Steinberg VST Instruments Virtual Guitarist Manuel utilisateur

Catégorie
Instruments de musique
Taper
Manuel utilisateur
ENGLISH
Virtual Guitarist “Electric Edition”
Operation Manual
by Peter Gorges
VIRTUAL GUITARIST
“ELECTRIC EDITION”
2 English
The information in this documentation is subject to change without no-
tice and does not represent a commitment on the part of Steinberg
Media Technologies AG.
The software described by this document is subject to a License Agree-
ment and may not be copied to other media.
No part of this publication may be copied, reproduced, or otherwise
transmitted or recorded, for any purpose, without prior written permis-
sion by Steinberg Media Technologies AG. All product and company
names are ™ or ® trademarks of their respective owners.
OSQ (“Original Sound Quality“) is a lossless audio compression for-
mat. Copyright by Philippe Goutier 2001. OSQ is a native WaveLab
format.
© Wizoo Sound Design GmbH & Steinberg Media Technologies AG, 2002.
All rights reserved.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
English 3
ENGLISH
Table of contents
5 The success story continues
6 Congratulations!
7 How do I use Virtual Guitarist?
7 What is Virtual Guitarist?
8 How does Virtual Guitarist work?
9 What you can and can’t do with Virtual Guitarist
9 Register your software!
10 Optimizing the hard disk before installation
10 System requirements (PC version)
11 Installing Virtual Guitarist (PC version)
12 System requirements (Mac version)
12 Installing Virtual Guitarist (Mac version)
13 Setting up Virtual Guitarist as a VST instrument
in your host application
15 First test
15 How to play Virtual Guitarist
16 Players
18 Parts
19 Chord recognition
22 Latch mode
22 Expression and timing variations
28 Sound variations
31 Multi-effect board
42 Plug-in version of the effect board
44 MIDI controller assignments
46 Global settings (setup)
53 Bonus feature: creating your own phrasings
55 Reference
VIRTUAL GUITARIST
“ELECTRIC EDITION”
4 English
VIRTUAL GUITARIST
“ELECTRIC EDITION”
English 5
ENGLISH
The success story continues
The overwhelming success of our Virtual Guitarist VSTi released in
April 2002 almost automatically lead to people asking for more players.
Especially in the field of electric guitars styles there is such a vast
range of sounds, styles, eras and musical styles. It was impossible to
cover all these with one electric guitar that was just one part of a hybrid
acoustic/electric guitarist.
Simply to release more players wouldn’t have done the job as we
found out while laying out the Electric Edition. To just add additional
players to the original VG would just not have been enough. Also, if
you focus on electric guitars, you can’t ignore the issue of effects
being an integral part of the game. Guitar, amp, speaker and effect are
inseparable.
Therefore we decided the Electric Edition had to become a full-blown
product in its own right—with special advanced features to meet the
requirements for electric guitar sounds. With the programmable Multi
FX Board seamlessly integrated, a perfectly sounding, flexible rhythm
guitarist is just a push of a button away. On top you get a range of
first-class guitar effects in a separate plug-in that you can use for any
audio track.
Apart from the totally new design, the Multi FX Board and the new 29
players we have changed very little—we want owners of the original
Virtual Guitarist to be surprised only by the new sounds and styles,
not by an unfamiliar user interface.
Before we start, I sincerely want to thank and praise the person who
was confident enough to let us capture his extraordinary guitar playing
and instrument/amp collection in VG Electric Edition: professional
session guitarist Thomas Blug. A similar incorporation of playing skills,
perfectionism and feel for sound associated with an incredible stylistic
versatility is hard to find—we’re all lucky we did, and you’re too.
I strongly believe you’ll have a lot of pleasure, fun and success with
Virtual Guitarist “Electric Edition”!
Yours sincerely,
VIRTUAL GUITARIST
“ELECTRIC EDITION”
6 English
Congratulations!
