Marshall JVM210C Le manuel du propriétaire

Marque: Marshall

Modèle: JVM210C

Catégorie: Équipement musical supplémentaire

Taper: Le manuel du propriétaire

English

Welcome from Jim Marshall 1

Overview 2

The Basics 4

Channel Overview 5

Front Panel Operation 6

Rear Panel Operation 8

Technical Specification 10

Español

Bienvenida de Jim Marshall 11

Descripción General 12

Lo Básico 14

Descripción General del Canal 15

Panel Frontal 16

Panel Trasero 18

Especificaciones Técnicas 20

Deutsch

Ein Gruß von Jim Marshall 21

Übersicht 22

Die Basics 24

Kanal-Übersicht 25

Frontpanel Bedienung 26

Bedienelmente Auf Der Ruckseite 28

Technische Daten 30

Français

De la part de Jim Marshall 31

Présentation 32

Les Bases 34

Présentation du canal 35

Fonctionnement de la façade 36

Fonctionnement de la face arrière 38

Caractéristiques Techniques 40

Japanese

Contents

JVM 2 Ch Owners Manual Book-00089-01 /12/15 cover.qxd:Layout 1 14/12/15 12:01 Page 5

INTRODUCTION

Congratulations on the purchase of your all-valve ʻJVMʼ Series amplifier, which is

designed, engineered and constructed to the highest possible standards at the

Marshall factory in Bletchley, England. At Marshall we understand the necessity of

achieving the right tone and feel to help inspire you to reach your full creative

potential. Listening to what guitarists want, painstaking R&D and a commitment to

manufacturing excellence has made the Marshall legend. These values have remained

at the core of Marshallʼs identity, from 1962 to the present day, and will continue to do

so over the next half century and beyond.

Your ʻJVMʼ Series amplifier has been designed to produce a broad sonic palette,

making it an incredibly versatile tool, whether performing live on stage, recording or

rehearsing. It can take you from classic Marshall JTM45™/ Plexi™ clean and

overdriven tones to JCM800™ grunt and on to contemporary high gain insanity. Fully

programmable, the ʻJVMʼ Series has unprecedented tonal control, with three modes

per channel, independent Reverbs, Parallel/Series FX Loop and Stompware®

footswitching technology.

The ʻJVMʼ Series is truly a testament to the Marshall legacy of great guitar products

and we sincerely hope that your ʻJVMʼ amplifier proves indispensable, providing you

with years of legendary Marshall tone, whatever your playing situation.

Thank you for choosing Marshall.

-The Marshall Team

ENGLISH

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:07 Page 1

ENGLISH

For example, you could program a mixture of

switching functions (in our example switches #1

and #2 work in Preset Store mode, and #3 plus

#4 work in Switch Store mode), so that:

Footswitch #1 = Overdrive channel, green mode

with Master Volume ʻ1ʼ, Reverb ʻonʼ and FX loop

ʻoffʼ.

Footswitch #2 = Clean channel, red mode with

Master Volume ʻ2ʼ, Reverb ʻoffʼ and FX loop on.

Footswitch #3 = FX loop on/off

Footswitch #4 = Master 1/2

All the settings are stored within your footswitch;

this means it can be plugged into any JVM

amplifier and all your footswitch settings can be

instantly recalled.

Details on how to program your footswitch can

be found later in this manual.

III. Power Amp

The power amp stage of the JVMs is based on

the same as the one found in the JCM800 2203

and 1959 Superlead amplifiers and their 50W

cousins, responsible for the legendary Marshall

roar it has been adjusted to suit the variety of

tones found in the JVM. This section features

Presence and Resonance control to help shape

the overall tone of your JVM amplifier.

Your JVM is also equipped with a Silent

Recording mode. When the STANDBY switch is

OFF the power amplifier section is disabled but

the rest of the amplifier remains fully

operational.

IV. Studio Quality Reverb

The Marshall JVM is equipped with a studio

quality digital reverb routed in parallel to the

main signal and mixed by means of a valve.

When the reverb is engaged no degradation of

the direct signal occurs and when off it is

effectively removed from the circuit. Each of the

JVMʼs channels also has its own dedicated

Reverb level control.

The Reverb switching has been designed to

avoid abrupt cut offs in the reverb tail so when

changing from channel to channel or switching

the reverb off, its tail naturally decays.

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 3

Overview

I. Channels, Modes & Memory

Presenting the 2-channel, 100W and 50W

all-valve JVM amplifiers. Their 2 channels boast

3 modes, giving you a total of 6 different modes

to choose from - each with its own unique gain

structure. Even though their front panel contains

a total of 16 control knobs and 6 LED switches,

the JVM is simple to understand and operate

thanks to its extremely logical front and rear

panel layouts.

The front panel contains dedicated sets of

controls for each of their 2 channels -

CLEAN / CRUNCH and OVERDRIVE - plus

MASTER and REVERB sections. Each channel

contains the familiar controls, Volume, Bass,

Middle, Treble and Gain. The REVERB section

consists of 2 Reverb level controls, one for each

channel while the MASTER section is comprised

of 2 footswitchable Master Volumes, plus master

RESONANCE and PRESENCE controls that

work universally on both channels.

Each of the 2 channels has 3 switchable modes.

These are selected by the MODE switch

dedicated to each channel. To select a channel

press its respective MODE switch (or step on

the relevant button on the supplied 4-way

footswitch - see section II. Footswitch). To

scroll through the selected channel's 3 modes

keep pressing the said button and the colour of

the LED in the switch will change from green to

orange to red and then back to green. Doing this

steps-up the gain level each time (red being the

highest and green the lowest for each channel)

and changes the channel's tonal voicing to suit.

When you leave and then reselect a channel, it

will automatically recall the last active mode as

both channels remember the last mode they

were in until a change is made. For instance, if

you select the Overdrive channel's orange mode

and then go to the Clean channel, when you

reselect the Overdrive channel it will still be

orange.

In addition to channel and Mode selection, other

features switchable via the front panel and the

supplied 4-way footswitch are Reverb (on/off)

Master Volume selection (1 or 2), and

Series/Parallel effects loop (on/off). All 3 of

these options are also remembered by each

Mode.

To sum up, each of the JVMs 6 Modes will

remember its most recent Reverb, FX loop and

Master Volume selection. Additionally mode

setups can also be saved and recalled to one of

128 locations via MIDI.

II. Footswitch (UK patent pending)

The JVM come supplied with a 4-way

programmable footswitch which can be

connected to the amp via any standard guitar

cable.

*Please note that the supplied Footswitch lead is

unscreened and not suitable for guitar.

The 4-button footswitch features 5 LEDS

marked CLEAN / CRUNCH, OD, MASTER,

REVERB & FX. The LEDs for each of the 2

channels are 3-coloured Green, Orange and

Red, visually telling you which channel and

mode is selected alongside the status of Master,

Reverb and FX loop.

The footswitch enables you to assign any of its

4 switches to instantly recall any front panel

function (Switch Store Mode) or complete

channel setup (Preset Store Mode) in any order

and combination.

For example, you could program it so that:

Switch Store Mode

Any footswitch is assigned to act as any one of

your ampʼs front panel switches:

Channel/Mode; Reverb on/off; Master Volume

1/2 and FX Loop on/off.

If a switch is assigned to select a particular

channel once is has been activated, it can be

used to scroll through the three modes, just like

its respective front panel switch.

Or…

Preset Store Mode

Each switch can be programmed to instantly call

up a combination of JVM button options to form

a Preset.

ENGLISH

MODEL: PEDL-00045

4321

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 2

ENGLISH

For example, you could program a mixture of

switching functions (in our example switches #1

and #2 work in Preset Store mode, and #3 plus

#4 work in Switch Store mode), so that:

Footswitch #1 = Overdrive channel, green mode

with Master Volume ʻ1ʼ, Reverb ʻonʼ and FX loop

ʻoffʼ.

Footswitch #2 = Clean channel, red mode with

Master Volume ʻ2ʼ, Reverb ʻoffʼ and FX loop on.

Footswitch #3 = FX loop on/off

Footswitch #4 = Master 1/2

All the settings are stored within your footswitch;

this means it can be plugged into any JVM

amplifier and all your footswitch settings can be

instantly recalled.

Details on how to program your footswitch can

be found later in this manual.

III. Power Amp

The power amp stage of the JVMs is based on

the same as the one found in the JCM800 2203

and 1959 Superlead amplifiers and their 50W

cousins, responsible for the legendary Marshall

roar it has been adjusted to suit the variety of

tones found in the JVM. This section features

Presence and Resonance control to help shape

the overall tone of your JVM amplifier.

Your JVM is also equipped with a Silent

Recording mode. When the STANDBY switch is

OFF the power amplifier section is disabled but

the rest of the amplifier remains fully

operational.

IV. Studio Quality Reverb

The Marshall JVM is equipped with a studio

quality digital reverb routed in parallel to the

main signal and mixed by means of a valve.

When the reverb is engaged no degradation of

the direct signal occurs and when off it is

effectively removed from the circuit. Each of the

JVMʼs channels also has its own dedicated

Reverb level control.

The Reverb switching has been designed to

avoid abrupt cut offs in the reverb tail so when

changing from channel to channel or switching

the reverb off, its tail naturally decays.

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 3

Overview

I. Channels, Modes & Memory

Presenting the 2-channel, 100W and 50W

all-valve JVM amplifiers. Their 2 channels boast

3 modes, giving you a total of 6 different modes

to choose from - each with its own unique gain

structure. Even though their front panel contains

a total of 16 control knobs and 6 LED switches,

the JVM is simple to understand and operate

thanks to its extremely logical front and rear

panel layouts.

The front panel contains dedicated sets of

controls for each of their 2 channels -

CLEAN / CRUNCH and OVERDRIVE - plus

MASTER and REVERB sections. Each channel

contains the familiar controls, Volume, Bass,

Middle, Treble and Gain. The REVERB section

consists of 2 Reverb level controls, one for each

channel while the MASTER section is comprised

of 2 footswitchable Master Volumes, plus master

RESONANCE and PRESENCE controls that

work universally on both channels.

Each of the 2 channels has 3 switchable modes.

