Fender Cyber-Champ Le manuel du propriétaire

Marque: Fender

Modèle: Cyber-Champ

Catégorie: Pianos numériques

Taper: Le manuel du propriétaire

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Cyber–Champ

™

Amplifier

• This symbol warns the user of dangerous

voltage levels localized within the enclosure of

the unit.

• This symbol advises the user to read all

accompanying literature for safe operation of

the unit.

• Read, retain, and follow all instructions. Heed all

warnings.

• Only connect the electric line cord to an earth grounded

AC receptacle in accordance with the voltage and

frequency ratings listed under INPUT POWER on the

rear panel of this product.

• WARNING: To prevent damage, fire or shock hazard,

do not expose this unit to rain or moisture.

• Unplug the AC power line cord before cleaning the unit

exterior (use a damp cloth only). Wait until the unit is

completely dry before reconnecting it to power.

• Maintain at least 6 inches of unobstructed air space

behind the unit to allow for proper ventilation and cooling

of the unit.

• This product should be located away from heat sources

such as radiators, heat registers, or other products that

produce heat.

• This product may be equipped with a polarized plug (one

blade wider than the other). This is a safety feature. If

you are unable to insert the plug into the outlet, contact

an electrician to replace your obsolete outlet. Do not

defeat the safety purpose of this plug.

• Protect the power cord from being pinched or abraded.

• This product should be serviced by qualified service

personnel when: the power supply cord or the plug has

been damaged; or objects have fallen, or liquid has been

spilled onto the product; or the product has been

exposed to rain; or the product does not appear to

operate normally or exhibits a marked change in

performance; or the product has been dropped, or the

enclosure damaged.

• Only use a cart or stand with this product that is

recommended by this product’s manufacturer.

• The power supply cord of this product should be

unplugged from the outlet when left unused for a long

period of time, or during electrical storms.

• Do not drip nor splash liquids, nor place liquid filled

containers on the unit.

• CAUTION: No user serviceable parts inside, refer

servicing to qualified personnel only.

• Fender

amplifiers and loudspeaker systems are capable

of producing very high sound pressure levels which may

cause temporary or permanent hearing damage. Use

care when setting and adjusting volume levels during

use.

FCC COMPLIANCE NOTICE

This equipment has been tested and found to comply

within the limits for a Class B digital device, pursuant to

Part 15 of the FCC rules. These limits are designed to

provide a reasonable protection against harmful

interference in a residential installation. This equipment

generates, uses and can radiate radio frequency

energy and if not used in accordance with the

instructions, may cause harmful interference to radio

communications and there is no guarantee that

interference will not occur in a particular installation. If

this equipment does cause harmful interference to

radio or television reception, which can be determined

by turning the equipment off and on, the user is

encouraged to try to correct the interference by one or

more of the following measures: reorient or relocate the

receiving antenna, increase the separation between the

equipment and receiver, connect the equipment into an

outlet on a circuit different from that of the receiver.

Consult the dealer or an experienced radio/TV

technician if help is needed.

A PRODUCT OF:

FENDER MUSICAL INSTRUMENTS CORPORATION

CORONA, CA USA

Trademarks

Blackface™, Cyber–Champ™, Champ

, Cyber–Twin™, Cyber-Series™,

Deluxe™, Dyna–Touch™, Mr. Gearhead™, Virtual Tone Interpolation™,

Bassman

, Deluxe Reverb

, Fender

, Princeton

, Twin Reverb

and all related logos, are trademarks or registered trademarks of FMIC.

Other trademarks are properties of their respective owners.

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Cyber–Champ

™

Amplifier

Your new Cyber–Champ™ amplifier is brought to

you by the same Tone–team that created the

Fender

Cyber–Twin™ and Cyber-Deluxe™

amplifiers. As the crowning achievements of

Fender’s most advanced research and development

project, Cyber–Series™ amplifiers are endowed

with Fender’s exclusive

Virtual Tone Interpolation™

technology (patent number 6,222,110). VTI™

technology enables the Cyber–Champ™ amplifier

to be different amplifiers according to circuit design.

Starting with a virtual circuit board, the

Cyber–Champ™ amplifier "rewires" its fundamental

architecture to become the essence of some of the

amplifier greats — Fender’s Blackface™,

Dyna–Touch™, Tweed and Modern amps, and even

the best of the British amps!

The Cyber–Champ™ amplifier allows you to be the

amp designer. Start with one of 14 permanent amp

and effect setups stored within the Cyber-Champ™

amp—twist some knobs, make some changes, then

save to one of the 7 rewritable preset locations

reserved onboard for your original amplifier designs.

MIDI implementation on the Cyber–Champ™

amplifier enables you to transfer presets to and from

the amp for backup to a PC, or for exchange with

other Cyber–Champ™ amplifier players.

The Cyber–Champ™ amplifier also puts a huge

array of studio–quality effects at your command:

Reverb, Modulation and Delay effects, enough to

satisfy most any sonic appetite. And many are in

stereo, so you can use the headphones jack to

enjoy a fully ambient stereo dimension. The

Cyber–Champ™ amplifier’s Dyna–Touch™ power

amp circuitry and Celestion® speaker deliver

powerful, responsive Tone to you and your

audience. It’s not just loud “on paper.”

• 21 Amp Design presets selectable using the Preset and Bank buttons or a MIDI controller:

• 14 Permanent presets – great amp and effects setups that are always available

• Fender

Custom Shop bank – 7 premium amp and effects combinations

• Your Amp Collection bank – 7 “stock” classic amplifiers

• 7 Rewritable presets – create and save your own amp and effects setups in the Players’ Lounge bank

• 3 groups of studio–quality effects that can be used simultaneously:

• 4 Reverb types with selectable levels and MIDI–accessible parameters

• 5 Modulation effect types with selectable levels and MIDI–accessible parameters

• 3 Delay effect types with selectable levels and MIDI–accessible parameters

• MIDI implementation:

• 27 Continuous Controllers for adjusting amp settings using external MIDI equipment (sequencer, computer,

foot–controller or Cyber–Series

™

amplifier)

• Preset–defined Continuous Controller enables foot–pedal control of programmable parameters

• System Exclusive functionality for selective preset management

• Front panel MIDI IN and MIDI OUT ports

• Virtual Tone Interpolation™ technology offers 7 Amp Type selections with tone stacks located before or

after the drive circuitry as appropriate

• Hum Reduction algorithm (patent pending) actively seeks out and suppresses environmental “hum”

• On–board digital chromatic tuner

• 65 watts of output power

• 12˝, 8Ω Celestion

speaker

• Stereo headphone/line out jack

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Operation Essentials

Presets and Banks

The Cyber–Champ™ is instantly reconfigured each time you select a

preset. Use the preset buttons to

select a preset in the current bank. Press the BANK button , then

a preset button to select a preset from another bank. Note that when

you select a preset, the position of each knob will not reflect its actual

setting (except by coincidence) until it is captured . . .