Virtual Guitarist is your own personal rhythm guitarist, letting you
choose between 29 guitar players, each of which is a perfectionist:
perfect sound, perfect timing, and the ability to flexibly adapt to suit
most musical styles.
Using Virtual Guitarist you can easily add professional-sounding
rhythm guitar tracks to your songs, without the need for a real player,
and get a perfect take every time. Even if you use real guitarists in your
music as well, Virtual Guitarist has the big advantage of enabling you
to experiment with rhythm guitar parts at any time, and in any place,
without the need for special recording equipment. You could even be
laying down tracks on your laptop computer while flying to Mongolia.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
English 7
ENGLISH
How do I use Virtual Guitarist?
Using Virtual Guitarist is simple, especially if you think of the plug-in as
a real rhythm guitar player—tell them what to play and they will play it.
The playing is precise and the guitarist won’t complain, which, aside
from the clever programming, is a worldwide first in itself!
Virtual Guitarist is used exactly like any other VST Instrument:
Prepare a track and load Virtual Guitarist.
Select a player from the menu.
Use a MIDI keyboard to trigger the Virtual Guitarist or, alternatively, manually
add the chords to a MIDI track via the sequencer’s editor.
Swap guitars, throw in fills or long chords, and improve your guitar track until
you’re happy with it. You can change any parameter at a later time, and, in con-
trast to recording "real” guitars, you can change the key of the song at any
time without having to repeat the whole recording session!
What is Virtual Guitarist?
Technically speaking, Virtual Guitarist is a set of two VST Instruments
containing a variety of rhythm guitar styles. Each style is represented
by a player, and is ready-to-go with the correct guitar, microphone or
amp, and a selection of phrasing controls.
Musically speaking, Virtual Guitarist plays itself, and all you have to do
is play the chord and key progressions via a MIDI keyboard. You can
control the phrasing, sound, and many other play parameters, using
either the mouse, or by triggering them in real time by using a MIDI
controller. This enables you to adapt the rhythm guitar to seamlessly
work within your song, and in any given musical style.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
8 English
How does Virtual Guitarist work?
To clear up a common misconception, Virtual Guitarist doesn’t use
common single-note samples or synthesis to imitate guitars. The result
would be extremely artificial, and if you’ve ever tried to simulate guitar
playing on a MIDI keyboard, you’ll know exactly what we’re talking
about.
Perhaps surprisingly, the Virtual Guitarist concept is actually much sim-
pler and is based on a huge library of audio tracks recorded by real liv-
ing and breathing (not to mention drinking) guitar players. This means
the result really is a genuine guitar recording—and not an artificial
approximation.
Virtual Guitarist’s ground-breaking approach makes it possible to
select from these recordings in real time when you change a chord or
any other parameter. Tempo changes are no problem as the guitar
recordings have been processed in a way that enables all the beats to
be triggered individually. And, in addition, you can manually shuffle the
individual beats to create your own parts—the eight parts you can
select from for each player are all examples of what’s possible, which
we’ll look more closely at later.
In Virtual Guitarist “Electric Edition”, the output signal of “guitar and
amp” gets fed into the FX section— just like in real life. Here the sound
gets beefed up using Wahwah, AutoFilter, Chorus, Flanger, Phaser,
Tremolo and Delay.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
English 9
ENGLISH
What you can and can’t do with Virtual Guitarist
Virtual Guitarist has many advantages when compared with a real
guitar player:
The virtual guitar players are convenient and
available at any time.
Using a virtual guitarist is cheap and easy, especially since you won’t need a
studio to record in.
You can save time because there’s no setup, tuning, preparation, microphone
positioning, or audio recording.
Virtual guitarists don’t play wrong notes and there isn’t going to be any timing
problems.
You can work with several guitar players simultaneously.
You have complete control over the sound and phrasing of the guitar.
Virtual Guitarist supports your creativity, allowing you to experiment as much
as you want, and giving you the possibility of creating tracks that couldn’t be
played on a "real” guitar.
It’s possible to make alterations at any stage, even after recording or during
the mixing process. You can change the instrument, phrasing, and sound with-
out having to recreate the chord data from scratch.