These are selected by the MODE switch

dedicated to each channel. To select a channel

press its respective MODE switch (or step on

the relevant button on the supplied 4-way

footswitch - see section II. Footswitch). To

scroll through the selected channel's 3 modes

keep pressing the said button and the colour of

the LED in the switch will change from green to

orange to red and then back to green. Doing this

steps-up the gain level each time (red being the

highest and green the lowest for each channel)

and changes the channel's tonal voicing to suit.

When you leave and then reselect a channel, it

will automatically recall the last active mode as

both channels remember the last mode they

were in until a change is made. For instance, if

you select the Overdrive channel's orange mode

and then go to the Clean channel, when you

reselect the Overdrive channel it will still be

orange.

In addition to channel and Mode selection, other

features switchable via the front panel and the

supplied 4-way footswitch are Reverb (on/off)

Master Volume selection (1 or 2), and

Series/Parallel effects loop (on/off). All 3 of

these options are also remembered by each

Mode.

To sum up, each of the JVMs 6 Modes will

remember its most recent Reverb, FX loop and

Master Volume selection. Additionally mode

setups can also be saved and recalled to one of

128 locations via MIDI.

II. Footswitch (UK patent pending)

The JVM come supplied with a 4-way

programmable footswitch which can be

connected to the amp via any standard guitar

cable.

*Please note that the supplied Footswitch lead is

unscreened and not suitable for guitar.

The 4-button footswitch features 5 LEDS

marked CLEAN / CRUNCH, OD, MASTER,

REVERB & FX. The LEDs for each of the 2

channels are 3-coloured Green, Orange and

Red, visually telling you which channel and

mode is selected alongside the status of Master,

Reverb and FX loop.

The footswitch enables you to assign any of its

4 switches to instantly recall any front panel

function (Switch Store Mode) or complete

channel setup (Preset Store Mode) in any order

and combination.

For example, you could program it so that:

Switch Store Mode

Any footswitch is assigned to act as any one of

your ampʼs front panel switches:

Channel/Mode; Reverb on/off; Master Volume

1/2 and FX Loop on/off.

If a switch is assigned to select a particular

channel once is has been activated, it can be

used to scroll through the three modes, just like

its respective front panel switch.

Or…

Preset Store Mode

Each switch can be programmed to instantly call

up a combination of JVM button options to form

a Preset.

ENGLISH

MODEL: PEDL-00045

4321

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 2

The Basics

We recommend that you fold out the inside back

cover of this manual so that diagrams of the

ampʼs front and rear panels are visible while you

read.

MAINS INPUT & FUSE (17)

Your amp is provided with a detachable mains

(power) lead, which is connected here. The

specific mains input voltage rating that your

amplifier has been built for is indicated on the

rear panel.

WARNING: Before going any further, make

sure your amplifier is compatible with your

electrical supply. If you have any doubt,

please get help from a qualified technician -

your Marshall dealer can help you in this

respect.

The correct value of mains fuse is specified on

the rear panel of the amplifier. NEVER attempt

to bypass the fuse or fit one of the incorrect

value.

Mains (POWER) Switch (1)

This is the On/Off switch for the mains electric

power to the amplifier.

Note: Please ensure the amplifier is switched off

and unplugged from the mains electricity supply

whenever it is moved!

INPUT Jack Socket (10)

You must always use a screened (shielded)

guitar cable and never use an unscreened

(unshielded) speaker cable. Also, this cable

should be one of good quality. If you are in any

doubt regarding this, your Marshall dealer will be

more than happy to help and advise you.

Getting Started & Powering Up

1. Make sure that the speakers/cabinet(s) are

connected to the correct impedance

LOUDSPEAKER jack(s) on the rear panel (11).

See page 8 for specifics regarding impedance

matching. If youʼre using an extension cabinet

make sure its rating is enough to handle the

power of the amp and also that youʼre using a

proper speaker cable. Never use a screened

(shielded) guitar cable for this purpose.

WARNING!

1. Failure to do any of the above will damage

your amp.

2. NEVER use your amp without a (speaker)

load attached when the Standby Switch is

ON.

Marshall recommends you always leave a

(speaker) load attached to the unit.

2. Ensure that both MASTER VOLUMES on the

front panel (5) are set to zero.

3. Connect the Footswitch Cable to the

Footswitch and then connect to the

FOOTSWITCH Socket (15) on the rear panel of

the amplifier.

4. Connect the supplied mains (power) lead into

the MAINS INPUT (17) on the rear panel first

and then into an electrical outlet.

5. Plug your guitar into the INPUT jack socket

(10) on the front panel.

6. Turn the front panel POWER switch (1) on.

This will glow red then wait for a couple of

minutes.

7. After waiting a couple of minutes, engage the

STANDBY switch (2). Leaving the amp on

ʻStandbyʼ for a period allows the valves to come

up to their correct operating temperature. In

order to prolong valve life, the STANDBY switch

should also be used to turn the amplifier on and

off during breaks in a performance.

STANDBY Switch & Silent recording (2)

As stated above the STANDBY Switch is used in

conjunction with the POWER Switch to ʻwarm

upʼ the amplifier before use and to prolong the

life of the output valves.

When the amplifier is in standby mode the

whole preamplifier section continues running at

its nominal voltages whilst the power amplifier

remains in a standby status. This allows the

amplifier to be used for silent recording or

preamplification purposes.

NOTE : Only when the STANDBY is off can

the amplifier be used without a load for silent

recording. Always ensure a load is

connected when leaving the silent recording

mode, i.e. when switching the STANDBY

switch ON.

ENGLISH

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 4

Channel Overview

The JVMʼs front panel is divided into 2 main

sections: Channels and Master. Each of its

channels has 3 modes which are distinguished

by a different coloured light (green, orange or

red) appearing in the respective MODE switch;

the preamplifierʼs gain structure is uniquely

reconfigured for each and every mode.

CLEAN/CRUNCH CHANNEL (8)

CLEAN/CRUNCH GREEN MODE: This is the

cleanest of the three modes and, in keeping with

traditional clean amps, it uses a simple and

straightforward circuit keeping the signal as pure

as possible. In this Mode the channelʼs Volume

control is taken out of circuit as is the case in

vintage amplifiers of this nature. This is the only

JVM mode where this happens.

CLEAN/CRUNCH ORANGE MODE: This mode

shares the preamp topology of the classic

Marshall JTM45/1959 ʻPlexiʼ models (i.e.: gain +

gain + tone) but with a bit more gain than is

found in the originals.

CLEAN/CRUNCH RED MODE: This mode is

reminiscent of the Marshall JCM800 2203

amplifier, a staple of hard rock. The gain

structure is gain + gain + gain + tone.

OVERDRIVE CHANNEL (9)

OVERDRIVE GREEN MODE: This is very

similar to the hot-rodded JCM800 sound found

in ʻCrunch Redʼ, allowing you to dial-in two

distinctly different yet similar crunch sounds if

you so wish - one in each channel.

OVERDRIVE ORANGE MODE: This adds

another gain stage to the ʻOverdrive Greenʼ

circuit, resulting in a sound thatʼs perfect for

singing leads and hard rock/heavy metal tones.

OVERDRIVE RED MODE: Adds more gain to

the ʻOverdrive Orangeʼ for a high gain Marshall

sound.

ENGLISH

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 5

The Basics

We recommend that you fold out the inside back

cover of this manual so that diagrams of the

ampʼs front and rear panels are visible while you

read.

MAINS INPUT & FUSE (17)

Your amp is provided with a detachable mains

(power) lead, which is connected here. The

specific mains input voltage rating that your

amplifier has been built for is indicated on the

rear panel.

WARNING: Before going any further, make

sure your amplifier is compatible with your

electrical supply. If you have any doubt,

please get help from a qualified technician -

your Marshall dealer can help you in this

respect.

The correct value of mains fuse is specified on

the rear panel of the amplifier. NEVER attempt

to bypass the fuse or fit one of the incorrect

value.

Mains (POWER) Switch (1)

This is the On/Off switch for the mains electric

power to the amplifier.

Note: Please ensure the amplifier is switched off

and unplugged from the mains electricity supply

whenever it is moved!

INPUT Jack Socket (10)

You must always use a screened (shielded)

guitar cable and never use an unscreened

(unshielded) speaker cable. Also, this cable

should be one of good quality. If you are in any

doubt regarding this, your Marshall dealer will be

more than happy to help and advise you.

Getting Started & Powering Up

1. Make sure that the speakers/cabinet(s) are

connected to the correct impedance

LOUDSPEAKER jack(s) on the rear panel (11).

See page 8 for specifics regarding impedance

matching. If youʼre using an extension cabinet

make sure its rating is enough to handle the

power of the amp and also that youʼre using a

proper speaker cable. Never use a screened

(shielded) guitar cable for this purpose.

WARNING!

1. Failure to do any of the above will damage

your amp.

2. NEVER use your amp without a (speaker)

load attached when the Standby Switch is

ON.

Marshall recommends you always leave a

(speaker) load attached to the unit.

2. Ensure that both MASTER VOLUMES on the

front panel (5) are set to zero.

3. Connect the Footswitch Cable to the

Footswitch and then connect to the

FOOTSWITCH Socket (15) on the rear panel of

the amplifier.

4. Connect the supplied mains (power) lead into

the MAINS INPUT (17) on the rear panel first

and then into an electrical outlet.

5. Plug your guitar into the INPUT jack socket

(10) on the front panel.

6. Turn the front panel POWER switch (1) on.

This will glow red then wait for a couple of

minutes.

7. After waiting a couple of minutes, engage the

STANDBY switch (2). Leaving the amp on

ʻStandbyʼ for a period allows the valves to come

up to their correct operating temperature. In

order to prolong valve life, the STANDBY switch

should also be used to turn the amplifier on and

off during breaks in a performance.

STANDBY Switch & Silent recording (2)

As stated above the STANDBY Switch is used in

conjunction with the POWER Switch to ʻwarm

upʼ the amplifier before use and to prolong the

life of the output valves.

When the amplifier is in standby mode the

whole preamplifier section continues running at

its nominal voltages whilst the power amplifier

remains in a standby status. This allows the

amplifier to be used for silent recording or

preamplification purposes.