Knob Capture

You must first “capture” control of a knob to adjust the setting.

Capture by turning the knob until the adjacent LED lights up. Once

captured, further adjustments are immediate and audible.

Saving Presets

Captured knob settings are released when you make a preset

selection . . . but you can save all your current settings simply by

holding any preset button in for 2 seconds. Your new preset is saved

into the Players’ Lounge bank, assigned to the button held. Your new

preset is automatically activated.

A. INPUT JACK

Input connection for your guitar. The input level automatically adjusts itself to

ensure an adequate signal level is supplied to the DSP circuitry.

B. GAIN

Controls the distortion level and contributes to the overall amp loudness. Use

VOLUME {C} to adjust for (normalize) any undesired volume level change

resulting from a GAIN level change.

C. VOLUME

Controls the post–distortion signal level and contributes to the overall amp

loudness. Use in conjunction with GAIN {B} to normalize volume differences

between presets.

-40

GAIN

VOLUME

-10

–

INPUT

–

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Overview

-40

GAIN

VOLUME

TREBLE

MIDDLE

BASS MASTER

INPUT

PHONES

OUT

MIDI

REVERB

MOD. F/X DELAY

PHASER

+40-10 +10

IN TUNE

CUSTOM SHOP

AMP COLLECTION

PLAYERS’ LOUNGE

✧

Over

view

 Each preset contains a complete set

of amplifier and effects settings.

 There are three banks of presets:

CUSTOM SHOP Permanent

AMP COLLECTION Permanent

PLAYERS’ LOUNGE Rewritable

 Capture control of a knob by turning it

until the adjacent LED lights up.

Capture happens when the knob

setting matches its actual (internal)

setting stored within the current

preset.

 You can save 7 of your own amplifier

and effects settings in the Players’

Lounge bank of presets.

D. TREBLE

Controls the high–frequency tone level.

E. MIDDLE

Controls the mid–frequency tone level.

F. BASS

Controls the low–frequency tone level.

G. MASTER

Controls the overall volume output from the amplifier together with GAIN {B},

and VOLUME {D}. MASTER is the final “volume gatekeeper” limiting the

maximum output level of the Cyber–Champ™ amplifier. The MASTER knob

position (setting) is an absolute limit—even when controlling MASTER with MIDI

messages. MASTER is not preset programmable.

H. REVERB

Selects a Reverb type and level. The level increases going clockwise within

each type as illustrated from off (–), to maximum (+).

I. MOD F/X

Selects a Modulation effect type and level. The level increases going clockwise

within each type as illustrated from off (–), to maximum (+). Set a custom

modulation rate by pressing TAP at least twice at the desired rate. Press TAP

once for the slowest rate possible. There is only one level setting for Phaser.

J. DELAY

Selects a Delay type and level. The level increases going clockwise within each

type as illustrated from off (–), to maximum (+). Set a custom delay interval by

pressing TAP at least twice at the desired rate. Press TAP once for the longest

interval possible.

K. TUNER

Turns the tuner on and off. The tuner “borrows” the preset button lights to

indicate the nearest note and the capture LEDs to indicate flat, in tune, or sharp.

Nearest Note ➜

Fine Tuning ➜

+40+10

IN TUNE

-40 -10

–

 Half notes are indicated by two

preset button lights. For

example, A and B would light up

to indicate A sharp (B flat).

–

Delay Type Description

DIGITAL 130 ms delay, single repeat (panning)

TAPE 300 ms delay, low feedback, medium wow & flutter

DUCKING 460 ms delay, medium feedback, “ducks” out of the way when playing

DELAY

–

Modulation Effect Type Description

CHORUS Medium sweep rate with high depth

VIBRATONE Fast rate with medium depth

TREMOLO Fast rate with medium-high depth and duty cycle

FLANGE Slow sweep rate with medium depth

PHASER Medium sweep rate with medium depth

MOD. F/X

PHASER

–

Reverb Type Description

SPRING Bright Blackface™ Reverb with long decay

ROOM Bright room with medium decay

HALL Medium-bright hall with long decay

ARENA Dark frequency response with long decay

REVERB

–

MASTER

–

 The tone controls come before or

after the distortion circuitry,

depending on the Amp Type of

the preset (see Presets starting

on page 7).

TREBLE

MIDDLE

BASS

+40+10

IN TUNE

–

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Overview

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Overview

-40

GAIN

VOLUME

TREBLE

MIDDLE

BASS MASTER

INPUT

PHONES

OUT

MIDI

REVERB

MOD. F/X DELAY

PHASER

+40-10 +10

IN TUNE

CUSTOM SHOP

AMP COLLECTION

PLAYERS’ LOUNGE

L. PRESET and BANK BUTTONS

The A–G buttons select presets from the current bank as indicated by the color

coded bank LEDs. To activate a preset from a different bank, press the BANK

button one or more times, then press a preset button.

Holding a preset button in for 2 seconds will save the current amplifier settings

to the Players’ Lounge bank under the button held. Your new preset is

automatically activated.

RESET: To reset the Players’ Lounge bank to factory presets, hold down the

A and G preset buttons while turning the Cyber-Champ™ amplifier on.

M. HUM REDUCTION

Turns Hum Reduction on and off. Reduces environmental hum in some

situations using an algorithm that seeks out hum frequencies and squelches

only the “hum” without degrading your music!

N. MIDI IN/OUT

Musical Instrument Digital Interface ports for connecting MIDI devices to the

Cyber–Champ™ amplifier. MIDI can be used to change and manage presets,

adjust settings, activate tuner mode and edit effect parameters. See MIDI

starting on page 9.

O. PHONES

Connect your stereo headphones here. This output jack can also be used as a

stereo line out for connection to sound reinforcement or recording equipment.

P. RED JEWEL

It’s a !

Rear Panel

Q. POWER

Turns the Cyber–Champ™ on and off.

R. IEC CONNECTOR

Connect the included power cord in compliance with the voltage and

frequency ratings on the rear panel of your amplifier.

INPUT POWER

V Hz

180W

–

PHONES

–

OUT

MIDI

–

 Presets and Banks are described

in depth in Presets starting on

page 7.

CUSTOM SHOP

AMP COLLECTION

PLAYERS’ LOUNGE

–

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Presets

✧

esets

This section defines the presets in each bank then describes how to customize

presets and effects.

Custom Shop Bank

The Custom Shop (permanent) presets contain premium amplifier and effect

combinations. Press BANK repeatedly until the red LED lights up, then press a

preset button (A–G) to activate a Custom Shop preset.