Despite all of these advantages, it’s important to remember that
Virtual Guitarist is a computer program and will inevitably have some
disadvantages when compared to a real player. It would be impossi-
ble for Virtual Guitarist to provide everything a real guitarist might the-
oretically be able to offer, although the included virtual players do
cover a broad range of musical styles capable of suiting most needs.
Register your software!
Before getting carried away with the software, which we’re sure you
will do, please take a moment to complete and return the registration
card enclosed with Virtual Guitarist. This will entitle you to technical
support, and we’ll also keep you up to date with the latest news and
updates.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
10 English
Optimizing the hard disk before installation
Virtual Guitarist installs 1.6 GB of data on your hard disk, and if your
drive is quite full, or has not been defragmented recently, it’s possible
that the install data will get split (fragmented) into many parts over the
disk. Although it won’t affect the performance of the plug-in, it can
lead to longer loading times of the players, which can become very
frustrating.
To optimize the loading times, we recommend you defragment the
hard disk you want to install Virtual Guitarist on before you start. This
can be done with the defragmentation system software on Windows,
or with Norton Utilities (or another defragmentation program) on the
Macintosh.
System requirements (PC version)
To run Virtual Guitarist you’ll need at least:
A PC with a 400 MHz Pentium® II processor, or compatible AMD processor
256 MB RAM (512 MB recommended)
1.6 GB of free hard disk space
Windows® 98, Windows® ME, Windows® 2000, or Windows® XP
Cubase VST 5.1, Cubase SX/SL, Nuendo 1.5, or another VST 2.0 compatible
host application
Please also observe the system requirements of your host application.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
English 11
ENGLISH
Installing Virtual Guitarist (PC version)
To install Virtual Guitarist on your PC:
1. Switch the computer on and wait for Windows to load.
2. Insert the Virtual Guitarist CD-ROM 1 into your computer.
3. Open the Windows Explorer, or the “My Computer” window, and
double-click on the CD-ROM drive icon.
4. Double-click the Virtual Guitarist Installer icon to run the installation
program, and follow the on-screen instructions.
Removing Virtual Guitarist (PC version)
To remove Virtual Guitarist from your computer:
1. Open the “Add or Remove Programs” control panel.
2. Select Virtual Guitarist and click “Add/Remove”.
3. Follow the on-screen instructions.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
12 English
System requirements (Mac version)
To run Virtual Guitarist you’ll need at least:
A Power Macintosh® with a 500 MHz G3 processor and 100 MHz bus
256 MB RAM (512 MB recommended)
1.6 GB of free hard disk space
Mac OS® 9.x or Mac OS® X
Cubase VST 5.1, Cubase SX/SL, Nuendo 1.5, or another VST 2.0 compatible
host application
Please also observe the system requirements of your host application.
Installing Virtual Guitarist (Mac version)
To install Virtual Guitarist on your Mac:
1. Switch on your computer and insert the Virtual Guitarist CD-ROM 1.
2. If the CD window doesn’t open automatically, double-click the
Virtual Guitarist icon.
3. Double-click the Virtual Guitarist Installer icon to run the installation
program, and follow the on-screen instructions.
Removing Virtual Guitarist (Mac version)
To remove Virtual Guitarist from your computer:
1. Run the Virtual Guitarist Installer again (as described above) and select
“Uninstall” (from the pop-up located at the top left) when prompted.
2. Select the program component you want to remove and click
“Uninstall”.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
English 13
ENGLISH
Setting up Virtual Guitarist as a VST instrument
in your host application
This section describes how to setup Virtual Guitarist with Cubase VST
as your host application. However, the same procedure applies to most
host applications, and you should consult your host’s documentation if
you need further help.
Make sure the host program has been correctly installed and setup to
work with your MIDI and audio hardware (eg. a MIDI keyboard and a
sound card).
To setup Virtual Guitarist:
1. Open the VST Instruments window.
2. Click the “No VST Instrument” label. In the pop-up menu choose the
folder Virtual Guitarist, select “VG Electric Edition”.