NOTE : Only when the STANDBY is off can

the amplifier be used without a load for silent

recording. Always ensure a load is

connected when leaving the silent recording

mode, i.e. when switching the STANDBY

switch ON.

ENGLISH

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 4

ENGLISH

Channel Section

Pressing a channel button has two functions:

When coming from a different channel it recalls

the last setting in the new selected channel.

When pressing in the same channel it cycles the

modes: GREEN > ORANGE > RED > GREEN...

Each mode remembers the FX, Reverb and

Master settings.

Example: You are in OVERDRIVE ORANGE

with FX + REVERB and you press CLEAN. The

amp switches to the last Clean mode you had

(letʼs assume it was CLEAN GREEN with

REVERB). If you press the OVERDRIVE switch

you go back to OVERDRIVE ORANGE with FX

+ REVERB. This allows bouncing between

channels without losing the settings. If you now

press OVERDRIVE again, you go to

OVERDRIVE RED with whatever FX, MASTER

and REVERB settings you had last time you

were in this mode.

Pressing REVERB (7) switches the reverb ON

and OFF in the current channel.

Pressing FX LOOP (4) switches the parallel FX

loop ON and OFF in the current channel.

Master Section

REVERB Control (7)

Alongside the REVERB switch each channel

has its own reverb control allowing individual

level settings of the effect.

MASTER 1 / MASTER 2 (5)

These are the master volume controls of the

amplifier. They can be assigned individually to

each of the modes as you wish and the master

selection will be stored in each of the modes.

PRESENCE, RESONANCE (6)

These controls are power amplifier controls and

only have effect when playing through a speaker

(not in silent recording). They affect how the

power amplifier reacts to the connected

speakers and how much control the amplifier

has over them.

Increasing the RESONANCE control

emphasises the natural speakerʼs resonance for

an improved bass response. In the same way,

increasing the PRESENCE control emphasises

the speakerʼs high frequencies which will be

heard as an improved high frequency response

which adds presence to the sound.

Presence and Resonance constitute a powerful

power amplifier equaliser, allowing responses

from a ʻ^ʼ shape when they are fully

counterclockwise, which is felt as a mid boost,

to a ʻvʼ shape when they are turned clockwise,

which is felt as a scooped sound. Again, the

effectiveness of these controls is highly

dependant on the kind of connected speakers.

Care has to be taken to avoid over excursion of

the speaker cones in high resonance settings.

FX LOOP (4)

This is a programmable FX loop which features

a MIX control on the rear panel and it is located

after the pre-amp, right before the reverb and

serial loop circuits. Pressing the FX Loop switch

(4) engages this effects loop. Please refer to the

Serial / Parallel Loop description later on in the

handbook for its operation.

FOOTSWITCH / MIDI PROGRAM (3)

This switch has a dual function:

Pressing it once we enter the FOOTSWITCH

PROGRAM mode. It is indicated by a

continuous red light.

Pressing it twice we enter the MIDI PROGRAM

mode. It is indicated by a blinking red light.

Footswitch program and use

The JVM range features a new type of fully

configurable footswitch. Connection to the

amplifier requires a standard mono 1/4" jack to

jack cable. Any guitar lead will work and

practically there should be no limit in its length.

When the front panel FOOTSWITCH / MIDI

PROGRAM switch is off, the footswitch operates

in safe mode and executes the commands the

moment the switch is pressed down.

If you enter the FOOTSWITCH PROGRAM

mode (LED red) you will be able to program the

footswitch but nevertheless the footswitch and

the amplifier will remain fully operational with the

only difference that the commands will be

executed when releasing the footswitches, as

opposed to the normal mode.

Each of the individual footswitches has 2 modes

of operation: preset store and switch store.

In preset store mode, any of the footswitches

can be configured to store the current amplifier

status. The current channel, master, FX and

reverb status will be stored and recalled when

the respective footswitch is pressed.

Front Panel Operation

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 6

ENGLISH

To store the current status simply:

Set the amplifier to FOOTSWITCH PROGRAM

mode (red light ON).

Press and hold the desired switch for about 3

seconds.

The FX footswitch LED will flicker a couple of

times indicating that the preset has been stored.

In switch store mode, any of the footswitches

can be configured to replicate the front panel

switches and the amplifier will react exactly in

the same way as when you operate them on the

front panel.

All the front panel switches can be mapped to

any of the footswitches without any limitation.

The only exception is the FOOTSWITCH / MIDI

PROGRAM switch which cannot be assigned to

the footswitch.

To assign any of the front panel switches

(except FOOTSWITCH / MIDI PROGRAM) to

any of the footswitches simply:

Set the amplifier to FOOTSWITCH PROGRAM

mode (red light ON).

Press and hold the desired footswitch.

While holding the footswitch down, in less than

3 seconds, press the front panel switch you

want to map.

The FX footswitch LED will flicker a couple of

times indicating that the switch has been

mapped.

From now on the selected footswitch will act

exactly in the same way as if you press the

related front panel switch.

Switches and presets can be assigned as

wished without limitation and in any order

(again, except the FOOTSWITCH / MIDI

PROGRAM switch). The footswitch configuration

is stored in the footswitch itself, not in the

amplifier. Resetting the amplifier will not affect

the footswitch configuration as well.

The footswitch can be hot-swapped and

synchronises itself with the amplifier after

connection. However it is recommended to

connect the footswitch lead to the footswitch

side first and then connect it to the amplifier.

MIDI operation

Pressing the FOOTSWITCH / MIDI PROGRAM

switch (3) twice puts the amplifier in MIDI

waiting mode, the LED will flash until a valid

MIDI program change command is received.

On reception of a MIDI program change

command the amplifier stores the current status

(Channel + FX + Reverb + Master Settings) in

the MIDI program number received. It is

possible to store up to 128 different MIDI

presets.

To exit this status without waiting for incoming

MIDI data press the FOOTSWITCH / MIDI

PROGRAM switch (3) again.

Note about MIDI channels: By default the

amplifier is configured to listen to MIDI channel

#1 but it can be changed to listen to any of the

16 MIDI channels as follows:

Switch the amplifier off (Power switch (1), not

Standby (2)).

Press and hold the FOOTSWITCH / MIDI

PROGRAM switch (3).

Switch the amplifier on (Power switch (1)).

Release the FOOTSWITCH / MIDI PROGRAM

switch (3), the LED will start to flash.

Send ANY MIDI command using your MIDI

pedalboard or any other MIDI equipment.

The amplifier will detect which channel came in

and configure itself to listen to that MIDI channel

only. From now on any MIDI preset you had

previously stored will be activated only on the

new channel regardless of what channel you

used before, this allows a fast reconfiguration

should there be a MIDI conflict with any other

outboard equipment.

If you want to exit the MIDI channel selection

without any action press the

FOOTSWITCH / MIDI PROGRAM switch (3)

while waiting for MIDI data.

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 7

ENGLISH

Channel Section

Pressing a channel button has two functions:

When coming from a different channel it recalls

the last setting in the new selected channel.

When pressing in the same channel it cycles the

modes: GREEN > ORANGE > RED > GREEN...

Each mode remembers the FX, Reverb and

Master settings.

Example: You are in OVERDRIVE ORANGE

with FX + REVERB and you press CLEAN. The

amp switches to the last Clean mode you had

(letʼs assume it was CLEAN GREEN with

REVERB). If you press the OVERDRIVE switch

you go back to OVERDRIVE ORANGE with FX

+ REVERB. This allows bouncing between

channels without losing the settings. If you now

press OVERDRIVE again, you go to

OVERDRIVE RED with whatever FX, MASTER

and REVERB settings you had last time you

were in this mode.

Pressing REVERB (7) switches the reverb ON

and OFF in the current channel.

Pressing FX LOOP (4) switches the parallel FX

loop ON and OFF in the current channel.

Master Section

REVERB Control (7)

Alongside the REVERB switch each channel

has its own reverb control allowing individual

level settings of the effect.

MASTER 1 / MASTER 2 (5)

These are the master volume controls of the

amplifier. They can be assigned individually to

each of the modes as you wish and the master

selection will be stored in each of the modes.

PRESENCE, RESONANCE (6)

These controls are power amplifier controls and

only have effect when playing through a speaker

(not in silent recording). They affect how the

power amplifier reacts to the connected

speakers and how much control the amplifier

has over them.

Increasing the RESONANCE control

emphasises the natural speakerʼs resonance for

an improved bass response. In the same way,

increasing the PRESENCE control emphasises

the speakerʼs high frequencies which will be

heard as an improved high frequency response

which adds presence to the sound.

Presence and Resonance constitute a powerful

power amplifier equaliser, allowing responses

from a ʻ^ʼ shape when they are fully

counterclockwise, which is felt as a mid boost,

to a ʻvʼ shape when they are turned clockwise,

which is felt as a scooped sound. Again, the

effectiveness of these controls is highly

dependant on the kind of connected speakers.

Care has to be taken to avoid over excursion of

the speaker cones in high resonance settings.

FX LOOP (4)

This is a programmable FX loop which features

a MIX control on the rear panel and it is located

after the pre-amp, right before the reverb and

serial loop circuits. Pressing the FX Loop switch

(4) engages this effects loop. Please refer to the

Serial / Parallel Loop description later on in the

handbook for its operation.

FOOTSWITCH / MIDI PROGRAM (3)

This switch has a dual function:

Pressing it once we enter the FOOTSWITCH

PROGRAM mode. It is indicated by a

continuous red light.

Pressing it twice we enter the MIDI PROGRAM

mode. It is indicated by a blinking red light.

Footswitch program and use

The JVM range features a new type of fully

configurable footswitch. Connection to the

amplifier requires a standard mono 1/4" jack to

jack cable. Any guitar lead will work and

practically there should be no limit in its length.

When the front panel FOOTSWITCH / MIDI

PROGRAM switch is off, the footswitch operates

in safe mode and executes the commands the

moment the switch is pressed down.

If you enter the FOOTSWITCH PROGRAM

mode (LED red) you will be able to program the

footswitch but nevertheless the footswitch and

the amplifier will remain fully operational with the

only difference that the commands will be

executed when releasing the footswitches, as

opposed to the normal mode.