CUSTOM SHOP

AMP COLLECTION

PLAYERS’ LOUNGE

Amp Collection Bank

The Amp Collection (permanent) presets contain classic “stock” amplifiers.

Press BANK repeatedly until the yellow LED lights up, then press a preset

button (A–G) to activate an Amp Collection preset.

CUSTOM SHOP

AMP COLLECTION

PLAYERS’ LOUNGE

Preset Name Amp Type Reverb Modulation Delay

A Red High-Gain Tweed with ‘59 Bassman® None None 300ms Tape Delay, low feedback

House Pre-Distortion tone controls with medium wow & flutter

B R.I.P. Max-Gain, Modern Heavy Metal Combo Room, dark frequency Chorus, slow sweep None

with Post-Distortion tone controls response with short decay rate with high depth

C Hang 10 Clean Tweed with ‘59 Bassman® Spring, bright Reverb with None 130ms Tape Delay, low feedback

Pre-Distortion tone controls long decay with medium wow & flutter

D Texas High-Gain Blackface™, with vintage Pre- Spring, medium-bright Vibratone, fast rate 130ms Tape Delay, low feedback

Shuffle Distortion Fender® Blackface™ tone controls Blackface™ Reverb with medium depth with medium wow & flutter

E Modified Maximum-Gain Modern Modified Combo None None None

Combo with Post-Distortion tone controls

F Euro High-Gain British Combo with Post- None Tremolo, fast rate None

Trem Distortion tone controls with high depth

G Boris Clean Dyna–Touch™ with None Chorus, slow sweep None

Chorus Pre-Distortion tone controls rate with high depth

Preset Name Amp Type Reverb Modulation Delay

A ‘49 Champ® Crunch Tweed with ‘59 Bassman® None None None

Pre-Distortion tone controls

B ‘55 Deluxe™ High-Gain Tweed, with ‘59 Bassman® None None None

Pre-Distortion tone controls

C ‘65 Princeton® Clean Blackface™, with vintage Pre- Spring, medium-bright None None

Reverb Distortion Fender® Blackface™ tone controls Blackface™ Reverb

D ‘65 Deluxe Crunch Blackface™, with vintage Pre- Spring, medium-bright None None

Reverb® Distortion Fender® Blackface™ tone controls Blackface™ Reverb

E Princeton® High-Gain Dyna–Touch™ with Post- Hall, bright with None 260ms Digital Delay,

65 DSP Distortion tone controls medium decay medium feedback

F British Crunch Jangly British Combo with Pre- Hall, bright with None None

Invasion Distortion tone controls long decay

G Vintage British Crunch vintage British Combo with None None None

Crunch Post-Distortion tone controls

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Presets

Players’ Lounge Bank

The Players’ Lounge (rewritable) presets are outfitted from the factory with a

variety of amplifier and effects combinations but they are rewritable for your

own preset designs. Press the BANK repeatedly until the green LED lights up,

then press a preset button (A–G) to activate a Players’ Lounge preset.

NOTE: The table (below) will not be valid for presets that you have customized.

RESET: To reset the Players’ Lounge bank to factory presets, hold down the

A and G preset buttons while turning the Cyber–Champ™ amplifier on.

 Resetting will erase any custom

presets you have created.

CUSTOM SHOP

AMP COLLECTION

PLAYERS’ LOUNGE

Preset Name Amp Type Reverb Modulation Delay

A Stadium Higher-Gain British Combo with Post- Arena, bright frequency None 300ms Tape Delay, low feedback

Rock Distortion tone tone controls response with long decay with medium wow & flutter

B Morning Clean Blackface™, with vintage Pre- Room, bright frequency Vibratone, fast rate None

Light Distortion Fender® Blackface™ tone controls response with medium decay with medium depth

C Psychobilly High-Gain Tweed with ‘59 Bassman® Room, dark frequency None 130ms Tape Delay, low feedback

Pre-Distortion tone controls response with medium decay with medium wow & flutter

D Nü-D Maximum-Gain, Modern Heavy Metal Room, dark frequency Chorus, slow sweep 100ms Tape Delay, low feedback

Combo with Post-Distortion tone controls response with medium decay rate with high depth with medium wow & flutter

E Clean Crunch Blackface™, with vintage Pre- Arena, bright frequency None None

Arena Distortion Fender® Blackface™ tone controls response with long decay

F Jazz Clean Dyna–Touch™ with Hall, bright frequency None None

Box Pre-Distortion tone controls response with medium decay

G Barracuda Maximum-Gain, Dyna–Touch™ Room, dark frequency Phaser, medium sweep 350 ms Ducking Delay,

Pre-Distortion tone controls response with medium decay rate with medium depth medium feedback, high ducking

Preset Editing

You can create 7 of your own presets and save them in the Players’ Lounge

bank. First select any preset with the desired Amp Type as the foundation for

your new preset — see the tables on pages 7 and 8. Then adjust the amplifier

settings any way you like. When satisfied, press and hold any preset button

for 2 seconds. Your new preset is saved in the Players’ Lounge bank

(assigned to the button held) and it is automatically activated.

NOTE: The previous contents of the Players’ Lounge preset you are saving to

will be overwritten with your new preset.

Effect Editing—Advanced

Using a computer you can edit effect parameters that are inaccessible through

the Cyber–Champ™ front panel controls. Your modified effect can then be

saved to a Players’ Lounge preset and used in the modified form using the front

panel controls (See Advanced Effect Editing on page 10).

 A computer with a MIDI capable

soundcard, appropriate adapters and

a MIDI utility application are required for

advanced effect editing.

 You can use a Players’ Lounge preset

as the starting point for a new preset,

but the descriptions in the table above

will no longer be valid for presets you

have customized.

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MIDI

✧

MIDI

This section describes the Musical Instrument Digital Interface (MIDI)

capabilities of the Cyber-Champ™ amplifier. The Cyber–Champ™ amplifier

supports the MIDI standard using the MIDI IN and OUT jacks on the front panel,

both 5-pin DIN jacks. The amplifier uses Channel Messages and System

Exclusive Messages to accomplish the following tasks:

Channel Messages

Switching Tuner and Effects On/Off

You can switch the tuner on and off using MIDI program change 127 in any

bank (00, 01, 02). You can switch the effects (Modulation and Delay) on and off

using continuous controller 85—any value between 64 and 127 turns effects on

and any value between 0 and 63 turns effects off. Reverb is not affected.

Echoing Control Changes

You can control two or more Cyber–Champ™ amplifiers as one by linking their

MIDI ports together. Connect MIDI OUT on the primary amplifier to MIDI IN on

the auxiliary amplifier and so on down the line. The first time each knob is used

you must capture it on all amplifiers before you can adjust the setting on all

amplifiers. To ensure that you have captured a particular setting on all

amplifiers, turn the knob through its full range of values, then to the desired

value. Further adjustments will be synchronized.

