
Lights when the unit can receive MMC (MIDI Machine
Control) signals.
4 REPEAT indicator
Light during repeat playback.
“REPEAT” lights when repeating all the songs on the
disc, “REPEAT1” lights when repeating one song.
.
1 2 3
7 98 0
4 5 6
1
R
2
R
3
R
4 L
CLIP
BAR
MIN
– 3
– 6
–12
–20
–30
–40
(dB)
STEREO NO.
SONG
SYNC-OUT MMC REPEAT
IN/OUT PLAY
1
MIDI-CLK MTC
R
R
000
BEAT
SEC
00
CLK
FRM
00
EDIT SYSTEM
1 2 3 4
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Names and Functions of Parts
5 [EDIT] indicator
Lights during edit operations (track, section, song,
disc).
6 [SYSTEM] indicator
Lights during system setting operations.
7 R indicators
Lights to indicate that the respective track was selected
for recording using the REC SELECT keys. The track
number corresponds to the group bus number.
8 Title display area
Displays the song or disc title, as well as edit menu
information.
9 SYNC-OUT indicator
Displays the currently selected output synchronization.
See pages 17 and 52~56 for details.
MIDI–CLK : Lights when the MIDI clock is being
output.
MTC : Lights when the MIDI time code is being
output.
0 IN/OUT PLAY indicator
Lights during IN/OUT playback.
Track display indicator
Displays the source track during editing.
Input and Output Jacks
Top panel
1 TRACK 1~4 output jacks
Output the sound from tracks 1~4 of the recorder.
The TRACK 1~4 jacks output the signals for each track
as they were recorded onto the disc.
Previously recorded signals are played back and
output, even when the recorder is recording.
2 RETURN 1 / 2 (L (MONO) /R) input jacks
Use to input signals from external sources.
For example, when sending a sound modified by an
external effect back to the mixer.
Use the L (MONO) jack when inputting monaural
signals.
3 CH 1~6 input jacks
Use to input sounds to channels 1~6. The CH 1~4 jacks
are for signals from microphones or line level sources.
The CH 5 and 6 jacks are for line level signals only.
Channel 1 and 2 allow direct connection of XLR type
plugs. (Channels 1 and 2 are balanced inputs for both
XLR and standard plugs.)
.
1 2
43
(continued)
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Names and Functions of Parts
Front Panel
1 HEADPHONES jack
Connect a pair of headphones with a standard type
plug.
2 ASSIGN SW 1,2 jack
For connecting external switches, such as a foot switch
(etc.).
See “System Settings” (page 17) for details regarding
the functions which can be controlled.
You can use either
or type foot switches. When
the power is turned on, this unit registers the current
position of the connected pedal as “OFF”.
4 OUTPUT AUX 1/2 jacks
Output sound for use as the send output. After adding
an outboard effect to the sound output from these
jacks, use the RETURN 1/2 (L/R) jacks to input it back
to this unit.
Rear Panel
1 MIDI THRU jack
Outputs the same signal input to the MIDI IN jack.
2 MIDI OUT jack
Outputs the MIDI signal. Connect to the MIDI IN jack
of another piece of MIDI equipment.
3 MIDI IN jack
Inputs the signals output from the MIDI OUT jack of
another piece of MIDI equipment.
4 Power switch
Use to turn the power of this unit on and off.
5 MONITOR OUT jack
Outputs the sound of the monitor bus. Connect to a
pair of monitor speakers or an amplifier.
See “Connections for Recording” (page 13) for details.
6 STEREO OUT jack
Outputs the sound of the stereo bus. Connect to a DAT
deck (etc.) during mixdown.
See “Connections for Recording” (page 13) for details.
1 2
3
54 6
21
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Connections and Signal Flow
Connections for Recording
Connect instruments, microphones, and amp and
headphones for monitoring as shown below.
When inputting sound from a sound module into this
unit
You can mix the sound with sounds previously
recorded on tracks 1~4 by using the INPUT CH-5 or
INPUT CH-6 jacks.
Do the following when connecting an external effector
to input the return sound.
To output sound to the effector : Use the AUX 1 or
AUX 2 jacks on the top panel of this unit.