Each of the individual footswitches has 2 modes

of operation: preset store and switch store.

In preset store mode, any of the footswitches

can be configured to store the current amplifier

status. The current channel, master, FX and

reverb status will be stored and recalled when

the respective footswitch is pressed.

Front Panel Operation

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 6

ENGLISH

Rear Panel Operation

SERIAL / PARALLEL FX LOOP (12)

The JVM is equipped with a series / parallel FX

loop. Connect your external FX equipment input

to the JVM SEND jack, and the FX output to the

JVM RETURN jack. As described previously,

this effects loop can be bypassed from the front

panel and the amount of effect can be dialed in

with the MIX control.

The +4dBu/-10dBV switch allows you to

configure the loop for its use with either

professional equipment (+4dBu setting) or with

guitar level effects like effects pedals (-10dBV

setting).

When MIX is set to WET all the signal goes

through the external loop, adding more direct

(unprocessed) signal as you turn it towards

DRY. This allows you to mix any amount of the

external effect without loosing or degrading the

direct signal quality.

When mixing the WET and DRY signals the

external effects processorʼs output should be

configured to remove the direct (unprocessed)

signal or unpleasant phasing effects may occur

when mixing it again in the amplifier. If the

amplifier sounds thin after connecting an

external effect check that no direct signal is

being returned from the processorʼs output.

Note that if the FX loop is ON and the MIX

control is set to WET without an external

processor connected, the amplifier will be

muted.

POWER AMP INSERT / SERIAL LOOP (13)

This is a passive loop connected right before the

master controls. It is a line level loop so it is

recommended to only use high headroom

devices to avoid signal degradation. Plugging

only into the return jack allows the use of the

JVMʼs power section overriding the preamp.

Master controls and the emulated line out are

located after the serial loop so it is still possible

to take advantage of those features when using

an external preamplifier. The loop can be taken

off the circuit by pressing the BYPASS switch,

but as opposed to the Series / Parallel loop this

switch cannot be programmed.

EMULATED LINE OUT (14)

The pre master volume signal, processed

through a 4x12 speaker cabinet emulator and

electronically balanced is made available at this

connector.

FOOTSWITCH (15)

Connect the supplied footswitch using any

standard 1/4" jack mono lead. Using any other

type of footswitch rather than the supplied will

have no effect and will be ignored by the

amplifier.

MIDI In / Through (16)

Connect any external MIDI equipment to the

MIDI In DIN socket. A copy of the signal in this

connector will be available on the MIDI thru

socket to allow daisy chaining of MIDI

equipment. Note that the JVM only accepts

incoming data and it is not able to send any

MIDI commands.

SPEAKER Outputs (11)

There are 5 speaker outputs available on the

rear panel. They are labelled according to the

intended impedances:

16 Ohm: connect any 16 Ohms guitar cabinet to

this jack.

8 Ohm: connect a single 8 Ohms guitar cabinet

or two 16 Ohms guitar cabinets.

4 Ohm: connect a single 4 Ohms guitar cabinet

or two 8 Ohms guitar cabinets.

WARNING: Although the JVM amplifier has 5

speaker outputs, never attempt to connect more

speakers than rated. The safe combinations are

1x16 Ohm, 1x8 Ohm, 1x4 Ohm, 2x16 Ohm or

2x8 Ohm. Any other speaker configuration may

stress the power amplifier section and in

extreme cases may lead to valve and/or output

transformer failure.

HINTS & TIPS

Factory Reset

This will erase all the MIDI presets and set MIDI

reception channel to #1. Please note that once

the memory is erased it cannot be recovered.

Switch the amplifier off (power switch off, not

standby switch).

Press and hold CLEAN/CRUNCH CHANNEL

switch.

Switch the amplifier on (power switch on, not

standby switch).

The 2 channel LEDs will glow red.

Release the switch.

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 8

ENGLISH

To confirm the factory reset press OVERDRIVE

MODE switch.

If you want to abort, press any other switch.

Footswitch Reset:

It is possible to reset the footswitch to the

factory default status. This is achieved as

follows:

Unplug the footswitch at any of the cable sides.

Press and hold the switch #4 (right switch).

Plug in the footswitch cord.

Release the switch and the FX led will start

blinking.

If you want to erase the footswitch memory

press the switch #3. To keep the memory press

either the #1 or #2 switch. Please note that once

the memory is erased it cannot be recovered.

Release the switch and the footswitch will

synchronise with the amplifier.

The factory default is as follows:

FSW #1: Clean/Crunch Mode

FSW #2: Overdrive Mode

FSW #3: Master

FSW #4: Reverb

Hints

Hint 1: It is possible to use different modes in

the same channel with different volumes to

avoid imbalance between mode levels. To do

this simply create 2 presets in the footswitch

assigning MASTER 1 or MASTER 2 to any of

the modes.

If you do not connect any effect to the

SERIAL / PARALLEL FX LOOP the MIX control

can be used to act like an extra volume control

in any of the channels.

Hint 2: To have a tuner output muting the

amplifier, connect the tuner to the FX send and

select the Clean channel. Turn the MIX control

to WET and switch the FX loop on. Store this

preset as described before and label it for

example as ʻtunerʼ. Obviously in this

configuration it is not possible to connect any

other effect to the loop.

Hint 3: To use a different preamplifier and

combine it with the JVM channels, connect the

external preamplifier output to the parallel loop

return and turn the MIX to WET. Connect the

external preamp input with a splitter to the

amplifiers input (it might be necessary to use an

active splitter to keep a high impedance and/or

an isolated one to avoid ground loops).

Switching the effects loop ON and OFF will

alternate between the external preamp and the

JVM preamp.

As the JVM reverb circuitry is connected after

the parallel loop it is also possible to create a

preset to add reverb to the external preamp. To

do this, simply switch the reverb ON and create

a preset in any channel with the reverb ON and

FX ON and assign it to the footswitch. That

would be external preamp + reverb.

You can also go further and assign a different

Master level to both external and internal

preamplifiers in the same way as you assigned

reverb.

Hint 4: Notes about using 2 heads

simultaneously. The suggested procedure is

connect the ʻmasterʼ head PREAMP OUT to the

ʻslaveʼ head POWER AMP IN and switch the

POWER AMP INSERT to ACTIVE in the ʻslaveʼ

amplifier.

In order to track the master volume settings in

both heads (as the master volume circuitry is

wired after the loop) it is suggested to use MIDI

control with both amplifiers programmed in the

same way. Connect the MIDI IN of one of the

amplifiers to the MIDI THROUGH of the other

and the pedalboard or MIDI equipment to the

remaining MIDI IN.

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:09 Page 9

ENGLISH

Rear Panel Operation

SERIAL / PARALLEL FX LOOP (12)

The JVM is equipped with a series / parallel FX

loop. Connect your external FX equipment input

to the JVM SEND jack, and the FX output to the

JVM RETURN jack. As described previously,

this effects loop can be bypassed from the front

panel and the amount of effect can be dialed in

with the MIX control.

The +4dBu/-10dBV switch allows you to

configure the loop for its use with either

professional equipment (+4dBu setting) or with

guitar level effects like effects pedals (-10dBV

setting).

When MIX is set to WET all the signal goes

through the external loop, adding more direct

(unprocessed) signal as you turn it towards

DRY. This allows you to mix any amount of the

external effect without loosing or degrading the

direct signal quality.

When mixing the WET and DRY signals the

external effects processorʼs output should be

configured to remove the direct (unprocessed)

signal or unpleasant phasing effects may occur

when mixing it again in the amplifier. If the

amplifier sounds thin after connecting an

external effect check that no direct signal is

being returned from the processorʼs output.

Note that if the FX loop is ON and the MIX

control is set to WET without an external

processor connected, the amplifier will be

muted.

POWER AMP INSERT / SERIAL LOOP (13)

This is a passive loop connected right before the

master controls. It is a line level loop so it is

recommended to only use high headroom

devices to avoid signal degradation. Plugging

only into the return jack allows the use of the

JVMʼs power section overriding the preamp.

Master controls and the emulated line out are

located after the serial loop so it is still possible

to take advantage of those features when using

an external preamplifier. The loop can be taken

off the circuit by pressing the BYPASS switch,

but as opposed to the Series / Parallel loop this

switch cannot be programmed.

EMULATED LINE OUT (14)

The pre master volume signal, processed

through a 4x12 speaker cabinet emulator and

electronically balanced is made available at this

connector.

FOOTSWITCH (15)

Connect the supplied footswitch using any

standard 1/4" jack mono lead. Using any other

type of footswitch rather than the supplied will

have no effect and will be ignored by the

amplifier.

MIDI In / Through (16)

Connect any external MIDI equipment to the

MIDI In DIN socket. A copy of the signal in this

connector will be available on the MIDI thru

socket to allow daisy chaining of MIDI

equipment. Note that the JVM only accepts

incoming data and it is not able to send any

MIDI commands.

SPEAKER Outputs (11)

There are 5 speaker outputs available on the

rear panel. They are labelled according to the

intended impedances:

16 Ohm: connect any 16 Ohms guitar cabinet to

this jack.

8 Ohm: connect a single 8 Ohms guitar cabinet

or two 16 Ohms guitar cabinets.

4 Ohm: connect a single 4 Ohms guitar cabinet

or two 8 Ohms guitar cabinets.

WARNING: Although the JVM amplifier has 5

speaker outputs, never attempt to connect more

speakers than rated. The safe combinations are

1x16 Ohm, 1x8 Ohm, 1x4 Ohm, 2x16 Ohm or

2x8 Ohm. Any other speaker configuration may

stress the power amplifier section and in

extreme cases may lead to valve and/or output

transformer failure.

HINTS & TIPS

Factory Reset

This will erase all the MIDI presets and set MIDI

reception channel to #1. Please note that once

the memory is erased it cannot be recovered.

Switch the amplifier off (power switch off, not

standby switch).

Press and hold CLEAN/CRUNCH CHANNEL

switch.

Switch the amplifier on (power switch on, not

standby switch).

The 2 channel LEDs will glow red.

Release the switch.