Selecting Presets

You can select presets using MIDI program changes. A continuous controller

pedal set to number 11 can be used to control either the Modulation effect rate

or the Delay effect interval according to the program change number used:

MODULATION EFFECT RATE CONTROL

Program

Change # Bank Preset

3 Custom Shop D

10 A

11 B

12 C

13 Amp Collection D

14 E

15 F

16 G

20 A

21 B

22 C

23 Players’ Lounge D

24 E

25 F

26 G

DELAY EFFECT INTERVAL CONTROL

Program

Change # Bank Preset

30 A

31 B

32 C

34 Custom Shop E

35 F

33 D

36 G

40 A

41 B

42 C

43 Amp Collection D

44 E

45 F

46 G

50 A

51 B

52 C

53 Players’ Lounge D

54 E

55 F

56 G

 To switch your continuous controller

pedal between Modulation rate and

Delay interval for the same preset,

go up or down 30, respectively. For

example, 15 and 45 are both

preset F in the Amp Collection bank

but 15 controls Modulation rate and

45 controls Delay interval.

 All program changes are made in MIDI

bank 00 and are echoed on transmit

channel 1.

 See the MIDI Implementation Chart on

page 14 for details.

 See the MIDI Implementation Chart on

page 14 for details.

 See the MIDI Implementation Chart on

page 14 for details.

OUT

MIDI

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MIDI

Adjusting Amp Settings

You can adjust any knob on the Cyber–Champ™ amplifier using the following

continuous controller numbers. Values range from 0=off to 127=maximum.

Continuous Parameter

Controller # Setting

07 Master Volume

85 Effects Off/On (0-63=off, 64-127=on)

102 Gain

103 Volume

104 Treble

105 Middle

106 Bass

107 Reserved

108 Master Volume

109 Reverb Level

110 Reverb Time

111 Reverb Dwell (Input)

112 Reverb Diffusion

113 Reverb Tone

114 Modulation Effect Level

115 Modulation Effect Rate

116 Modulation Effect Parameter 2 (see page 11)

117 Modulation Effect Parameter 3 (see page 11)

118 Modulation Effect Parameter 4 (see page 11)

119 Tap Interval

120 Delay Level

121 Delay Time

122 Delay Feedback

123 Delay Parameter 2 (see page 12)

124 Delay Parameter 3 (see page 12)

125 Reverb, Multi-Effects (see page 12)

126 Modulation Effect, Multi-Effects

127 Delay, Multi-Effects

 Control changes can be recorded using

a sequencer so that you can play them

back during performances.

 A sequencer must first capture knobs

before it can control their settings. To

do this, ramp the continuous controller

through the full range of values, then

return it to the desired value (setting).

The sequencer will then have active

control of the knob (parameter).

NOTE: If sequencer capture is lost (by

manually turning the knob for example)

the sequencer must recapture control

of that parameter to use it again.

 See the MIDI Implementation Chart on

page 14 for details.

SPRING, ROOM, HALL, ARENA — Parameter value definitions

Level Amount of Reverb (0 is off, 127 is maximum)

Time Duration of Reverb sustain (0 is shortest, 127 is longest)

Dwell Signal level input to the Reverb circuit (versus output level controlled by the REVERB knob). (0 is minimum, 127 is maximum)

Diffusion Density of Reverb from sparse with non–uniform decay, to dense with smooth decay (0 is sparsest, 127 is smoothest)

Tone Brightness of Reverb (0 is darkest, 127 is brightest)

Advanced Effect Editing

Reverb

Reverb parameters in the figure and table below are accessible only by MIDI

continuous controller numbers 109-113 and have a value range of 0-127.

Reverb parameter

Continuous Controller

numbers

 All 4 Reverb types have the same

5 editable parameters.

REVERB

CC# Reverb (all)

109 Level

110 Time

111 Dwell

112 Diffusion

113 Tone

 See the MIDI Implementation Chart on

page 14 for details.

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MIDI

Modulation Effects

Modulation Effect parameters in the figure and table below are accessible for

the current effect type only by MIDI continuous controller numbers 114-118

(except Rate (CC# 115) which is also accessible by the TAP button).

Continuous controller messages have a value range of 0-127.

CC# Chorus Vibratone Tremolo Flange Phaser

114 Level Level Level Level Level

115 Rate Rotor Speed Rate Rate Rate

116 Depth Doppler Freq. Shift Depth Depth Depth

117 Avg. Delay Time Low-Pass Filter Range Offset Feedback Feedback

118 Left/Right Phase Left/Right Phase Shape Left/Right Phase Stereo Spread

PHASER

CHORUS — Parameter value definitions

Level Amount of the Chorus effect (0 is off, 127 is maximum)

Rate Sweep rate of the Chorus effect (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest)

Depth Amount of Doppler frequency shift and how apparent the Chorus effect sounds (0 is minimum, 127 is maximum)

Average Delay Time Average delay time of the moving Chorus taps (repeats), use higher settings for doubling effect (0 is shortest, 127 is longest)

Left/Right Phase

Stereo - Phase between left and right channel low frequency oscillators (0 is minimum stereo effect, 127 is maximum stereo effect)

FLANGE — Parameter value definitions

Level Amount of the Flange effect (0 is off, 127 is maximum)

Rate Sweep rate of the Flange effect (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest)

Depth Amount of Doppler frequency shift and how apparent the Flange effect sounds (0 is minimum effect, 127 is maximum effect)

Feedback Amount of the Flange signal that is fed back into the Flange circuit (0 is minimum feedback, 127 is maximum feedback)

Left/Right Phase

Stereo - Phase between left and right channel low frequency oscillators (0 is minimum stereo effect, 127 is maximum stereo effect)

PHASER — Parameter value definitions

Level Amount of the Phaser effect (0 is off, 127 is maximum)

Rate Sweep rate of the Phaser effect (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest)

Depth Width of the Phaser sweep and how apparent the Phaser effect sounds (0 is minimum, 127 is maximum)

Feedback Amount of Phaser effect processed signal that is fed back (recycled) to the input (0 is minimum feedback, 127 is maximum feedback)

Stereo Spread

Stereo - Amount of stereo separation between left and right channels (0 is minimum stereo effect, 127 is maximum stereo effect)

TREMOLO — Parameter value definitions

Level Amount of the Tremolo effect (0 is off, 127 is maximum)

Rate Cycle rate of the Tremolo effect (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest)

Depth Amount the volume level drops with each cycle of the Tremolo effect (0 is minimum depth, 127 is maximum depth)

Offset Offset of the low-frequency oscillator (0 is minimum, 127 is maximum)

Shape Smoothness of the Tremolo waveform (0 is subtle and natural, 127 is choppy and percussive)

VIBRATONE — Parameter value definitions

Level Amount of the Vibratone effect (0 is off, 127 is maximum)

Rotor Speed Rate of the virtual rotating speaker baffle (0.08 Hz selected as 0 is slowest, 10 Hz selected as 127 is fastest)

Doppler Frequency Shift Amount of Doppler frequency shift and how apparent the Vibratone effect sounds (0 is minimum shift, 127 is maximum shift)

Low-Pass Filter Range Amount of high frequencies in the Vibratone signal (0 is minimum, 127 is maximum)

Amplitude Modulation Depth Amount the volume level varies with each cycle of the Vibratone effect (0 is minimum, 127 is maximum)

Modulation effect parameter

Continuous Controller

numbers

This parameter modifies the stereo capabilities of your Cyber–Champ™ amplifier which can be enjoyed using the PHONES output jack.