To input sound from the effector (return sound) : Use
the RETURN 1 or RETURN 2 jacks on the top panel
of this unit.
Turning on the Power
After you have completed all connections, connect the
power cord from this unit to a wall outlet.
External amplifier and speakers
From the MONITOR OUT jacks
on the rear panel of this unit
From the HEADPHONES jacks
on the front panel of this unit
Headphones for monitoring
From the STEREO OUT jacks
on the rear panel of this unit
Recording equipment for use in
mixdown
• DAT recorder
• MD recorder
Instruments or microphones
To INPUT CH1~CH 6 jacks
(You can use XLR type plugs
with CH-1 and CH-2)
14
EN
Connections and Signal Flow
Connecting MIDI Equipment
Connect MIDI equipment as shown in the following
diagram.
For details regarding connections for synchronized
operation with a sequencer (etc.), see “Synchronization
with MIDI Equipment” (pages 52~56).
MDM-X4 Signal Flow Diagram
The following diagram shows the internal signal flow
of this unit.
1 Input external sounds.
2 The input sound is recorded after being mixed and
assigned to the respective group bus (1~4).
3 The playback sound from the recorder is input
back into the mixer (mix write recording, bounce
recording).
4 The playback sound from the recorder is output to
an external component, that adds an effect,
before being input back into the mixer (mix write
recording, bounce recording).
This unit’s 6 channel inputs and 2 stereo return inputs
are connected to group bus 1~4 and stereo bus L/R.
(For group bus 1~4 use the ASSIGN keys to assign the
input sound to a group bus. The channel signals are
always connected to the stereo bus. In cases where you
do not want to mix the signals to the stereo bus, lower
the faders for the respective channels to “0”.)
When monitoring, you can select group bus 1-2, group
bus 3-4, stereo bus, or TRACK 1~4 OUTPUT (CUE
bus).
For details on how to monitor, see “Monitoring
Example” (page 15).
Sequencer (etc.)
MIDI IN jack MIDI OUT jack
MIDI IN jack
MIDI OUT jack
MIDI THRU jack
External sound module (etc.)
To output the MIDI
signal input to this unit’s
MIDI IN jack directly to
other MIDI equipment.
1
2
3
4
15
EN
Monitoring
Monitoring Preparations
This unit enables you to monitor the following 4 types
of signals as necessary.
1 Group 1, 2 : Select to monitor mixer group bus 1 and
2. The sound from group bus 1 is localized in the L
(left) channel and the sound from group bus 2 is
localized in the R (right) channel. When recording,
select to monitor the sound being recorded.
2 Group 3, 4 : Select to monitor mixer group bus 3 and
4. The sound from group bus 3 is localized in the L
(left) channel and the sound from group bus 4 is
localized in the R (right) channel. When recording,
select to monitor the sound being recorded.
3 CUE : Select to listen to all the sound recorded on
the disc. You can adjust the volume level of the
individual tracks using the TRACK 1~4 knobs
located above the MONITOR keys. (All tracks are
heard in mono.) When recording, the track being
recorded is muted.
4 STEREO : Select to listen to the sound of the mixer’s
stereo bus. For use during mixdown (etc.).
Monitoring Example
EXAMPLE 1: Monitoring the sound from
group bus 1 and 2 (during recording, etc.)
EXAMPLE 2: Monitoring the sound being
recorded to tracks 3 and 4 while
monitoring the sound of tracks 1 and 2
(during overdubbing, etc.)
Press down
Turn to adjust level
Turn to adjust level
Press down
Turn to adjust level
(continued)
16
EN
EXAMPLE 3: Rerecording part of track 1
while monitoring the sound of tracks 3
and 4 (during punch-in/out recording,
etc.)
EXAMPLE 4: Mixing tracks 1~4 for
recording onto tracks 1 and 2 (during mix
write recording, etc.)
Monitoring
EXAMPLE 5: Monitoring the sound of the
stereo bus (for mixdown, etc.)
You do not need to use
the CUE monitor
This operation uses the
mixer for mixing.
Turn to adjust level
Press down
Turn to adjust level
Press down
Turn to adjust level
Press down
Turn to adjust level
17
EN
Setting Up the Operating Environment
System Settings
You customize the operating environment by turning
the MIDI synchronization and UNDO (undo last
operation) functions (etc.) on or off.