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:08 Page 8

JVM210H Head JVM205H Head

Power (RMS) 100W 50W

Valves 5x ECC83 + 4x EL34 5x ECC83 + 2x EL34

Main Guitar - Input Impedance 470kΩ 470kΩ

Emulated Output - Level +4dBu +4dBu

FX Send Level - selectable -10dBV, +4dBu -10dBV, +4dBu

Weight 22kg 17.5kg

Size (mm) W, H, D 750 x 310 x 215 750 x 310 x 215

Technical Specification - Heads

JVM210C Combo JVM205C Combo JVM215C Combo

Power (RMS) 100W 50W 50W

Valves 5x ECC83 + 4x EL34 5x ECC83 + 2x EL34 5x ECC83 + 2x EL34

Main Guitar - Input Impedance 470kΩ 470kΩ 470kΩ

Emulated Output - Level +4dBu +4dBu +4dBu

FX Send Level - selectable -10dBV, +4dBu -10dBV, +4dBu -10dBV, +4dBu

Speaker(s) 1x Vintage + 1x Heritage 1x Vintage + 1x Heritage G12B

Weight 34.5kg 29.5kg 26.5kg

Size (mm) W, H, D 690 x 510 x 265 690 x 510 x 265 605 x 510 x 265

Technical Specification - Combos

* EUROPE ONLY - Note:

This equipment has been tested and found to comply with the

requirements of the EMC Directive (Environments E1, E2 and E3 EN 55103-1/2) and the Low Voltage

Directive in the E.U.

* EUROPE ONLY - Note:

The Peak Inrush current for the JVM210H and JVM210C is 52 amps.

The Peak Inrush current for the JVM205H, JVM205C & JVM215C is 26 amps.

Note:

This equipment has been tested and found to comply with the limits for a Class B digital device,

pursuant to part 15 of the FCC rules. These limits are designed to provide reasonable protection against

harmful interference in a residential installation. This equipment generates, uses and can radiate radio

frequency energy and, if not installed and used in accordance with the instructions, may cause harmful

interference to radio communications. However, there is no guarantee that interference will not occur in a

particular installation. If this equipment does cause harmful interference to radio or television reception,

which can be determined by turning the equipment off and on, the user is encouraged to try to correct the

interference by one or more of the following measures:



Reorient or relocate the receiving antenna.



Increase the separation between the equipment and the receiver.



Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.



Consult the dealer or an experienced radio/TV technician for help.

ENGLISH

Follow all instructions and heed all warnings

KEEP THESE INSTRUCTIONS !

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:09 Page 10

ESPAÑOL

INTRODUCCIÓN

Felicidades por comprar un amplificador todo a válvulas de la serie "JVM" concebido,

diseñado y fabricado para cumplir las normas más exigentes de la fábrica de Marshall

en Bletchley, Inglaterra. En Marshall entendemos la importancia de lograr el sonido

correcto y las sensaciones que te ayuden a inspirarte para que saques todo tu

potencial creativo. Escuchar lo que quieren los guitarristas, el I+D y un compromiso

con la excelencia de fabricación han forjado la leyenda de Marshall. Estos valores son

la esencia de Marshall Amplification; siempre lo han sido y siempre lo serán, desde el

primer amplificador Marshall fabricado en 1962 hasta la serie actual "JVM" y las que

vendrán.

Tu amplificador de la serie "JVM" se ha diseñado para producir una amplia paleta

sonora, por lo que obtendrás una herramienta increíblemente versátil para las

actuaciones en directo, el estudio de grabación o los ensayos. Puede llevarte desde

los sonidos limpios y saturados del clásico Marshall JTM45™/ Plexi™ hasta el gruñido

del JCM800™ pasando por la locura de alta ganancia contemporánea. Totalmente

programable, la serie "JVM" tiene un control sonoro sin precedentes, con tres modos

por canal, reverbs independientes, bucle de efectos paralelos/serie y tecnología de

pedal Stompware®.

La serie "JVM" es realmente el testamento del legado de Marshall de fantásticos

productos para guitarras. Sinceramente esperamos que tu amplificador "JVM" te

resulte indispensable y que te ofrezca años del legendario sonido de Marshall

independientemente de tus necesidades.

Gracias por elegir Marshall.

-El Equipo de Marshall

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:09 Page 11

JVM210H Head JVM205H Head

Power (RMS) 100W 50W

Valves 5x ECC83 + 4x EL34 5x ECC83 + 2x EL34

Main Guitar - Input Impedance 470kΩ 470kΩ

Emulated Output - Level +4dBu +4dBu

FX Send Level - selectable -10dBV, +4dBu -10dBV, +4dBu

Weight 22kg 17.5kg

Size (mm) W, H, D 750 x 310 x 215 750 x 310 x 215

Technical Specification - Heads

JVM210C Combo JVM205C Combo JVM215C Combo

Power (RMS) 100W 50W 50W

Valves 5x ECC83 + 4x EL34 5x ECC83 + 2x EL34 5x ECC83 + 2x EL34

Main Guitar - Input Impedance 470kΩ 470kΩ 470kΩ

Emulated Output - Level +4dBu +4dBu +4dBu

FX Send Level - selectable -10dBV, +4dBu -10dBV, +4dBu -10dBV, +4dBu

Speaker(s) 1x Vintage + 1x Heritage 1x Vintage + 1x Heritage G12B

Weight 34.5kg 29.5kg 26.5kg

Size (mm) W, H, D 690 x 510 x 265 690 x 510 x 265 605 x 510 x 265

Technical Specification - Combos

* EUROPE ONLY - Note:

This equipment has been tested and found to comply with the

requirements of the EMC Directive (Environments E1, E2 and E3 EN 55103-1/2) and the Low Voltage

Directive in the E.U.

* EUROPE ONLY - Note:

The Peak Inrush current for the JVM210H and JVM210C is 52 amps.

The Peak Inrush current for the JVM205H, JVM205C & JVM215C is 26 amps.

Note:

This equipment has been tested and found to comply with the limits for a Class B digital device,

pursuant to part 15 of the FCC rules. These limits are designed to provide reasonable protection against

harmful interference in a residential installation. This equipment generates, uses and can radiate radio

frequency energy and, if not installed and used in accordance with the instructions, may cause harmful

interference to radio communications. However, there is no guarantee that interference will not occur in a

particular installation. If this equipment does cause harmful interference to radio or television reception,

which can be determined by turning the equipment off and on, the user is encouraged to try to correct the

interference by one or more of the following measures:



Reorient or relocate the receiving antenna.



Increase the separation between the equipment and the receiver.



Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.



Consult the dealer or an experienced radio/TV technician for help.

ENGLISH

Follow all instructions and heed all warnings

KEEP THESE INSTRUCTIONS !

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:09 Page 10

ESPAÑOL

Descripción General

1. Canales, Modos y Memoria

Os presentamos el amplificador JVM totalmente a

válvulas de 100 y 50 W y 2 canales. Sus 2 canales

disponen de 3 modos, proporcionándote un total de

6 modos diferentes para elegir - cada uno con su

propia estructura de ganancia. Aunque su panel

frontal contiene un total de 16 controles y 6

interruptores con LED, el manejo del JVM es muy

sencillo gracias a la disposición y distribución lógica

de su panel frontal y trasero.

El panel frontal contiene controles exclusivos para

cada unos de sus 2 canales - CLEAN / CRUNCH y

OVERDRIVE - así como para la sección de

MASTER y la sección de REVERB. Cada canal

dispone de los ya conocidos controles de Volumen,

Graves, Medios, Agudos y Ganancia. La sección

de REVERB dispone de 2 controles de nivel de

Reverb, uno para cada canal, mientras que la

sección de MASTER está compuesta por 2

Volúmenes Master conmutables por pedal, más

unos controles de RESONANCIA y PRESENCIA

que funcionan universalmente en ambos canales..

Cada uno de los 2 canales dispone de 3 modos

conmutables. Se seleccionan a través del

interruptor MODE de cada canal. Para seleccionar

un determinado canal, presiona su respectivo

interruptor MODE (o pisa en el interruptor que

corresponda de la pedalera de control de 4

pulsadores que se suministra - lee la sección II.

Pedalera de Control). Para ir desplazándote por los

3 modos del canal seleccionado mantén apretado

el mencionado botón y el color del LED en el

interruptor cambiará de verde a naranja, a rojo y de

vuelta al verde. Haciendo esto elevas el nivel de

ganancia cada vez (el rojo es el de más ganancia y

el verde el de menos) y cambias el timbre del

canal.

Cuando te vas de un canal y luego vuelves a él,

automáticamente se activará el último modo activo,

ya que ambos canales recuerdan siempre el último

modo en el que se encontraban antes de cambiar.

Por ejemplo, si seleccionas el modo naranja del

canal Overdrive y cambias al canal Clean, cuando

vuelvas al canal Overdrive, éste seguirá en el

modo naranja.

Además de la selección de modos y canales, hay

otras funciones que pueden ser conmutadas a

través del panel frontal o a través de la pedalera de

control de 4 interruptores, como la Reverb (on/off),

la selección Master Volumen (1 ó 2) y el lazo de

efectos en Serie/Paralelo (on/off). Cualquiera de

estas 3 opciones es también recordada por cada

modo.

Resumiendo, cada uno de los 6 modos del JVM

recordará la selección más reciente de Reverb,

Lazo de FX y Volumen Master. Adicionalmente, los

ajustes de los modos pueden ser grabados en una

de las 128 localizaciones vía MIDI.

II. Pedal Controlador (Patente UK pendiente)

El JVM se suministra con una pedalera de control

programable de 4 interruptores, que se conecta al

amplificador con cualquier cable de guitarra

convencional.

*Por favor, toma nota que el cable de la pedalera

que se proporciona no está apantallado, y por

tanto, no es adecuado para enchufar la guitarra.

El pedal controlador de 4 pulsadores incorpora 5

leds marcados como CLEAN / CRUNCH / OD,

MASTER, REVERB y FX. Los leds para cada uno

de los dos canales son de tres colores: verde,

naranja y rojo y visualmente te van indicando qué

canal y qué modo está operativo, además del

estatus del Master, la Reverb y el Lazo de FX.