The image shows the folder content with both the original Virtual Guitarist and
VG Electric Edition installed.
3. Open the Virtual Guitarist window by clicking the Virtual Guitarist’s
Edit button in the VST Instruments window.
4. Select a Player from the plug-in window’s toolbar. This is described in
more detail on page 15.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
14 English
5. In the VST host application, select “VG Electric Edition” as the output
for a MIDI track, and make sure this track can receive MIDI data from
your MIDI keyboard.
Please note that when you activate Virtual Guitarist or change the currently
selected player, the relevant data has to be loaded into the computer’s RAM
(memory) before the instrument is ready to be played.
Latency
Although Virtual Guitarist is practically latency-free, high latency times
(which result in delays between pressing keys on your MIDI keyboard
and hearing a sound) can occur when you play Virtual Guitarist via
your MIDI keyboard in real time.
This is often caused by the audio card or the MIDI interface, although it
won’t be an issue when playing back a song with a Virtual Guitarist
MIDI track. To get rid of annoying real time latency, we recommend you
to replace your current audio card with a professional audio card for
which an ASIO driver is available. Most soundcards built into off-the-
shelf computers don’t use an ASIO driver and usually produce latencies
of up to several hundred milliseconds.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
English 15
ENGLISH
First test
At this point, you’re probably itching to get your hands on Virtual
Guitarist “Electric Edition”, so:
1. Activate Virtual Guitarist (as described in the previous section) and
load a player. In the Virtual Guitarist window, click the “Latch” button
to activate the parameter.
2. Play a chord or note on your MIDI keyboard, and Virtual Guitarist will
start to play. Because we activated the “Latch” button, playback will
continue when you release the key(s).
3. If you have a sustain pedal connected to your MIDI keyboard, press it
to stop the Virtual Guitarist.
If you don’t have a sustain pedal, you can assign the “stop” function to
a note on your MIDI keyboard. For more information about this, check
out the “Remote keys” section on page 23.
The MIDI LED in the Virtual Guitarist window lights up when Virtual Guitarist
receives MIDI-Events.
How to play Virtual Guitarist
There are several ways of playing the Virtual Guitarist:
You can play chords and vary the expression using keyboard velocity, MIDI
controllers, the sustain pedal, and program changes.
If you’re not familiar with a keyboard, you can enter chords and other MIDI
events using one of the editor’s provided by your sequencer software.
You can use Virtual Guitarist to dub the chord tracks of existing songs and
MIDI files to improve the way they sound. Many commercial MIDI files include
special chord tracks, although duplicating a typical "Pad sound” track (such
as strings) with the Virtual Guitarist will usually produce good results.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
16 English
Multiple Virtual Guitarists
You can use as many Virtual Guitarists simultaneously as your host
application and computer allow. There’s nothing wrong in using two
rock guitar tracks at the same time with different phrasing, and then
throwing in an additional riff from a third VG instance here and there.
Players
In Virtual Guitarist terminology, a player is a guitarist with a unique style.
However, more than just a style or rhythm, each Virtual Guitarist player
refers to particular guitar, sound (amp, speaker, etc.), and dedicated
playing style.
When a player is selected, up to 200 MB of sounds are loaded into your
computer’s RAM, which can often take quite a while. If the wait is too long, you
can use the chord set option to decrease loading time, although this reduces
the number of chords available. (See the “Chord Set” section on page 47 for
more information).
Selecting a player
To select a player, click the small downward-pointing arrow on the
Virtual Guitarist’s plug-in window, and choose from the pop-up menu.
The loading status is indicated in the "sound hole”, as illustrated below.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
English 17
ENGLISH
You can also use the left and right arrows window to switch between
players, but this isn’t recommended because of the long loading times.
The loading status in the "sound hole” (as pictured above) is only visible if the
Virtual Guitarist window is open.
After loading, a picture of the original guitar used for the recording is visible in
the “sound hole”.