Pitch setting (Pitch)
You can set the pitch in 0.25% increments within a
range of ±8%. When you turn the pitch control on after
setting the pitch , recording/playback is conducted at
the selected pitch.
See the “System key” in “Names and Functions of
Parts” (page 9) for details on turning the pitch control
on/off.
MMC setting (MMC)
This sets the MMC (MIDI Machine Control) reception.
See page 55 for details about MMC.
off : No reception. Use this setting when using this unit
by itself.
on : The unit operates according to the received MMC
signals.
Device ID setting (Dev ID)
Sets the MMC ID number. It can be set to any number
between 0 and 126. When this unit receives ID = 127
signals, they are registered as a valid signals regardless
of this unit’s ID setting.
Synchronized output source setting (Sync)
Sets the Synchronized output source. See pages 52 and
53 for details about synchronization.
off : Does not output a synchronization signal
MTC (MIDI Time Code) : When using the MTC for
synchronization.
MCLK (MIDI Clock) : When using the MIDI clock for
synchronization.
MTC frame number setting (Frame)
Sets the MTC frame number (per second). You can
select either 25 or 30 non-drop frames.
Assignable switch 1, 2 setting (Sw-1, Sw-2)
Allows you to assign one of the following commands
for control by the external switch connected to the
ASSIGN SW1 or SW2 jack on the front panel.
Play : Same function as this unit’s ( PLAY key.
RecIO : Press once for the same function as the REC
key (punch-in). Press again for the same function as
the ( PLAY key (punch-out). This setting allows
you to conduct punch in-out recording from an
external switch.
Stop : Stops the disc operation.
IOply (In-Out Play) : Starts IN-OUT playback
PlayS (Play-Stop) : Press one to start playback, press
again to stop playback.
Rec S (Rec-Stop) : Press once to start recording, press
again to stop recording.
Pre-roll/Post-roll setting (Roll)
Allows you to set the pre-roll/post-roll time used
during rehearsal (locate point adjustment) and auto
punch-in/out operations in 1 second increments. It is
adjustable from 1 to 10 seconds.
Undo function on/off setting (Undo)
This determines whether the undo function will be on
or off when you use auto punch-in/out. During edit
mode, however, the undo function is always on.
Changing this setting also changes the redo function
(that allows you to undo the undo) setting is also
changed at the same time.
Disabl (off) : Turns off the undo function
Enabl (on) : Turns on the undo function
The indicator on the UNDO key has the following
meanings:
GREEN : You can use the undo function.
(blinking) : Preparing to carry out the undo
function.
RED : Undo (or Redo) has been carried out.
(off) : You cannot use the undo function (such as
when the previous operation cannot be undone
(etc.)).
See page 24 for details about using the undo function
with the auto punch-in/out function.
Note
Do to the limitations of this system, if the blank space on
the disc becomes too small it may not be possible to use
the undo function even if it is set to “on”. In this case, the
indicator on the UNDO key will be off. Be sure to check
whether this indicator is on or off before performing an
edit operations.
Recordable track number setting (Rec)
This sets the number of tracks to be used on the disc.
The number of tracks selected is effective the next time
a song is recorded. During playback, the number of
tracks is selected automatically according to the source
disc.
The selectable tracks also differ depending on the type
of disc you use (MD DATA or music MD).
Note
The Rec Mode automatically switches to 2 track for music
MDs (even if it was previously set to the 4 track mode).
After recording on a music MD, be sure to reset the Rec
Mode to 4 track when you want to make a 4 track recording
using a MD DATA disc.
Rec Mode
4
2
1
Recording
time
37 min.
74 min.
148 min.
Usable
Discs
MD DATA
MD DATA,
Music MD
MD DATA,
Music MD
Usable
tracks
1~4
1, 2
1
(continued)
18
EN
Setting Up the Operating Environment
Rehearsal mode setting (RHSL)
This setting lets you determine whether the volume
will increase or decrease after the locate point when
adjusting the position of a locate point with the
rehearsal function. See page 32 for details about locate
point adjustment.
Â: the volume increases past the locate point.
µ: the volume decreases past the locate point.