El pedal controlador te permite asignar cualquiera

de los 4 interruptores a cualquier función del panel

frontal (Switch Store Mode) o los cambios de canal

(Preset Store Mode), en cualquier orden y

combinación.

Por ejemplo, podrías programarlo de tal forma que:

Switch Store Mode (Modo de Almacenamiento

de los Interruptores)

Cualquier interruptor de la pedalera de control

puede activar cualquier interruptor del panel frontal:

Canal/Modo, Reverb on/off. Volumen Master 1 / 2

y Lazo de Efectos on/off.

Si un interruptor se asigna para seleccionar un

canal en particular, una vez que se ha activado,

puede usarse para desplazarse por los tres modos,

de la misma manera que lo harías con el interruptor

del panel frontal.

O…

Preset Store Mode (Modo de Almacenamiento

de Presets)

Cada interruptor puede ser programado para

activar al instante cualquier combinación de las

opciones que te ofrecen los botones del JVM para

formar un preset.

MODEL: PEDL-00045

4321

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Por ejemplo, podrías programar una mezcla de

combinaciones de funciones (en nuestro ejemplo el

interruptor nº 1 y el nº 2 activan un modo de

almacenamiento de presets y el interruptor nº 3 y el

nº 4 activan el modo de almacenamiento de

interruptores), de modo que:

Interruptor de la Pedalera de Control nº 1 = canal

Overdrive, modo green con el Volumen Master ʻ1ʼ,

la Reverb ʻonʼ y el Lazo de Efectos ʻoffʼ.

Interruptor de la Pedalera de Control nº 2 = canal

Clean, modo red, Master volumen ʻ2ʼ, Reverb ʻoffʼ y

el Lazo de Efectos ʻonʼ.

Interruptor de la Pedalera de Control nº 3 = Lazo

de Efectos on/off.

Interruptor de la Pedalera de Control nº 4 = Master

volumen 1/2.

Todos los ajuste son grabados en la pedalera de

control; esto quiere decir que puedes conectarla en

cualquier otro amplificador JVM y que todos los

ajustes creados en la pedalera los mantendrás.

Los detalles de programación de la pedalera de

control los encontraremos más adelante en este

manual.

III. Etapa de Potencia

La etapa de potencia del JVM de 100 W está

basada en la misma que encontramos en los

amplificadores JCM800 2203 y 1959 Superlead,

así como en sus primos -hermanos de 50W,

responsables del legendario rugido Marshall, y ha

sido ajustada para acomodarse a la variedad de

tonos que podemos encontrar en el JVM. Esta

sección incorpora controles de Presencia y

Resonancia que te ayudarán a moldear el tono de

tu amplificador JVM.

Tu JVM está equipado también con un modo de

grabación silenciosa. Cuando el interruptor

STANDBY está apagado, la sección de potencia se

desconecta pero el resto del amplificador

permanece totalmente operativo.

IV. Reverb con calidad de Estudio

El Marshall JVM está equipado con una reverb

digital con calidad de estudio conectada en paralelo

con la señal principal y mezclada por medio de una

válvula. Cuando la reverb se activa no hay ninguna

degradación de la señal directa y cuando la reverb

se apaga se elimina del circuito de una forma

efectiva. Cada uno de los cuatro canales tiene su

propio control de nivel de Reverb.

La conmutación de la Reverb ha sido diseñada

para evitar el corte radical de la cola de la reverb,

así que cuando cambiemos de canal o

conmutemos la Reverb, su cola “morirá”

naturalmente.

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Descripción General

1. Canales, Modos y Memoria

Os presentamos el amplificador JVM totalmente a

válvulas de 100 y 50 W y 2 canales. Sus 2 canales

disponen de 3 modos, proporcionándote un total de

6 modos diferentes para elegir - cada uno con su

propia estructura de ganancia. Aunque su panel

frontal contiene un total de 16 controles y 6

interruptores con LED, el manejo del JVM es muy

sencillo gracias a la disposición y distribución lógica

de su panel frontal y trasero.

El panel frontal contiene controles exclusivos para

cada unos de sus 2 canales - CLEAN / CRUNCH y

OVERDRIVE - así como para la sección de

MASTER y la sección de REVERB. Cada canal

dispone de los ya conocidos controles de Volumen,

Graves, Medios, Agudos y Ganancia. La sección

de REVERB dispone de 2 controles de nivel de

Reverb, uno para cada canal, mientras que la

sección de MASTER está compuesta por 2

Volúmenes Master conmutables por pedal, más

unos controles de RESONANCIA y PRESENCIA

que funcionan universalmente en ambos canales..

Cada uno de los 2 canales dispone de 3 modos

conmutables. Se seleccionan a través del

interruptor MODE de cada canal. Para seleccionar

un determinado canal, presiona su respectivo

interruptor MODE (o pisa en el interruptor que

corresponda de la pedalera de control de 4

pulsadores que se suministra - lee la sección II.

Pedalera de Control). Para ir desplazándote por los

3 modos del canal seleccionado mantén apretado

el mencionado botón y el color del LED en el

interruptor cambiará de verde a naranja, a rojo y de

vuelta al verde. Haciendo esto elevas el nivel de

ganancia cada vez (el rojo es el de más ganancia y

el verde el de menos) y cambias el timbre del

canal.

Cuando te vas de un canal y luego vuelves a él,

automáticamente se activará el último modo activo,

ya que ambos canales recuerdan siempre el último

modo en el que se encontraban antes de cambiar.

Por ejemplo, si seleccionas el modo naranja del

canal Overdrive y cambias al canal Clean, cuando

vuelvas al canal Overdrive, éste seguirá en el

modo naranja.

Además de la selección de modos y canales, hay

otras funciones que pueden ser conmutadas a

través del panel frontal o a través de la pedalera de

control de 4 interruptores, como la Reverb (on/off),

la selección Master Volumen (1 ó 2) y el lazo de

efectos en Serie/Paralelo (on/off). Cualquiera de

estas 3 opciones es también recordada por cada

modo.

Resumiendo, cada uno de los 6 modos del JVM

recordará la selección más reciente de Reverb,

Lazo de FX y Volumen Master. Adicionalmente, los

ajustes de los modos pueden ser grabados en una

de las 128 localizaciones vía MIDI.

II. Pedal Controlador (Patente UK pendiente)

El JVM se suministra con una pedalera de control

programable de 4 interruptores, que se conecta al

amplificador con cualquier cable de guitarra

convencional.

*Por favor, toma nota que el cable de la pedalera

que se proporciona no está apantallado, y por

tanto, no es adecuado para enchufar la guitarra.

El pedal controlador de 4 pulsadores incorpora 5

leds marcados como CLEAN / CRUNCH / OD,

MASTER, REVERB y FX. Los leds para cada uno

de los dos canales son de tres colores: verde,

naranja y rojo y visualmente te van indicando qué

canal y qué modo está operativo, además del

estatus del Master, la Reverb y el Lazo de FX.

El pedal controlador te permite asignar cualquiera

de los 4 interruptores a cualquier función del panel

frontal (Switch Store Mode) o los cambios de canal

(Preset Store Mode), en cualquier orden y

combinación.

Por ejemplo, podrías programarlo de tal forma que:

Switch Store Mode (Modo de Almacenamiento

de los Interruptores)

Cualquier interruptor de la pedalera de control

puede activar cualquier interruptor del panel frontal:

Canal/Modo, Reverb on/off. Volumen Master 1 / 2

y Lazo de Efectos on/off.

Si un interruptor se asigna para seleccionar un

canal en particular, una vez que se ha activado,

puede usarse para desplazarse por los tres modos,

de la misma manera que lo harías con el interruptor

del panel frontal.

O…

Preset Store Mode (Modo de Almacenamiento

de Presets)

Cada interruptor puede ser programado para

activar al instante cualquier combinación de las

opciones que te ofrecen los botones del JVM para

formar un preset.

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Lo Básico

Te recomendamos que despliegues la

contraportada de este manual para que los dibujos

y diagramas de los paneles frontal y trasero estén

visibles mientras lees el manual.

ENTRADA DE RED Y FUSIBLE (17)

Tu amplificador se suministra con un cable de red

que se conecta aquí. El voltaje específico de la

entrada de red se especifica en el panel trasero.

ADVERTENCIA: Antes de conectarte por

primera vez, asegúrate de que el amplificador

es compatible con la tensión de red local. Si

tienes alguna duda, dirígete a algún técnico

cualificado. Tu distribuidor Marshall te puede

orientar en este aspecto.

El valor correcto del fusible de corriente está

especificado en el panel trasero del amplificador.

Este cajetín tiene espacio para un fusible de

repuesto. NUNCA hagas 'puente' en el fusible o

pongas uno de valor incorrecto.

Interruptor de Encendido (1)

Este es el interruptor (encendido/apagado) de

corriente del amplificador.

Nota: Asegúrate que el amplificador esté apagado

y desenchufado de la red cuando lo tengas que

mover.

Conector Jack de Entrada (10)

Debes utilizar siempre un cable de guitarra

apantallado. Nunca utilices un cable de bafle sin

apantallar. Además, este cable debe ser de buena

calidad. Si tienes dudas a este respecto, tu

distribuidor Marshall estará encantado de ayudarte

y aconsejarte.

Los Primeros Pasos Previos

1. Asegúrate que el bafle(s) esté conectado a los

jacks de BAFLE (LOUSDPEAKER) de la

impedancia correcta, situados en el panel trasero

(11). Mira en la página 18 para ver las

especificaciones respecto al ajuste de impedancias.

Si utilizas un bafle de extensión asegúrate que

tenga potencia suficiente para soportar un

amplificador de 100W y también que estés usando

un cable de altavoz apropiado. Nunca utilices

cables apantallados de guitarra para este fin.

¡ADVERTENCIA!

1. Si no haces caso de las advertencias

mencionadas arriba provocarás daños en tu

amplificador.

2. NUNCA utilices tu amplificador sin carga de

altavoz cuando actives el interruptor STANDBY.

Marshall recomienda que siempre dejes un bafle

conectado. (Por si acaso…)

2. Asegúrate que ambos VOLÚMENES MASTER

del panel frontal (5) estén situados en su posición

mínima (cero).