Removing a player
To reload a player (for example, if you wish to change from the XXL to
the ECO set—see the “Chord Set” section on page 47 for more infor-
mation), you must first remove it from memory. It’s important to note that
you can’t simply reselect the player from the pop-up menu as nothing
will happen.
To remove the current player from memory, select “nothing loaded” in
the player pop-up menu, and then select the previous player again.
Auditioning players
When you start working with Virtual Guitarist, you’ll want to become
familiar with what each player sounds like. To help you with this we’ve
included a short audio clip of each player, which can be found in the
“Prelisten” folder on the Virtual Guitarist CD 1. Using your computer’s
audio player (such as QuickTime or Windows Media Player), you can
easily preview a player before loading it.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
18 English
Parts
Each player offers up to eight different parts. A part is variation—vary-
ing in rhythmic phrasing, note structure (e.g. single notes, chords,
octaves) and effect setting. You can either play the same part all the
time, or switch parts while playing to add variation to a track.
Selecting parts
You can select a part by clicking one of the two part selection arrows
in the top left corner of the Virtual Guitarist window.
Switching parts in real time
You can switch between parts while you play without any glitches, and
one way of doing this is to send a MIDI program change message (from
one to eight) from a MIDI keyboard. The program change number cor-
responds to the part number.
Alternatively, you can switch between parts using certain notes on your MIDI
keyboard. For more information about this, read both the “Key Remote Octave”
section on page 47, and the “Remote keys” section on page 23.
VIRTUAL GUITARIST
“ELECTRIC EDITION”
English 19
ENGLISH
Chord recognition
Virtual Guitarist contains an intelligent chord recognition system, which
always plays the correct chord based on the MIDI input from a sequen-
cer or MIDI keyboard in real time. The MIDI input can consist of a com-
plete chord or simple one-finger notes—you don’t need to make any
special settings because Virtual Guitarist will always know what to do.
Playing chords
If you play a complete chord (for example, the notes C, F, and G for a
Csus chord), Virtual Guitarist will automatically recognize it.
For the best possible chord recognition,
all
the notes of a chord must be
played. Playing three notes is sufficient for major, minor or sus4 chords, but
for other chord types (maj7, 7, 6, dim, mmaj7, m7, m6, m7-5, sus2 and 7sus4)
you need to play all four notes.
Chord inversions
In most cases, it doesn’t matter what inversion of a chord you play.
However, there are some exceptions where the bass note has to be
the root or tonic note:
m7. For example, in Am7 the A must be the bass note because Virtual Guitarist
would otherwise interpret the chord as a sixth (C6, in this case)—although the
chord uses the same notes on the keyboard, it sounds totally different on the
guitar.
dim chords (for example, Adim uses the same notes as Cdim, Eb-dim and
Gb-dim).
+5 chords (A+5 uses the same notes as C#+5 and F+5).
m6 chords (Am6 shares the same notes as F#m7-5).
VIRTUAL GUITARIST
“ELECTRIC EDITION”
20 English
One-finger chords
For the chord types major, 7, minor, and m7, you don’t actually need to
play all the notes in the chord. Although playing a single note always
indicates a major chord, you can indicate a different chord type by
playing an additional key.
For keyboard schemes see “Chord reference” section on page 55.
Chord display
The chord display shows the currently playing or pre-selected chord. If
the chord you play can’t be found or is missing in the current chord
set, Virtual Guitarist will automatically choose the most appropriate
replacement chord (indicated in the chord display). This will also be
the case when the chord isn’t available just because you’ve selected
the MID or ECO chord set.
By setting the “Chord Display” parameter in the setup window (see the “Display
Chords as” section on page 52 for more information), you can specify whether
chords names are displayed with flats or sharps.
Additional key Chord
None major
Next left white key 7
Next left black key minor
Next left white and black keys minor7
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200

Steinberg VST Instruments Virtual Guitarist Manuel utilisateur

Catégorie
Instruments de musique
Taper
Manuel utilisateur