During rehearsal mode, press the = or + key to
switch between increased or decreased volume after the
locate point.
Display brightness setting (Dimmer)
Adjusts the display brightness. You can choose from 8
levels (1~8). Larger numbers provide a brighter
display.
Changing a Setting
Use the following operations to change the system
settings
1 Press SYSTEM.
[SYSTEM] appears in the display.
2 Turn the jog dial to display the item you want to
adjust.
The item blinks in the display.
3 Press ENTER.
The blinking moves to the right of the item.
4 Turn the jog dial to display the setting you desire.
5 Press EXIT.
The item starts blinking again.
6 Press EXIT again.
[SYSTEM] disappears from the display.
To reset this unit to the original factory
settings
1 Turn off the power to this unit.
2 Hold down SYSTEM while turning the power
back on.
The power comes on and “Initialized” appears in
the display. The system settings are reset to the
original factory settings.
Volume increases
Rehearsal
period
Locate point
Volume decreases
Locate point
Rehearsal
period
3
5,6
2,4
1
19
EN
RecordingRecording
Initial Recording
This shows you how to record the very first track onto
a blank disc.
Preparations
1
Set the INPUT switch for the channel to which
you will input the instrument or microphone
sound to LINE/MIC (up position).
2 Set the fader for the channel to which you will
input the sound to about 7 or 8.
3 Use the ASSIGN switch and PAN knobs to direct
the sound to the group path you want to record.
EXAMPLE: To assign channel 1 to group path 1
4 Press the REC SELECT key corresponding to the
group path number you selected in step 3 to
specify the track to be recorded.
5 Press the monitor track set key corresponding to
the group path number you selected in step 3.
6 Turn the MONITOR knob to adjust the sound to a
level which can be monitored.
7 Use the fader to adjust the recording level.
Play a relatively loud phrase and make
adjustments by watching the level meter for the
track you want to record.
If necessary, you can use the TRIM knob to adjust
the recording level and equalizer.
Adjust the recording level so that the CLIP
indicator does not light.
Adjust the TRIM knob so that the proper level is
obtained when the fader is set between 7 and 8 to
achieve good frequency characteristics.
8 Turn the MONITOR knob as in step 6 to adjust
monitor level.
Recording
1 Press REC.
The unit switches to record pause mode.
2 Press ( PLAY.
Recording begins
3 When you’ve finished playing, press p STOP.
This unit automatically goes to the beginning of
the recorded song.
It takes a few seconds for the unit to process the
information after pressing p STOP.
Please note that the length of the song is fixed at
the point where the initial recording ends.
Note
Do not turn off the power during recording. Not only may
you loose the data for the current song, you may loose all of
the data on the disc.
ASSIGN ASSIGN ASSIGN ASSIGN
1 2 1 2 1 2 1 2
3 43 43 43 4
Press down
(continued)
1
2
3
6,8
5
2,7
3
4
1
b
Track
1
2
3
4
Recorded
section
20
EN
Recording
Checking the Recording
1
Press CUE to prepare for monitoring.
Adjust the monitor volume using the respective
TRACK knobs and the MONITOR knob.
2 Press ( PLAY.
Playback begins.
If necessary, you can use the jog dial to locate a
specific point.
To rerecord
Follow the “Recording” procedure on the previous
page.
Overdub Recording
You can record other sound on a different track while
listening to the playback from a previously recorded
track. This kind of recording is called overdubbing.
Preparations
1
Set the INPUT switch for the channel to which
you will input the instrument or microphone
sound to LINE/MIC (up position).
2 Set the fader for the channel to which you will
input the sound to about 7 or 8.
3 Use the ASSIGN switch and PAN knobs to direct
the sound to the group path you want to record.
4 Press the REC SELECT key corresponding to the
group path number you selected in step 3 to
specify the track to be recorded.
5 Press the monitor track set key corresponding to
the group path number you selected in step 3.
6 Press CUE, then turn the TRACK knob
corresponding to the track containing the
recorded sound you want to hear while recording
to adjust the sound to a level at which it can be
monitored.
Use the MONITOR knob to adjust the monitor
level.
1
2
6
5
2,7
3
4
1
b
Recorded section
Section
recorded by
overdubbing
1 / 1

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