3. Conecta el cable de la pedalera de control a la

pedalera y a la entrada de la pedalera

FOOTSWITCH (15) del panel trasero del

amplificador.

4. Conecta el cable de red suministrado en la

entrada de red del panel trasero en primer lugar (17).

Luego conéctalo al enchufe de la red eléctrica.

5. Conecta la guitarra en el jack de entrada del

panel frontal (10).

6. Enciende el interruptor de encendido (1). Se

pondrá de color rojo. Espera un par de minutos.

7. Después de esperar un par de minutos, activa el

interruptor STANDBY (2). Al dejar el amplificador en

STANDBY durante un período de tiempo permites

que las válvulas empiecen a funcionar a la

temperatura adecuada. Para prolongar la vida de

las válvulas, el interruptor Standby se debe usar

para apagar el amplificador durante los descansos

de una actuación.

Interruptor de STANDBY y Grabación en

Silencio (2)

Como hemos mencionado arriba, este interruptor

se usa en conjunción con el de alimentación

principal para poder “calentar” el ampli antes de su

uso y prolongar la vida útil de las válvulas.

Cuando el amplificador está en modo Standby toda

la sección de previo continúa operativa mientras

que la sección de potencia permanece en standby.

Esto permite que puedas utilizar el amplificador

para aplicaciones de grabación en silencio.

Únicamente cuando el interruptor STANDBY

está desactivado podemos utilizar el

amplificador sin carga. Asegúrate siempre de

conectar una carga cuando acabes con el

modo de grabación en silencio y actives de

nuevo el interruptor STANDBY.

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Sección de Canal

Apretar un botón de canal tiene dos funciones:

Cuando vienes de otro canal, se activará el nuevo

canal con el último ajuste.

Cuando presionas el mismo canal se activa el ciclo

de los Modos: VERDE > NARANJA > ROJO >

VERDE…

Cada modo recuerda los ajustes efectuados en el

FX, la Reverb y el Volumen Master.

Por ejemplo: Estás situado en el modo NARANJA

del CANAL OVERDRIVE con FX + REVERB,

entonces presionas el botón CLEAN. El ampli

conmuta el último modo Clean que tenías.

(Supongamos que era el modo VERDE del canal

CLEAN con REVERB). Si presionas el botón

OVERDRIVE vuelves al modo NARANJA del

Canal OVERDRIVE con FX + REVERB. Esto te

permite ir alternando entre lo canales sin perder los

ajustes de los mismos. Si presionas OVERDRIVE

de nuevo, entonces te irás al modo ROJO del

canal OVERDRIVE con los ajustes de FX, Reverb

y Volumen Master que tuvieras en dicho modo.

Si presionas el botón de REVERB (7), activas o

desactivas la Reverb en el canal donde estés

situado.

Si presionas el botón FX LOOP (4) (Lazo de

Efectos), activas o desactivas el Lazo de Efectos

en paralelo en el canal donde estés situado.

Sección de Master

Control de REVERB (7)

Junto con el interruptor de Reverb de cada canal

se encuentra su propio control de reverb,

permitiéndote ajustes individuales de nivel del

efecto de reverb.

MASTER 1 / MASTER 2 (5)

Estos son los controles de volumen master del

amplificador. Pueden ser asignados

individualmente a cada uno de los modos y su

selección quedará grabada en cada uno de los

modos.

PRESENCIA / RESONANCIA (6)

Estos controles son específicos de la etapa de

potencia, por lo que únicamente estarán operativos

cuando toques a través de un bafle (no en

grabación silenciosa). Estos controles influyen en

cómo la etapa de potencia reacciona frente a los

altavoces y de cuánto control tiene el amplificador

sobre ellos.

Incrementando el control de RESONANCIA se

enfatiza la resonancia natural de los altavoces ante

una respuesta mejorada de graves. De la misma

forma, si incrementas el control de PRESENCIA se

enfatizará las frecuencias altas del altavoz lo que

redundará en una mejora de la respuesta de esas

frecuencias, lo que añade presencia al sonido.

La Presencia y la Resonancia constituyen un

ecualizador muy potente de la etapa de potencia,

permitiendo respuestas que van desde una curva

ʻ^ʼ cuando tenemos los controles al mínimo, lo que

nos sonará como un realce de medios, a curvas

tipo ʻvʼ cuando subimos estos controles, lo que nos

sonará como un sonido hueco. De nuevo, la

efectividad de estos controles dependerá en gran

medida del tipo de altavoces que tengamos

conectados. Hay que tener cuidado y evitar forzar

los conos de los altavoces cuando ajustemos el

control de Resonancia con valores altos.

LAZO DE EFECTOS (FX-LOOP) (4)

Este es un lazo de efectos programable que

incorpora un control de MEZCLA (MIX) en el panel

trasero y está localizado después del previo, justo

antes de los circuitos de la reverb y del lazo en

serie. Presionando el interruptor FX se activa el

Lazo de Efectos- Por favor, remitirse a la

descripción del Lazo Serie/ Paralelo que hay más

adelante en el manual para conocer su manejo.

PEDAL CONTROLADOR / PROGRAMA MIDI (3)

Este interruptor tiene una función dual:

Presionándolo una vez nos metemos en el modo

PROGRAM FOOTSWITCH (Pedal Controlador de

Programas). Nos lo indica una luz roja fija.

Presionándolo dos veces nos metemos en el modo

MIDI PROGRAM (Programas MIDI). Nos lo indica

una luz roja intermitente.

Programas del Pedal Controlador y su uso

La gama JVM incorpora una nueva pedalera de

control totalmente configurable. La conexión al

amplificador requiere de un cable convencional

mono jack - jack de 1/4". Puedes utilizar cualquier

cable de guitarra y de cualquier longitud.

Cuando el interruptor del panel frontal

FOOTSWITCH / MIDI PROGRAM está apagado,

la pedalera opera en modo seguro y ejecuta los

comandos en el momento que presionamos el

interruptor.

Si activas el modo FOOTSWITCH PROGRAM (led

rojo) podrás programar la pedalera, pero sin

embargo, la pedalera y el amplificador

permanecerán totalmente operativos con la única

diferencia que los comandos se ejecutarán, cuando

soltemos los interruptores, justo al contrario del

modo normal.

Cada uno de los interruptores de la pedalera tiene

Panel Frontal

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dos modos de operación: grabación de preset y

grabación de interruptor.

En el modo de grabación de preset, cualquiera de

los interruptores de la pedalera se puede configurar

para almacenar el estatus del amplificador en ese

momento. El canal y su modo, el master, el FX y la

reverb se grabarán y se activarán cuando el

respectivo interruptor sea presionado.

Para grabar el estatus del ampli, simplemente:

Activa el modo FOOTSWITCH PROGRAM del

amplificador (luz roja encendida).

Presiona y mantén presionado el interruptor donde

quieres grabar durante 3 segundos.

El led FX de la pedalera parpadeará un par de

veces como indicativo de que el preset se ha

quedado grabado.

En el modo de grabación de interruptor, cualquiera

de los interruptores de la pedalera puede

configurarse para ser réplica de los interruptores

del panel frontal y el amplificador reaccionará

exactamente de la misma manera que cuando

operas con los del panel frontal.

Todos los interruptores del panel frontal pueden ser

asignados a cualquiera de los interruptores de la

pedalera sin ningún tipo de limitación. La única

excepción es el interruptor FOOTSWITCH / MIDI

PROGRAM que no puede asignarse a la pedalera.

Para asignar cualquier interruptor del panel frontal

(excepto el de FOOTSWITCH / MIDI PROGRAM)

a cualquier interruptor de la pedalera, simplemente:

Activa el modo FOOTSWITCH PROGRAM del

amplificador (luz roja encendida).

Presiona y mantén presionado el interruptor donde

quieres grabar.

Mientras mantienes el interruptor presionado, en

menos de 3 segundos, presiona el interruptor del

panel frontal que quieras asignar a la pedalera.

El led FX de la pedalera parpadeará un par de

veces como indicativo de que el interruptor ha sido

asignado.

A partir de este momento, el interruptor de la

pedalera actuará de la misma forma que si

presionáramos dicho interruptor en el panel frontal

del amplificador.

Interruptores y presets pueden ser asignados como

desees, sin ninguna limitación y en cualquier orden

(de nuevo, excepto el interruptor FOOTSWITCH /

MIDI PROGRAM).

La configuración de la pedalera se queda grabada

en la propia pedalera, no en el amplificador. Si

reinicias el amplificador, la pedalera no se verá

afectada por ese reinicio.

La pedalera de control se puede intercambiar y se

sincroniza con el amplificador después de la

conexión. Sin embargo, recomendamos conectar el

cable a la pedalera primero y después al

amplificador.

Operación MIDI

Presionando el interruptor FOOTSWITCH / MIDI

PROGRAM (3) dos veces accedemos al modo en

espera MIDI, el LED parpadeará hasta que se

reciba un cambio de programa MIDI.

Al recibir un comando de cambio de programa

MIDI, el amplificador almacena el estado en curso

del ampli (El canal y su modo + FX +Reverb

+Master) en el número de programa MIDI recibido.

Es posible almacenar hasta 128 presets MIDI

diferentes.

Para salir de dicho estado sin esperar a recibir una

orden MIDI presiona el interruptor FOOTSWITCH /

MIDI PROGRAM (3) de nuevo.

Nota sobre los canales MIDI: El amplificador está

configurado por defecto para entender MIDI en el

canal MIDI #1, pero se puede cambiar para que lo

haga en algunos de los 16 canales MIDI posibles

de la siguiente manera:

Apaga el amplificador (El interruptor de encendido

(1), no el de Standby (2)).

Presiona y mantén presionado el interruptor

FOOTSWITCH / MIDI PROGRAM (3).

Enciende el amplificador (1).

Suelta el interruptor FOOTSWITCH / MIDI

PROGRAM (3), el LED se parpadeará.

Envía cualquier comando MIDI utilizando tu

pedalera MIDI o cualquier otro equipo MIDI.