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MIDI

Delay Effects

Delay Effect parameters in the figure and tables below are accessible for the

current effect only by MIDI continuous controller numbers 120-124 (except

Delay Time (CC# 121) which is also accessible by the TAP button). Continuous

controller messages have a value range of 0-127.

CC# Digital Tape Ducking

120 Level Level Level

121 Delay Time Delay Time Delay Time

122 Feedback Feedback Feedback

123 Low-Pass Freq. Cutoff Wow & Flutter Release Time

124 Input Level

Low-Pass Freq. Cutoff Ducking Threshold

TAPE — Parameter value definitions

Level Amount of the Delay effect (0 is off, 127 is maximum)

Delay Time Interval between Delay repeats (30 milliseconds selected as 0 is shortest, 1450 milliseconds selected as 127 is longest)

Feedback Number of Delay repeats (0 is 1 repeat, 127 is many repeats)

Wow & Flutter Amount of random volume and pitch changes – tape recorder nostalgia effect (0 is minimum fluctuation, 127 is maximum fluctuation)

Low-Pass Frequency Cutoff Brightness of the Delay signal (0 is darkest, 127 is brightest)

DIGITAL — Parameter value definitions

Level Amount of the Delay effect (0 is off, 127 is maximum)

Delay Time Interval between Delay repeats (30 milliseconds selected as 0 is shortest, 1450 milliseconds selected as 127 is longest)

Feedback Number of Delay repeats (0 is 1 repeat, 127 is many repeats)

Low-Pass Frequency Cutoff Brightness of the Delay signal (0 is minimum (dark tone), 127 is maximum brightness)

Input Level Signal level going into the Delay effect (versus output level controlled by the numbered DELAY knob) (0 is minimum, 127 is maximum)

DUCKING — Parameter value definitions

Level Amount of the Delay effect (0 is off, 127 is maximum)

Delay Time Interval between Delay repeats (30 milliseconds selected as 0 is shortest, 1450 milliseconds selected as 127 is longest)

Feedback Number of Delay repeats (0 is 1 repeat, 127 is many repeats)

Release Time Duration that the delayed signal is suppressed after “live” playing (input) stops (0 is shortest wait, 127 is longest wait)

Ducking Threshold Sensitivity of the ducking action to your playing strength (signal level) (0 in least reactive, 127 is most reactive)

Delay parameter

Continuous Controller

numbers

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MIDI

System Exclusive Messages

Transferring Presets

You can transfer any preset between Cyber–Champ™ amplifiers or between a

Cyber–Champ™ amplifier and a computer.

Cyber–Champ™ to Cyber–Champ™

Connect MIDI OUT on the transmitting amplifier to MIDI IN on the receiving

amplifier. Select the preset you want to send on the transmitting amplifier then

hold the BANK button for 2 seconds. After the preset buttons flash on the

receiving amplifier, hold any preset button for 2 seconds to save to that location

in the Players’ Lounge bank.

Cyber–Champ™ to Computer

Connect MIDI OUT on your Cyber–Champ™ amplifier to MIDI IN on your

computer. Open a new SysEx file in your MIDI utility application to accept the

preset transfer (dump). Select the preset you want to send on the

Cyber–Champ™ amplifier, then hold the BANK button for 2 seconds.

Computer to Cyber–Champ™

Connect MIDI OUT on your computer to MIDI IN on your Cyber–Champ™

amplifier. Open a SysEx file containing a preset in your MIDI utility application

then initiate the transfer (dump). After the preset buttons flash on the

Cyber–Champ™ amplifier, hold any preset button for 2 seconds to save to that

location in the Players’ Lounge bank.

Selecting Effect Types and

Switching Hum Reduction On/Off

You can select effect types and turn Hum Reduction on or off using SysEx

messages. A sequencer or a computer with a MIDI capable soundcard and a

MIDI utility application are required for these functions. The SysEx messages

required for these operations are in Appendix 3 on page 16.

 See Appendix 3 on page 16 for details.

 Your computer must have a MIDI

capable soundcard with appropriate

adapters and you must have a MIDI

utility application such as Cakewalk™.

 The last saved version of a preset is

actually what is transmitted—recent

(unsaved) edits are not transmitted.

 See Appendix 2 on page 15 for details.

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Appendices

NOTES:

The Cyber–Champ™ amplifier does not recognize or transmit System

Common messages.

All knob adjustments (even knobs not captured) are transmitted via MIDI

OUT. MIDI program changes and continuous controller changes are also

“echoed” through the MIDI OUT port. Another Cyber–Champ™ amplifier

connected as a receive MIDI device will “mirror” all these changes.

FUNCTION TRANSMITTED RECOGNIZED REMARKS

Basic Default 1 Omni Transmit Channel is fixed at 1.

Channel Changed X X

Default Mode 3 Mode 2

Mode Messages X X

Altered X X

Note Note Number X X

Number True Voice X X

Velocity Note ON X X

Note OFF X X

After Keys X X

Touch Channel X X

Pitch BenderXX

Control Change O O Continuous Controller Number

is fixed at 11.

Program Implemented O O All program changes in Bank #00.

Change True # 0 – 6, 10-16, 20-26, 0 – 6, 10-16, 20-26, Program changes to program 127 (any bank)

30-36, 40-46, 50-56 30-36, 40-46, 50-56 activates/deactivates the Tuner.