El amplificador detectará el canal y se configurará

para entender MIDI solamente en dicho canal. A

partir de ahora, cualquier preset MIDI que hayas

grabado previamente se activará únicamente en el

nuevo canal, sin importar que canal usabas antes;

esto permite una rápida reconfiguración en caso de

que hubiera algún conflicto con algún equipo MIDI

externo.

Si quieres salirte de la selección de canal MIDI sin

realizar ninguna acción, presiona el interruptor

FOOTSWITCH / MIDI PROGRAM (3) mientras

esperas los datos MIDI.

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Sección de Canal

Apretar un botón de canal tiene dos funciones:

Cuando vienes de otro canal, se activará el nuevo

canal con el último ajuste.

Cuando presionas el mismo canal se activa el ciclo

de los Modos: VERDE > NARANJA > ROJO >

VERDE…

Cada modo recuerda los ajustes efectuados en el

FX, la Reverb y el Volumen Master.

Por ejemplo: Estás situado en el modo NARANJA

del CANAL OVERDRIVE con FX + REVERB,

entonces presionas el botón CLEAN. El ampli

conmuta el último modo Clean que tenías.

(Supongamos que era el modo VERDE del canal

CLEAN con REVERB). Si presionas el botón

OVERDRIVE vuelves al modo NARANJA del

Canal OVERDRIVE con FX + REVERB. Esto te

permite ir alternando entre lo canales sin perder los

ajustes de los mismos. Si presionas OVERDRIVE

de nuevo, entonces te irás al modo ROJO del

canal OVERDRIVE con los ajustes de FX, Reverb

y Volumen Master que tuvieras en dicho modo.

Si presionas el botón de REVERB (7), activas o

desactivas la Reverb en el canal donde estés

situado.

Si presionas el botón FX LOOP (4) (Lazo de

Efectos), activas o desactivas el Lazo de Efectos

en paralelo en el canal donde estés situado.

Sección de Master

Control de REVERB (7)

Junto con el interruptor de Reverb de cada canal

se encuentra su propio control de reverb,

permitiéndote ajustes individuales de nivel del

efecto de reverb.

MASTER 1 / MASTER 2 (5)

Estos son los controles de volumen master del

amplificador. Pueden ser asignados

individualmente a cada uno de los modos y su

selección quedará grabada en cada uno de los

modos.

PRESENCIA / RESONANCIA (6)

Estos controles son específicos de la etapa de

potencia, por lo que únicamente estarán operativos

cuando toques a través de un bafle (no en

grabación silenciosa). Estos controles influyen en

cómo la etapa de potencia reacciona frente a los

altavoces y de cuánto control tiene el amplificador

sobre ellos.

Incrementando el control de RESONANCIA se

enfatiza la resonancia natural de los altavoces ante

una respuesta mejorada de graves. De la misma

forma, si incrementas el control de PRESENCIA se

enfatizará las frecuencias altas del altavoz lo que

redundará en una mejora de la respuesta de esas

frecuencias, lo que añade presencia al sonido.

La Presencia y la Resonancia constituyen un

ecualizador muy potente de la etapa de potencia,

permitiendo respuestas que van desde una curva

ʻ^ʼ cuando tenemos los controles al mínimo, lo que

nos sonará como un realce de medios, a curvas

tipo ʻvʼ cuando subimos estos controles, lo que nos

sonará como un sonido hueco. De nuevo, la

efectividad de estos controles dependerá en gran

medida del tipo de altavoces que tengamos

conectados. Hay que tener cuidado y evitar forzar

los conos de los altavoces cuando ajustemos el

control de Resonancia con valores altos.

LAZO DE EFECTOS (FX-LOOP) (4)

Este es un lazo de efectos programable que

incorpora un control de MEZCLA (MIX) en el panel

trasero y está localizado después del previo, justo

antes de los circuitos de la reverb y del lazo en

serie. Presionando el interruptor FX se activa el

Lazo de Efectos- Por favor, remitirse a la

descripción del Lazo Serie/ Paralelo que hay más

adelante en el manual para conocer su manejo.

PEDAL CONTROLADOR / PROGRAMA MIDI (3)

Este interruptor tiene una función dual:

Presionándolo una vez nos metemos en el modo

PROGRAM FOOTSWITCH (Pedal Controlador de

Programas). Nos lo indica una luz roja fija.

Presionándolo dos veces nos metemos en el modo

MIDI PROGRAM (Programas MIDI). Nos lo indica

una luz roja intermitente.

Programas del Pedal Controlador y su uso

La gama JVM incorpora una nueva pedalera de

control totalmente configurable. La conexión al

amplificador requiere de un cable convencional

mono jack - jack de 1/4". Puedes utilizar cualquier

cable de guitarra y de cualquier longitud.

Cuando el interruptor del panel frontal

FOOTSWITCH / MIDI PROGRAM está apagado,

la pedalera opera en modo seguro y ejecuta los

comandos en el momento que presionamos el

interruptor.

Si activas el modo FOOTSWITCH PROGRAM (led

rojo) podrás programar la pedalera, pero sin

embargo, la pedalera y el amplificador

permanecerán totalmente operativos con la única

diferencia que los comandos se ejecutarán, cuando

soltemos los interruptores, justo al contrario del

modo normal.

Cada uno de los interruptores de la pedalera tiene

Panel Frontal

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:09 Page 16

ESPAÑOL

Panel Trasero

LAZO DE EFECTOS EN SERIE / PARALELO (12)

El JVM está equipado con un lazo de efectos en

serie / paralelo. Conecta la entrada de tu

procesador de efectos externo al jack de Envío

(SEND) del JVM, y la salida del procesador de

efectos al jack de Retorno (RETURN) del JVM.

Como hemos mencionado anteriormente, este lazo

de efectos puede “eliminarse” (bypass) a traves del

interruptor del panel frontal y la cantidad de efecto

se puede ajustar con el control MIX.

El interruptor +4dBu /-10dBV te permite configurar

el lazo para su uso con equipos profesionales

(ajuste +4dBu) o para pedales de efecto con

niveles de guitarra (ajuste -10dBV).

Cuando la mezcla (MIX) está situada en WET toda

la señal pasa a través del lazo externo, añadiendo

más señal directa (sin procesar) a medida que

giras el mando hacia la posición DRY. Esto te

permite mezclar cualquier cantidad del efecto

externo sin perder o sin degradación de la calidad

de la señal directa.

Cuando se mezclan las señales WET y DRY

(procesada y sin procesar) la salida del procesador

de efectos debería estar configurada para eliminar

la señal directa (sin procesar) o podrías tener

efectos de fase no deseados cuando vuelvas a

mezclar la señal de nuevo en el amplificador. Si el

amplificador suena “sin cuerpo” después de

conectar un procesador de efectos externo revisa

que no haya señal directa retornada desde la

salida del procesador.

Observa que si el lazo de FX está activado y el

control de MIX (mezcla) puesto en la posición de

WET sin un procesador externo conectado, el

amplificador se silenciará.

INSERCIÓN DE ETAPA DE POTENCIA / LAZO

EN SERIE (13)

Este es un lazo pasivo conectado justo antes de

los controles master. Es un lazo con nivel de línea,

por lo que se recomienda utilizarlo con aparatos de

alta precisión para evitar degradación de la señal.

Conectando solamente en el jack de retorno

podremos utilizar el JVM como etapa de potencia,

haciendo caso omiso a la sección de previo.

Los controles de master y la salida simulada de

línea están localizados después del lazo de

efectos en serie, por lo que es posible

aprovecharse de esas funciones cuando utilicemos

un previo externo. El lazo puede eliminarse del

circuito presionando el interruptor BYPASS, pero al

contrario que el lazo en serie / paralelo, éste no

puede programarse.

SALIDA DE LÍNEA CON SIMULACIÓN DE

ALTAVOZ (14)

En este conector encontramos la señal de volumen

pre-master, procesada a través de una simulación

de un bafle 4x12" y balanceada electrónicamente.

PEDALERA DE CONTROL (FOOTSWITCH) (15)

Conecta la pedalera que se incluye utilizando

cualquier cable convencional de jack de 1/4". Si

conectas aquí otro tipo de pedalera (que no sea la

que se incluye) no te funcionará, el amplificador la

ignorará.

MIDI In /Through (16)

Conecta cualquier equipo MIDI al conector MIDI In.

Una copia de la señal de este conector estará

disponible en el conector MIDI Through para

permitirte encadenar varios equipos MIDI. Observa

que el JVM únicamente acepta datos MIDI pero es

incapaz de enviar comandos MIDI.

Salidas de BAFLE (11)

Existen 5 salidas de bafle disponibles en el panel

trasero. Están etiquetadas según la impedancia:

16 ohm: conecta aquí cualquier bafle de guitarra de

16 ohm.

8 ohm: conecta aquí un bafle de guitarra de 8 ohm

o dos bafles de guitarra de 16 ohm.

4 ohm: conecta aquí un bafle de guitarra de 4 ohm

o dos bafles de guitarra de 8 ohm.

ADVERTENCIA: aunque el amplificador JVM tiene

5 salidas de bafle, nunca intentes conectar más

bafles que lo que se indica. Las combinaciones

seguras son 1x16 ohm, 1x8 ohm, 1x4 ohm, 2x16

ohm ó 2x8 ohm. Cualquier otra configuración

puede forzar la etapa de potencia y en casos

extremos puede provocar un fallo en el

transformador de salida.

CONSEJOS PRÁCTICOS

Reinicio a los ajustes de fábrica

Esto borrará todos los presets MIDI y volverá a

poner la recepción MIDI en el canal #1. Por favor,

entiende que una vez que la memoria se ha

borrado no se podrá recuperar.

Apaga el amplificador (sólo el interruptor power, no

el standby)

Presiona y mantén presionado el interruptor

CLEAN / CRUNCH CHANNEL.

Enciende el amplificador (sólo el interruptor power,

no el standby)

JVM 2 Ch Owners Manual Book-00089-01 /12/15 inner.qxd:Layout 1 14/12/15 10:09 Page 18

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Marshall JVM210C Le manuel du propriétaire

Marque: Marshall

Modèle: JVM210C

Catégorie: Équipement musical supplémentaire

Taper: Le manuel du propriétaire

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