System Exclusive O O See Appendix 2, 3, 4

System Song Position X X

Common Song Select X X

Tune Request X X

System Clock X X

Real Time Commands X X

Local On/Off X X

Auxiliary All Notes Off X X

Messages Active Sensing X X

System Reset X X

GM ON X X

Mode 1: Omni On, Poly Mode 2: Omni On, Mono O: Yes

Mode 3: Omni Off, Poly Mode 4: Omni Off, Mono X: No

✧

Appendices

Appendix 1 MIDI Implementation Chart

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Appendices

VALUE DESCRIPTION

F0H Start of System Exclusive Message

08H Fender Manufacturer ID

nnH nn = Device ID (minus one)

31H Amp ID number 31H. The upper nibble identifies the Cyber-Champ™ amplifier and the lower nibble designates software version

ffH Function ID number: 02H = One Preset Dump

F7H End of System Exclusive Message

Appendix 2 SysEx ◊ MIDI Dump

This appendix contains tables describing the System Exclusive message

components and protocol for MIDI Dump. NOTE: The nomenclature for values

uses an H to designate that the one-byte value is expressed in Hexadecimal

(00H – FFH).

VALUE DESCRIPTION

F0H Start of System Exclusive Message

08H Fender Manufacturer ID

nnH nn = Device ID (minus one)

31H Amp ID number 31H. The upper nibble identifies the Cyber-Champ™ amplifier and the lower nibble designates software version

ffH Function ID number: 02H = One Preset Dump

PnH Packet Number

Data Data bytes: The data bytes have been formatted following the MIDI Specification 1.0

cbH Checksum byte used for error checking

F7H End of System Exclusive Message

System Exclusive Packet

System Exclusive Header

VALUE DESCRIPTION

F0H Start of System Exclusive Message

08H Fender Manufacturer ID

nnH nn = Device ID (minus one)

21H Amp ID number 31H. The upper nibble identifies the Cyber-Champ™ amplifier and the lower nibble designates software version.

ffH Function ID number: 01H = Utilities Message, 02H = One Preset Message

7BH End of System Exclusive File Byte

F7H End of System Exclusive Message

System Exclusive End of File Message

VALUE DESCRIPTION

F0H Start of System Exclusive Message

08H Fender Manufacturer ID

nnH nn = Device ID (minus one)

21H Amp ID number 31H. The upper nibble identifies the Cyber-Champ™ amplifier and the lower nibble designates software version.

04H Message ID number for additional parameter controls.

23H ID number indicating request for a MIDI Dump

00H Unused Data Byte

ddH Dump ID byte: 01H = Transmit Utilities, 02H = Transmit One Preset

7BH End of System Exclusive File Byte

F7H End of System Exclusive Message

MIDI Dump Initiation Message

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Appendices

Appendix 3 SysEx ◊ Effect Type/Hum Reduction

This appendix contains tables describing the System Exclusive message

components and protocol for selecting effect types and switching hum

reduction on and off. NOTE: The nomenclature for values uses an H to

designate that the one-byte value is expressed in Hexadecimal (00H – FFH).

System Exclusive Preset Edit Message

Parameter/Setting Table

VALUE DESCRIPTION

F0H Start of System Exclusive Message

08H Fender Manufacturer ID

nnH nn = Device ID (minus one)

21H Amp ID number 31H. The upper nibble identifies the Cyber-Champ™ amplifier and the lower nibble designates software version.

05H Message ID number for additional parameter controls.

ddH Parameter ID number for additional parameter controls (See table below).

vvH Value for the parameter you wish to edit (See table below).

7BH End of System Exclusive File Byte

F7H End of System Exclusive Message

PARAMETER ID

PARAMETER ID NUMBER (ddH) VALUE (vvH)

Reserved 00H

Reverb Type Selection 01H 00H = Room

01H = Reserved

02H = Reserved

03H = Hall

04H = Reserved

05H = Reserved

06H = Arena

07H = Reserved

08H = Reserved

09H = Reserved

0AH = Spring

0BH = Reserved

0CH = Reserved

0DH = Reserved

0EH = Reserved

0FH = Reserved

Mod. F/X Type Selection 02H 00H = Chorus

01H = Reserved

02H = Reserved

03H = Flange

04H = Reserved

05H = Reserved

06H = Phaser

07H = Reserved

08H = Reserved

09H = Reserved

0AH = Tremolo

0BH = Reserved

0CH = Reserved

0DH = Vibratone

0EH = Reserved

0FH = Reserved

PARAMETER ID

PARAMETER ID NUMBER (ddH) VALUE (vvH)

Delay Type Selection 03H 00H = Reserved

01H = Digital

02H = Reserved

03H = Reserved

04H = Reserved

05H = Reserved

06H = Reserved

07H = Ducking

08H = Reserved

09H = Reserved

0AH = Reserved

0BH = Tape

0CH = Reserved

0DH = Reserved

0EH = Reserved

0FH = Reserved

Reserved 04H

Reserved 05H

Reserved 06H

Reserved 07H

Hum Reduction Selection 08H 00H = Off

01H = On

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Appendices

Appendix 4 SysEx ◊ Handshake

Following the guidelines of the MIDI specifications, data is transmitted as

follows: First, the System Exclusive Header is sent. The amp will wait 200ms

to look for a handshake. If no handshake is received then the amp will transmit

the first data packet. The transmission continues until all the information has

been sent. After the last packet, the End of File message is sent. The

handshake messages the amp will respond to are:

Handshake System Exclusive Message

VALUE DESCRIPTION

F0H Start of System Exclusive Message

7EH Universal Message

nnH nn = Device ID (minus one)

hdH Handshake ID: 7CH = Wait, 7DH = Cancel, 7EH = Not Acknowledge, 7FH = Acknowledge

ppH Packet Number

F7H End of System Exclusive Message

Appendix 5 Troubleshooting

Appendix

6 Specifications

TYPE: PR 528

PART NUMBERS: 2290300000 (120V, 60Hz) USA 2290301000 (110V, 60Hz) TW

2290303000 (240V, 50Hz) AUS 2290304000 (230V, 50Hz) UK

2290305000 (220V, 50Hz) ARG 2290306000 (230V, 50Hz) EUR

2290307000 (100V, 50Hz) JPN 2290309000 (220V, 60Hz) ROK

POWER REQUIREMENTS: 180W

POWER OUTPUT: 65W @ 5%THD

RATED LOAD IMPEDANCE: 8Ω

SPEAKER COMPLEMENT: One 12”, 8Ω Celestion® G12P-80 (P/N 005985000)

FUSES PRIMARY: F4A 125V (100V, 120V units), F1.6A 250V (230V, 240V units)

SECONDARY: T1A 250V (digital supply, all units)

MIDI JACKS: IN, OUT

PHONES JACK: 1/4” Stereo

DIMENSIONS HEIGHT: 17.25 in (43.8 cm)

WIDTH: 18.5 in (47.0 cm)

DEPTH: 9.5 in (24.1 cm)

WEIGHT: 30 lb (13.6 kg)

Product specifications are subject to change without notice.

PROBLEM SOLUTIONS

No sound coming from the amp • Remove anything plugged into the PHONES jack. • Switch TUNER off.

• Capture and turn all knobs above minimum.

The amp is not responding to any MIDI Program • Make sure the MIDI cables are connected properly.

Change messages from external devices

The amp is not responding to any MIDI Continuous • Make sure the Continuous Controller number matches the default value or one of the

Controller messages from external devices

predefined numbers (see page 14). • Make sure the MIDI cables are connected properly.

The amp is not responding to any MIDI System • Make sure the MIDI cables are connected properly.

Exclusive messages from external devices

The unit is unresponsive but has some • Turn the power on and off. If still unresponsive, make note of which lights are on or

blinking or lit lights (buttons or LEDs) blinking (fast or slow). Call an authorized Fender® service center with this information.

To locate MIDI resources online, visit: www.midi.org

If a problem persists, consult an authorized Fender® Service Center, or point your browser to: www.fender.com or www.mrgearhead.net and click on support.

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• Este símbolo advierte al usuario sobre los altos

niveles de voltaje existentes en el interior de la

unidad.

• Este símbolo indica al usuario que lea toda la

documentación adjunta para utilizar la unidad con

seguridad.

• Lea las instrucciones atentamente y sígalas al pie de la letra.

Tenga en cuenta todas las advertencias.

• Conecte el cable de alimentación eléctrica únicamente a una

toma de CA de acuerdo con las especificaciones de voltaje y

frecuencia que se indican bajo INPUT POWER en el panel

posterior de este producto.

• ADVERTENCIA: Para evitar daños, incendios y descargas

eléctricas, no exponga esta unidad a la lluvia ni a la humedad.

• Antes de limpiar el exterior de la unidad, desconecte el cable

de alimentación de CA (utilice únicamente un paño húmedo).

Deje que la unidad se seque completamente antes de volver a

conectarla a la corriente.

• Asegúrese de que haya al menos 6 pulgadas (15 cm) de

espacio libre en la parte posterior de la unidad para una

correcta ventilación y refrigeración.

• Este producto deberá situarse lejos de fuentes de calor tales

como radiadores, registros de calefacción u otros productos

que generen calor.

• Es posible que este producto esté equipado con un enchufe

polarizado (una clavija más ancha que la otra) para una mayor

seguridad. Si no puede introducir el enchufe en la toma de

corriente, póngase en contacto con un electricista para que la

cambie, ya que podría no ser compatible. No modifique la

función de seguridad de este enchufe.

• Evite que el cable de alimentación sufra cualquier daño.

• Este producto deberá ser reparado por personal cualificado en

los casos siguientes: si el cable de alimentación o el enchufe

está dañado; si se ha caído algún objeto o se ha derramado

líquido sobre el producto; si el producto ha estado expuesto

a la lluvia; si su funcionamiento y rendimiento no son normales;

si ha sufrido algún golpe o la caja esta dañada.

• No utilice soportes para el producto que no sean los

recomendados por el fabricante.

• El cable de alimentación de este producto deberá estar des-

conectado de la toma de corriente cuando no se vaya a utilizar

durante un largo período de tiempo o en caso de tormenta

eléctrica.

• No moje la unidad ni ponga recipientes con líquido sobre ella.

• ADVERTENCIA: La reparación de las piezas del interior de la

unidad sólo la puede realizar personal cualificado.

• Los sistemas de amplificadores y altavoces Fender

pueden

producir niveles muy elevados de sonido, que pueden

provocar daños temporales o permanentes en el oído. Tenga

cuidado al establecer y ajustar los niveles de volumen durante

la utilización.

DECLARACIÓN DE CONFORMIDAD CON LA FCC

Este equipo ha sido probado y se ha determinado que

cumple con los requisitos para los dispositivos digitales de

Clase B, de acuerdo con el apartado 15 de la normativa de

la FCC. Estas restricciones tienen como finalidad propor-

cionar una protección razonable frente a interferencias en

instalaciones residenciales. Este equipo genera, utiliza y

puede emitir energía en forma de frecuencias de radio; si no

se utiliza según las instrucciones, puede provocar inter-

ferencias en las comunicaciones por radio y no se garantiza

que no se produzcan interferencias en determinadas

instalaciones. Si este equipo causara interferencias en la

recepción de radio o televisión, lo cual se puede determinar

encendiendo y apagando el equipo, el usuario puede intentar

corregirlas mediante una o varias de las medidas siguientes:

coloque en otro lugar la antena de recepción o cambie su

orientación, aumente la separación entre el equipo y el

receptor, conecte el equipo a un circuito o a una toma de

corriente distintas a las del receptor. Si necesita ayuda,

consulte a su proveedor o a un técnico especialista en

radio/TV.

ES UN PRODUCTO DE:

FENDER MUSICAL INSTRUMENTS CORPORATION

CORONA, CA, EE.UU.

Las marcas comerciales

Blackface™, Cyber-Champ™, Champ

, Cyber–Twin™, Cyber-Series™,

Deluxe™, Dyna–Touch™, Mr. Gearhead™, Virtual Tone Interpolation™,

Bassman

, Deluxe Reverb

, Fender

, Princeton

, Twin Reverb

y sus logotipos son marcas comerciales o marcas comerciales registradas de FMIC.

Las demás marcas comerciales son propiedad de sus respectivos titulares.

Amplificador Cyber–Champ

™

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El nuevo amplificador Cyber-Champ™ ha sido

desarrollado por el mismo equipo que creó los amplifi-

cadores Cyber–Twin™ y Cyber-Deluxe™ de Fender

. Los

amplificadores Cyber–Series™ son los logros más

importantes del proyecto de investigación y desarrollo

más innovador de Fender y están dotados de la exclusiva

tecnología

Virtual Tone Interpolation™

de Fender (número

de patente 6.222.110). La tecnología VTI™ permite

convertir el amplificador Cyber-Champ™ en distintos

amplificadores según el diseño de circuitos. Comenzando

por un panel de circuitos virtual, el amplificador Cyber-

Champ™ “cambia las conexiones” de su arquitectura

básica para convertirse en la esencia de algunos de los

amplificadores de mayor calidad: Blackface™ de Fender,

Dyna–Touch™, los amplificadores Tweed y Modern, e in-

cluso en los mejores amplificadores British.

El amplificador Cyber-Champ™ le permite diseñar su

propio amplificador. Comience por uno de los 14 diseños

de amplificador permanentes y configuraciones de

efectos que contiene el amplificador Cyber-Champ™:

gire algunos botones, realice algunos cambios y guárde-

los en una de las 7 ubicaciones de configuraciones

predefinidas que se pueden modificar reservadas en la

placa para sus propios diseños originales de amplificador.

La implementación MIDI del amplificador Cyber-Champ™

le permite transferir configuraciones predefinidas para

realizar copias de seguridad en un PC o para inter-

cambiarlas con otros intérpretes que utilicen el amplifi-

cador Cyber-Champ™.

El amplificador Cyber-Champ™ pone a su disposición

una gran variedad de efectos con calidad de estudio:

efectos de Reverb, modulación y Delay suficientes para

satisfacer al oído más exigente. Muchos de ellos son en

estéreo, por lo que puede utilizar el conector de

auriculares para disfrutar de una dimensión estéreo

ambiental completa. El altavoz Celestion

y el circuito de

amplificación Dyna-Touch™ del amplificador Cyber-

Champ™ le proporcionan a usted y a su audiencia un

sonido potente y repleto de sensaciones. No suena sólo

“en papel”.

• 21 configuraciones de amplificación predefinidas seleccionables mediante los botones de banco y de configuración predefinida

o mediante un controlador de MIDI:

• 14 configuraciones predefinidas permanentes: podrá disponer siempre de excelentes configuraciones de amplificador

y efectos

• Banco Custom Shop de Fender

: 7 combinaciones de amplificador y efectos de gran calidad

• Banco Your Amp Collection: 7 amplificadores clásicos “tradicionales”

• 7 configuraciones predefinidas que se pueden modificar: permiten crear y almacenar configuraciones personalizadas de

amplificador y efectos en el banco Players’ Lounge

• 3 bancos de efectos con calidad de estudio que se pueden utilizar de forma simultánea:

• 4 tipos de reverb con niveles seleccionables y parámetros a los que se puede acceder mediante MIDI

• 5 tipos de efectos de modulación con niveles seleccionables y parámetros a los que se puede acceder mediante MIDI

• 3 tipos de efectos delay con niveles seleccionables y parámetros a los que se puede acceder mediante MIDI

• Implementación MIDI:

• 27 controles continuos para ajustar los parámetros del amplificador mediante equipos MIDI externos (secuenciador,

ordenador, pedal o amplificador Cyber–Series

™

)

• El controlador continuo con definición de configuraciones predefinidas permite controlar mediante el pedal los parámetros

programables

• Funcionalidad de operaciones exclusivas del sistema para la administración selectiva de configuraciones predefinidas

• Puertos de entrada y salida MIDI, MIDI IN y MIDI OUT, en el panel frontal

• La tecnología Virtual Tone Interpolation™ ofrece 7 selecciones de tipo de amplificador con tone stacks situados antes

o después de los circuitos de conducción

• El algoritmo de reducción de zumbido (pendiente de patente) busca y elimina de forma activa el “zumbido” ambiental

• Afinador cromático digital incorporado

• 65 vatios de potencia de salida

• Altavoz Celestion

de 12" y 8 Ω

• Conector de salida de línea/auriculares estéreo

íí

GG rr aacc ii aa ss pp oo rr ee ll ee gg ii rr FF ee nn dd ee rr

®®

–– SSoo nn ii dd oo ,, tt rraa dd ii cc ii óó nn ee ii nn nn oo vv aa cc ii óó nn –– dd ee ss dd ee 11 99 44 66 ..

óó

Amplificador Cyber–Champ

™

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Conceptos básicos de utilización

Configuraciones predefinidas y bancos

El Cyber-Champ™ se reconfigura instantáneamente cada vez que se

selecciona una configuración predefinida. Utilice los botones de confi-

guraciones predefinidas para seleccio-

nar una configuración predefinida en el banco actual. Pulse el botón BANK

y, a continuación, un botón de configuración predefinida para seleccionar

una configuración predefinida de otro banco. Tenga en cuenta que, al

seleccionar una configuración predefinida, la posición de cada botón no refleja

su configuración real (excepto por casualidad) mientras no se capture…

ptura de botones

Para poder ajustar el valor de un botón, debe “capturarlo” previamente. Para

ello, gire el botón hasta que se ilumine el indicador LED adyacente. Una vez

capturado, los ajustes posteriores se pueden escuchar y se realizan de forma

inmediata.

Guar

dar configuraciones predefinidas

Los valores de los botones capturados se liberan al seleccionar una configu-

ración predefinida …no obstante, para guardar todas sus configuraciones

actuales sólo tiene que mantener pulsado cualquier botón de configuración

predefinida durante 2 segundos. La nueva configuración predefinida se

guardará en el banco Players’ Lounge, asignada al botón pulsado. La nueva

configuración predefinida se activa automáticamente.

A. CONECTOR INPUT (ENTRADA)

Conexión de entrada para la guitarra. El nivel de entrada se ajusta automáticamente

para asegurar que se envíe el nivel de señal adecuado a los circuitos DSP.

B. GAIN (GANANCIA)

Controla el nivel de distorsión de la señal y contribuye al volumen global del amplificador.

Utilice el botón VOLUME {C} para ajustar (normalizar) cualquier cambio de nivel de

volumen que no desee provocado por un cambio en el nivel del parámetro GAIN.

C. VOLUME (VOLUMEN)

Controla el nivel la señal post-distorsión y contribuye al volumen global del amplificador.

Utilice este botón junto con GAIN {B} para normalizar las diferencias de volumen entre

configuraciones predefinidas.

-40

GAIN

VOLUME

-10

–

INPUT

–

-40

GAIN

VOLUME

TREBLE

MIDDLE

BASS MASTER

INPUT

PHONES

OUT

MIDI

REVERB

MOD. F/X DELAY

PHASER

+40-10 +10

IN TUNE

CUSTOM SHOP

AMP COLLECTION

PLAYERS’ LOUNGE

✧

Descripción general

 Cada una de las configuraciones

predefinidas contiene un conjunto

completo de valores de efectos y

amplificación.

 Hay tres bancos de configuraciones

predefinidas:

CUSTOM SHOP Permanente

AMP COLLECTION Permanente

PLAYERS’ LOUNGE Modificable

 Para capturar (tomar el control de) un

botón, gírelo hasta que el indicador

LED adyacente se ilumine.

La captura se produce cuando el

valor del botón coincida con el valor

real (interno) almacenado en la

configuración predefinida actual.

 Puede guardar 7 configuraciones de

amplificador y de efectos propias en

el banco de configuraciones pre-

definidas Player’s Lounge.

Descripción general

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Fender Cyber-Champ Le manuel du propriétaire

Marque: Fender

Modèle: Cyber-Champ

Catégorie: Pianos numériques

Taper: Le manuel du propriétaire

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dans d''autres langues

italiano: Fender Cyber-Champ Manuale del proprietario
English: Fender Cyber-Champ Owner's manual
español: Fender Cyber-Champ El manual del propietario
Deutsch: Fender Cyber-Champ Bedienungsanleitung

Fender Cyber-Champ Le manuel du propriétaire

Fender Cyber-Champ Le manuel du propriétaire

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